1 00:00:00,933 --> 00:00:03,100 (upbeat music) 2 00:00:10,400 --> 00:00:12,766 (jazz music) 3 00:00:18,766 --> 00:00:22,266 Hello, I'm Tony Williams, the creator, artistic director 4 00:00:22,266 --> 00:00:25,200 and principal choreographer of the Urban Nutcracker. 5 00:00:26,133 --> 00:00:28,500 My Urban Nutcracker puts a modern spin 6 00:00:28,500 --> 00:00:31,400 on the 19th century holiday tale, 7 00:00:31,400 --> 00:00:34,533 transporting audiences to an enchanted world 8 00:00:34,533 --> 00:00:37,566 where sultry strains of Duke Ellington dovetail 9 00:00:37,566 --> 00:00:39,900 with the heartbeat of Tchaikovsky. 10 00:00:41,000 --> 00:00:44,966 Ballet, hip hop, tap, flamenco and swing 11 00:00:44,966 --> 00:00:48,233 blended to a fusion of contemporary and classical dance. 12 00:00:49,500 --> 00:00:52,933 But the Urban Nutcracker is much more than that. 13 00:00:52,933 --> 00:00:55,900 It's a celebration of who we are as a community. 14 00:00:57,000 --> 00:00:58,466 At the Urban Nutcracker, 15 00:00:58,466 --> 00:01:01,600 we know that art can change anybody's life. 16 00:01:01,600 --> 00:01:03,566 It helped me leave a street gang 17 00:01:03,566 --> 00:01:05,366 and become the first person of color, 18 00:01:05,366 --> 00:01:08,833 half black and half white, to be a principal dancer 19 00:01:08,833 --> 00:01:10,366 in the Boston Ballet. 20 00:01:11,633 --> 00:01:14,233 When the Urban Nutcracker premiered in 2001 21 00:01:14,233 --> 00:01:15,733 at Boston's Strand Theater, 22 00:01:15,733 --> 00:01:18,066 it opened to an electric wall of applause 23 00:01:18,066 --> 00:01:19,566 and standing ovations. 24 00:01:21,200 --> 00:01:24,133 Since then, I've witnessed time and again 25 00:01:24,133 --> 00:01:26,766 the magic that happens when you merge ballet 26 00:01:26,766 --> 00:01:29,933 with dance traditions from other cultures. 27 00:01:29,933 --> 00:01:34,000 You create a rich multicultural mosaic that works as art. 28 00:01:36,133 --> 00:01:37,100 So we begin! 29 00:01:37,266 --> 00:01:38,866 downtown on the street filled 30 00:01:38,866 --> 00:01:40,300 with busking dancers 31 00:01:41,133 --> 00:01:43,033 adding an inner city twist 32 00:01:43,033 --> 00:01:45,133 to this holiday classic. 33 00:01:46,800 --> 00:01:49,433 (jazz music) 34 00:02:04,400 --> 00:02:07,033 (upbeat music) 35 00:02:51,833 --> 00:02:54,466 (feet tapping) 36 00:03:32,366 --> 00:03:33,966 (claps) 37 00:04:35,733 --> 00:04:38,366 (fast tapping) 38 00:05:36,900 --> 00:05:39,566 (applause and cheers) 39 00:05:46,566 --> 00:05:49,266 As act one begins, it's Christmas eve 40 00:05:49,266 --> 00:05:51,700 and the magician named Drosselmeyer 41 00:05:51,700 --> 00:05:54,200 is entertaining a group of children. 42 00:05:54,200 --> 00:05:56,933 But not all is as it seems. 