WEBVTT 00:00.000 --> 00:03.070 align:start >> PRODUCTION OF BROAD & HIGH 00:03.070 --> 00:06.030 align:start IS FUNDED IN PART BY THE 00:06.030 --> 00:08.900 align:start GREATER LUCAS ARTS COUNCIL, 00:08.900 --> 00:09.900 align:start CELEBRATING EXPRESSION, 00:09.900 --> 00:10.900 align:start FOSTERING TALENT AND CONNECTING 00:10.900 --> 00:11.930 align:start THE COMMUNITY TO COLUMBUS 00:11.930 --> 00:12.970 align:start ARTISTS, PERFORMANCES, 00:12.970 --> 00:14.970 align:start EXHIBITIONS, CONCERTS, PUBLIC 00:14.970 --> 00:16.030 align:start ART AND MORE AT 00:16.030 --> 00:18.030 align:start COLUMBUSMAKESART.COM. 00:18.030 --> 00:22.170 align:start FROM THESE CONTROLLING SPONSORS 00:22.170 --> 00:24.030 align:start AND VIEWERS LIKE YOU. 00:24.030 --> 00:24.900 align:start THANK YOU. 00:24.900 --> 00:24.930 align:start > 00:24.930 --> 00:26.000 align:start >> THIS TIME ON BROAD & HIGH 00:26.000 --> 00:27.930 align:start MIDDAY, BEAUTY WOVEN INTO 00:27.930 --> 00:29.030 align:start EVERYDAY OBJECTS. 00:29.030 --> 00:32.100 align:start WRONGFUL CONVICTION ADVOCACY 00:32.100 --> 00:33.970 align:start THROUGH THE ARTS. 00:33.970 --> 00:34.070 align:start > 00:34.070 --> 00:36.270 align:start >> IMMIGRATION EXPERIENCE 00:36.270 --> 00:39.970 align:start ELIMINATED IN A VIDEO 00:39.970 --> 00:40.900 align:start INSTALLATION. 00:40.900 --> 00:40.930 align:start > 00:40.930 --> 00:41.970 align:start >> AND, DON'T BE AFRAID OF A 00:41.970 --> 00:43.030 align:start LITTLE NOISE. 00:43.030 --> 00:47.700 align:start THIS AND MORE, RIGHT NOW ON 00:47.700 --> 00:59.030 align:start BROAD & HIGH. 00:59.030 --> 00:59.130 align:start > 00:59.130 --> 01:01.930 align:start >> WELCOME TO BROAD & HIGH. 01:01.930 --> 01:04.070 align:start I'M YOUR HOST, KATE QUICKEL. 01:04.070 --> 01:07.030 align:start THIS BOTANICALLY INSPIRED 01:07.030 --> 01:09.970 align:start CERAMICS ARE MADE FOR BEAUTY 01:09.970 --> 01:10.900 align:start AND FUNCTION. 01:10.900 --> 01:11.900 align:start MEG SLESSER INCORPORATES JOY 01:11.900 --> 01:12.900 align:start AND PLAYFULNESS IN COLORS YOU 01:12.900 --> 01:14.030 align:start WILL FIND NOWHERE ELSE. 01:14.030 --> 01:17.200 align:start WE VISITED HER STUDIO TO LEARN 01:17.200 --> 01:22.030 align:start MORE ABOUT HER JOURNEY. 01:22.030 --> 01:26.830 align:start >> FOR ME, IT STARTED SLOWLY. 01:26.830 --> 01:28.230 align:start I GOT MY FINE ARTS DEGREE IN 01:28.230 --> 01:29.900 align:start CERAMICS. 01:29.900 --> 01:31.100 align:start AFTER THAT, GRADUATING, THE 01:31.100 --> 01:34.430 align:start PROCESS WAS COLLECTING 01:34.430 --> 01:40.500 align:start EQUIPMENT AND MATERIALS. 01:40.500 --> 01:45.030 align:start WHILE I WAS COLLECTING THOSE TO 01:45.030 --> 01:47.900 align:start BUILD MY STUDIO, I WAS WORKING 01:47.900 --> 01:48.900 align:start FOR DIFFERENT ESSENCES. 01:48.900 --> 01:50.070 align:start I WAS BARTENDING AND WORKING 01:50.070 --> 01:52.130 align:start FOR THE COLLEGE. 01:52.130 --> 01:56.900 align:start AS I WAS DOING THAT, AND WAS 01:56.900 --> 01:57.900 align:start LEARNING THINGS I WASN'T ABLE 01:57.900 --> 01:58.900 align:start TO LEARN IN THE CLASSROOM 01:58.900 --> 01:59.900 align:start SETTING, SUCH AS RUNNING A 01:59.900 --> 02:00.970 align:start SMALL BUSINESS, THE FINANCIALS 02:00.970 --> 02:02.900 align:start OF RUNNING A SMALL BUSINESS IN 02:02.900 --> 02:04.070 align:start TERMS OF HOW TO TALK TO PEOPLE, 02:04.070 --> 02:07.270 align:start HOW TO ENGAGE WITH PEOPLE, 02:07.270 --> 02:13.400 align:start BEING HELPFUL IN SALES. 02:13.400 --> 02:15.900 align:start THAT IS KIND OF HOW IT HAPPENED. 02:15.900 --> 02:17.030 align:start MY INSPIRATION COMES FROM THE 02:17.030 --> 02:19.930 align:start EVERYDAY SIMPLE MOMENTS THAT 02:19.930 --> 02:20.930 align:start BRING ME JOY THAT ARE 02:20.930 --> 02:21.970 align:start OFTENTIMES OVERLOOKED. 02:21.970 --> 02:23.900 align:start THE LITTLE TINY SUNSETS OR 02:23.900 --> 02:24.900 align:start DRINKING A YUMMY CUP OF COFFEE, 02:24.900 --> 02:26.030 align:start PETTING A CAT OR A DOG. 02:26.030 --> 02:30.830 align:start THESE LITTLE MOMENTS THAT CAN 02:30.830 --> 02:34.030 align:start BE VERY IMPACTFUL. 02:34.030 --> 02:36.970 align:start A LOT OF MY INSPIRATION OF THE 02:36.970 --> 02:38.900 align:start ACTUAL PIECES AND CREATE COME 02:38.900 --> 02:39.900 align:start FROM MY DAILY GRATITUDE 02:39.900 --> 02:40.970 align:start PRACTICE OF THINGS I AM 02:40.970 --> 02:43.100 align:start PERSONALLY GRATEFUL FOR AND I 02:43.100 --> 02:47.900 align:start FEEL LIKE THAT CLASS PLATFORM 02:47.900 --> 02:50.500 align:start IT'S OVER TO OTHER PEOPLE AS 02:50.500 --> 02:52.430 align:start WELL. 02:52.430 --> 03:00.930 align:start I WORK IN A TECHNIQUE TOWARD 03:00.930 --> 03:01.900 align:start CLASS INSTRUCTION. 03:01.900 --> 03:02.900 align:start I WILL OUT PIECES ON PLATFORMS 03:02.900 --> 03:03.900 align:start LIKE YOU DO WHEN YOU'RE MAKING 03:03.900 --> 03:05.400 align:start CUTOUT COOKIES, SAME KIND OF 03:05.400 --> 03:06.900 align:start THING. 