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[JAMES BABBLES]

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>> OH, YOU’RE LOOKING GORGEOUS

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TODAY, AREN’T YOU? YES.

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>> HOW DID YOU SLEEP?

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>> OH, I DIDN’T REALLY.

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>> IT’S YOU.

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>> NOPE.

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>> NO, NO.

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>> NEITHER ONE OF US IS SLEEPING

10
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TOO WELL THESE DAYS. WHEN I WAKE

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UP IN THE MIDDLE OF THE NIGHT,

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YOU’RE NOT THERE.

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>> I CAN’T FIND MY TIE, A BLUE

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ONE.

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>> WELL, MOST OF YOUR TIES ARE

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BLUE.

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>> NO, THEY’RE NOT; SOME OF THEM

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ARE RED.

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>> WELL, HAVE A LOOK IN THE

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WARDROBE. AFTER YOU GET UP, I’M

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WIDE AWAKE FOR HOURS LISTENING

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TO YOU.

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>> WELL, I’M--I’M SORRY. I TRY

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NOT TO MAKE A NOISE.

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>> I KNOW YOU DON’T MAKE ANY

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NOISE--THAT’S WHY I CAN’T SLEEP.

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IT’S UNSETTLING.

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>> OH, RIGHT. SO MY SILENCE IS

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UNSETTLING?

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>> YES. OH, HERE IT IS.

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>> OH. THANK YOU. BUT IF I DO

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MAKE A NOISE, THEN THAT’LL

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WAKE YOU UP.

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>> THAT’S RIGHT.

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>> WAKEY, WAKEY, MATEY.

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>> OHH! UH, NO, THANKS.

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>> PLACES TO GO, THINGS TO DO,

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PEOPLE TO CAUTION.

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>> FOR YOU MAYBE. ALL I’VE GOT

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TO DO IS FIX RUTH’S BROADBAND

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AND HELP DAD AT THE RESTAURANT.

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NOT EXACTLY A RED-LETTER DAY,

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IS IT?

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>> COME ON. YOU GOT TO GRAB LIFE

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BY THE THROAT.

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>> YEAH. MAYBE THIS AFTERNOON,

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YEAH?

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>> AL LARGE, YOU ARE A WINNER.

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YOU CAN’T BE WASTING YOUR LIFE

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LYING IN BED.

51
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>> YES, I CAN.

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>> BUT IT’S A BEAUTIFUL DAY.

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>> OHH. YEAH.

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YEAH, CLOSE THE CURTAIN, MATE.

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>> CITALOPRAM, 20 MILLIGRAMS,

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84 TABLETS, CHECK.

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>> I DON’T BELIEVE THAT’S

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NECESSARY.

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>> ESTRADIOL, 2 MILLIGRAMS,

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84 TABLETS...

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>> I’VE BEEN PHARMACIST FOR

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25 YEARS AND I’VE YET TO MAKE

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A MISTAKE.

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>> ALL PRESENT AND CORRECT.

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>> I DON’T KNOW WHY SHE BOTHERS.

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>> ISN’T IT BECAUSE YOU--

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>> I--I’M BETTER NOW!

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>> THERE YOU GO, MOLLY.

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>> THANKS SO VERY MUCH.

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>> NO, THANK YOU.

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DO YOU FEEL YOU HANDLED THAT

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PROFESSIONALLY?

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>> YES, I DO. YES.

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>> WHAT IF ANOTHER CUSTOMER HAD

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BEEN PRESENT? WHAT’S WRITTEN ON

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THE PRESCRIPTION FORM STAYS ON

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THE PRESCRIPTION FORM. YOU MIGHT

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AS WELL HAVE BROADCAST IT TO THE

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ENTIRE VILLAGE: "MOLLY TANES,

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DEPRESSED"!

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>> THAT’S HARDLY FAIR, NOW.

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>> AND, BY THE WAY, SHE IS GOING

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THROUGH THE MENOPAUSE, TOO.

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GOOD MORNING, LOUISA ELLINGHAM.

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>> MORNING.

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>> WHAT CAN WE DO FOR YOU TODAY?

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>> CAN I BE OF SERVICE TO YOU?

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>> WELL, I WAS WONDERING IF YOU

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HAD ANYTHING THAT MIGHT HELP

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WITH SLEEPING.

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>> IS IT FOR YOU?

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>> HAVE YOU EVER GIVEN LAVENDER

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OIL A TRY?

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>> OH!

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>> IN FACT, QUITE A LOT OF

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PEOPLE TAKE THIS NOW INSTEAD OF

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TAKING PILLS. IT’S SOOTHING

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AND IT’S COMPLETELY HARMLESS.

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>> I DON’T THINK LOUISA IS

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INTERESTED IN ALTERNATIVE

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MEDICINE.

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>> SO WHAT DO YOU DO WITH THAT?

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>> OH. YOU CAN HEAT IT UP IN AN

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OIL BURNER...

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>> IF YOU DON’T MIND THE FIRE

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RISK.

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>> OR YOU CAN PUT A COUPLE OF

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DROPS ON YOUR PILLOW AT NIGHT...

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>> AND RUIN YOUR BED LINEN.

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>> AND IT’S ALSO SUPPOSED TO

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HELP WITH ANXIETY.

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>> OH, AND IT CURES BALDNESS,

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AS WELL.

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>> YEAH, WHY DON’T WE GIVE IT

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A GO.