43 00:06:02,333 --> 00:06:04,966 (jazzy big band music) 44 00:08:54,366 --> 00:08:57,000 (applause) 45 00:09:02,700 --> 00:09:05,033 (spirited symphonic music) 46 00:12:05,900 --> 00:12:08,233 Ooh! 47 00:12:08,300 --> 00:12:10,600 Aah! 48 00:14:22,133 --> 00:14:24,766 (applause) 49 00:14:28,300 --> 00:14:30,933 (jazzy music) 50 00:16:15,066 --> 00:16:17,700 (applause) 51 00:16:22,333 --> 00:16:24,666 (spirited symphonic music) 52 00:17:15,600 --> 00:17:18,233 (music stops) 53 00:17:24,700 --> 00:17:27,333 (darker string music) 54 00:20:06,900 --> 00:20:09,533 (playful strings) 55 00:22:12,533 --> 00:22:15,166 (strings with drum machine) 56 00:22:57,533 --> 00:23:00,233 (applause) 57 00:23:02,100 --> 00:23:04,733 (soft string music) 58 00:23:35,200 --> 00:23:37,833 (fast string music) 59 00:24:05,833 --> 00:24:08,466 (stately waltz) 60 00:24:54,633 --> 00:24:57,266 (applause) 61 00:25:46,600 --> 00:25:49,233 (symphonic music) 62 00:26:34,600 --> 00:26:37,233 (clatter) 63 00:26:38,533 --> 00:26:41,166 (somber piano) 64 00:27:14,566 --> 00:27:17,200 (somber jazz) 65 00:28:51,633 --> 00:28:54,266 (symphonic music) 66 00:29:52,700 --> 00:29:58,300 (bells toll midnight) 67 00:30:33,933 --> 00:30:39,533 (dramatic strings) 68 00:32:42,833 --> 00:32:43,966 (flatulence) 69 00:32:43,966 --> 00:32:45,100 (audience laughs) 70 00:44:50,500 --> 00:44:52,400 At the beginning of act two 71 00:44:52,400 --> 00:44:56,033 Drosselmeyer escorts Clarisse to the land of fantasy 72 00:44:57,233 --> 00:44:59,333 They are greeted by the Sugar Plum Fairy 73 00:44:59,333 --> 00:45:00,933 and her friends 74 00:45:02,200 --> 00:45:06,166 Clarisse and Drosselmeyer are entertained by dancers 75 00:45:06,166 --> 00:45:08,466 from around the world. 76 00:45:52,833 --> 00:45:54,266 (slow swing music) 77 00:48:18,800 --> 00:48:20,233 (symphonic music) 78 00:55:14,466 --> 00:55:15,900 (applause) 79 00:55:30,466 --> 00:55:31,900 (symphonic music) 80 00:57:48,800 --> 00:57:50,233 (applause) 81 00:58:07,233 --> 00:58:08,666 (upbeat jazz) 82 01:00:28,700 --> 01:00:30,133 (upbeat swing) 83 01:02:00,600 --> 01:02:03,066 (applause) 84 01:03:05,000 --> 01:03:06,433 Woo! 85 01:03:14,400 --> 01:03:15,833 (feet tapping) 86 01:03:28,566 --> 01:03:30,000 (symphonic music) 87 01:04:53,566 --> 01:04:56,033 (applause and cheers) 88 01:05:09,866 --> 01:05:11,300 (symphonic music) 89 01:07:18,433 --> 01:07:20,900 (applause) 90 01:07:35,133 --> 01:07:37,600 (jazz swing) 91 01:11:40,033 --> 01:11:42,800 (applause) 92 01:11:53,466 --> 01:11:55,933 (slow strings and harp) 93 01:16:04,600 --> 01:16:06,800 (applause) 94 01:17:16,566 --> 01:17:22,666 (applause and cheers) 95 01:19:21,033 --> 01:19:23,233 (applause) 96 01:19:39,366 --> 01:19:42,200 (grand symphonic music) 97 01:20:34,500 --> 01:20:36,533 (tapping) 98 01:23:53,566 --> 01:23:55,000 (music builds) 99 01:24:23,266 --> 01:24:25,300 (applause and cheers) 100 01:24:32,466 --> 01:24:34,700 (upbeat jazzy music) 101 01:24:36,733 --> 01:24:39,233 (applause and cheers)