1 00:00:01,733 --> 00:00:03,766 ♪ ♪ 2 00:00:05,066 --> 00:00:07,900 CORAL PEÑA: We've got extra treasures from our 27th season tour. 3 00:00:07,900 --> 00:00:11,033 You can touch something that Einstein touched. 4 00:00:11,033 --> 00:00:12,633 I mean, it just sends a thrill. 5 00:00:12,633 --> 00:00:13,800 Oh, gosh. 6 00:00:13,800 --> 00:00:15,600 Wow. (chuckles) 7 00:00:15,600 --> 00:00:18,166 PEÑA: Right now in "Antiques Roadshow: Junk In the Trunk." 8 00:00:18,166 --> 00:00:23,200 ♪ ♪ 9 00:00:37,866 --> 00:00:40,200 PEÑA: Nashville's Cheekwood Estate and Gardens 10 00:00:40,200 --> 00:00:43,166 was our first stop in 2022. 11 00:00:43,166 --> 00:00:45,733 Once home to Leslie and Mabel Cheek, 12 00:00:45,733 --> 00:00:47,333 this masterful combination 13 00:00:47,333 --> 00:00:50,266 of architecture, design, and nature 14 00:00:50,266 --> 00:00:52,400 was planned by Bryant Fleming 15 00:00:52,400 --> 00:00:55,666 and was completed in 1932. 16 00:00:55,666 --> 00:00:57,200 Today, the combination 17 00:00:57,200 --> 00:00:59,366 of Cheekwood's beautiful surroundings 18 00:00:59,366 --> 00:01:01,666 and the treasures of our guests 19 00:01:01,666 --> 00:01:04,566 is creating excitement. 20 00:01:04,566 --> 00:01:06,866 Mm-hmm. That's the Vicksburg and this is the other one. 21 00:01:06,866 --> 00:01:08,633 ♪ ♪ 22 00:01:08,633 --> 00:01:11,100 MAN: These are our group of Civil War letters 23 00:01:11,100 --> 00:01:14,566 that are from two brothers 24 00:01:14,566 --> 00:01:17,000 that were at the Siege of Vicksburg. 25 00:01:17,000 --> 00:01:18,266 They wrote the letters together 26 00:01:18,266 --> 00:01:21,400 and signed them Lem and Cam McNabb. 27 00:01:21,400 --> 00:01:23,066 From what little research that I have done, 28 00:01:23,066 --> 00:01:26,233 it looks like Lem was probably captured 29 00:01:26,233 --> 00:01:29,766 at Vicksburg, and then later died in prison. 30 00:01:29,766 --> 00:01:34,100 And the, Cam went on to be also captured 31 00:01:34,100 --> 00:01:35,433 at, at Vicksburg, 32 00:01:35,433 --> 00:01:37,500 paroled on July the 4th of '63, 33 00:01:37,500 --> 00:01:39,600 and joined the Union Army 34 00:01:39,600 --> 00:01:42,666 February of '64 in Nashville. 35 00:01:42,666 --> 00:01:44,266 And you're right, we did a little bit of research 36 00:01:44,266 --> 00:01:45,400 on the brothers. Mm-hmm. 37 00:01:45,400 --> 00:01:48,666 And Lemuel was actually captured on May 17 38 00:01:48,666 --> 00:01:50,833 at the Battle of Big Black River Bridge. 39 00:01:50,833 --> 00:01:55,366 Somewhere between 260 and 329 members of that regiment 40 00:01:55,366 --> 00:01:57,933 were captured that day. (whispers): Wow. 41 00:01:57,933 --> 00:01:58,966 Those guys all got a ticket up North 42 00:01:58,966 --> 00:02:00,500 to Fort Delaware. Mm. 43 00:02:00,500 --> 00:02:02,633 And the reason we don't hear from Lem anymore 44 00:02:02,633 --> 00:02:05,933 is, a few months later, he dies in prison. 45 00:02:05,933 --> 00:02:07,966 Campbell takes another way out. 46 00:02:07,966 --> 00:02:09,733 He gets captured when the city falls. 47 00:02:09,733 --> 00:02:12,700 He's part of the regiment that survives that battle. 48 00:02:12,700 --> 00:02:13,800 And as you noted, 49 00:02:13,800 --> 00:02:16,300 he then turns and joins the Union Army. 50 00:02:16,300 --> 00:02:19,033 He galvanizes, and becomes a Galvanized Yankee 51 00:02:19,033 --> 00:02:20,366 fighting for the Union. 52 00:02:20,366 --> 00:02:22,366 That's just something you don't normally see 53 00:02:22,366 --> 00:02:24,233 in a group of letters. 54 00:02:24,233 --> 00:02:25,233 Now, there's a lot of reasons 55 00:02:25,233 --> 00:02:26,400 he might have made this decision. 56 00:02:26,400 --> 00:02:28,200 It might have just been a very practical one 57 00:02:28,200 --> 00:02:30,766 because he didn't want to go to prison. 58 00:02:30,766 --> 00:02:32,500 He didn't want to have to deal with 59 00:02:32,500 --> 00:02:34,100 being trapped in a parole camp, 60 00:02:34,100 --> 00:02:35,966 waiting to be exchanged. 61 00:02:35,966 --> 00:02:38,000 He may have also not wanted to fight 62 00:02:38,000 --> 00:02:40,300 for the Confederacy in the first place. Mm. 63 00:02:40,300 --> 00:02:42,433 A lot of the East Tennesseans 64 00:02:42,433 --> 00:02:44,400 were Union sympathizers. Mm-hmm. 65 00:02:44,400 --> 00:02:47,200 They did not vote for Tennessee to secede. Ah. 66 00:02:47,200 --> 00:02:49,300 It was Middle Tennessee and West Tennessee 67 00:02:49,300 --> 00:02:50,833 that really forced the issue, 68 00:02:50,833 --> 00:02:53,166 as far as seceding from the Union. 69 00:02:53,166 --> 00:02:54,200 And it's also possible 70 00:02:54,200 --> 00:02:55,866 that what he saw in Vicksburg, 71 00:02:55,866 --> 00:02:58,433 which was one of the most horrific places to be 72 00:02:58,433 --> 00:03:01,066 during the siege, if you were on the Confederate side, 73 00:03:01,066 --> 00:03:03,833 may well have affected his decision. 74 00:03:03,833 --> 00:03:05,333 Outside, you've got a Union Army 75 00:03:05,333 --> 00:03:07,000 that's relatively well supplied. 76 00:03:07,000 --> 00:03:10,333 They're eating, they're relatively healthy... Uh-huh. 77 00:03:10,333 --> 00:03:11,566 ...in the greater scheme of things. 78 00:03:11,566 --> 00:03:12,833 And inside Vicksburg, you've got people 79 00:03:12,833 --> 00:03:15,333 literally living on rats to survive. 80 00:03:15,333 --> 00:03:16,833 And it's not just the two we've got here. 81 00:03:16,833 --> 00:03:19,733 You have an entire archive of roughly 20 letters. 82 00:03:19,733 --> 00:03:22,133 This letter has a particularly interesting description 83 00:03:22,133 --> 00:03:24,333 of something that he saw while he was in 84 00:03:24,333 --> 00:03:25,833 the defenses of Vicksburg. 85 00:03:25,833 --> 00:03:28,066 "We saw an awful sight yesterday. 86 00:03:28,066 --> 00:03:29,066 "Saw a man shot. 87 00:03:29,066 --> 00:03:30,733 "He was an artilleryman, 88 00:03:30,733 --> 00:03:33,300 "belonged to the First Louisiana Regiment. 89 00:03:33,300 --> 00:03:36,000 "He had refused to fight, spiked the cannon, 90 00:03:36,000 --> 00:03:38,100 and ran off to the Federal Army." 91 00:03:38,100 --> 00:03:40,300 Of course, spiking the cannon makes it inoperable. 92 00:03:40,300 --> 00:03:41,533 You can't fire it anymore. 93 00:03:41,533 --> 00:03:43,533 That's the ultimate in desertion. 94 00:03:43,533 --> 00:03:45,033 Not only did he leave the lines, 95 00:03:45,033 --> 00:03:46,533 but he rendered the weapon 96 00:03:46,533 --> 00:03:48,233 he was supposed to use inoperable... Mm-hmm. 97 00:03:48,233 --> 00:03:49,733 ...so that the other forces couldn't use it 98 00:03:49,733 --> 00:03:51,866 in defense of the fortifications. 99 00:03:51,866 --> 00:03:54,000 As we talk about value of these letters, 100 00:03:54,000 --> 00:03:56,233 there's always some additional value 101 00:03:56,233 --> 00:03:58,200 that's placed on Confederate items 102 00:03:58,200 --> 00:04:00,400 because there's a lot less of it 103 00:04:00,400 --> 00:04:03,433 and it is actively collected 104 00:04:03,433 --> 00:04:05,833 because, as in any conflict, 105 00:04:05,833 --> 00:04:07,433 souvenirs get collected 106 00:04:07,433 --> 00:04:09,466 by the winners 107 00:04:09,466 --> 00:04:10,800 from the losers. Mm. 108 00:04:10,800 --> 00:04:12,533 And there's some enhanced value 109 00:04:12,533 --> 00:04:14,700 because of the content of the letters. 110 00:04:14,700 --> 00:04:16,033 They're so descriptive. 111 00:04:16,033 --> 00:04:18,133 And then the other wonderful thing about this archive 112 00:04:18,133 --> 00:04:21,433 is that it covers a couple of years of war service 113 00:04:21,433 --> 00:04:23,600 where he does change sides. 114 00:04:23,600 --> 00:04:26,533 At auction, the one that has this wonderful description 115 00:04:26,533 --> 00:04:29,533 of the artillery just on its own could be 116 00:04:29,533 --> 00:04:30,666 a $500 to $1,000 letter, 117 00:04:30,666 --> 00:04:32,400 'cause it's such an interesting story. 118 00:04:32,400 --> 00:04:34,833 This letter, which talks about him 119 00:04:34,833 --> 00:04:36,466 joining the Union Army, 120 00:04:36,466 --> 00:04:40,333 that's probably a a $500 to $700 letter. 121 00:04:40,333 --> 00:04:41,933 Monetary value is, 122 00:04:41,933 --> 00:04:44,033 I was not expecting at all. 123 00:04:44,033 --> 00:04:46,000 Um, but the historic value 124 00:04:46,000 --> 00:04:48,933 for us T, East Tennesseans is just immeasurable. 125 00:04:48,933 --> 00:04:50,166 Absolutely. 126 00:04:50,166 --> 00:04:52,233 It's the people that went through the events 127 00:04:52,233 --> 00:04:54,933 that give you the clearest view into what was happening. 128 00:04:54,933 --> 00:04:57,200 ♪ ♪ 129 00:04:57,200 --> 00:05:00,200 This is a Kinstler drawing 130 00:05:00,200 --> 00:05:01,500 that he drew when he was 20. 131 00:05:01,500 --> 00:05:03,966 And he rolled it up and sent it to England, 132 00:05:03,966 --> 00:05:05,400 to George Bernard Shaw, 133 00:05:05,400 --> 00:05:07,566 and he never thought he would see it again. 134 00:05:07,566 --> 00:05:09,900 And he sent it back a few months later with, 135 00:05:09,900 --> 00:05:12,500 "Is this me? Good heavens! George Bernard Shaw." 136 00:05:12,500 --> 00:05:14,400 (laughs) And how did you come by it? 137 00:05:14,400 --> 00:05:16,166 My father gave it to me. 138 00:05:16,166 --> 00:05:17,633 ♪ ♪ 139 00:05:17,633 --> 00:05:20,166 This clock belonged to my grandmother. 140 00:05:20,166 --> 00:05:23,233 She lived in a small town in Alabama, 141 00:05:23,233 --> 00:05:25,000 but she lived like she was on 142 00:05:25,000 --> 00:05:26,533 Rodeo Drive or somewhere, so... Oh, good. 143 00:05:26,533 --> 00:05:28,800 Oh, sure. She had clocks on every mantel, 144 00:05:28,800 --> 00:05:30,400 a clock in every room. 145 00:05:30,400 --> 00:05:32,600 But what was really special about this one 146 00:05:32,600 --> 00:05:34,866 is, when it would strike... Yeah. 147 00:05:34,866 --> 00:05:37,633 ...it played this beautiful, like, little melody. 148 00:05:37,633 --> 00:05:40,800 I remember the sound of it more than anything. 149 00:05:40,800 --> 00:05:41,900 Chimes every 15 minutes. Yeah. 150 00:05:41,900 --> 00:05:43,600 And it's playing the Westminster Chimes. 151 00:05:43,600 --> 00:05:44,833 This is what Big Ben plays 152 00:05:44,833 --> 00:05:46,333 in London. Okay. 153 00:05:46,333 --> 00:05:48,466 Huh. The clock is made by Paragon. 154 00:05:48,466 --> 00:05:52,000 They were a clock company in the mid-1970s. Mm-hmm. 155 00:05:52,000 --> 00:05:53,733 And the mechanism is German. 156 00:05:53,733 --> 00:05:57,166 Pillar and scroll form, it's an eight-day clock. 157 00:05:57,166 --> 00:05:59,633 And this is about a $175 to $250 clock. 158 00:05:59,633 --> 00:06:01,100 Built... Well, thank you so much. 159 00:06:01,100 --> 00:06:02,666 I appreciate it. Thank you for coming. 160 00:06:02,666 --> 00:06:05,600 ♪ ♪ 161 00:06:05,600 --> 00:06:07,400 My great-grandfather 162 00:06:07,400 --> 00:06:09,266 was fascinated with the West. 163 00:06:09,266 --> 00:06:12,600 And then my grandfather, his son, 164 00:06:12,600 --> 00:06:16,033 took the train out to Denver from New York, 165 00:06:16,033 --> 00:06:20,400 and rode 800 miles with a group of Native Americans 166 00:06:20,400 --> 00:06:23,933 and spent time with the Navajo, uh, Hopi, 167 00:06:23,933 --> 00:06:25,666 and a few other tribes. 