03:06.900 --> 03:07.970 align:start THEN I CUT THEM OUT INTO 03:07.970 --> 03:09.900 align:start DIFFERENT SHAPES WITH DIFFERENT 03:09.900 --> 03:10.970 align:start PATTERNS I HAVE MADE AND I TAKE 03:10.970 --> 03:13.030 align:start THE SLABS AND TRANSFORM THEM 03:13.030 --> 03:16.170 align:start INTO THREE-DIMENSIONAL FORMS. 03:16.170 --> 03:19.030 align:start THEN ONCE I DO THAT AND THEY 03:19.030 --> 03:22.030 align:start TRIED A LITTLE BIT, THEN I WILL 03:22.030 --> 03:26.330 align:start ADD THE COLOR, PAINT THAT ON 03:26.330 --> 03:28.570 align:start AND FIRE IT. 03:28.570 --> 03:31.600 align:start IT IS A MULTILEVEL PROCESS BUT 03:31.600 --> 03:32.900 align:start IT IS PRETTY BASIC. 03:32.900 --> 03:34.130 align:start CERAMICS ARE HARD, THEY ARE A 03:34.130 --> 03:36.500 align:start HARD OBJECT. 03:36.500 --> 03:44.900 align:start I ALWAYS LOVE THE JUXTAPOSITION 03:44.900 --> 03:45.900 align:start OF HARD AND SOFT AND HAVING 03:45.900 --> 03:46.970 align:start SOMETHING THAT IS A HARD OBJECT 03:46.970 --> 03:48.900 align:start THAT DOESN'T HAVE ANY GIVE OR 03:48.900 --> 03:50.270 align:start PLAY TO IT TO HAVE THIS SOFT 03:50.270 --> 03:51.900 align:start ESSENCE. 03:51.900 --> 03:52.930 align:start I ACHIEVE THAT WITH THE 03:52.930 --> 03:53.900 align:start HANDBUILT NATURE. 03:53.900 --> 03:55.070 align:start IT'S GOING TO BE PERFECTLY 03:55.070 --> 03:58.570 align:start IMPERFECT AND WITH A COLOR 03:58.570 --> 04:01.970 align:start PALETTE AS WELL. 04:01.970 --> 04:03.930 align:start I MAKE ALL MY OWN GLAZES AND 04:03.930 --> 04:04.900 align:start THEN I AM ABLE TO DO A 04:04.900 --> 04:06.100 align:start DIFFERENT COLOR PALETTE THEN 04:06.100 --> 04:09.170 align:start YOU WILL FIND IN YOUR 04:09.170 --> 04:11.900 align:start TRADITIONAL CERAMIC GLAZES. 04:11.900 --> 04:13.100 align:start I WANTED MY COLOR PALETTE TO 04:13.100 --> 04:15.900 align:start STAND OUT TO BE TOTALLY 04:15.900 --> 04:17.970 align:start DIFFERENT AND ALSO WORK AND 04:17.970 --> 04:20.330 align:start COINCIDE WITH FANATICALLY WHAT 04:20.330 --> 04:34.930 align:start I AM TRYING TO DO. 04:34.930 --> 04:36.900 align:start SAY I AM GOING TO DO A NEW 04:36.900 --> 04:37.900 align:start STYLE OF MARGARET, I'M GOING TO 04:37.900 --> 04:38.900 align:start DO WE DIFFERENTIATE, HOW DOES 04:38.900 --> 04:39.900 align:start THAT RELATE BACK TO WHAT I'M 04:39.900 --> 04:40.900 align:start ALREADY MAKING, DOES IT MAKE 04:40.900 --> 04:41.970 align:start SENSE IN THE COLLECTION, WHAT 04:41.970 --> 04:43.900 align:start OTHER DESIGNS COME INTO ON IT? 04:43.900 --> 04:44.900 align:start IT IS KIND OF A LET'S DO SOME 04:44.900 --> 04:45.900 align:start NEW BUT ALSO REACH BACK TO THE 04:45.900 --> 04:47.000 align:start COLLECTION SO IT MAKES SENSE 04:47.000 --> 04:47.900 align:start ALTOGETHER. 04:47.900 --> 04:48.930 align:start MY FAVORITE PART IS CONNECTING 04:48.930 --> 04:50.030 align:start WITH DIFFERENT PEOPLE. 04:50.030 --> 04:53.030 align:start THE CERAMICS COMMUNITY IS A 04:53.030 --> 04:56.830 align:start WONDERFUL COMMUNITY TO BE IN. 04:56.830 --> 05:00.070 align:start IT IS EXPLORATORY, IT IS 05:00.070 --> 05:00.900 align:start CURIOUS. 05:00.900 --> 05:01.900 align:start I LOVE BEING A PART OF THAT 05:01.900 --> 05:02.900 align:start COMMUNITY AND I LOVE HER BEING 05:02.900 --> 05:04.030 align:start PART OF THE LARGER ARTS 05:04.030 --> 05:04.970 align:start COMMUNITY. 05:04.970 --> 05:06.970 align:start BY RUNNING A SMALL BUSINESS, I 05:06.970 --> 05:08.900 align:start CAN ABLE TO SUSTAIN MYSELF IN 05:08.900 --> 05:10.070 align:start THAT COMMUNITY AND BE ABLE TO 05:10.070 --> 05:13.130 align:start DO WHAT I LOVE FULL TIME. 05:13.130 --> 05:16.100 align:start THAT IS WHAT I LOVE. 05:16.100 --> 05:18.970 align:start I THINK FOR ONE OF THESE THINGS 05:18.970 --> 05:20.900 align:start THAT IS NOT SO GREAT ABOUT IT, 05:20.900 --> 05:22.270 align:start IT IS JUST THE CONSISTENCY, THE 05:22.270 --> 05:25.170 align:start UNKNOWN. 05:25.170 --> 05:29.030 align:start IF YOU ARE WORKING, AT LEAST IN 05:29.030 --> 05:31.900 align:start THE PAST WHEN I WORKED A 9:00 05:31.900 --> 05:33.900 align:start TO 5:00 JOB, I SHOW UP AT 9:00, 05:33.900 --> 05:35.030 align:start I AM THERE UNTIL 5:00, I GET 05:35.030 --> 05:35.970 align:start THE MONEY. 05:35.970 --> 05:37.900 align:start IT IS A LITTLE MORE NUANCED TO 05:37.900 --> 05:38.970 align:start HOW YOU ARE APPROACHING YOUR 05:38.970 --> 05:41.330 align:start INCOME AND YOUR CONNECTIONS 05:41.330 --> 05:47.330 align:start WITH PEOPLE IS DIFFERENT. 05:47.330 --> 05:52.970 align:start I HOPE THAT IT SPARKS A LITTLE 05:52.970 --> 05:55.030 align:start JOIN IN AND HAS THOSE TINY 05:55.030 --> 05:58.100 align:start MOMENTS WHERE, BECAUSE THEY ARE 05:58.100 --> 06:02.900 align:start SEEING THAT IN MY WORK, THAT IT 06:02.900 --> 06:04.030 align:start IS AN INVITATION TO INCORPORATE 06:04.030 --> 06:07.200 align:start THAT INTO THEIR EVERYDAY LIFE 06:07.200 --> 06:11.170 align:start AND CONNECT BACK WITH 06:11.170 --> 06:13.430 align:start THEMSELVES. 06:13.430 --> 06:24.900 align:start >> TO SEE MORE OF MEGS 06:24.900 --> 06:26.100 align:start LEVESSEUR'S WORK, FIND HER 06:26.100 --> 06:27.000 align:start ONLINE. 06:27.000 --> 06:27.070 align:start > 06:27.070 --> 06:29.030 align:start >> SIX MEN LIVING IN THE 06:29.030 --> 06:34.100 align:start GREATER CLEVELAND AREA HAVE A 06:34.100 --> 06:42.900 align:start SPECIAL BROTHERHOOD BUT IT IS 06:42.900 --> 06:43.930 align:start NOT THE KIND OF CLUB YOU WANT 06:43.930 --> 06:44.900 align:start TO BE ELIGIBLE FOR. 06:44.900 --> 06:45.900 align:start THEY WERE ALL ACCUSED AND 06:45.900 --> 06:46.900 align:start CONVICTED OF CRIMES THEY 06:46.900 --> 06:47.900 align:start MAINTAIN THEY NEVER COMMITTED. 06:47.900 --> 06:48.900 align:start NOW OUT OF PRISON, THEY ARE 06:48.900 --> 06:49.900 align:start RAISING AWARENESS ABOUT 06:49.900 --> 06:50.900 align:start WRONGFUL CONVICTION AND TAKING 06:50.900 --> 06:51.930 align:start THEIR STORY TO THE STAGE AS 06:51.930 --> 06:52.900 align:start VOICES OF INJUSTICE. 06:52.900 --> 06:54.170 align:start >> I DON'T KNOW ANYMORE ABOUT 06:54.170 --> 06:54.970 align:start THAT. 06:54.970 --> 06:56.930 align:start >> I DON'T KNOW HOW TO ACT. 06:56.930 --> 06:59.170 align:start I AM TOTALLY OUT OF MY COMFORT 06:59.170 --> 06:59.900 align:start ZONE. 06:59.900 --> 07:00.900 align:start IT SHOULD BE SEEN LIKE IT IS 07:00.900 --> 07:01.970 align:start EASY BECAUSE IT IS JUST MY 07:01.970 --> 07:03.930 align:start STORY BUT I TRY TO LOOK AT IT 07:03.930 --> 07:05.970 align:start LIKE I AM HAVING A CONVERSATION. 07:05.970 --> 07:07.970 align:start WOULD LIKE THAT, THINK LIKE 07:07.970 --> 07:09.900 align:start THAT, IT GETS EASIER. 07:09.900 --> 07:11.070 align:start >> YOU KNOW YOU DON'T HAVE TO 07:11.070 --> 07:15.830 align:start BE AFRAID OF HIM, RIGHT? 07:15.830 --> 07:19.030 align:start >> I WANT YOU TO SEE A CLIP OF 07:19.030 --> 07:22.100 align:start MY LIFE, FROM DIFFERENT STAGES. 07:22.100 --> 07:25.970 align:start WHEN I WAS YOUNG, THEN I GREW 07:25.970 --> 07:27.900 align:start OLDER AND WHEN I GOT ARRESTED 07:27.900 --> 07:28.970 align:start FOR THE CRIME I DIDN'T DO, AND 07:28.970 --> 07:30.900 align:start WHEN I GOT OUT, JUST TO SEE MY 07:30.900 --> 07:31.930 align:start STORY, HOW I HELD ON AND HOW I 07:31.930 --> 07:32.900 align:start SURPRISED EVERYBODY. 07:32.900 --> 07:34.330 align:start EVERYBODY THOUGHT I WAS A 07:34.330 --> 07:36.030 align:start KILLER. 07:36.030 --> 07:38.970 align:start AT THE END OF THE DAY, I SAVED 07:38.970 --> 07:41.100 align:start MY NEPHEW'S LIFE BY DONATING A 07:41.100 --> 07:42.030 align:start KIDNEY. 07:42.030 --> 07:45.700 align:start >> I BELIEVE IN USING THE LEAST 07:45.700 --> 07:49.900 align:start AMOUNT OF WORDS IN GETTING 07:49.900 --> 07:51.100 align:start ACROSS WHAT I'M TRYING TO GET 07:51.100 --> 07:51.930 align:start ACROSS. 07:51.930 --> 07:52.900 align:start WE HAVE A SIMPLE JOB. 07:52.900 --> 07:54.030 align:start >> WE ARE HERE IN CUYAHOGA 07:54.030 --> 07:56.900 align:start COUNTY, IT WAS JUST NOTABLE. 07:56.900 --> 07:58.030 align:start IT JUST JELLED FOR US TO COME 07:58.030 --> 08:01.300 align:start TOGETHER AND TO FORM A GROUP 08:01.300 --> 08:05.030 align:start THAT CAN USE THE ARTS, MENTAL 08:05.030 --> 08:08.230 align:start ILLNESS AND LOCAL POLITICS AS 08:08.230 --> 08:12.030 align:start FAR AS JUDGES, PROSECUTION 08:12.030 --> 08:15.170 align:start RACES, AND WE ARE INTERESTED IN 08:15.170 --> 08:20.030 align:start WHAT IS GOING ON RIGHT HERE. 08:20.030 --> 08:23.500 align:start THE PUBLIC THINKS EVERYTHING IS 08:23.500 --> 08:28.900 align:start GOING TO BE OKAY SEEING THAT WE 08:28.900 --> 08:29.970 align:start GOT OUT BUT THEY DON'T SEE THE 08:29.970 --> 08:31.900 align:start DENIALS, THEY DON'T SEE THE 08:31.900 --> 08:33.030 align:start APPEALS THAT HAVE BEEN DENIED 08:33.030 --> 08:36.430 align:start FROM ONE DISTRICT, ONE COURT TO 08:36.430 --> 08:39.100 align:start THE NEXT. 08:39.100 --> 08:40.900 align:start THE HEARTBREAK. 08:40.900 --> 08:41.900 align:start >> WE WANT TO PUT FLESH AND 08:41.900 --> 08:43.070 align:start BLOOD ONTO THE STORIES SO 08:43.070 --> 08:46.100 align:start PEOPLE CAN UNDERSTAND WHAT 08:46.100 --> 08:48.900 align:start HAPPENED TO THE INDIVIDUAL, 08:48.900 --> 08:49.930 align:start THAT TRAUMA, TO THE FAMILIES 08:49.930 --> 08:50.900 align:start AND TO THE COMMUNITY. 08:50.900 --> 08:51.900 align:start >> OUR SYSTEM STILL DOESN'T 08:51.900 --> 08:54.330 align:start LIKE TO ADMIT THAT THEY MESSED 08:54.330 --> 08:56.030 align:start UP. 08:56.030 --> 08:59.370 align:start THEY DON'T WANT TO ADMIT THAT. 08:59.370 --> 09:03.900 align:start YOU BARELY EVER SEEN A COURT 09:03.900 --> 09:04.970 align:start OFFICIAL OR A PROSECUTOR OR 09:04.970 --> 09:06.900 align:start ANYTHING LIKE THAT APOLOGIZE 09:06.900 --> 09:09.030 align:start FOR WHAT THEY DID TO THE PERSON. 