168 00:06:25,666 --> 00:06:27,400 So these were just items 169 00:06:27,400 --> 00:06:28,866 he acquired along the way? 170 00:06:28,866 --> 00:06:31,500 Yes, and I'm not sure what 171 00:06:31,500 --> 00:06:33,033 my great-grandfather got 172 00:06:33,033 --> 00:06:35,700 versus what my grandfather got, 173 00:06:35,700 --> 00:06:39,233 but their trips were all finished by 1916, 174 00:06:39,233 --> 00:06:41,133 so everything would pre-date that. 175 00:06:41,133 --> 00:06:42,833 Have you put any study into them? 176 00:06:42,833 --> 00:06:44,700 I think they're Hopi. 177 00:06:44,700 --> 00:06:47,666 Just east of the Hopi First Mesa, 178 00:06:47,666 --> 00:06:51,133 there was a pueblo that had been abandoned 179 00:06:51,133 --> 00:06:53,233 in the 16th century, 180 00:06:53,233 --> 00:06:54,733 but there was a potter 181 00:06:54,733 --> 00:06:56,266 by the name of Nampeyo 182 00:06:56,266 --> 00:06:57,800 that lived in the region. 183 00:06:57,800 --> 00:06:59,900 She would go down and find shards, 184 00:06:59,900 --> 00:07:02,133 and it inspired her to create a revival 185 00:07:02,133 --> 00:07:04,100 of that pottery style. 186 00:07:04,100 --> 00:07:06,000 She was born in 1859, 187 00:07:06,000 --> 00:07:08,133 died in 1942. Okay. 188 00:07:08,133 --> 00:07:11,333 And it's very difficult to authenticate her pieces. 189 00:07:11,333 --> 00:07:13,400 She never signed any of her pieces, 190 00:07:13,400 --> 00:07:15,066 but there's an elegance to them. 191 00:07:15,066 --> 00:07:17,100 She used a lot of bird wings. 192 00:07:17,100 --> 00:07:19,866 These are really beautiful examples, 193 00:07:19,866 --> 00:07:21,866 and I would attribute them 194 00:07:21,866 --> 00:07:24,166 as Nampeyo. Oh, really? 195 00:07:24,166 --> 00:07:25,933 Oh, neat. Probably date to the time 196 00:07:25,933 --> 00:07:28,566 that he was there in 1916. Okay. 197 00:07:28,566 --> 00:07:30,366 So they're from the turn of the century. Okay. 198 00:07:30,366 --> 00:07:31,733 And what is this? 199 00:07:31,733 --> 00:07:32,800 Is that, like, a... It's a canteen. 200 00:07:32,800 --> 00:07:34,100 A canteen? Okay. 201 00:07:34,100 --> 00:07:35,933 And it's a personal use canteen. Mm-hmm. 202 00:07:35,933 --> 00:07:38,200 And there were enough people coming through 203 00:07:38,200 --> 00:07:39,633 that she was making these to sell 204 00:07:39,633 --> 00:07:40,800 to visitors. Mm-hmm. 205 00:07:40,800 --> 00:07:44,000 The canteen is charming, absolutely charming. 206 00:07:44,000 --> 00:07:47,166 And at auction, I'd put an estimate of maybe 207 00:07:47,166 --> 00:07:50,233 $1,200 to $1,800 on it. Oh, wow. 208 00:07:50,233 --> 00:07:52,700 The bowl has a lug for hanging, 209 00:07:52,700 --> 00:07:54,700 and would, they would hang them in their own homes, 210 00:07:54,700 --> 00:07:56,066 would carry a price of 211 00:07:56,066 --> 00:07:58,600 $2,000 to $3,000. Oh, wow. 212 00:07:58,600 --> 00:08:02,066 This center bowl is as elegant as they can be. 213 00:08:02,066 --> 00:08:03,700 It has great form, 214 00:08:03,700 --> 00:08:06,433 beautiful color, exquisite painting. 215 00:08:06,433 --> 00:08:08,266 And I would place its value at 216 00:08:08,266 --> 00:08:10,333 $12,000 to $14,000. Oh, my God! 217 00:08:10,333 --> 00:08:12,233 Wow. (chuckles) So... 218 00:08:12,233 --> 00:08:13,233 So... Well, thank you. 219 00:08:13,233 --> 00:08:14,233 That's fab, 220 00:08:14,233 --> 00:08:15,400 that's great news. (laughs) 221 00:08:21,933 --> 00:08:23,800 ♪ ♪ 222 00:08:23,800 --> 00:08:27,166 PEÑA: The Gem State provided both rain and shine 223 00:08:27,166 --> 00:08:30,666 for "Roadshow's" visit to the Idaho Botanical Garden, 224 00:08:30,666 --> 00:08:32,866 which showed off its natural treasures 225 00:08:32,866 --> 00:08:35,000 as "Roadshow" experts 226 00:08:35,000 --> 00:08:36,500 pored over the crowd's prized possessions. 227 00:08:36,500 --> 00:08:38,300 Fine thing. 228 00:08:38,300 --> 00:08:41,200 WOMAN: My wonderful grammy gave it to me. 229 00:08:41,200 --> 00:08:44,233 My grammy loved antiques, 230 00:08:44,233 --> 00:08:46,900 and she would go antiquing all the time. 231 00:08:46,900 --> 00:08:48,933 When she would bring home her antiques, 232 00:08:48,933 --> 00:08:51,433 she would disperse them around her house 233 00:08:51,433 --> 00:08:54,533 in areas where my grandpa wouldn't see it. 234 00:08:54,533 --> 00:08:57,566 She would bring it out about after three months, 235 00:08:57,566 --> 00:08:59,300 and he would notice it and say, 236 00:08:59,300 --> 00:09:01,133 "Well, is that new?" 237 00:09:01,133 --> 00:09:02,266 And she, "No, no, no, dear. 238 00:09:02,266 --> 00:09:04,066 "That just came from the other room. 239 00:09:04,066 --> 00:09:06,033 I'm just rearranging antiques." 240 00:09:06,033 --> 00:09:07,933 So you have no idea what she paid for it 241 00:09:07,933 --> 00:09:09,133 or anything? No. 242 00:09:09,133 --> 00:09:10,200 She didn't know anything about it, either. 243 00:09:10,200 --> 00:09:11,900 She was terrible-- she kept no records, 244 00:09:11,900 --> 00:09:13,900 because "records" could be looked at 245 00:09:13,900 --> 00:09:15,266 by her husband. (laughing) 246 00:09:15,266 --> 00:09:16,966 Oh, I get that, I get that. (both laugh) 247 00:09:16,966 --> 00:09:19,433 It is bronze. Okay. 248 00:09:19,433 --> 00:09:21,966 And it's mounted on a ceramic vase, 249 00:09:21,966 --> 00:09:23,966 which is probably porcelain. 250 00:09:23,966 --> 00:09:27,600 The design is just spectacular, with all this sea life. 251 00:09:27,600 --> 00:09:28,933 Around the bottom, 252 00:09:28,933 --> 00:09:32,833 we have starfish and maybe some type of coral. 253 00:09:32,833 --> 00:09:34,966 Then we got this wonderful seaweed 254 00:09:34,966 --> 00:09:36,366 wrapping around the vase, 255 00:09:36,366 --> 00:09:39,633 with three terrific seahorses. 256 00:09:39,633 --> 00:09:42,333 Wow. With their tails wrapped around 257 00:09:42,333 --> 00:09:43,833 the edge of the seaweed. 258 00:09:43,833 --> 00:09:45,600 And then in, on the back, 259 00:09:45,600 --> 00:09:48,433 we really get to see the beautiful, rich glaze. 260 00:09:48,433 --> 00:09:50,333 And these glazes are very much inspired 261 00:09:50,333 --> 00:09:52,566 by ancient Chinese ceramics... Oh! 262 00:09:52,566 --> 00:09:55,066 ...and porcelains, which European makers 263 00:09:55,066 --> 00:09:57,066 loved to try to imitate. 264 00:09:57,066 --> 00:09:58,133 On the bottom... 265 00:09:58,133 --> 00:09:59,466 Mm-hmm. ...there is a signature, 266 00:09:59,466 --> 00:10:00,700 which before today... Huh! 267 00:10:00,700 --> 00:10:01,700 ...you didn't know was there, right? 268 00:10:01,700 --> 00:10:03,000 I, I didn't. (laughs) 269 00:10:03,000 --> 00:10:04,500 Right here at the bottom. 270 00:10:04,500 --> 00:10:05,866 Oh! Yep. 271 00:10:05,866 --> 00:10:08,133 It says "L. Chalon." 272 00:10:08,133 --> 00:10:10,866 C-H-A-L-O-N. 273 00:10:10,866 --> 00:10:13,800 Oh. And this was done by an artist named 274 00:10:13,800 --> 00:10:15,100 Louis Chalon. 275 00:10:15,100 --> 00:10:16,100 Oh. Who was French. 276 00:10:16,100 --> 00:10:18,000 He was born in 1866, 277 00:10:18,000 --> 00:10:21,166 and he lived until 1940. Oh, wow. 278 00:10:21,166 --> 00:10:23,700 Um, and he was a multitalented, 279 00:10:23,700 --> 00:10:25,300 really interesting man. 280 00:10:25,300 --> 00:10:26,633 He, he studied painting, 281 00:10:26,633 --> 00:10:29,366 he did book illustration. 282 00:10:29,366 --> 00:10:31,766 He worked in gold, he worked in silver. 283 00:10:31,766 --> 00:10:32,800 Wow. But at some point, 284 00:10:32,800 --> 00:10:34,266 he kind of settled on bronze. 285 00:10:34,266 --> 00:10:37,200 And most of his bronzes are just solid bronze. Oh! 286 00:10:37,200 --> 00:10:40,066 But he sometimes incorporated other materials, like this... Mm-hmm. 287 00:10:40,066 --> 00:10:41,300 ...into his sculptures. 288 00:10:41,300 --> 00:10:43,533 In a few cases, he did ceramics. 289 00:10:43,533 --> 00:10:46,466 And with great care, we could unfasten it. 290 00:10:46,466 --> 00:10:48,433 And possibly, it's marked. (laughs) 291 00:10:48,433 --> 00:10:49,800 But one thing we're certain... 292 00:10:49,800 --> 00:10:51,333 Mm-hmm. ...is that it's French. 293 00:10:51,333 --> 00:10:52,833 We think it might be made 294 00:10:52,833 --> 00:10:54,133 by Sèvres Porcelain. Right. 295 00:10:54,133 --> 00:10:57,533 This is probably made around 1900, 1910, 296 00:10:57,533 --> 00:10:59,100 1915. Wow, okay. 297 00:10:59,100 --> 00:11:01,233 Okay, wow. And one question is, 298 00:11:01,233 --> 00:11:04,200 was this originally a vase? Yes. 299 00:11:04,200 --> 00:11:08,533 That was converted to a t, a lamp? Hmm. 300 00:11:08,533 --> 00:11:09,800 Or was it always a lamp? 301 00:11:09,800 --> 00:11:11,100 We looked at it very closely. 302 00:11:11,100 --> 00:11:12,900 Okay. And we think it was always a lamp. 303 00:11:12,900 --> 00:11:14,766 Oh! It's really hard to say 304 00:11:14,766 --> 00:11:16,133 because there are so few examples 305 00:11:16,133 --> 00:11:17,400 of his work like this. Mm-hmm, oh. 306 00:11:17,400 --> 00:11:19,433 But our guess, it would probably sell, 307 00:11:19,433 --> 00:11:20,633 for a retail price, 308 00:11:20,633 --> 00:11:23,133 somewhere in the $3,000 to $5,000 range. 309 00:11:23,133 --> 00:11:24,133 Oh, my goodness. 310 00:11:24,133 --> 00:11:25,700 That's absolutely fantastic. 311 00:11:25,700 --> 00:11:28,566 It's an absolute gem in my house. 312 00:11:28,566 --> 00:11:31,733 So, I thank you for giving me all this information. 313 00:11:33,733 --> 00:11:35,166 MAN: The family story is that 314 00:11:35,166 --> 00:11:37,433 my grandmother and grandfather 315 00:11:37,433 --> 00:11:39,433 went on a tour of Europe 316 00:11:39,433 --> 00:11:42,633 and decided to bring back some items to commemorate it. 317 00:11:42,633 --> 00:11:44,300 And this is one of the things they bought, 318 00:11:44,300 --> 00:11:46,266 and I think it was in the early '30s. 319 00:11:46,266 --> 00:11:47,600 Well, that makes sense. 320 00:11:47,600 --> 00:11:50,233 People were doing the Grand Tour at that time 321 00:11:50,233 --> 00:11:52,600 and collecting art along the way. 322 00:11:52,600 --> 00:11:53,900 The painting is by 323 00:11:53,900 --> 00:11:56,233 Pierre Jan van der Ouderaa. 324 00:11:56,233 --> 00:11:57,666 He was a Flemish painter, 325 00:11:57,666 --> 00:12:00,666 born in Antwerp in 1841, 326 00:12:00,666 --> 00:12:04,100 and studied all over Europe. 327 00:12:04,100 --> 00:12:05,533 Went to the Middle East, 328 00:12:05,533 --> 00:12:08,800 and he was an academic painter. 329 00:12:08,800 --> 00:12:11,133 So the painting is titled "Lovers," 330 00:12:11,133 --> 00:12:12,300 but when you first brought it 331 00:12:12,300 --> 00:12:14,100 to the table, you, um, 332 00:12:14,100 --> 00:12:15,800 had another idea. 333 00:12:15,800 --> 00:12:17,400 Well, I was just commenting that 334 00:12:17,400 --> 00:12:18,700 he probably should have named it "Lover," 335 00:12:18,700 --> 00:12:20,066 because she looks really, 336 00:12:20,066 --> 00:12:21,866 you know, unexcited to be there. 337 00:12:21,866 --> 00:12:23,900 (laughs): So I've always been curious about the name 338 00:12:23,900 --> 00:12:25,366 and, and the subject matter, so... 339 00:12:25,366 --> 00:12:28,433 Right, he seems to be amorous. 340 00:12:28,433 --> 00:12:30,033 She not so. (laughs) 341 00:12:30,033 --> 00:12:32,233 It's in an academic style, 342 00:12:32,233 --> 00:12:34,200 it's dated 1875 343 00:12:34,200 --> 00:12:36,300 and signed lower right. 344 00:12:36,300 --> 00:12:38,100 It's oil on panel. 345 00:12:38,100 --> 00:12:39,333 There's a label on the back 346 00:12:39,333 --> 00:12:43,366 by a very well-known gallery out of London, 347 00:12:43,366 --> 00:12:44,666 Frost and Reed. 348 00:12:44,666 --> 00:12:46,333 And that really helps 349 00:12:46,333 --> 00:12:48,833 authenticate the painting. 350 00:12:48,833 --> 00:12:52,166 Once it's got their stamp of approval, 351 00:12:52,166 --> 00:12:54,000 then we know it's legitimate. 352 00:12:54,000 --> 00:12:58,000 It's unlikely that the frame is original. 353 00:12:58,000 --> 00:13:02,033 It was probably put on the painting in the 1930s, 354 00:13:02,033 --> 00:13:04,666 when your grandparents purchased the painting. 355 00:13:04,666 --> 00:13:06,233 It's a genre painting, 356 00:13:06,233 --> 00:13:10,033 and they're not as in style these days 357 00:13:10,033 --> 00:13:11,633 as they once were. 358 00:13:11,633 --> 00:13:14,300 He painted a lot of historical subjects. 359 00:13:14,300 --> 00:13:15,566 Those can bring 360 00:13:15,566 --> 00:13:18,100 a lot of money-- tens of thousands. 361 00:13:18,100 --> 00:13:21,333 This, uh, is an earlier work, 362 00:13:21,333 --> 00:13:22,866 and I think at auction, 363 00:13:22,866 --> 00:13:24,566 a fair value would be 364 00:13:24,566 --> 00:13:25,933 $3,000 to $5,000. 365 00:13:25,933 --> 00:13:27,200 Great, thank you. 366 00:13:27,200 --> 00:13:29,300 Right now, it's just in all my Zoom calls 367 00:13:29,300 --> 00:13:31,533 'cause it's behind me in my office. 368 00:13:31,533 --> 00:13:32,833 (laughs) 369 00:13:34,266 --> 00:13:36,966 So the, a lady just appeared 370 00:13:36,966 --> 00:13:38,300 and she had this box. 371 00:13:38,300 --> 00:13:41,733 It is a gold eagle. 372 00:13:41,733 --> 00:13:42,800 How wonderful. 373 00:13:42,800 --> 00:13:45,266 And on the back it says "KW," 374 00:13:45,266 --> 00:13:48,200 which I am sure is a Chinese maker's mark 375 00:13:48,200 --> 00:13:49,200 and the "18," 376 00:13:49,200 --> 00:13:50,866 which I think is 18-karat gold. 377 00:13:50,866 --> 00:13:52,500 You think it was Hong Kong? 378 00:13:52,500 --> 00:13:54,500 I think it was probably made in Canton. Canton? 379 00:13:54,500 --> 00:13:56,233 Canton? Yeah, Guangzhou. 380 00:13:56,233 --> 00:13:58,166 It was made for the American market, 381 00:13:58,166 --> 00:14:00,266 with the eagle. I think it's because it's an eagle. 382 00:14:00,266 --> 00:14:01,733 Yeah. Which is really extraordinary. 383 00:14:01,733 --> 00:14:02,933 In fact, it's a brooch. 384 00:14:02,933 --> 00:14:05,066 It's not a traditional Chinese form. 385 00:14:05,066 --> 00:14:07,766 This is an export item, and therefore 386 00:14:07,766 --> 00:14:10,266 it's a different market than a domestic Chinese market. 387 00:14:10,266 --> 00:14:11,700 Have you ever seen something like this before? 388 00:14:11,700 --> 00:14:14,000 No, I've never seen anything like that. 389 00:14:14,000 --> 00:14:15,500 I think it's $4,000 to $6,000. 390 00:14:15,500 --> 00:14:18,400 That's fantastic. I mean, it's really, really rare. 391 00:14:18,400 --> 00:14:20,433 ♪ ♪ 392 00:14:20,433 --> 00:14:23,900 I brought in my larger of the two, uh, "Ben-Hur" play sets 393 00:14:23,900 --> 00:14:25,833 that I received when, in 1959, 394 00:14:25,833 --> 00:14:28,033 when I was eight years old, uh, for Christmas. 395 00:14:28,033 --> 00:14:30,266 I played with it a few times and my mother stuck it away. 396 00:14:30,266 --> 00:14:32,500 And so it's in, pretty, pretty... 397 00:14:32,500 --> 00:14:34,733 It's, like, almost, uh, next to mint condition, I guess. 398 00:14:34,733 --> 00:14:36,933 Do you like gladiator movies? 399 00:14:36,933 --> 00:14:38,700 I liked this one. (laughs) 400 00:14:38,700 --> 00:14:42,100 1959 was the year the Marx "Ben-Hur" playset came out. 401 00:14:42,100 --> 00:14:44,400 I took pictures of it 402 00:14:44,400 --> 00:14:45,733 so I wouldn't ever have to set it up again. 403 00:14:45,733 --> 00:14:47,866 (laughs): That's very, very smart. Yeah, yeah. 404 00:14:47,866 --> 00:14:50,166 Got it all together, you've got all the bits in here. 405 00:14:50,166 --> 00:14:51,900 In this condition, in the original box 406 00:14:51,900 --> 00:14:54,166 with all of the original packaging and bags, 407 00:14:54,166 --> 00:14:56,200 you're probably at around 408 00:14:56,200 --> 00:14:57,666 $800 to $1,000 at auction right now. 409 00:14:57,666 --> 00:14:58,866 Wow, okay, great. 410 00:14:58,866 --> 00:15:01,500 Wow, that's, that makes me feel good. 411 00:15:01,500 --> 00:15:03,733 It's fantastic. 412 00:15:03,733 --> 00:15:05,933 ♪ ♪ 413 00:15:07,500 --> 00:15:08,600 So this tea set, 414 00:15:08,600 --> 00:15:10,933 it was my mother's pride and joy. 415 00:15:10,933 --> 00:15:12,433 It belonged to, I think, 416 00:15:12,433 --> 00:15:15,600 our great-great-great- grandfather Robert Stuart. 417 00:15:15,600 --> 00:15:17,933 And he is credited with finding 418 00:15:17,933 --> 00:15:20,933 the overland passage back from the Pacific Northwest. 419 00:15:20,933 --> 00:15:22,833 Lewis and Clark found the river route, 420 00:15:22,833 --> 00:15:26,266 but he's credited with the, the return passage, 421 00:15:26,266 --> 00:15:28,400 and he was sent by John Jacob Astor. 422 00:15:28,400 --> 00:15:30,600 And returning to New York, 423 00:15:30,600 --> 00:15:31,733 he was given this tea set 424 00:15:31,733 --> 00:15:34,000 from John Jacob Astor for his wedding. 425 00:15:34,000 --> 00:15:36,533 This is an absolutely exceptional 426 00:15:36,533 --> 00:15:38,800 American silver coffee service. 427 00:15:38,800 --> 00:15:40,933 You obviously have the coffee pot here. 428 00:15:40,933 --> 00:15:42,900 You have the sugar, which is covered, 429 00:15:42,900 --> 00:15:44,033 so it's a covered sugar, 430 00:15:44,033 --> 00:15:45,233 and you have the cream jug. 431 00:15:45,233 --> 00:15:46,433 And it's made by a gentleman 432 00:15:46,433 --> 00:15:47,900 by the name of William Thomson, 433 00:15:47,900 --> 00:15:49,366 who was based in New York 434 00:15:49,366 --> 00:15:52,666 and was active from around about 1810 435 00:15:52,666 --> 00:15:54,966 to the mid-1840s. 436 00:15:54,966 --> 00:15:56,966 And as you had said, 437 00:15:56,966 --> 00:15:57,966 your relative discovered what's now known 438 00:15:57,966 --> 00:15:59,433 as the South Pass. Mm-hmm. 439 00:15:59,433 --> 00:16:01,333 And it's an incredibly important pass. 440 00:16:01,333 --> 00:16:04,133 And he worked for the Pacific Fur Company at the time 441 00:16:04,133 --> 00:16:05,800 for John Jacob Astor. 442 00:16:05,800 --> 00:16:08,433 And what we love about this set 443 00:16:08,433 --> 00:16:11,766 is that it has all of the features 444 00:16:11,766 --> 00:16:14,033 which really commemorate the Pacific Northwest, 445 00:16:14,033 --> 00:16:16,733 primarily with the beaver-form finial at the top... 446 00:16:16,733 --> 00:16:18,300 Mm-hmm. ...surrounded by the laurel leaves. 447 00:16:18,300 --> 00:16:21,066 And then this absolutely spectacular... 448 00:16:21,066 --> 00:16:22,366 I'd like to say it's perhaps probably 449 00:16:22,366 --> 00:16:24,666 a wild turkey or eagle-form spout. Mm-hmm. 450 00:16:24,666 --> 00:16:26,666 It's just really beautiful. 451 00:16:26,666 --> 00:16:27,766 We can tilt this back, 452 00:16:27,766 --> 00:16:30,200 and it says right here on the underside 453 00:16:30,200 --> 00:16:34,600 "Robert Stuart from John Jacob Astor, 1813." 454 00:16:34,600 --> 00:16:37,066 And buried beneath it is the maker's mark, 455 00:16:37,066 --> 00:16:39,500 which is slightly what we call effaced. 456 00:16:39,500 --> 00:16:41,400 You've got this beautiful lobed form, 457 00:16:41,400 --> 00:16:43,500 also, on both of these pots. 458 00:16:43,500 --> 00:16:45,600 You've got this wonderful shell casting 459 00:16:45,600 --> 00:16:46,733 at the base. 460 00:16:46,733 --> 00:16:49,233 All very, very typical for William Thomson. 461 00:16:49,233 --> 00:16:51,600 He has other pieces in museums and institutions, 462 00:16:51,600 --> 00:16:53,733 which, interestingly, feature 463 00:16:53,733 --> 00:16:55,833 other animals as finials, as well. Really? 464 00:16:55,833 --> 00:16:56,833 So, it's kind of his thing. 465 00:16:56,833 --> 00:16:58,100 For this beautiful silver set, 466 00:16:58,100 --> 00:17:00,433 for all three pieces, I would expect to place 467 00:17:00,433 --> 00:17:01,600 an auction estimate of 468 00:17:01,600 --> 00:17:05,033 $15,000 to $25,000 on it. Wow! 469 00:17:05,033 --> 00:17:07,433 Wow, fantastic! 470 00:17:07,433 --> 00:17:08,600 That's great! 471 00:17:08,600 --> 00:17:10,433 I believe that insurance value 472 00:17:10,433 --> 00:17:11,433 is going to be probably closer 473 00:17:11,433 --> 00:17:13,300 to $40,000. Wow! 474 00:17:13,300 --> 00:17:15,900 If you had presented this to us today 475 00:17:15,900 --> 00:17:17,966 with, without the inscription, 476 00:17:17,966 --> 00:17:19,866 it's still a spectacular coffee service 477 00:17:19,866 --> 00:17:21,000 as a stand-alone. 478 00:17:21,000 --> 00:17:22,566 An estimate would probably be in the range 479 00:17:22,566 --> 00:17:24,900 of about $8,000 to $12,000. 480 00:17:24,900 --> 00:17:27,700 I really expected it 481 00:17:27,700 --> 00:17:31,633 to just be worth the melt weight. 482 00:17:31,633 --> 00:17:33,333 ♪ ♪ 483 00:17:33,333 --> 00:17:36,966 PEÑA: The sunny Southwest was "Roadshow's" third tour stop. 484 00:17:36,966 --> 00:17:40,733 Santa Fe's Museum Hill, home to four world-class museums 485 00:17:40,733 --> 00:17:43,166 and the Santa Fe Botanical Gardens, 486 00:17:43,166 --> 00:17:46,300 was truly a hotspot for art and antiques. 487 00:17:46,300 --> 00:17:48,166 There's a little chip on the spout, 488 00:17:48,166 --> 00:17:51,566 which is the most vulnerable spot. Yes. 489 00:17:51,566 --> 00:17:53,633 WOMAN: The map belonged to my husband. 490 00:17:53,633 --> 00:17:56,266 He found it in a house in London 491 00:17:56,266 --> 00:17:59,366 that he and a friend were fixing up 492 00:17:59,366 --> 00:18:01,366 wrapped in a n, newspaper. 493 00:18:01,366 --> 00:18:03,333 Okay. And it was hidden in a, a compartment 494 00:18:03,333 --> 00:18:05,033 near a fireplace. 495 00:18:05,033 --> 00:18:07,500 He very carefully unwrapped it, 496 00:18:07,500 --> 00:18:09,600 and, and then we had it the whole time 497 00:18:09,600 --> 00:18:10,866 we were married. 498 00:18:10,866 --> 00:18:12,866 Oh, wow, so when did he find the map in the wall? 499 00:18:12,866 --> 00:18:14,000 I think he found it 500 00:18:14,000 --> 00:18:16,333 sometime at the end of the '50s... 501 00:18:16,333 --> 00:18:18,566 (gasps): Fantastic! ...or the 1960s. 502 00:18:18,566 --> 00:18:21,433 On the embroidery, it says "Tottenham," 503 00:18:21,433 --> 00:18:23,166 which is part of London, 504 00:18:23,166 --> 00:18:27,000 and apparently that was a, a very prosperous area 505 00:18:27,000 --> 00:18:29,200 that wa, had to do with trading. 506 00:18:29,200 --> 00:18:30,400 So what we have here is 507 00:18:30,400 --> 00:18:31,700 "A map of the world 508 00:18:31,700 --> 00:18:36,566 with the latest discoveries" by Jane Young, 1791. 509 00:18:36,566 --> 00:18:38,733 It's a sampler double hemisphere map, 510 00:18:38,733 --> 00:18:40,266 and the needlework 511 00:18:40,266 --> 00:18:42,966 is all hand-done. 512 00:18:42,966 --> 00:18:46,166 It is absolutely magnificent quality. 513 00:18:46,166 --> 00:18:48,500 Technically, as a sampler, 514 00:18:48,500 --> 00:18:50,400 it, it is very accomplished piece. 515 00:18:50,400 --> 00:18:52,900 And it's so hard to do embroidery 516 00:18:52,900 --> 00:18:55,166 in those tiny, tiny fine lines. 517 00:18:55,166 --> 00:18:56,566 There's no ink on this map, 518 00:18:56,566 --> 00:18:59,533 and that makes her a great artist. 519 00:18:59,533 --> 00:19:00,866 She's showing the world 520 00:19:00,866 --> 00:19:05,000 from the 16th century all the way up into 521 00:19:05,000 --> 00:19:06,666 possibly 1750? 522 00:19:06,666 --> 00:19:09,466 I wonder if she used several different maps 523 00:19:09,466 --> 00:19:11,133 to source the material, 524 00:19:11,133 --> 00:19:14,366 because you see many different time periods depicted. 525 00:19:14,366 --> 00:19:15,833 Geographically speaking, 526 00:19:15,833 --> 00:19:18,900 it's a British view of the world at 527 00:19:18,900 --> 00:19:20,833 the time, a, around 1740. 528 00:19:20,833 --> 00:19:23,633 So it's a, very much a colonial sentiment. 529 00:19:23,633 --> 00:19:26,300 You've got the 13 colonies in North America. 530 00:19:26,300 --> 00:19:28,566 You've got, all of West Africa's 531 00:19:28,566 --> 00:19:29,800 named Negroland. 