09:09.030 --> 09:12.570 align:start >> YOU JUST LISTEN TO ME AND I 09:12.570 --> 09:16.900 align:start CAN GET YOU A PLEA OR YOU CAN 09:16.900 --> 09:17.930 align:start TAKE IT TO TRIAL AND YOU WILL 09:17.930 --> 09:18.900 align:start BE WASTING YOUR GRIEF. 09:18.900 --> 09:20.030 align:start >> I DIDN'T DO ANYTHING. 09:20.030 --> 09:23.430 align:start >> WE CALLED IT "THE LYNCHED 09:23.430 --> 09:28.030 align:start AMONG US" BECAUSE WE DID SOME 09:28.030 --> 09:28.930 align:start RESEARCH. 09:28.930 --> 09:30.030 align:start WE SAW SOME STRIKING 09:30.030 --> 09:33.130 align:start SIMILARITIES BETWEEN WRONGFUL 09:33.130 --> 09:38.900 align:start CONVICTIONS AND THE LYNCHINGS 09:38.900 --> 09:43.130 align:start FROM BACK IN THE EARLY 1800s OR 09:43.130 --> 09:44.030 align:start 1900s. 09:44.030 --> 09:47.100 align:start THOSE SIMILARITIES, THESE MOBS 09:47.100 --> 09:50.000 align:start WERE FORMED BECAUSE OF 09:50.000 --> 09:53.000 align:start ALLEGATIONS, MANY TIMES FALSE 09:53.000 --> 09:53.970 align:start ALLEGATIONS. 09:53.970 --> 09:55.970 align:start MANY OF THE MENU HAVE BEEN 09:55.970 --> 09:57.970 align:start INJURED BY WRONGFUL CONVICTION 09:57.970 --> 10:00.070 align:start HAVE HAD EVIDENCE HIDDEN FROM 10:00.070 --> 10:03.030 align:start THEM, THEY HAVE FABRICATED 10:03.030 --> 10:07.100 align:start EVIDENCE, FALSE ACCUSATIONS 10:07.100 --> 10:11.900 align:start HURLED AGAINST THEM. 10:11.900 --> 10:12.970 align:start >> CHANGE MY LIFE BY AN ENTRY 10:12.970 --> 10:13.900 align:start AND A COMPUTER. 10:13.900 --> 10:15.030 align:start YOU ARE ALREADY A NUMBER. 10:15.030 --> 10:17.900 align:start >> THIS JUDGE, AT ONE POINT, 10:17.900 --> 10:19.900 align:start WHEN HE WAS ACCUSED, THEY WERE 10:19.900 --> 10:21.030 align:start TEENAGERS ACCUSED OF A HORRIBLE 10:21.030 --> 10:22.170 align:start SHOOTING. 10:22.170 --> 10:23.900 align:start TWO PEOPLE. 10:23.900 --> 10:26.830 align:start POLICE EVEN SAID THEY SHOT AT 10:26.830 --> 10:29.270 align:start THEM. 10:29.270 --> 10:34.900 align:start BUT, A JUDGE READ THAT EVIDENCE 10:34.900 --> 10:35.900 align:start IN THE HEIGHT OF THE EXTERIOR 10:35.900 --> 10:36.900 align:start OF THE CASE AND SAID, YOU KNOW 10:36.900 --> 10:38.500 align:start WHAT, SOMETHING IS NOT RIGHT 10:38.500 --> 10:40.300 align:start HERE. 10:40.300 --> 10:47.230 align:start SHE CHOSE TO RELEASE THEM. 10:47.230 --> 10:53.030 align:start >> 2007 HIGH SCHOOL DIPLOMA, 10:53.030 --> 10:55.900 align:start SOUTH HIGH. 10:55.900 --> 10:56.970 align:start >> FOR SOME REASON, SOME 10:56.970 --> 10:58.900 align:start DECISION-MAKERS SAID LET'S GO 10:58.900 --> 11:00.030 align:start TO THIS KIDS GRADUATION. 11:00.030 --> 11:02.970 align:start A MOMENT HE WILL NEVER FORGET 11:02.970 --> 11:07.930 align:start IN HIS LIFE, AND ARREST HIM. 11:07.930 --> 11:11.130 align:start AND BRING HIM BACK TO JAIL WHEN 11:11.130 --> 11:14.130 align:start HE WAS SENTENCED TO 11:14.130 --> 11:17.270 align:start ASTRONOMICAL TIME. 11:17.270 --> 11:22.900 align:start >> IS A THEATRICAL PART OF IT 11:22.900 --> 11:24.030 align:start MAKES YOU BE WITH THE STORY, 11:24.030 --> 11:25.900 align:start YOU ARE IN THE STORY. 11:25.900 --> 11:27.130 align:start YOU ARE WATCHING IT AND YOU ARE 11:27.130 --> 11:27.900 align:start IN IT. 11:27.900 --> 11:28.900 align:start WHEN YOU LEAVE, IT BECOMES MORE 11:28.900 --> 11:30.030 align:start IMPACTFUL THAT YOU ARE ABLE TO 11:30.030 --> 11:32.930 align:start VISUALIZE WHAT WE ARE SAYING. 11:32.930 --> 11:34.900 align:start IT IS A PART OF THE HEALING 11:34.900 --> 11:36.130 align:start JOURNEY WHEN YOU USE THE ARTS 11:36.130 --> 11:39.030 align:start TO EXPRESS YOURSELF. 11:39.030 --> 11:41.930 align:start YOU HAVE TO REMEMBER, WE CAME 11:41.930 --> 11:45.030 align:start FROM A PLACE THAT TRIES TO TAKE 11:45.030 --> 11:48.270 align:start THAT FROM YOU. 11:48.270 --> 11:51.900 align:start >> DEFINITELY RAISING AWARENESS 11:51.900 --> 11:52.900 align:start THAT WRONGFUL CONVICTION IS A 11:52.900 --> 11:54.370 align:start HUGE PROBLEM THAT NEEDS TO BE 11:54.370 --> 11:56.900 align:start ADDRESSED. 11:56.900 --> 11:58.030 align:start I FEEL LIKE IT IS NOT BEING 11:58.030 --> 11:58.900 align:start ADDRESSED. 11:58.900 --> 11:59.900 align:start THESE ARE HUMAN BEING LIVES 11:59.900 --> 12:01.330 align:start THAT ARE BEING TAKEN AWAY FROM 12:01.330 --> 12:01.970 align:start US. 12:01.970 --> 12:04.900 align:start THESE ARE PEOPLE THAT WE LOSE 12:04.900 --> 12:06.130 align:start IN PRISON THAT WERE NEVER SEEN 12:06.130 --> 12:06.900 align:start AGAIN. 12:06.900 --> 12:07.970 align:start MOMENTS OF OUR KIDS LIVES WE 12:07.970 --> 12:10.200 align:start WILL NEVER GET BACK AGAIN. 12:10.200 --> 12:14.970 align:start I JUST FEEL LIKE NOBODY SEES 12:14.970 --> 12:15.900 align:start THIS AS URGENT. 