532 00:19:29,800 --> 00:19:32,166 And so, it's a look back on what Britain thought 533 00:19:32,166 --> 00:19:33,933 of the world at the time. 534 00:19:33,933 --> 00:19:36,566 The tradition of geography embroidery 535 00:19:36,566 --> 00:19:39,766 started in England around 1770, 536 00:19:39,766 --> 00:19:42,800 and it became, uh, all the rage. 537 00:19:42,800 --> 00:19:44,666 It was very fashionable for young women 538 00:19:44,666 --> 00:19:45,866 who were well-to-do 539 00:19:45,866 --> 00:19:49,233 to study geography through embroidery. 540 00:19:49,233 --> 00:19:51,833 It's the nicest-quality embroidery 541 00:19:51,833 --> 00:19:54,533 I've ever seen on a sampler, 542 00:19:54,533 --> 00:19:57,466 and that makes me think that it, it was a sampler 543 00:19:57,466 --> 00:19:59,566 that was maybe what we would call 544 00:19:59,566 --> 00:20:01,733 the mother map, or the, or the sample map 545 00:20:01,733 --> 00:20:03,766 that would have been used to make other maps? 546 00:20:03,766 --> 00:20:07,233 As this tradition continued all throughout England, 547 00:20:07,233 --> 00:20:09,400 people mostly did maps of England. 548 00:20:09,400 --> 00:20:13,466 Very few institutions have world maps, number one. 549 00:20:13,466 --> 00:20:15,066 And then number two, 550 00:20:15,066 --> 00:20:18,066 the world maps that I've seen have been silk. 551 00:20:18,066 --> 00:20:20,000 I believe this is, uh, possibly linen, 552 00:20:20,000 --> 00:20:22,300 and that's why it's survived so well. 553 00:20:22,300 --> 00:20:23,633 It's hard to put a value on it 554 00:20:23,633 --> 00:20:25,133 because there's not a lot of auction records. 555 00:20:25,133 --> 00:20:28,566 I would put a value on it in a retail setting 556 00:20:28,566 --> 00:20:32,600 between, uh, $7,500 and $8,500. 557 00:20:32,600 --> 00:20:34,000 Oh, very good. 558 00:20:40,200 --> 00:20:42,533 ♪ ♪ 559 00:20:42,533 --> 00:20:45,166 It's a World War II Royal Air Force 560 00:20:45,166 --> 00:20:47,366 air chief marshal's uniform. 561 00:20:47,366 --> 00:20:50,466 I left the pants in the car 562 00:20:50,466 --> 00:20:52,800 'cause it made it so heavy, 'cause this is all wool, 563 00:20:52,800 --> 00:20:55,066 and it's, it's, like, ten pounds of uniform. 564 00:20:55,066 --> 00:20:58,900 ♪ ♪ 565 00:20:58,900 --> 00:21:01,266 We were due some money, 566 00:21:01,266 --> 00:21:02,866 and they couldn't pay. 567 00:21:02,866 --> 00:21:06,133 So, they offered us stock in the company 568 00:21:06,133 --> 00:21:08,933 or jewelry, and we took the jewelry. 569 00:21:08,933 --> 00:21:11,666 It's probably from the '70s, probably Navajo-made, 570 00:21:11,666 --> 00:21:12,933 and probably from my hometown 571 00:21:12,933 --> 00:21:14,366 of Gallup, New Mexico. 572 00:21:14,366 --> 00:21:16,066 There was a period in the '70s 573 00:21:16,066 --> 00:21:18,833 where people wanted really big, 574 00:21:18,833 --> 00:21:20,266 ostentatious jewelry. 575 00:21:20,266 --> 00:21:23,366 It was a trend of its time. 576 00:21:23,366 --> 00:21:25,200 Not as popular today. 577 00:21:25,200 --> 00:21:26,700 You can see that the, the beads, 578 00:21:26,700 --> 00:21:28,466 if you look closely, 579 00:21:28,466 --> 00:21:29,833 those are actually machine-made beads. 580 00:21:29,833 --> 00:21:33,400 And the quality of the turquoise isn't great. 581 00:21:33,400 --> 00:21:36,133 It would probably maybe bring a value of around 582 00:21:36,133 --> 00:21:38,600 $1,500 to $2,500. 583 00:21:38,600 --> 00:21:40,900 But it's just a wonderful example 584 00:21:40,900 --> 00:21:43,233 of the style and trends 585 00:21:43,233 --> 00:21:47,800 and how things change in Indian jewelry. 586 00:21:47,800 --> 00:21:49,400 WOMAN: He was given to my grandmother 587 00:21:49,400 --> 00:21:51,366 by a friend of her family's, 588 00:21:51,366 --> 00:21:52,966 and she used him 589 00:21:52,966 --> 00:21:55,266 in lots of adventures. Uh, lots of adventures. 590 00:21:55,266 --> 00:21:57,166 What do you mean by a lot of adventures? 591 00:21:57,166 --> 00:21:58,533 Uh, when they lived in New York City, 592 00:21:58,533 --> 00:22:00,233 she would wait until an older woman 593 00:22:00,233 --> 00:22:01,500 walked by on the sidewalk 594 00:22:01,500 --> 00:22:03,200 and throw him out the window 595 00:22:03,200 --> 00:22:06,766 and yell, "My baby! My baby!" (laughs): "My baby!" Oh... 596 00:22:06,766 --> 00:22:07,866 It was a terrible thing. (laughs) 597 00:22:07,866 --> 00:22:09,700 What you brought today is a doll 598 00:22:09,700 --> 00:22:11,400 made by Martha Chase. 599 00:22:11,400 --> 00:22:14,133 She lived in Pawtucket, Rhode Island. 600 00:22:14,133 --> 00:22:17,333 She started making dolls in 1889 601 00:22:17,333 --> 00:22:19,666 and made dolls for about 30 years. 602 00:22:19,666 --> 00:22:22,933 This doll probably dates to about 1915. 603 00:22:22,933 --> 00:22:25,066 She also made specialty dolls like 604 00:22:25,066 --> 00:22:26,266 Alice in Wonderland. 605 00:22:26,266 --> 00:22:28,333 She made a George Washington. Mm! 606 00:22:28,333 --> 00:22:30,833 But the doll you brought is very unusual 607 00:22:30,833 --> 00:22:32,766 because of the size. Uh-huh. 608 00:22:32,766 --> 00:22:34,100 It's 32 inches. 609 00:22:34,100 --> 00:22:36,233 On today's market, it would probably sell 610 00:22:36,233 --> 00:22:38,900 between $900 and $1,000, retail. 611 00:22:38,900 --> 00:22:40,866 Oh, okay! 612 00:22:40,866 --> 00:22:43,566 So I need to keep him away from my dog. (laughs): Right. 613 00:22:43,566 --> 00:22:45,900 Right, and take good care of him. 614 00:22:51,400 --> 00:22:55,266 WOMAN: It was given to my mother in the late '60s 615 00:22:55,266 --> 00:22:56,833 by my Uncle Henry. Mm-hmm. 616 00:22:56,833 --> 00:22:59,233 We had it in our lovely little kitchen 617 00:22:59,233 --> 00:23:00,733 in Philadelphia. 618 00:23:00,733 --> 00:23:02,633 We had two others, 619 00:23:02,633 --> 00:23:04,133 and we loved sitting on them 620 00:23:04,133 --> 00:23:06,266 having breakfast in the morning. 621 00:23:06,266 --> 00:23:08,400 It's something I've always loved. 622 00:23:08,400 --> 00:23:13,333 And so, when my mother died in 2013, 623 00:23:13,333 --> 00:23:15,133 we all got an opportunity 624 00:23:15,133 --> 00:23:16,366 to choose things, 625 00:23:16,366 --> 00:23:18,566 and this is one of the things I wanted. 626 00:23:18,566 --> 00:23:20,400 So... Well, you are a good chooser, 627 00:23:20,400 --> 00:23:21,466 I'll tell you. Okay. 628 00:23:21,466 --> 00:23:23,200 This is a great piece of furniture 629 00:23:23,200 --> 00:23:25,266 made by my very favorite furniture maker, 630 00:23:25,266 --> 00:23:26,566 Wharton Esherick. 631 00:23:26,566 --> 00:23:28,500 And he lived in Paoli, Pennsylvania. Yes. 632 00:23:28,500 --> 00:23:30,666 Not far from Philadelphia. 633 00:23:30,666 --> 00:23:32,033 And he actually, as far as I'm concerned 634 00:23:32,033 --> 00:23:33,566 and a lot of other people are concerned, 635 00:23:33,566 --> 00:23:36,000 started the Studio Furniture Movement. Mm. 636 00:23:36,000 --> 00:23:38,300 And all kinds of famous people 637 00:23:38,300 --> 00:23:40,766 came out of the Studio Furniture Movement: 638 00:23:40,766 --> 00:23:43,400 George Nakashima, Paul Evans, 639 00:23:43,400 --> 00:23:44,800 Wendell Castle. 640 00:23:44,800 --> 00:23:46,100 Those are just a few. Okay. 641 00:23:46,100 --> 00:23:47,166 But those are really big names... Okay. 642 00:23:47,166 --> 00:23:48,466 ...in the world of furniture. 643 00:23:48,466 --> 00:23:49,500 And Mr. Esherick 644 00:23:49,500 --> 00:23:51,566 started the whole thing. Wow. 645 00:23:51,566 --> 00:23:53,900 And he started about 1920. 646 00:23:53,900 --> 00:23:56,000 He was a trained artist. Wow. 647 00:23:56,000 --> 00:23:57,766 He, he was a, a fine artist. Uh-huh. 648 00:23:57,766 --> 00:24:00,266 And he never made much of a living as a fine artist. 649 00:24:00,266 --> 00:24:02,433 I think he was sort of a starving fine artist. 650 00:24:02,433 --> 00:24:04,200 Oh. And he, he was a... 651 00:24:04,200 --> 00:24:05,400 He was certainly an adventurer, 652 00:24:05,400 --> 00:24:06,733 and he had an interesting life. 653 00:24:06,733 --> 00:24:08,933 And he wandered down to Alabama, 654 00:24:08,933 --> 00:24:11,233 and while he was there, he had to make furniture. 655 00:24:11,233 --> 00:24:13,600 Legend has it he was too poor to buy his own, 656 00:24:13,600 --> 00:24:14,933 so he had to make it. (moans sadly) 657 00:24:14,933 --> 00:24:16,866 And that notion of beauty and furniture, 658 00:24:16,866 --> 00:24:19,500 and kind of commingling the two, came out. 659 00:24:19,500 --> 00:24:21,466 He ends up moving to Paoli. Okay. 660 00:24:21,466 --> 00:24:22,900 Paoli, Pennsylvania, out in the Main Line, 661 00:24:22,900 --> 00:24:24,233 and sets up a little shop. 662 00:24:24,233 --> 00:24:25,233 He's doing pretty good business. 663 00:24:25,233 --> 00:24:26,333 He's doing business 664 00:24:26,333 --> 00:24:27,866 with a lot of very wealthy folks 665 00:24:27,866 --> 00:24:29,566 all through Philadelphia. 666 00:24:29,566 --> 00:24:32,333 But there are slow times, and he needs a few bucks. 667 00:24:32,333 --> 00:24:33,333 So what he does is, 668 00:24:33,333 --> 00:24:35,000 he starts making these stools. 669 00:24:35,000 --> 00:24:36,100 No kidding. 670 00:24:36,100 --> 00:24:37,633 And he would sell them locally. 671 00:24:37,633 --> 00:24:39,133 I've seen dozens of them. 672 00:24:39,133 --> 00:24:40,966 Oh. And no two that I've ever seen 673 00:24:40,966 --> 00:24:42,900 are remotely similar. 674 00:24:42,900 --> 00:24:45,533 All the tops are different, they're different heights. 675 00:24:45,533 --> 00:24:47,533 The legs are different shapes, the angles are different. Mm-hmm. 676 00:24:47,533 --> 00:24:49,866 And it was both functional and it was beautiful. 677 00:24:49,866 --> 00:24:51,233 I mean, look at this piece. I know. 678 00:24:51,233 --> 00:24:53,166 Look, look at the curves and the angles. Yup. 679 00:24:53,166 --> 00:24:54,333 And the sloping. Yup. 680 00:24:54,333 --> 00:24:56,300 It's a stool, it was a simple stool. 681 00:24:56,300 --> 00:24:57,666 Should we take a look at the top? 682 00:24:57,666 --> 00:24:59,933 Absolutely, it's one of my favorite parts. 683 00:24:59,933 --> 00:25:03,600 I like to look at it as, like, a cow face. 684 00:25:03,600 --> 00:25:06,466 Yeah. Well, it's very biomorphic, that's for sure. 685 00:25:06,466 --> 00:25:07,766 As far as what kind of wood this is, 686 00:25:07,766 --> 00:25:09,466 the base is made out of oak. 687 00:25:09,466 --> 00:25:11,000 All the stools I've ever seen 688 00:25:11,000 --> 00:25:12,733 had oak bases. Okay. 689 00:25:12,733 --> 00:25:15,633 The, this top, I'm not 100% sure what it is. 690 00:25:15,633 --> 00:25:17,633 It was probably some scrap 691 00:25:17,633 --> 00:25:18,933 from something else he was building. 692 00:25:18,933 --> 00:25:20,233 It could have been. Then, it doesn't look to me 693 00:25:20,233 --> 00:25:21,900 like anyone's put any love into this 694 00:25:21,900 --> 00:25:23,300 since it was probably produced. Right. 695 00:25:23,300 --> 00:25:25,400 One of the great things about Esherick's work is, 696 00:25:25,400 --> 00:25:27,200 is that you could clean this up. 697 00:25:27,200 --> 00:25:28,633 Unlike a lot of period furniture, 698 00:25:28,633 --> 00:25:29,800 where people say, "Oh, don't touch it." Ah. 699 00:25:29,800 --> 00:25:30,800 "Whatever you do, don't touch it, 700 00:25:30,800 --> 00:25:31,800 you'll kill the value." Right. 701 00:25:31,800 --> 00:25:32,833 That's not true 702 00:25:32,833 --> 00:25:33,833 with Esherick's furniture. Okay. 703 00:25:33,833 --> 00:25:35,366 The other thing I love about 704 00:25:35,366 --> 00:25:37,000 Wharton Esherick's stuff is his signature. 705 00:25:37,000 --> 00:25:38,000 I love it, too. And this piece is definitely signed. 