12:15.900 --> 12:16.900 align:start THIS HAS TO STOP RIGHT NOW. 12:16.900 --> 12:17.970 align:start WE CAN'T KEEP SENDING INNOCENT 12:17.970 --> 12:20.030 align:start PEOPLE TO PRISON FOR CRIMES 12:20.030 --> 12:23.130 align:start THEY DIDN'T COMMIT AND LET THEM 12:23.130 --> 12:26.900 align:start OUT LIKE EVERYTHING IS OKAY. 12:26.900 --> 12:27.900 align:start >> IT IS MORE THAN JUST MY 12:27.900 --> 12:28.970 align:start WRONGFUL CONVICTION, IT IS MY 12:28.970 --> 12:29.930 align:start FAMILY AS WELL. 12:29.930 --> 12:30.970 align:start I LOST FAMILY MEMBERS 12:30.970 --> 12:31.900 align:start THROUGHOUT THIS. 12:31.900 --> 12:33.030 align:start WHEN I CAME HOME, I CAME HOME 12:33.030 --> 12:34.900 align:start TO A WHOLE NEW WORLD. 12:34.900 --> 12:35.900 align:start I AM THINKING ABOUT THE PEOPLE 12:35.900 --> 12:37.500 align:start WHO CARE FOR ME, LOVE ME THE 12:37.500 --> 12:39.130 align:start MOST. 12:39.130 --> 12:42.330 align:start A LOT OF THEM WERE GONE. 12:42.330 --> 12:45.030 align:start IT IS DEEP. 12:45.030 --> 12:47.900 align:start IT IS MORE THAN JUST YOU THAT 12:47.900 --> 12:48.900 align:start HAS TO GO THROUGH THINGS, IT IS 12:48.900 --> 12:49.930 align:start YOUR WHOLE FAMILY AND THE 12:49.930 --> 12:51.030 align:start PEOPLE THAT YOU KNOW. 12:51.030 --> 12:53.970 align:start YOU COME HOME, 27 YEARS AND SIX 12:53.970 --> 12:56.970 align:start MONTHS AND 20 DAYS THAT IS A 12:56.970 --> 12:57.970 align:start WHOLE LIFETIME. 12:57.970 --> 12:59.900 align:start YOU DON'T EVEN KNOW THE PEOPLE 12:59.900 --> 13:00.900 align:start THAT YOU THOUGHT YOU KNEW. 13:00.900 --> 13:02.330 align:start YOUR FAMILY MEMBERS, PEOPLE 13:02.330 --> 13:04.430 align:start CHANGE. 13:04.430 --> 13:08.900 align:start THE WORLD CHANGES. 13:08.900 --> 13:09.900 align:start >> I WORK FOR THE CITY OF 13:09.900 --> 13:11.230 align:start CLEVELAND, I WORK IN MY OWN 13:11.230 --> 13:12.930 align:start BUSINESS. 13:12.930 --> 13:14.170 align:start IT HAS BEEN ROUGH. 13:14.170 --> 13:16.930 align:start I HAVE FOUR SONS. 13:16.930 --> 13:18.900 align:start I HAVE A DAUGHTER, YOU KNOW. 13:18.900 --> 13:20.070 align:start LIKE STARTING A RELATIONSHIP 13:20.070 --> 13:23.100 align:start WITH PEOPLE IS HARD FOR ME 13:23.100 --> 13:25.930 align:start BECAUSE I AM SO DETACHED FROM 13:25.930 --> 13:26.900 align:start EVERYBODY RIGHT NOW. 13:26.900 --> 13:27.930 align:start THEY ARE LIKE MEN, ARE YOU 13:27.930 --> 13:28.930 align:start COMING TO THE PARTY? 13:28.930 --> 13:29.970 align:start I PROBABLY WON'T COME. 13:29.970 --> 13:31.900 align:start >> FOR ME, THE HARDEST PART FOR 13:31.900 --> 13:32.900 align:start ME IS TO CALL HOME AND TELL MY 13:32.900 --> 13:34.130 align:start FAMILY WHEN I GOT TIME AT THE 13:34.130 --> 13:35.900 align:start PAROLE BOARD. 13:35.900 --> 13:37.030 align:start THE REACTION I WAS GETTING, 13:37.030 --> 13:40.000 align:start THAT HURT ME MORE THAN ANYTHING 13:40.000 --> 13:43.170 align:start THEN I AM THE ONE GETTING THE 13:43.170 --> 13:43.900 align:start TIME. 13:43.900 --> 13:45.100 align:start THAT WAS A HARD PILL TO SWALLOW 13:45.100 --> 13:45.900 align:start FOR ME. 13:45.900 --> 13:46.970 align:start I THINK WE HAVE TO BRING 13:46.970 --> 13:48.970 align:start AWARENESS TO THE SITUATION, 13:48.970 --> 13:50.900 align:start TURNING THAT NEGATIVE THING 13:50.900 --> 13:52.030 align:start THAT HAPPENED TO ME INTO A 13:52.030 --> 13:52.900 align:start POSITIVE. 13:52.900 --> 13:54.230 align:start THAT IS WHY I TRY TO DO IT AS 13:54.230 --> 13:56.900 align:start MUCH AS I CAN. 13:56.900 --> 13:58.970 align:start >> EVERYONE IS EXCEEDING MY 13:58.970 --> 13:59.970 align:start EXPECTATIONS. 13:59.970 --> 14:01.930 align:start I PLAN TO KEEP GOING WITH THIS. 14:01.930 --> 14:03.000 align:start I AM GETTING A GREAT 14:03.000 --> 14:05.130 align:start DIRECTORIAL EXPERIENCE. 14:05.130 --> 14:10.030 align:start I AM THINKING THIS COULD GO ON 14:10.030 --> 14:10.900 align:start BROADWAY. 14:10.900 --> 14:11.900 align:start IF SOMEBODY WOULD JUST SAY, 14:11.900 --> 14:13.030 align:start OKAY, THIS IS GOOD ENOUGH, WE 14:13.030 --> 14:16.230 align:start WILL BACK YOU AND I CAN DO IT 14:16.230 --> 14:22.300 align:start IN ITS FULLNESS, THIS COULD BE 14:22.300 --> 14:25.000 align:start ON BROADWAY. 14:25.000 --> 14:25.070 align:start > 14:25.070 --> 14:28.030 align:start >> TO LEARN MORE ABOUT THE 14:28.030 --> 14:31.170 align:start TRAVELING PRODUCTION, CHECK OUT 14:31.170 --> 14:34.170 align:start VOICESOFINJUSTICE. 14:34.170 --> 14:37.830 align:start COM/. 14:37.830 --> 14:39.330 align:start > 14:39.330 --> 14:41.900 align:start >> MULTIDISCIPLINARY ARTIST 14:41.900 --> 14:43.070 align:start JUANA VALDEZ CREATED A LARGE- 14:43.070 --> 14:46.300 align:start SCALE MULTICHANNEL VIDEO 14:46.300 --> 14:50.900 align:start INSTALLATION THAT EXPLAINS THE 14:50.900 --> 14:51.970 align:start MIGRATION EXPERIENCE AND 14:51.970 --> 14:52.900 align:start REFUGEE CRISIS. 