706 00:25:38,000 --> 00:25:39,000 Totally. 707 00:25:39,000 --> 00:25:40,766 There we go. So, yes. 708 00:25:40,766 --> 00:25:42,866 "W.E." for Wharton Esherick, 709 00:25:42,866 --> 00:25:44,733 1966. 710 00:25:44,733 --> 00:25:47,266 Not all Wharton Esherick furniture is signed, either. 711 00:25:47,266 --> 00:25:49,666 Most of it is, a lot of it is. 712 00:25:49,666 --> 00:25:51,966 Do you have any idea of what this stool might be worth? 713 00:25:51,966 --> 00:25:55,233 I'm thinking about $8,000 to $10,000. 714 00:25:55,233 --> 00:25:56,500 $8,000 to $10,000? Yeah. 715 00:25:56,500 --> 00:25:58,733 Well, that, that is, at auction today, 716 00:25:58,733 --> 00:26:00,200 that's just about right. Okay. 717 00:26:00,200 --> 00:26:01,366 Exactly to, to the dollar. Okay, all right. 718 00:26:01,366 --> 00:26:02,366 It's right. All right. 719 00:26:02,366 --> 00:26:03,500 Uh, some sold last week 720 00:26:03,500 --> 00:26:05,400 for a little bit above that. Okay. 721 00:26:05,400 --> 00:26:06,733 Um, and some sell for a little bit below. 722 00:26:06,733 --> 00:26:08,966 But $8,000 to $10,000 is right on. Well, good. 723 00:26:08,966 --> 00:26:10,966 So between you and your siblings, 724 00:26:10,966 --> 00:26:13,733 you have, uh, $30,000 in Wharton Esherick stools. (laughing): Yes. 725 00:26:13,733 --> 00:26:16,433 Yes, and we love them all. 726 00:26:16,433 --> 00:26:19,733 They usually sold between $40, $50, $60 apiece, so... Okay, all right. 727 00:26:19,733 --> 00:26:21,033 Okay, wow. 728 00:26:21,033 --> 00:26:24,100 Your uncle... It's really appreciated, then. 729 00:26:24,100 --> 00:26:26,166 WOMAN: The clock was given by my English 730 00:26:26,166 --> 00:26:28,866 great-great-great-great- grandfather 731 00:26:28,866 --> 00:26:33,066 to his daughter Sarah in 1784. 732 00:26:33,066 --> 00:26:36,566 It went to one of the women in each generation. 733 00:26:36,566 --> 00:26:38,966 This clock was made by Thomas Wagstaffe. 734 00:26:38,966 --> 00:26:42,400 He was born in 1724 and he died in 1802. 735 00:26:42,400 --> 00:26:45,333 He was from Oxfordshire, England, 736 00:26:45,333 --> 00:26:47,566 and he was a Quaker 737 00:26:47,566 --> 00:26:50,033 and a fantastic English clockmaker. 738 00:26:50,033 --> 00:26:51,566 One of the best, really. 739 00:26:51,566 --> 00:26:54,733 He's known as a very large man and very personable, 740 00:26:54,733 --> 00:26:56,033 and had a lot of acquaintances 741 00:26:56,033 --> 00:26:58,233 and a diligent worker, 742 00:26:58,233 --> 00:26:59,966 and obviously very skilled. 743 00:26:59,966 --> 00:27:02,300 But this is a very special bracket clock. 744 00:27:02,300 --> 00:27:03,366 It's musical, 745 00:27:03,366 --> 00:27:05,666 and it was made circa 1770. 746 00:27:05,666 --> 00:27:07,433 It's, has a great dial. 747 00:27:07,433 --> 00:27:11,066 It's signed here, "Thomas Wagstaffe, London." 748 00:27:11,066 --> 00:27:12,233 It has a subsidiary dial 749 00:27:12,233 --> 00:27:14,366 for shutting off the strike. 750 00:27:14,366 --> 00:27:15,533 Mm-hmm. The chime. 751 00:27:15,533 --> 00:27:18,133 And then this is the four tunes select. 752 00:27:18,133 --> 00:27:20,300 The tunes are often 753 00:27:20,300 --> 00:27:22,700 the personal selection of your relative. 754 00:27:22,700 --> 00:27:24,900 They would be able to select a tune 755 00:27:24,900 --> 00:27:26,333 on their musical taste. 756 00:27:26,333 --> 00:27:28,300 So these might very well be tunes 757 00:27:28,300 --> 00:27:29,700 that were dear to them. 758 00:27:29,700 --> 00:27:31,733 I'll show you the back, 759 00:27:31,733 --> 00:27:33,066 which is just fantastic. 760 00:27:33,066 --> 00:27:35,433 It has its original cow-tail pendulum. 761 00:27:35,433 --> 00:27:39,466 It's got these foliate engravings throughout. 762 00:27:39,466 --> 00:27:41,566 It plays on a nest of bells. 763 00:27:41,566 --> 00:27:42,566 Everything about it's original. 764 00:27:42,566 --> 00:27:44,133 The condition is fantastic. 765 00:27:44,133 --> 00:27:48,166 Musical clocks like this are fairly rare 766 00:27:48,166 --> 00:27:50,066 and very sought-after, because anything 767 00:27:50,066 --> 00:27:52,700 with complications is very desirable. 768 00:27:52,700 --> 00:27:56,100 This clock, the retail value would certainly be 769 00:27:56,100 --> 00:27:59,733 around $20,000 to $25,000. 770 00:27:59,733 --> 00:28:01,833 Now I've got to be brave enough 771 00:28:01,833 --> 00:28:04,433 to actually wind it and get to listen to it again. 772 00:28:04,433 --> 00:28:06,433 Well, I'll play it. 773 00:28:08,433 --> 00:28:12,700 (chiming) 774 00:28:12,700 --> 00:28:17,666 (chimes playing tune) 775 00:28:17,666 --> 00:28:19,966 It's beautiful. Yeah. 776 00:28:19,966 --> 00:28:22,266 ♪ ♪ 777 00:28:22,266 --> 00:28:25,666 PEÑA: Filoli Historic House and Garden was the scenic backdrop 778 00:28:25,666 --> 00:28:29,166 for the "Roadshow" version of Show and Tell. 779 00:28:29,166 --> 00:28:30,566 As you can see, 780 00:28:30,566 --> 00:28:34,066 it's just a gorgeous example of Americana. 781 00:28:34,066 --> 00:28:36,366 PEÑA: Of course, with the added bonus of a free appraisal 782 00:28:36,366 --> 00:28:38,066 by a "Roadshow" expert. 783 00:28:38,066 --> 00:28:41,200 These would have been, like, late 19th century. 784 00:28:41,200 --> 00:28:45,066 WOMAN: It belonged to my great-grandmother, 785 00:28:45,066 --> 00:28:47,900 who's from Poland, in a small town 786 00:28:47,900 --> 00:28:50,533 outside of Kraków, it's called Bochnia. 787 00:28:50,533 --> 00:28:51,900 Mm-hmm. 788 00:28:51,900 --> 00:28:54,800 And she passed it down to her daughter... Mm-hmm. 789 00:28:54,800 --> 00:28:57,800 ...my grandmother, and then my grandmother 790 00:28:57,800 --> 00:28:59,066 passed it to her daughter, 791 00:28:59,066 --> 00:29:01,900 and then my aunt passed it to me... Mm-hmm. 792 00:29:01,900 --> 00:29:03,300 ...when I was much younger. 793 00:29:03,300 --> 00:29:05,933 I want to say I was in my mid-20s? 794 00:29:05,933 --> 00:29:06,933 Okay, oh, great. Yeah. 795 00:29:06,933 --> 00:29:07,933 Oh, great. Yeah. 796 00:29:07,933 --> 00:29:09,266 Do you wear it often? 797 00:29:09,266 --> 00:29:10,766 Not often. Mm-hmm. 798 00:29:10,766 --> 00:29:12,600 But I do wear it on special occasions. Mm-hmm. 799 00:29:12,600 --> 00:29:15,533 Well, it's a, it's a beautiful necklace, 800 00:29:15,533 --> 00:29:18,100 and it, it dates to about 1905. 801 00:29:18,100 --> 00:29:20,633 Platinum had been an industrial metal, 802 00:29:20,633 --> 00:29:22,833 and when jewelry artists worked with it, 803 00:29:22,833 --> 00:29:25,300 they realized it was much stronger than gold. 804 00:29:25,300 --> 00:29:26,700 Mm-hmm. So you could use 805 00:29:26,700 --> 00:29:30,800 less of it to hold the stones and to make the designs. 806 00:29:30,800 --> 00:29:34,966 So they were able to make these light, beautiful designs. 807 00:29:34,966 --> 00:29:37,433 Mm-hmm. And this was called the garland style. 808 00:29:37,433 --> 00:29:39,900 And it's pretty obvious why it was called the garland style. 809 00:29:39,900 --> 00:29:41,466 (chuckling): Yes. 810 00:29:41,466 --> 00:29:42,833 There are garlands of flowers. Mm-hmm. 811 00:29:42,833 --> 00:29:44,533 You'll also see there's bows. 812 00:29:44,533 --> 00:29:46,300 They were drawing a lot of inspiration 813 00:29:46,300 --> 00:29:50,000 from this 18th-century Marie Antoinette glamour. 814 00:29:50,000 --> 00:29:52,933 Mm-hmm. And the women at, at this time 815 00:29:52,933 --> 00:29:55,266 were wearing a lot of pale colors, 816 00:29:55,266 --> 00:29:57,166 a lot of white silk and lace. 817 00:29:57,166 --> 00:29:59,433 So they loved the, the white metal, 818 00:29:59,433 --> 00:30:03,400 and most of the jewelry was in diamonds or pearls 819 00:30:03,400 --> 00:30:05,533 to, to go with the outfits. Mm-hmm. 820 00:30:05,533 --> 00:30:07,500 A couple of things I especially 821 00:30:07,500 --> 00:30:08,966 love about this necklace. 822 00:30:08,966 --> 00:30:11,700 First, it's with its original box. 823 00:30:11,700 --> 00:30:14,033 And then one of the most interesting things 824 00:30:14,033 --> 00:30:15,966 is the back of the piece, and I often say, if you 825 00:30:15,966 --> 00:30:17,800 want to really know about a piece of jewelry, 826 00:30:17,800 --> 00:30:19,833 look at the back. Absolutely, yeah. 827 00:30:19,833 --> 00:30:22,566 So you can see that this piece 828 00:30:22,566 --> 00:30:24,966 was originally designed to be worn two ways. 829 00:30:24,966 --> 00:30:26,466 There are hooks here... Mm-hmm. 830 00:30:26,466 --> 00:30:29,833 ...to attach the chain, so you could take away the chain. 831 00:30:29,833 --> 00:30:32,133 If you look at the center here in gold, 832 00:30:32,133 --> 00:30:33,866 it's for a screw. 833 00:30:33,866 --> 00:30:37,066 So there would have been a brooch attachment 834 00:30:37,066 --> 00:30:39,033 that would have screwed in there. I see. 835 00:30:39,033 --> 00:30:40,566 And if you ever have a piece 836 00:30:40,566 --> 00:30:42,900 of antique jewelry in the original box, 837 00:30:42,900 --> 00:30:44,200 you always lift up 838 00:30:44,200 --> 00:30:46,833 the velvet and look underneath. Mm-hmm. 839 00:30:46,833 --> 00:30:49,433 'Cause that's usually where they're stored. 840 00:30:49,433 --> 00:30:52,366 So at some point in the past 841 00:30:52,366 --> 00:30:53,400 120 years... Mm-hmm. 842 00:30:53,400 --> 00:30:54,933 ...the brooch fitting went away. 843 00:30:54,933 --> 00:30:56,933 It's set throughout with diamonds. 844 00:30:56,933 --> 00:31:00,566 There's a mix of old-European- cuts and single-cuts, 845 00:31:00,566 --> 00:31:03,833 and you have about six carats of weight there. Hm! 846 00:31:03,833 --> 00:31:05,700 So it's a pretty substantial necklace. Yeah. 847 00:31:05,700 --> 00:31:07,833 Now, it isn't marked at all, 848 00:31:07,833 --> 00:31:10,800 and the box has no markings on it at all. Mm-hmm. 849 00:31:10,800 --> 00:31:14,300 So we can't tell exactly where it was made. 850 00:31:14,300 --> 00:31:18,300 But I'm going to guess it was made in Continental Europe. 851 00:31:18,300 --> 00:31:19,633 If I were to recommend 852 00:31:19,633 --> 00:31:21,200 an insurance value for this... Mm-hmm. 853 00:31:21,200 --> 00:31:22,933 ...I would recommend that you insure it 854 00:31:22,933 --> 00:31:24,433 at about $40,000. Wow. 855 00:31:24,433 --> 00:31:27,200 If it had the original brooch attachment, 856 00:31:27,200 --> 00:31:29,600 I'd probably recommend you insure it at $45,000. 857 00:31:29,600 --> 00:31:31,033 Mm-hmm. 858 00:31:31,033 --> 00:31:33,733 Well, thank you so much. Mm-hmm. 859 00:31:33,733 --> 00:31:35,766 I, I really appreciate it. 860 00:31:41,766 --> 00:31:43,400 This is the original 861 00:31:43,400 --> 00:31:47,700 type on the cover of the "Hotel California" album cover. 862 00:31:47,700 --> 00:31:49,000 The cover is a photograph, 863 00:31:49,000 --> 00:31:51,400 but then there's this neon type going across it, 864 00:31:51,400 --> 00:31:52,866 and my dad painted it. 865 00:31:52,866 --> 00:31:56,400 He's an illustrator, so he did a lot of album covers 866 00:31:56,400 --> 00:31:58,366 and movie posters. 867 00:31:58,366 --> 00:32:01,933 This is a powder horn from 1777. 868 00:32:01,933 --> 00:32:02,933 This belonged to, 869 00:32:02,933 --> 00:32:05,066 I'm not sure how many greats... 870 00:32:05,066 --> 00:32:06,800 Right. (laughs): ...going back grandfathers. 871 00:32:06,800 --> 00:32:11,533 1777, the Revolutionary War was going at full tilt. 872 00:32:11,533 --> 00:32:12,866 You would have needed this. 873 00:32:12,866 --> 00:32:14,900 Your, the, your life depended on having your, 874 00:32:14,900 --> 00:32:16,400 keeping your, your powder dry. 875 00:32:16,400 --> 00:32:19,900 An auction estimate on this would be, uh, about 876 00:32:19,900 --> 00:32:21,666 $3,000 to $5,000. Mm, wow. 877 00:32:21,666 --> 00:32:24,066 And you can insure something like this... 878 00:32:24,066 --> 00:32:25,066 Yes, yes. ...for upwards of $7,000. 879 00:32:25,066 --> 00:32:26,066 Okay. 880 00:32:26,066 --> 00:32:28,966 Great, good. 881 00:32:35,000 --> 00:32:39,500 This is my grandfather's photographs from the 1920s. 882 00:32:39,500 --> 00:32:42,366 He had a shop on 57 Page in San Francisco 883 00:32:42,366 --> 00:32:46,133 and at 1550, um, on Market earlier. 884 00:32:46,133 --> 00:32:48,766 He handled high-end Aces and Indians. Motorcycles. 885 00:32:48,766 --> 00:32:51,700 And, um, uh, Dudley Perkins has on, 886 00:32:51,700 --> 00:32:53,833 across the street on Page, 887 00:32:53,833 --> 00:32:56,166 and he handled Harleys. 888 00:32:56,166 --> 00:32:59,066 This whole archive is 138 photographs. 889 00:32:59,066 --> 00:33:01,800 A lot of it has been in my uncle's possession 890 00:33:01,800 --> 00:33:03,533 up until a year and a half ago. Mm-hmm. 891 00:33:03,533 --> 00:33:06,633 And then he died earlier this year. 892 00:33:06,633 --> 00:33:09,466 And he gave them to me because I'm the one that knows 893 00:33:09,466 --> 00:33:12,133 about archives and, and working in the art business. 894 00:33:12,133 --> 00:33:13,500 Great. 895 00:33:13,500 --> 00:33:15,400 So what do you know about your grandfather's interest 896 00:33:15,400 --> 00:33:17,033 in motorcycles? 897 00:33:17,033 --> 00:33:20,100 It was a time of rebellion against the middle class. Mm. 898 00:33:20,100 --> 00:33:22,033 And my great-grandfather was 899 00:33:22,033 --> 00:33:24,766 Oakland Feed and Grain Company. Mm-hmm. 900 00:33:24,766 --> 00:33:27,700 And had a lot of, made a lot of money that way, so... 901 00:33:27,700 --> 00:33:29,400 (chuckles) Okay, interesting. 902 00:33:29,400 --> 00:33:30,766 Uh, he rebelled against that... Wow. 903 00:33:30,766 --> 00:33:32,466 ...and became the black sheep of the family. 904 00:33:32,466 --> 00:33:34,400 (laughs) Wow. 905 00:33:34,400 --> 00:33:37,366 The motorcycle was invented in the end of the 19th century, 906 00:33:37,366 --> 00:33:41,133 and the first motorcycle club in the United States 907 00:33:41,133 --> 00:33:43,666 was in 1903 in Yonkers, New York. 908 00:33:43,666 --> 00:33:45,700 But San Francisco, your grandfather's club, 909 00:33:45,700 --> 00:33:47,866 was immediately after that, in 1904. Uh-huh. 910 00:33:47,866 --> 00:33:50,666 Wow. So it was one of the first clubs 911 00:33:50,666 --> 00:33:53,633 in the United States, and an area where the motorcycle 912 00:33:53,633 --> 00:33:55,900 culture just seems to have really taken hold. 913 00:33:55,900 --> 00:33:57,600 Oakland was soon after that. 914 00:33:57,600 --> 00:33:58,800 And these photographs 915 00:33:58,800 --> 00:34:03,433 really represent those early motorcycle clubs. 916 00:34:03,433 --> 00:34:05,200 The clubs would gather, there'd be races, 917 00:34:05,200 --> 00:34:08,333 hill-climbing, uh, competitions. 918 00:34:08,333 --> 00:34:12,600 And is the baseline for what we think of 919 00:34:12,600 --> 00:34:13,866 as motorcycle culture today, 920 00:34:13,866 --> 00:34:16,733 which is club-oriented, community-oriented, um... 921 00:34:16,733 --> 00:34:18,000 Leather jackets and jeans and T-shirts. 922 00:34:18,000 --> 00:34:19,166 Yeah. (chuckles) Exactly. 923 00:34:19,166 --> 00:34:20,200 And that's here. 924 00:34:20,200 --> 00:34:21,733 We see that in these images. 925 00:34:21,733 --> 00:34:24,333 And what I find really fascinating 926 00:34:24,333 --> 00:34:28,833 in each of these images, which represent gatherings 927 00:34:28,833 --> 00:34:33,666 of the various motorcycle clubs in California in the 1920s, 928 00:34:33,666 --> 00:34:35,500 is that there is women, as well. Oh, yes. 929 00:34:35,500 --> 00:34:37,266 Women were just beginning to be able to vote. 930 00:34:37,266 --> 00:34:40,466 I think San Francisco Motorcycle Club admitted women 931 00:34:40,466 --> 00:34:41,833 before they could vote, 932 00:34:41,833 --> 00:34:44,866 and it was the first club to do so in the United States, 933 00:34:44,866 --> 00:34:46,666 which I think is amazing. 934 00:34:46,666 --> 00:34:49,200 And what can you tell me about this photograph here? 935 00:34:49,200 --> 00:34:52,566 That is the front of the Page store, 57 Page. 936 00:34:52,566 --> 00:34:53,800 Mm-hmm. 937 00:34:53,800 --> 00:34:55,433 My grandfather's on the, on the right. 938 00:34:55,433 --> 00:34:57,266 So that's his storefront. 939 00:34:57,266 --> 00:34:59,200 And he's on an Indian motorcycle? 940 00:34:59,200 --> 00:35:00,733 Right. 941 00:35:00,733 --> 00:35:03,233 Uh, which is one of the brands that he specialized in, 942 00:35:03,233 --> 00:35:07,433 wearing the San Francisco Motor Club sweater and a tie. 943 00:35:07,433 --> 00:35:09,300 (laughing): And a tie. (laughs) 944 00:35:09,300 --> 00:35:11,766 This is part of a much larger archive. 945 00:35:11,766 --> 00:35:13,466 I'll be giving you a value for what we have 946 00:35:13,466 --> 00:35:14,766 on the table here today. Okay. 947 00:35:14,766 --> 00:35:16,233 At auction, I would value 948 00:35:16,233 --> 00:35:18,500 each of these panoramas 949 00:35:18,500 --> 00:35:20,966 between $2,000 and $3,000. 950 00:35:20,966 --> 00:35:24,433 I would value this smaller photograph 951 00:35:24,433 --> 00:35:26,633 between $200 and $300. 952 00:35:26,633 --> 00:35:28,933 We're looking at a total value at auction 953 00:35:28,933 --> 00:35:30,966 between $4,200 and $6,300 at auction. 954 00:35:30,966 --> 00:35:32,000 Great. 955 00:35:40,333 --> 00:35:43,600 WOMAN: This is a painting that my grandfather purchased. 956 00:35:43,600 --> 00:35:45,633 It was passed down to my father 957 00:35:45,633 --> 00:35:47,800 and then it's been passed down to me. 958 00:35:47,800 --> 00:35:53,200 I know that Percy Gray is a Californian watercolorist. 959 00:35:53,200 --> 00:35:55,166 I know he painted 960 00:35:55,166 --> 00:35:57,066 in the '20s and '30s. 961 00:35:57,066 --> 00:35:59,866 It's signed right here and dated 1930. Mm-hmm. 962 00:35:59,866 --> 00:36:01,700 Do you think your grandfather purchased it 963 00:36:01,700 --> 00:36:04,166 around 1930? I think so. 964 00:36:04,166 --> 00:36:05,933 Do you know where he purchased it? 965 00:36:05,933 --> 00:36:07,733 Well, there's a sticker on the back 966 00:36:07,733 --> 00:36:09,466 that says "Gump's, San Francisco." 967 00:36:09,466 --> 00:36:14,000 So I'm assuming, uh, that's... That is a likely source, 968 00:36:14,000 --> 00:36:17,066 because Gray did sell his work through Gump's. Mm-hmm. 969 00:36:17,066 --> 00:36:18,833 Percy Gray, whose official name 970 00:36:18,833 --> 00:36:20,833 is Henry Percy Gray, 971 00:36:20,833 --> 00:36:24,000 was born in 1869 in San Francisco. 972 00:36:24,000 --> 00:36:26,866 His father had immigrated from England. 973 00:36:26,866 --> 00:36:28,766 But what's interesting was that there were about 974 00:36:28,766 --> 00:36:31,200 12 family members that were artists. 975 00:36:31,200 --> 00:36:34,133 He had a childhood illness, and at that time, 976 00:36:34,133 --> 00:36:36,433 his brother gave him some art supplies. 977 00:36:36,433 --> 00:36:38,800 And that was when he discovered that he had 978 00:36:38,800 --> 00:36:41,233 a real talent for art and wanted to pursue it. Mm-hmm-- oh! 979 00:36:41,233 --> 00:36:43,766 He s, went to art school in San Francisco, 980 00:36:43,766 --> 00:36:46,033 but then, by 1895, 981 00:36:46,033 --> 00:36:48,366 he was working for a newspaper in New York. 982 00:36:48,366 --> 00:36:50,733 But he continued to study in the evenings 983 00:36:50,733 --> 00:36:52,866 with William Merritt Chase, 984 00:36:52,866 --> 00:36:54,833 who was a premier teacher of American artists. 985 00:36:54,833 --> 00:36:57,300 But in 1906, he was sent back out 986 00:36:57,300 --> 00:36:59,866 to San Francisco to cover the earthquake. Right. 987 00:36:59,866 --> 00:37:03,700 And at that point, he decided to stay in his hometown. 988 00:37:03,700 --> 00:37:05,033 At one point, he developed 989 00:37:05,033 --> 00:37:08,600 an allergy to oil paint. Oh! 990 00:37:08,600 --> 00:37:11,300 And that was when he changed to using watercolor, 991 00:37:11,300 --> 00:37:12,666 for which he is well-known. Mm-hmm. 992 00:37:12,666 --> 00:37:15,633 When he used watercolor, one thing he did was 993 00:37:15,633 --> 00:37:19,333 apply the color quite densely so you don't automatically 994 00:37:19,333 --> 00:37:22,033 have that initial reaction that it's a watercolor. 995 00:37:22,033 --> 00:37:23,266 He really is 996 00:37:23,266 --> 00:37:25,400 one of the most successful and well-known 997 00:37:25,400 --> 00:37:27,866 landscape artists in California. 998 00:37:27,866 --> 00:37:30,266 And your picture shows some of the 999 00:37:30,266 --> 00:37:33,066 trademark subject matter that he revisits 1000 00:37:33,066 --> 00:37:34,333 over and over again. Mm-hmm. 1001 00:37:34,333 --> 00:37:38,766 The lupine and the eucalyptus trees. 1002 00:37:38,766 --> 00:37:41,766 He also tended to use a kind of muted palette 1003 00:37:41,766 --> 00:37:45,666 with mainly greens, browns, and grays. 1004 00:37:45,666 --> 00:37:48,066 In his early work, he was influenced by Impressionism, 1005 00:37:48,066 --> 00:37:50,100 but when he got into his mature phase, 1006 00:37:50,100 --> 00:37:53,200 he was really more influenced by the Barbizon School 1007 00:37:53,200 --> 00:37:54,633 and Tonalism... Oh, yes. 1008 00:37:54,633 --> 00:37:56,333 ...which are very muted palettes. 1009 00:37:56,333 --> 00:37:59,233 (chuckling): He actually was also very conservative, 1010 00:37:59,233 --> 00:38:02,666 and he h, he was one of the founders of something called 1011 00:38:02,666 --> 00:38:05,366 Society for Sanity in Art. 1012 00:38:05,366 --> 00:38:07,766 And they were opposed to everything 1013 00:38:07,766 --> 00:38:10,533 that wasn't conventional, traditional, 1014 00:38:10,533 --> 00:38:14,566 so they opposed abstraction, Surrealism, and Cubism. 1015 00:38:14,566 --> 00:38:17,233 But he really is a wonderful artist, 1016 00:38:17,233 --> 00:38:19,966 and I think if this were offered in a retail gallery, 1017 00:38:19,966 --> 00:38:21,466 the asking price might be 1018 00:38:21,466 --> 00:38:22,933 around $65,000. 1019 00:38:22,933 --> 00:38:24,800 Oh! Gosh! 1020 00:38:24,800 --> 00:38:27,200 That's interesting to know. (laughs) 1021 00:38:27,200 --> 00:38:28,433 It's never been on the market 1022 00:38:28,433 --> 00:38:30,366 except for the initial purchase. No. 1023 00:38:30,366 --> 00:38:31,833 It's in the original frame. 1024 00:38:31,833 --> 00:38:34,933 It has a, a lot of things going for it. 1025 00:38:34,933 --> 00:38:36,900 ♪ ♪ 1026 00:38:36,900 --> 00:38:39,800 PEÑA: "Roadshow" ended our tour in Vermont at Shelburne Museum. 1027 00:38:39,800 --> 00:38:43,033 As all Roadies know, any day our experts are out 1028 00:38:43,033 --> 00:38:44,366 discovering treasures is a good one, 1029 00:38:44,366 --> 00:38:47,766 even when the weather doesn't fully cooperate. 1030 00:38:47,766 --> 00:38:48,766 So this just in 1031 00:38:48,766 --> 00:38:49,766 from the meteorology desk 1032 00:38:49,766 --> 00:38:50,900 of the "Antiques Roadshow." 1033 00:38:50,900 --> 00:38:52,066 There are lightning storms 1034 00:38:52,066 --> 00:38:53,066 in the neighborhood. 1035 00:38:53,066 --> 00:38:54,966 It's beginning to rain slightly, 1036 00:38:54,966 --> 00:38:56,566 and as a precautionary measure, 1037 00:38:56,566 --> 00:39:00,400 they've asked everybody, guests and appraisers, to go inside. 1038 00:39:00,400 --> 00:39:02,100 So right now, uh, 1039 00:39:02,100 --> 00:39:04,633 the "Antiques Roadshow" appraising field is empty. 1040 00:39:04,633 --> 00:39:06,266 Things are temporarily on hold. 1041 00:39:06,266 --> 00:39:07,566 But don't worry, 1042 00:39:07,566 --> 00:39:09,166 there are professionals in charge of everything. 