14:52.900 --> 14:53.970 align:start WE VISITED THE LONGEST RUNNING 14:53.970 --> 14:56.030 align:start ALTERNATIVE ART IS BASED IN 14:56.030 --> 15:01.330 align:start MIAMI, FLORIDA FOR THE STORY. 15:01.330 --> 15:05.970 align:start >> WHEN ARTIST SPEAK THEY ARE 15:05.970 --> 15:07.030 align:start USING IMAGERY. 15:07.030 --> 15:10.300 align:start WE ARE TRANSLATING EVERYTHING 15:10.300 --> 15:13.970 align:start WE DO IN OUR MINDS VISUALLY. 15:13.970 --> 15:14.900 align:start IT IS AUTOMATIC. 15:14.900 --> 15:15.900 align:start WE DON'T EVEN THINK ABOUT IT. 15:15.900 --> 15:16.900 align:start IT BECAME REALLY CLEAR TO ME 15:16.900 --> 15:17.970 align:start THAT I NEEDED TO WORK WITH A 15:17.970 --> 15:18.970 align:start MOVING IMAGE. 15:18.970 --> 15:21.230 align:start THERE ARE SEVERAL SEQUENCES 15:21.230 --> 15:26.200 align:start THAT TAKE PLACE UNDERWATER. 15:26.200 --> 15:30.930 align:start THERE WAS NO OTHER WAY OF 15:30.930 --> 15:31.930 align:start REPRESENTING THAT. 15:31.930 --> 15:33.030 align:start I AM JUANA VALDES. 15:33.030 --> 15:34.900 align:start I WAS BORN IN CUBA. 15:34.900 --> 15:36.900 align:start I CAME WITH MY FAMILY TO THE 15:36.900 --> 15:38.130 align:start UNITED STATES IN 1971 THROUGH 15:38.130 --> 15:42.330 align:start THE FREEDOM FLIGHTS. 15:42.330 --> 15:46.900 align:start THE EXHIBITION IS REST ASHORE. 15:46.900 --> 15:47.970 align:start THE IDEA WAS ALWAYS TO DO A 15:47.970 --> 15:49.900 align:start VIDEO IN WHICH THERE WOULD BE 15:49.900 --> 15:51.130 align:start NO PHYSICAL BODIES IN THE VIDEO 15:51.130 --> 15:53.130 align:start I WANTED THE VIEWER WHO WALKED 15:53.130 --> 15:54.070 align:start INTO THE SPACE TO FEEL LIKE 15:54.070 --> 15:55.730 align:start THEY WERE OCCUPYING THAT SPACE, 15:55.730 --> 15:58.730 align:start THAT SORT OF SENSATION THAT 15:58.730 --> 16:02.000 align:start THEY WERE PART OF THIS 16:02.000 --> 16:03.070 align:start EXPERIENCE. 16:03.070 --> 16:06.830 align:start AS A CUBAN, I KNOW WHAT IT 16:06.830 --> 16:14.900 align:start MEANS TO MIGRATE BY SEA BECAUSE 16:14.900 --> 16:16.000 align:start WE HAVE BEEN EXPERIENCING THIS 16:16.000 --> 16:17.900 align:start FOR THE LAST 50 YEARS. 16:17.900 --> 16:18.900 align:start I WANTED TO USE A PERSONAL 16:18.900 --> 16:19.900 align:start EXPERIENCE IN THAT KNOWLEDGE 16:19.900 --> 16:20.900 align:start AND UNDERSTANDING AND I WANTED 16:20.900 --> 16:21.900 align:start TO TAKE THAT AND OPEN IT UP TO 16:21.900 --> 16:23.030 align:start THE GREATER GLOBAL CRISIS THAT 16:23.030 --> 16:26.030 align:start IS HAPPENING, ESPECIALLY THAT 16:26.030 --> 16:28.970 align:start STARTED TO HAPPEN IN 2015 IN 16:28.970 --> 16:31.030 align:start EUROPE AS OF THE SYRIAN 16:31.030 --> 16:31.970 align:start REFUGEES. 16:31.970 --> 16:34.170 align:start WHEN WE THINK ABOUT MIGRATION 16:34.170 --> 16:37.030 align:start RIGHT NOW, WE IMAGINE PEOPLE IN 16:37.030 --> 16:40.000 align:start THIRD WORLD COUNTRIES COMING TO 16:40.000 --> 16:41.900 align:start AMERICA, EVEN TO EUROPE 16:41.900 --> 16:43.330 align:start ESCAPING POVERTY SOMETIMES WAR, 16:43.330 --> 16:44.900 align:start FAMINE. 16:44.900 --> 16:46.900 align:start BUT, WE ARE EXPERIENCING THE 16:46.900 --> 16:47.970 align:start PANDEMIC RIGHT NOW THAT HAS 16:47.970 --> 16:49.900 align:start MADE LIKE IF YOU ARE IN SOME 16:49.900 --> 16:50.900 align:start CITIES, PEOPLE HAVE CHOSEN TO 16:50.900 --> 16:52.070 align:start LEAVE THE CITY AND GO TO THE 16:52.070 --> 16:52.970 align:start COUNTRY. 16:52.970 --> 16:54.900 align:start SO, THE WHOLE IDEA WAS PARTLY 16:54.900 --> 16:56.030 align:start WITH THE VIDEO NOT HAVING AN 16:56.030 --> 16:58.930 align:start INDIVIDUAL BE REPRESENTED IN 16:58.930 --> 17:01.970 align:start THE VIDEO, WHAT TO DO WITH THAT. 17:01.970 --> 17:04.030 align:start DUE TO CLIMATE CHANGE, DUE TO 17:04.030 --> 17:06.900 align:start SOME OTHER SITUATIONS, ANYONE 17:06.900 --> 17:08.030 align:start OF US AT ANY PARTICULAR TIME 17:08.030 --> 17:11.130 align:start RIGHT NOW COULD OR WOULD BE 17:11.130 --> 17:15.130 align:start FORCED TO MIGRATE. 17:15.130 --> 17:18.900 align:start WHEN YOU FIRST ENTER THE SPACE, 17:18.900 --> 17:19.900 align:start IT IS DEALING WITH THE HISTORY 17:19.900 --> 17:21.030 align:start OF WHAT YOU ARE ABOUT TO 17:21.030 --> 17:22.000 align:start ENCOUNTER. 17:22.000 --> 17:24.000 align:start THE VERY FIRST THING TO 17:24.000 --> 17:25.900 align:start ENCOUNTER IS A WALL OF PALLETS, 17:25.900 --> 17:27.030 align:start YOU DON'T KNOW WHAT YOU ARE 17:27.030 --> 17:27.970 align:start ENTERING. 17:27.970 --> 17:29.900 align:start IN THAT WAY, IT KIND OF GETS A 17:29.900 --> 17:30.970 align:start LITTLE BIT MENACING AND IT WAS 17:30.970 --> 17:33.000 align:start DONE INTENTIONALLY BECAUSE IT 17:33.000 --> 17:34.970 align:start WAS MEANT TO GIVE YOU THE 17:34.970 --> 17:36.900 align:start SENSATION THAT MAYBE YOU WERE 17:36.900 --> 17:37.900 align:start ENTERING THE BACK OF A SHIPYARD 17:37.900 --> 17:38.900 align:start AND WHAT IT WOULD BE LIKE IF 17:38.900 --> 17:40.030 align:start YOU WERE GOING TO BE TAKING 17:40.030 --> 17:43.000 align:start THIS KIND OF RISKY JOURNEY. 