1043 00:39:09,166 --> 00:39:10,233 It should be fine. 1044 00:39:10,233 --> 00:39:12,866 PEÑA: And the show did go on. 1045 00:39:12,866 --> 00:39:15,433 WOMAN: This is a perfume bottle... 1046 00:39:15,433 --> 00:39:17,433 Okay. ...that my father had given us. 1047 00:39:17,433 --> 00:39:19,133 It's... And what do you know about it? 1048 00:39:19,133 --> 00:39:20,566 I really don't know much, 1049 00:39:20,566 --> 00:39:21,666 except that it's 1050 00:39:21,666 --> 00:39:22,866 been in the family 1051 00:39:22,866 --> 00:39:23,866 for three generations. 1052 00:39:23,866 --> 00:39:25,533 And it's one of those items 1053 00:39:25,533 --> 00:39:27,666 that you don't b, display publicly 1054 00:39:27,666 --> 00:39:30,333 in your house every day, and yet you treasure. 1055 00:39:30,333 --> 00:39:31,500 It's around... Have you used it? 1056 00:39:31,500 --> 00:39:32,500 No, no, no, never. 1057 00:39:32,500 --> 00:39:33,533 I don't want to open it, 1058 00:39:33,533 --> 00:39:35,033 because I believe it's old, 1059 00:39:35,033 --> 00:39:36,666 and I don't want the fragrance 1060 00:39:36,666 --> 00:39:39,366 to escape. Well, that is so fascinating. 1061 00:39:39,366 --> 00:39:40,800 (laughs) Because you're right. 1062 00:39:40,800 --> 00:39:43,200 When you open it up, the fragrance evaporates. Right. 1063 00:39:43,200 --> 00:39:44,766 So you locked it in place. I did. 1064 00:39:44,766 --> 00:39:46,633 So we don't, we don't know what the smell is. 1065 00:39:46,633 --> 00:39:47,700 N, n, no, not yet. (both chuckle) 1066 00:39:47,700 --> 00:39:49,166 But let me tell you about it. 1067 00:39:49,166 --> 00:39:50,433 It's gold. Yes. 1068 00:39:50,433 --> 00:39:51,566 And it's French, 1069 00:39:51,566 --> 00:39:53,500 and it was made by this house Janisset 1070 00:39:53,500 --> 00:39:57,133 who was a very famous jeweler in Paris, 1071 00:39:57,133 --> 00:40:00,866 worked in the 1800s to 1848. 1072 00:40:00,866 --> 00:40:07,933 In 1835, he hired a very well-known maker, Falize, 1073 00:40:07,933 --> 00:40:09,366 who later became very well-known 1074 00:40:09,366 --> 00:40:11,566 and very important on his own. 1075 00:40:11,566 --> 00:40:13,600 And he worked there at this time. 1076 00:40:13,600 --> 00:40:18,366 Now, in 1848, the revolution came 1077 00:40:18,366 --> 00:40:20,266 and Janisset had to 1078 00:40:20,266 --> 00:40:21,733 close the shop. Huh. 1079 00:40:21,733 --> 00:40:22,933 So we know this is 1080 00:40:22,933 --> 00:40:25,233 prior to 1848. Oh, that's good. 1081 00:40:25,233 --> 00:40:28,300 So that's interesting. That's, that's nice, it... 1082 00:40:28,300 --> 00:40:30,100 And now let's stand it up, 1083 00:40:30,100 --> 00:40:32,733 because it doesn't stand unless it's in the box. No. 1084 00:40:32,733 --> 00:40:34,833 And these jewels, do you know what they are? 1085 00:40:34,833 --> 00:40:37,633 I would believe-- I f, always felt they were turquoise. 1086 00:40:37,633 --> 00:40:39,300 Well, you're right, but what about the top? 1087 00:40:39,300 --> 00:40:41,366 I always thought it was the same. 1088 00:40:41,366 --> 00:40:42,966 It's not. It's not, oh. 1089 00:40:42,966 --> 00:40:45,666 It's French blue enamel. 1090 00:40:45,666 --> 00:40:47,266 Now, when you open it up, 1091 00:40:47,266 --> 00:40:48,566 there's the stopper, 1092 00:40:48,566 --> 00:40:52,266 and we found the French gold mark. 1093 00:40:52,266 --> 00:40:54,033 Okay. Which is the eagle's head. 1094 00:40:54,033 --> 00:40:58,566 Okay. Now, because you've locked it, we can't find 1095 00:40:58,566 --> 00:41:00,266 the actual maker, because I'm sure... 1096 00:41:00,266 --> 00:41:01,333 It's inside. 1097 00:41:01,333 --> 00:41:03,233 It's probably inside. 1098 00:41:03,233 --> 00:41:06,333 So now we won't know for sure if Falize was the maker 1099 00:41:06,333 --> 00:41:11,400 of this bottle, but I have my suspicions that it is. 1100 00:41:11,400 --> 00:41:13,766 And the material, 1101 00:41:13,766 --> 00:41:16,633 it's either just glass or rock crystal. 1102 00:41:16,633 --> 00:41:18,000 Very hard to tell. 1103 00:41:18,000 --> 00:41:20,733 We'd have to do some extensive studying on it. 1104 00:41:20,733 --> 00:41:23,066 The gold is 18-karat, because French jewelry 1105 00:41:23,066 --> 00:41:25,433 is always 18-karat. 18-karat. 1106 00:41:25,433 --> 00:41:29,533 In the retail world, if you were to go into a fine shop-- 1107 00:41:29,533 --> 00:41:31,533 and that's where it would be... 1108 00:41:31,533 --> 00:41:32,533 Right, mm-hmm. ...would be around 1109 00:41:32,533 --> 00:41:35,066 $15,000. Oh-- oh, wow. 1110 00:41:35,066 --> 00:41:37,700 Which is a considerable amount for an object 1111 00:41:37,700 --> 00:41:43,733 that is really just for your tabletop. 1112 00:41:43,733 --> 00:41:46,533 MAN: I brought a collection of boxing cards. 1113 00:41:46,533 --> 00:41:50,166 I inherited them from my dad, who inherited them 1114 00:41:50,166 --> 00:41:51,600 from his dad, 1115 00:41:51,600 --> 00:41:53,400 who was a boxer in his day, 1116 00:41:53,400 --> 00:41:56,666 and I think a promoter in the Burlington area. 1117 00:41:56,666 --> 00:42:00,666 I guess the story goes, he smoked Turkey Red cigarettes 1118 00:42:00,666 --> 00:42:02,533 and he would send in the packages, 1119 00:42:02,533 --> 00:42:04,166 and in turn, he would get these cards. 1120 00:42:04,166 --> 00:42:05,200 So what we have here 1121 00:42:05,200 --> 00:42:08,300 are T9 Turkey Red cabinet cards. 1122 00:42:08,300 --> 00:42:11,466 Uh, they're from 1910, 1911. 1123 00:42:11,466 --> 00:42:13,266 There were 26 in the set. Mm-hmm. 1124 00:42:13,266 --> 00:42:14,666 You have 21 here. 1125 00:42:14,666 --> 00:42:16,500 And basically, what happened back then 1126 00:42:16,500 --> 00:42:19,800 was, you'd get a coupon in every pack of Turkey Reds. 1127 00:42:19,800 --> 00:42:21,900 And if you had enough coupons, you could send them in 1128 00:42:21,900 --> 00:42:23,966 to the company, and you could check off 1129 00:42:23,966 --> 00:42:25,266 which boxer you wanted. 1130 00:42:25,266 --> 00:42:27,866 And it's basically the best boxers of that era. 1131 00:42:27,866 --> 00:42:30,100 So you have Abe Attell over here. 1132 00:42:30,100 --> 00:42:31,933 He was called the Little Champ. 1133 00:42:31,933 --> 00:42:33,566 He was a little guy, five-foot-three or so. 1134 00:42:33,566 --> 00:42:36,300 And he actually went on to become kind of a gambler. 1135 00:42:36,300 --> 00:42:37,966 And he's one of the central figures 1136 00:42:37,966 --> 00:42:40,466 in the 1919 World Series, the Black Sox scandal. 1137 00:42:40,466 --> 00:42:41,966 You have Sam Langford here, 1138 00:42:41,966 --> 00:42:43,800 he was a great early champion. 1139 00:42:43,800 --> 00:42:46,200 Stanley Ketchel is one of the best boxers of his era. 1140 00:42:46,200 --> 00:42:48,166 He fought Jack Johnson, amongst others, 1141 00:42:48,166 --> 00:42:50,500 but he was actually murdered in 1910. Wow. 1142 00:42:50,500 --> 00:42:52,400 So it's kind of interesting to see him here. 1143 00:42:52,400 --> 00:42:54,466 And here's Jim Jeffries. 1144 00:42:54,466 --> 00:42:56,100 He was the heavyweight champion of the world. 1145 00:42:56,100 --> 00:42:58,933 And probably the most important is Jack Johnson, 1146 00:42:58,933 --> 00:43:00,566 today one of the most collectible 1147 00:43:00,566 --> 00:43:03,100 and kind of legendary boxers of all time. 1148 00:43:03,100 --> 00:43:04,633 They were meant to be displayed. Mm-hmm. 1149 00:43:04,633 --> 00:43:06,600 So generally you'll see 1150 00:43:06,600 --> 00:43:09,600 tape or pinholes... Mm. 1151 00:43:09,600 --> 00:43:11,700 ...in the corners, and that's... 1152 00:43:11,700 --> 00:43:13,400 We see some of that here. 1153 00:43:13,400 --> 00:43:14,933 But a lot of these, you don't see that. 1154 00:43:14,933 --> 00:43:17,466 Hm. The vibrancy of the color lithography is astonishing. 1155 00:43:17,466 --> 00:43:21,466 Yours would grade probably in the fair to good condition. 1156 00:43:21,466 --> 00:43:23,500 Okay. Very collectible today, 1157 00:43:23,500 --> 00:43:26,966 primarily because of the amount of great boxers 1158 00:43:26,966 --> 00:43:28,700 that are in the set, 1159 00:43:28,700 --> 00:43:30,500 and just the visual beauty of the set. 1160 00:43:30,500 --> 00:43:32,533 If I'm going to put the collection in an auction, 1161 00:43:32,533 --> 00:43:34,033 I'd appraise it at somewhere 1162 00:43:34,033 --> 00:43:35,600 in the $1,000 to $1,500 range. 1163 00:43:35,600 --> 00:43:37,266 Oh, really. Huh. Yeah, in this condition. 1164 00:43:37,266 --> 00:43:38,966 Very cool-- great collection. 1165 00:43:38,966 --> 00:43:40,400 Well, thanks for the information. 1166 00:43:44,866 --> 00:43:49,033 This has been in my family for about 120 years. 1167 00:43:49,033 --> 00:43:52,200 All I know about it is, it's Mount Washington Glass. 1168 00:43:52,200 --> 00:43:54,366 It's been in a box, uh, in a closet 1169 00:43:54,366 --> 00:43:57,366 for a long time. 1170 00:43:57,366 --> 00:44:00,400 (laughs): Uh, so I'm here and hoping to learn more about it. 1171 00:44:00,400 --> 00:44:02,233 Well, it's, it's a beautiful piece. 1172 00:44:02,233 --> 00:44:04,866 It's sort of a presentation size. 1173 00:44:04,866 --> 00:44:06,233 It, it makes a statement in the room. 1174 00:44:06,233 --> 00:44:07,466 If you look at the bottom, 1175 00:44:07,466 --> 00:44:09,800 there's a mark on there with a number. 1176 00:44:09,800 --> 00:44:11,366 The way the numbers are done, 1177 00:44:11,366 --> 00:44:13,200 that's sort of a European way to sign something. 1178 00:44:13,200 --> 00:44:15,733 Okay. So m, my thought is that 1179 00:44:15,733 --> 00:44:17,333 it's probably not... Okay. 1180 00:44:17,333 --> 00:44:20,233 ...Mount Washington, not American. Oh, wow, okay. 1181 00:44:20,233 --> 00:44:21,566 But European. 1182 00:44:21,566 --> 00:44:22,933 Probably 1880, 1890. 1183 00:44:22,933 --> 00:44:27,100 Based on the decoration, it's very Victorian in feel. 1184 00:44:27,100 --> 00:44:28,433 If it was in an auction setting, 1185 00:44:28,433 --> 00:44:30,666 it would probably be $500 to $700. 1186 00:44:30,666 --> 00:44:32,500 Retail, maybe around $1,000. $1,000? Okay. 1187 00:44:32,500 --> 00:44:33,500 That's really great. Yeah, yeah. 1188 00:44:33,500 --> 00:44:35,133 Thank you so much, I appreciate it. 1189 00:44:38,600 --> 00:44:40,033 So these are scary, scary ancestors? 1190 00:44:40,033 --> 00:44:42,466 Very scary ancestors. (chuckles) 1191 00:44:42,466 --> 00:44:44,700 They came from a family farm in Chestertown, Maryland. 1192 00:44:44,700 --> 00:44:47,066 The portraits themselves probably date 1193 00:44:47,066 --> 00:44:48,633 to the late 19th century. 1194 00:44:48,633 --> 00:44:51,266 At this time, photography was so prevalent 1195 00:44:51,266 --> 00:44:54,900 that these portraits were often painted from photograph. 1196 00:44:54,900 --> 00:44:55,933 There are very few collectors 1197 00:44:55,933 --> 00:44:57,333 that want a portrait of maybe 1198 00:44:57,333 --> 00:44:59,100 an unknown sitter on the wall. Yeah. 1199 00:44:59,100 --> 00:45:02,600 Usually an auction value or estimate 1200 00:45:02,600 --> 00:45:05,566 for a pair of portraits like this 1201 00:45:05,566 --> 00:45:07,333 is around $100 to $150 or so. Okay. 1202 00:45:07,333 --> 00:45:08,366 Who were they painted by? 1203 00:45:08,366 --> 00:45:11,200 We seldom can identify these painters 1204 00:45:11,200 --> 00:45:14,133 unless they are signed, which they generally are not. 1205 00:45:15,733 --> 00:45:17,933 WOMAN: My grandmother had a sister. 1206 00:45:17,933 --> 00:45:21,866 Her name was Lottie Neustein, and they lived in New York. 1207 00:45:21,866 --> 00:45:24,533 She had worked as an X-ray technician 1208 00:45:24,533 --> 00:45:28,066 for Dr. Bucky, who was a close friend of Einstein. 