17:43.000 --> 17:45.030 align:start YOU GO FROM BEING A PERSON TO 17:45.030 --> 17:48.500 align:start BEING THOUGHT OF AS CARGO AND 17:48.500 --> 17:49.900 align:start AS A PACKAGE. 17:49.900 --> 17:50.930 align:start HERE YOU ARE SEEING THE 17:50.930 --> 17:51.970 align:start CONTEMPORARY ART FORM. 17:51.970 --> 17:54.030 align:start THE VIDEO TAKES YOU FROM ONE 17:54.030 --> 17:56.970 align:start DAY IN THE LIFE ALMOST BUT THE 17:56.970 --> 17:58.900 align:start JOURNEY BEGINS AND IT TAKES YOU 17:58.900 --> 18:00.070 align:start THROUGH THE WHOLE PROCESS OF 18:00.070 --> 18:03.030 align:start WHAT WOULD HAPPEN IF MAYBE 18:03.030 --> 18:05.930 align:start THERE WAS A CAPSIZE. 18:05.930 --> 18:09.900 align:start THE VIDEO ENDS VERY SLOWLY WITH 18:09.900 --> 18:11.900 align:start THE SORT OF SMALL VIEW THAN IN 18:11.900 --> 18:13.030 align:start LARGE AND WHAT SEEMS LIKE 18:13.030 --> 18:16.070 align:start COUNTLESS NUMBERS OF CLOTHING 18:16.070 --> 18:18.970 align:start THAT HAS WASHED UP ON THE 18:18.970 --> 18:20.900 align:start SHORE, THEN SLOWLY BUT SURELY, 18:20.900 --> 18:22.030 align:start THE VIDEO CAN STILL EXPAND AND 18:22.030 --> 18:24.970 align:start MOVE UP AND YOU SEE THE OCEAN 18:24.970 --> 18:27.070 align:start AGAIN AND THEN THE SUNSET AND 18:27.070 --> 18:30.070 align:start YOU HEAR THE MOTOR IN THE 18:30.070 --> 18:37.530 align:start DISTANCE AND THE JOURNEY BEGINS 18:37.530 --> 18:42.000 align:start AGAIN. 18:42.000 --> 18:45.130 align:start >> AT LUCAS PROJECTS, WE ARE IN 18:45.130 --> 18:46.900 align:start PLACE OF YES. 18:46.900 --> 18:48.200 align:start WE LET ARTISTS REALIZE THERE 18:48.200 --> 18:51.130 align:start WILDEST DREAMS. 18:51.130 --> 18:58.900 align:start WE ARE REALLY UNIQUE IN THE 18:58.900 --> 19:00.030 align:start MIAMI ART SPEAKER SYSTEM IN 19:00.030 --> 19:00.900 align:start THAT WAY. 19:00.900 --> 19:01.900 align:start WE COMMISSION ARTISTS TO CREATE 19:01.900 --> 19:02.970 align:start THESE LARGE-SCALE SITE-SPECIFIC 19:02.970 --> 19:03.900 align:start INSTALLATIONS. 19:03.900 --> 19:04.900 align:start IT WILL NEVER SEE THESE 19:04.900 --> 19:05.900 align:start EXHIBITIONS IN ANOTHER PLACE, 19:05.900 --> 19:06.900 align:start ONLY HERE AT LOCUST PROJECTS. 19:06.900 --> 19:07.970 align:start THEY ARE TYPICALLY IMMERSIVE 19:07.970 --> 19:09.900 align:start AND WE REALLY GIVE ARTISTS THE 19:09.900 --> 19:13.230 align:start OPPORTUNITY TO EXPERIMENT IN 19:13.230 --> 19:18.970 align:start NEW MEDIA WITH NEW IDEAS. 19:18.970 --> 19:21.030 align:start IN OUR 2020-2021 SEASON, WE ARE 19:21.030 --> 19:24.070 align:start FOCUSING ON MIAMI WOMEN ARTISTS 19:24.070 --> 19:30.170 align:start AND TURNING THE SPACE OVER TO 19:30.170 --> 19:30.930 align:start THEM. 19:30.930 --> 19:31.900 align:start WE HAVE SEEN CHRISTINA 19:31.900 --> 19:32.900 align:start PETERSON, WHO WAS ABLE TO 19:32.900 --> 19:33.900 align:start REALIZE A PROJECT SHE HAD BEEN 19:33.900 --> 19:34.970 align:start WANTING TO DO FOR MORE THAN 10 19:34.970 --> 19:36.900 align:start YEARS, WHICH WAS TO CREATE A 19:36.900 --> 19:38.030 align:start CEMETERY IN TO COVER THE FLOORS 19:38.030 --> 19:41.270 align:start WITH PINE NEEDLES AND TO FILL 19:41.270 --> 19:47.900 align:start THE ROOM WITH THE SOUND OF A 19:47.900 --> 19:48.930 align:start SONG CALLED "IN THE PINES," AND 19:48.930 --> 19:49.900 align:start ACTUAL TOMBSTONES THAT 19:49.900 --> 19:50.970 align:start MEMORIALIZE REALLY IMPORTANT 19:50.970 --> 19:53.070 align:start FIGURES FROM SOUTH FLORIDA 19:53.070 --> 19:55.900 align:start HISTORY BUT ALSO MEMORIALIZE 19:55.900 --> 19:56.900 align:start THE CREATURES THAT HAVE BEEN 19:56.900 --> 19:57.930 align:start LOST DUE TO DEVELOPMENT IN THE 19:57.930 --> 19:59.170 align:start PINE BACKBENDS OF THE 19:59.170 --> 20:01.400 align:start EVERGLADES. 20:01.400 --> 20:03.900 align:start IN THE CASE OF JUANA VALDES, 20:03.900 --> 20:04.900 align:start YOU ARE SEEING THE MISSION OF 20:04.900 --> 20:05.970 align:start LOCUST PROJECTS IN MOTION. 20:05.970 --> 20:07.900 align:start THIS IS THE FIRST TIME JUANA 20:07.900 --> 20:09.030 align:start VALDES HAS HAD THE OPPORTUNITY 20:09.030 --> 20:12.230 align:start TO WORK IN VIDEO AND HERE SHE 20:12.230 --> 20:18.130 align:start IS DOING IT IN MASSIVE LARGE- 20:18.130 --> 20:18.900 align:start SCALE. 20:18.900 --> 20:19.930 align:start ARTISTS, IN ORDER TO HAVE 20:19.930 --> 20:21.000 align:start CAREERS, HAVE TO HAVE 20:21.000 --> 20:21.900 align:start EXHIBITIONS. 20:21.900 --> 20:23.030 align:start THAT IS WHERE LOCUST PROJECTS 20:23.030 --> 20:23.900 align:start COMES IN. 20:23.900 --> 20:24.900 align:start A LOT OF ARTISTS WILL HAVE 20:24.900 --> 20:25.900 align:start THEIR VERY FIRST EXHIBITION AT 20:25.900 --> 20:26.900 align:start LOCUST PROJECTS AND MORE 20:26.900 --> 20:28.000 align:start ESTABLISHED ARTISTS WILL BE 20:28.000 --> 20:30.130 align:start ABLE TO DO SOMETHING THEY 20:30.130 --> 20:42.070 align:start WEREN'T ABLE TO DO BEFORE. 20:42.070 --> 20:42.200 align:start > 20:42.200 --> 20:45.030 align:start >> TO SEE MORE OF JUANA 20:45.030 --> 20:48.130 align:start VALDES'S WORK, FIND HER ONLINE 20:48.130 --> 20:50.400 align:start AT JUANAMVALDES. 20:50.400 --> 20:51.030 align:start COM. 20:51.030 --> 20:51.130 align:start > 20:51.130 --> 20:54.500 align:start >> NOISE CONTROL IS KNOWN FOR 20:54.500 --> 20:58.900 align:start ITS HARD WORK DISCO POP SOUND 20:58.900 --> 20:59.900 align:start AND INCREDIBLE PERFORMANCES, 20:59.900 --> 21:00.900 align:start COMPLETE WITH A LIGHT SHOW. 21:00.900 --> 21:01.900 align:start KENNY, KAREN, BRAD, JEREMIAH 21:01.900 --> 21:02.970 align:start AND MATTHEW DONNED THEIR 21:02.970 --> 21:05.030 align:start SHERBET COLORED JUMPSUITS AND 21:05.030 --> 21:07.930 align:start RECESS WITH HER PRESENTS FOR A 21:07.930 --> 21:13.630 align:start BROAD & HIGH PRESENTS RECORDING. 21:13.630 --> 21:32.130 align:start TAKE A LISTEN. 21:32.130 --> 21:36.470 align:start IT GIVES ME FAVOR, I'LL TAKE 21:36.470 --> 21:37.900 align:start YOU DEEPER. 21:37.900 --> 21:41.970 align:start YOU HEARD IN MY VOICE, I DON'T 21:41.970 --> 21:48.700 align:start HAVE A CHOICE. 21:48.700 --> 22:29.900 align:start I AM A GIRLY BOY. 22:29.900 --> 22:30.900 align:start JUST TAKE A LOOK (JUST TAKE A 22:30.900 --> 22:31.900 align:start LOOK) INTO THE OCULUS (INTO THE 22:31.900 --> 22:32.970 align:start OCULUS) DO YOU LIKE WHERE THIS 22:32.970 --> 22:36.030 align:start IS GOING BECAUSE I'M TWO SAD 22:36.030 --> 22:51.500 align:start EYES AWAY FROM GIVING UP 22:51.500 --> 22:52.800 align:start G.I.R.L. 22:52.800 --> 22:55.370 align:start YOU'RE CUTE, BUT NOT MY TYPE 22:55.370 --> 22:55.830 align:start B.O.Y. 22:55.830 --> 22:59.170 align:start OH MY GOD IS HE GONNA CRY I 22:59.170 --> 23:01.800 align:start WANNA BE YOUR TOY CAUSE I'M 23:01.800 --> 23:11.370 align:start JUST A GIRLY BOY THERE'S LOVE 23:11.370 --> 23:13.530 align:start IN THESE LOOSE ENDS ONE TOUCH 23:13.530 --> 23:26.570 align:start AND I CAN BE A FRIEND CUT 23:26.570 --> 23:43.470 align:start THROAT AND INNOCENT I'M WASTED 23:43.470 --> 23:45.870 align:start I'M FADED I'M LOSING LIFE ON 23:45.870 --> 23:48.900 align:start THE THOUGHT OF YOU I'M VACANT 23:48.900 --> 23:51.370 align:start I'M TAKING ALL THE THINGS I GOT 23:51.370 --> 23:57.430 align:start FROM YOU I WANNA BE YOUR TOY 23:57.430 --> 24:15.070 align:start CAUSE I'M JUST A GIRLY BOY 24:15.070 --> 24:21.370 align:start CAUSE I'M JUST A GIRLY BOY G. 24:21.370 --> 24:22.200 align:start I. 24:22.200 --> 24:23.030 align:start R. 24:23.030 --> 24:23.830 align:start L. 24:23.830 --> 24:25.500 align:start Y B. 24:25.500 --> 24:26.500 align:start O. 24:26.500 --> 24:29.630 align:start B. 24:29.630 --> 24:33.830 align:start O. 24:33.830 --> 24:34.030 align:start Y 24:34.030 --> 24:38.030 align:start >> TO HEAR MORE, YOU CAN FIND 24:38.030 --> 24:42.970 align:start THEM ON INSTAGRAM 24:42.970 --> 24:43.930 align:start @NOISECTRLBAND. 24:43.930 --> 24:43.970 align:start > 24:43.970 --> 24:44.970 align:start >> THAT IS OUR SHOW. 24:44.970 --> 24:46.900 align:start YOU CAN FIND ALL OF OUR STORIES 24:46.900 --> 24:47.400 align:start ONLINE AT WOSU. 24:47.400 --> 24:49.970 align:start ORG AS WELL AS ON OUR YOUTUBE 24:49.970 --> 24:50.900 align:start CHANNEL. 24:50.900 --> 24:52.200 align:start FOR ALL OF US HERE AT WOSU, I 24:52.200 --> 24:55.370 align:start AM KATE QUICKEL. 24:55.370 --> 25:47.900 align:start THANKS FOR WATCHING. 25:47.900 --> 25:49.030 align:start GOD HAS LEFT YOU BEHIND I CAN 25:49.030 --> 25:53.030 align:start FEEL YOUR GRACE SPITTING ON MY 25:53.030 --> 25:56.970 align:start FACE GOD HAS LEFT YOU BEHIND I 25:56.970 --> 26:00.100 align:start CAN FEEL YOUR GRACE SPITTING ON 26:00.100 --> 26:05.900 align:start MY FACE TAKE A MOMENT TO 26:05.900 --> 26:06.900 align:start BREATHE TAKE A MOMENT TO BE 26:06.900 --> 26:07.970 align:start TAKE A MOMENT TO FEEL IT LEAVE 26:07.970 --> 26:11.330 align:start YOUR BEING YOU'RE RUNNING OUT 26:11.330 --> 26:31.830 align:start OF TIME BE AFRAID 26:31.830 --> 26:34.900 align:start >> PRODUCTION OF BROAD & HIGH 26:34.900 --> 26:35.930 align:start IS FUNDED IN PART BY GREATER 26:35.930 --> 26:36.900 align:start COLUMBUS ARTS COUNCIL, 26:36.900 --> 26:37.930 align:start CELEBRATING EXPRESSION, 26:37.930 --> 26:39.300 align:start FOSTERING TALENT AND CONNECTING 26:39.300 --> 26:40.130 align:start THE COMMUNITY TO CAMPUS 26:40.130 --> 26:40.970 align:start ARTISTS, PERFORMANCES, 26:40.970 --> 26:43.300 align:start EXHIBITIONS, CONCERTS, PUBLIC 26:43.300 --> 26:45.070 align:start ART, AND MORE AT 26:45.070 --> 26:50.070 align:start COLUMBUSMAKESART.COM.