1209 00:45:28,066 --> 00:45:30,333 So she met him on a personal level 1210 00:45:30,333 --> 00:45:33,066 and started taking photographs of him. 1211 00:45:33,066 --> 00:45:37,366 So this one here is a photograph from Lottie Neustein, 1212 00:45:37,366 --> 00:45:38,966 a picture of herself, 1213 00:45:38,966 --> 00:45:43,466 and a letter written to her and signed, in German. 1214 00:45:43,466 --> 00:45:45,966 And I don't know the translation. 1215 00:45:45,966 --> 00:45:47,300 The middle piece here 1216 00:45:47,300 --> 00:45:52,200 is a sketch that Einstein had signed. 1217 00:45:52,200 --> 00:45:55,133 Maybe a year ago, I found an issue 1218 00:45:55,133 --> 00:45:58,633 of "Saturday Review" from 1955, 1219 00:45:58,633 --> 00:46:02,033 and that was on the cover. 1220 00:46:02,033 --> 00:46:04,200 And our last piece is an autographed book 1221 00:46:04,200 --> 00:46:06,566 of Albert Einstein-- a biography, I believe. (murmurs) 1222 00:46:06,566 --> 00:46:09,833 One of the things that I really love about this 1223 00:46:09,833 --> 00:46:11,433 is when you open up 1224 00:46:11,433 --> 00:46:12,633 and you can touch 1225 00:46:12,633 --> 00:46:14,533 something that Einstein touched. 1226 00:46:14,533 --> 00:46:16,133 I mean, it just sends a thrill. 1227 00:46:16,133 --> 00:46:18,666 Einstein is obviously one of the most important 1228 00:46:18,666 --> 00:46:20,266 scientists of all time. 1229 00:46:20,266 --> 00:46:21,566 The first item there, your letter, 1230 00:46:21,566 --> 00:46:26,766 it was done in 1942 and it's tough to translate. 1231 00:46:26,766 --> 00:46:29,200 We actually, someone who speaks German well 1232 00:46:29,200 --> 00:46:30,566 looked at it and said, 1233 00:46:30,566 --> 00:46:31,933 "Can't quite make it out." Oh... 1234 00:46:31,933 --> 00:46:33,233 "It'll take a little more." (chuckles) 1235 00:46:33,233 --> 00:46:35,633 But what it is, it was around the holidays, 1236 00:46:35,633 --> 00:46:40,233 and she had apparently given him some chocolate or some candy. 1237 00:46:40,233 --> 00:46:42,033 Right. He was thanking her for that. 1238 00:46:42,033 --> 00:46:44,600 And his handwriting is very, very distinctive. 1239 00:46:44,600 --> 00:46:47,833 And when you see an Einstein signature, it's very small, 1240 00:46:47,833 --> 00:46:48,866 very compact. 1241 00:46:48,866 --> 00:46:50,500 The print-- 1242 00:46:50,500 --> 00:46:53,433 it's nice and you say it was used in a magazine cover. Right. 1243 00:46:53,433 --> 00:46:55,466 And who is this signed to? 1244 00:46:55,466 --> 00:46:58,366 That's signed to Lottie's sister 1245 00:46:58,366 --> 00:47:00,600 Alice Schlesinger. Okay. 1246 00:47:00,600 --> 00:47:04,166 And then the book, which was, came out in 1949, 1247 00:47:04,166 --> 00:47:05,866 "The World As I See It," 1248 00:47:05,866 --> 00:47:07,066 which was sort of a 1249 00:47:07,066 --> 00:47:08,633 philosophical writing of Einstein's, 1250 00:47:08,633 --> 00:47:10,900 a very nice inscription. 1251 00:47:10,900 --> 00:47:13,566 It's a little in English, it's a little bit in German. 1252 00:47:13,566 --> 00:47:15,433 You've never done anything with the value on these. 1253 00:47:15,433 --> 00:47:16,733 No. 1254 00:47:16,733 --> 00:47:19,466 This would be in the value of $5,000. 1255 00:47:19,466 --> 00:47:21,366 Wow. Maybe a little bit more. 1256 00:47:21,366 --> 00:47:22,366 Okay. 1257 00:47:22,366 --> 00:47:23,800 $5,000 to $6,000. 1258 00:47:23,800 --> 00:47:24,966 This one, 1259 00:47:24,966 --> 00:47:27,600 1951, and this is probably 1260 00:47:27,600 --> 00:47:29,733 a $3,000 to $5,000... 1261 00:47:29,733 --> 00:47:33,633 Wow. ...uh, just for the signature. 1262 00:47:33,633 --> 00:47:36,633 And then the last one 1263 00:47:36,633 --> 00:47:38,133 is a nicely signed book. 1264 00:47:38,133 --> 00:47:41,566 And again, you're probably in that $5,000 to $6,000 range 1265 00:47:41,566 --> 00:47:42,933 because he didn't just sign it. (chuckles) 1266 00:47:42,933 --> 00:47:45,333 So you have $13,000... Wow. 1267 00:47:45,333 --> 00:47:48,733 ...to $17,000 in a retail value. 1268 00:47:48,733 --> 00:47:50,866 Thank you so much. (chuckles) 1269 00:47:50,866 --> 00:47:53,100 It's nice to know. 1270 00:47:58,133 --> 00:48:02,166 WOMAN: I got it 40 years ago from my ex-husband, 1271 00:48:02,166 --> 00:48:04,266 who is now deceased. Hm. 1272 00:48:04,266 --> 00:48:05,300 We'd been together for a few years 1273 00:48:05,300 --> 00:48:06,300 and we got married. 1274 00:48:06,300 --> 00:48:08,100 And I always jokingly say 1275 00:48:08,100 --> 00:48:09,866 it lasted five minutes. 1276 00:48:09,866 --> 00:48:12,700 But in that five minutes, he was a very generous man 1277 00:48:12,700 --> 00:48:14,266 and very, very tasteful. 1278 00:48:14,266 --> 00:48:16,233 We used to find an excuse to walk past 1279 00:48:16,233 --> 00:48:17,833 this antique store on 57th Street in Manhattan. 1280 00:48:17,833 --> 00:48:21,333 I remember seeing this and I s, commented on 1281 00:48:21,333 --> 00:48:23,200 how much I liked it, and I thought he would 1282 00:48:23,200 --> 00:48:24,366 get it for me for my birthday. 1283 00:48:24,366 --> 00:48:26,466 But instead I got my portrait 1284 00:48:26,466 --> 00:48:28,200 done by Andy Warhol. 1285 00:48:28,200 --> 00:48:30,966 (chuckles) And believe it or not, I wanted that more. 1286 00:48:30,966 --> 00:48:33,033 It showed up at Christmastime. 1287 00:48:33,033 --> 00:48:34,433 This was your Christmas gift. 1288 00:48:34,433 --> 00:48:36,100 This was a Christmas present, yes. 1289 00:48:36,100 --> 00:48:37,900 He told me it was from the 1700s. 1290 00:48:37,900 --> 00:48:39,566 That was about all I knew about it. 1291 00:48:39,566 --> 00:48:41,800 Would you know what your husband might have paid for this? 1292 00:48:41,800 --> 00:48:44,666 You know, I can't guess, but I'm sure it was expensive. 1293 00:48:44,666 --> 00:48:46,866 I was wife number four. 1294 00:48:46,866 --> 00:48:49,266 So I don't know how many gifts like this were given. 1295 00:48:49,266 --> 00:48:52,133 But he was a good customer and they knew him by name. 1296 00:48:52,133 --> 00:48:55,466 It's a Renaissance Revival 18-karat-gold necklace 1297 00:48:55,466 --> 00:48:57,966 done with very delicate enameling. 1298 00:48:57,966 --> 00:49:00,366 We've got cabochon peridots and cabochon rubies 1299 00:49:00,366 --> 00:49:02,766 of two separate colors. 1300 00:49:02,766 --> 00:49:05,366 The rubies are like flashlights under a U.V. light, 1301 00:49:05,366 --> 00:49:07,100 which is a sign of very strong fluorescence. 1302 00:49:07,100 --> 00:49:09,200 So these are Burmese rubies. 1303 00:49:09,200 --> 00:49:13,033 The Renaissance Revival generally starts 1304 00:49:13,033 --> 00:49:17,766 in the 1840s and ends in the early 20th century. 1305 00:49:17,766 --> 00:49:21,266 But the sweet spot was 1850s through the 1890s. 1306 00:49:21,266 --> 00:49:24,000 The style screams Italian Renaissance. 1307 00:49:24,000 --> 00:49:25,400 This piece is unsigned, 1308 00:49:25,400 --> 00:49:28,300 but in terms of the hand that made it, 1309 00:49:28,300 --> 00:49:29,600 it's signed all over the place. 1310 00:49:29,600 --> 00:49:32,300 The maker's name was Carlo Giuliano. 1311 00:49:32,300 --> 00:49:34,866 Carlo Giuliano was the master 1312 00:49:34,866 --> 00:49:36,966 of Renaissance Revival enamel work. 1313 00:49:36,966 --> 00:49:39,700 He's from Naples, born in 1831. 1314 00:49:39,700 --> 00:49:43,333 He worked with Castellani in Naples or Rome, 1315 00:49:43,333 --> 00:49:46,166 and then he was sent to London in 1860. 1316 00:49:46,166 --> 00:49:49,366 He started hiring himself out making jewelry 1317 00:49:49,366 --> 00:49:52,833 and making designs for other very famous 1318 00:49:52,833 --> 00:49:54,366 London jewelry houses. 1319 00:49:54,366 --> 00:49:57,066 People with royal warrants for Queen Victoria, for example. 1320 00:49:57,066 --> 00:49:58,233 Queen Victoria loved him. 1321 00:49:58,233 --> 00:50:02,966 He opened his own store in 1874. 1322 00:50:02,966 --> 00:50:04,866 Carlo Giuliano dies in 1895. 1323 00:50:04,866 --> 00:50:07,066 And while his sons carry on the business 1324 00:50:07,066 --> 00:50:09,700 until around 1910, 1325 00:50:09,700 --> 00:50:11,633 the work does go downhill a little bit. 1326 00:50:11,633 --> 00:50:12,700 He's a master. 1327 00:50:12,700 --> 00:50:14,933 Very few people have this talent 1328 00:50:14,933 --> 00:50:17,766 for both execution and design work. 1329 00:50:17,766 --> 00:50:20,666 The earrings have a screw-back closure for non-pierced ears. 1330 00:50:20,666 --> 00:50:25,333 The date, then, is somewhere around 1890. 1331 00:50:25,333 --> 00:50:30,133 A fair retail price is between $65,000 and $85,000. 1332 00:50:30,133 --> 00:50:32,933 Oh, my goodness. 1333 00:50:32,933 --> 00:50:35,100 Now, for insurance value, 1334 00:50:35,100 --> 00:50:38,800 you have to insure that piece of jewelry 1335 00:50:38,800 --> 00:50:41,700 for $120,000 for the set. 1336 00:50:41,700 --> 00:50:43,500 Well, thank you so much, Sarah. 1337 00:50:43,500 --> 00:50:45,533 You're welcome. 1338 00:50:48,433 --> 00:50:50,100 ♪ ♪ 1339 00:50:50,100 --> 00:50:52,333 PEÑA: And now it's time for the "Roadshow" Feedback Booth. 1340 00:50:52,333 --> 00:50:55,800 I found out that my $20 picture 1341 00:50:55,800 --> 00:50:57,700 was actually worth $300 to $400. 1342 00:50:57,700 --> 00:51:01,166 So everybody can quit making fun of my cow picture. (laughs) 1343 00:51:01,166 --> 00:51:02,933 And they liked my hat, but they said 1344 00:51:02,933 --> 00:51:06,300 it was probably more likely to be a bowl from Burma. (laughs) 1345 00:51:06,300 --> 00:51:09,000 I brought a man's 1346 00:51:09,000 --> 00:51:10,400 platinum diamond 1347 00:51:10,400 --> 00:51:11,833 star sapphire ring, 1348 00:51:11,833 --> 00:51:13,800 appraised at 10K. 1349 00:51:13,800 --> 00:51:18,900 And the Steiff bear, well... 1350 00:51:18,900 --> 00:51:21,233 (imitating sad trombone) (laughs) 1351 00:51:21,233 --> 00:51:22,600 I picked this up at a, uh, 1352 00:51:22,600 --> 00:51:24,333 estate sale for five dollars. 1353 00:51:24,333 --> 00:51:26,466 Um, she kind of looks creepy, 1354 00:51:26,466 --> 00:51:28,000 a little haunted, but, you know, 1355 00:51:28,000 --> 00:51:29,266 that just goes with the territory. 1356 00:51:29,266 --> 00:51:32,900 Um, she was appraised at $700 to $1,000. 1357 00:51:32,900 --> 00:51:36,033 So I'm just going to keep her on my bookshelf 1358 00:51:36,033 --> 00:51:38,000 and hopefully she doesn't haunt me. 1359 00:51:38,000 --> 00:51:39,333 This camera is clearly 1360 00:51:39,333 --> 00:51:40,766 older than this, um, camera. 1361 00:51:40,766 --> 00:51:42,933 They're both Polaroids, but this one is only worth 1362 00:51:42,933 --> 00:51:46,600 $25, about $25, whereas this one actually works, 1363 00:51:46,600 --> 00:51:47,833 you can get film for it, 1364 00:51:47,833 --> 00:51:50,933 and it's worth, uh, about $200 to $300. 1365 00:51:50,933 --> 00:51:53,966 And if we put on some baby wipe and clean this up, 1366 00:51:53,966 --> 00:51:55,966 it's worth up to $600. (chuckles) 1367 00:51:55,966 --> 00:51:58,900 So older doesn't necessarily mean more valuable. 1368 00:51:58,900 --> 00:52:01,233 We learned that he was carved 1369 00:52:01,233 --> 00:52:03,633 in maybe the 1880s or 1890s 1370 00:52:03,633 --> 00:52:06,366 by Italian, um, artisans. 1371 00:52:06,366 --> 00:52:08,466 And we, the appraiser pointed out 1372 00:52:08,466 --> 00:52:10,800 this lovely little crack right here... (chuckles) 1373 00:52:10,800 --> 00:52:14,433 ...and it goes all the way around to the backside. (both laughing) 1374 00:52:14,433 --> 00:52:17,333 This little bottom has gotten us so much attention today. 1375 00:52:17,333 --> 00:52:18,800 More than we've had in years. 1376 00:52:18,800 --> 00:52:19,800 More than we've had in years. 1377 00:52:19,800 --> 00:52:21,000 PEÑA: Thanks for watching. 1378 00:52:21,000 --> 00:52:24,400 See you next time on "Antiques Roadshow."