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>> OH. CAN’T DO ANY HARM.

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>> JUST DO THAT, AND THEN YOU

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JUST PRESS...

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>> JUST LIKE MAGIC OR SOMETHING.

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>> YEAH.

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>> NOT JUST A PRETTY FACE, THEN.

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>> SO, WELL...

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>> YEAH?

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>> WELL, ARE YOU SPOKEN FOR?

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>> WHAT?

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>> WELL, THERE’S NO BEEFY

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BOYFRIEND LURKING, READY TO BEAT

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ME UP IF I TOOK YOU OUT FOR A

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DRINK?

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>> UH, NO, NOT REALLY.

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IF--I MEAN NO, I DON’T.

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>> WELL, THEN, WOULD YOU LIKE

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TO GO OUT?

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>> WITH YOU?

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>> AFRAID SO.

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>> MORWENNA?

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>> HI.

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>> NEXT PATIENT.

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>> OH. SORRY. UH, MALCOLM

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RAYNOR.

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>> GOOD.

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>> WELL?

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>> SURE. WHY NOT?

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>> I’M SORRY, DOC, BUT IT’S

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BACK.

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>> WHAT IS?

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>> MY SUSPECTED PEMPHIMUS

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VULGARIS: IT’S A

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LIFE-THREATENING RASH.

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>> WHICH YOU DON’T HAVE. ROLL UP

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YOUR SLEEVE. PEMPHIMUS VULGARIS

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IS A CHRONIC BLISTERING

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CONDITION. YOU HAD A SLIGHT RASH

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CAUSED BY AN ITCHY JUMPER,

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WHICH HAS NOW CLEARED UP.

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>> WHAT? NO. IF YOU LOOK

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CAREFULLY, YOU CAN JUST ABOUT

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MAKE OUT--

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>> GET OUT.

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>> I GOT QUITE A DRY THROAT.

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I THINK I MIGHT BE GETTING

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A COUGH.

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>> YOU ACTUALLY HAVE A COUGH?

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>> BEGINNINGS OF ONE.

165
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[MALCOLM COUGHS]

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>> DRINK HOT WATER WITH HONEY

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AND LEMON. IF IT HASN’T

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CLEARED UP IN A WEEK, COME BACK

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AND SEE ME.

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>> IT’S ALWAYS A WEEK WITH YOU.

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AREN’T YOU GOING TO EXAMINE ME,

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EVEN?

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>> SHOULD A COUGH ACTUALLY

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MATERIALIZE, I’D BE ONLY TOO

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HAPPY. IN THE MEANTIME, PLEASE

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GO AWAY.

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NEXT PATIENT!

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>> I’VE SWITCHED YOUR ISP, BUT

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YOU’RE ON THE SAME DSL CARRIER,

180
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SO YOU SHOULD GET BETTER

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DOWNLOAD SPEEDS NOW.

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>> WELL, I UNDERSTOOD ABOUT 50%

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OF THAT, SO I’M GOING TO TAKE

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AN EDUCATED GUESS AND SAY

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THANK YOU.

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>> NO WORRIES, RUTH. BETTER THAN

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SITTING AROUND KICKING MY HEELS.

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>> YOU SEEM A BIT OFF YOUR

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STRIDE TODAY.

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>> OH, I HAD A BAD EXPERIENCE

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THIS MORNING.

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>> OH, YEAH?

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>> YEAH. I WOKE UP AT JOE

194
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PENHALE’S. AND THERE I WAS:

195
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NOWHERE.

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>> I CAN SEE HOW YOU MIGHT

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FIND THAT A BIT UNSETTLING.

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>> HMM. I ALWAYS THOUGHT I’D BE

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A SUCCESSFUL SOMETHING OR OTHER.

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[AL SIGHS]

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I DON’T KNOW WHAT THAT IS,

202
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BUT THAT IS DISGUSTING.

203
00:07:30,966 --> 00:07:34,766
>> OH, THEY’RE CRIME SCENE

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PHOTOGRAPHS. I’M ASSESSING

205
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THE PERPETRATOR THIS WEEK

206
00:07:34,766 --> 00:07:41,133
AT WORMWOOD SCRUBS.

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>> YOU SEE? EVERYBODY HAS A MORE

208
00:07:38,700 --> 00:07:43,966
EXCITING LIFE THAN I DO. I’M

209
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SICK OF WAITING FOR THINGS TO

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CHANGE, RUTH.

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>> THEN STOP WAITING.

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>> YEAH, BUT--

213
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>> AND STOP WHINING. WE’RE THE

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AUTHORS OF OUR LIVES. YOU WRITE

215
00:07:50,533 --> 00:07:55,166
THE STORY, AND YOU HAVE NO ONE

216
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TO BLAME BUT YOURSELF. IF YOU

217
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WANT TO CHANGE YOUR

218
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CIRCUMSTANCES, THEN CHANGE THEM.

219
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ONLY YOU CAN DO IT.

220
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>> RIGHT.

221
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>> RIGHT.

222
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>> THANKS, RUTH. I’M GONNA MAKE

223
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SOME CHANGES.

224
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>> GOOD...BUT PERHAPS NOT

225
00:08:08,466 --> 00:08:15,233
STRAIGHTAWAY. I NEED YOU TO

226
00:08:10,300 --> 00:08:15,233
DRIVE ME TO THE STATION TOMORROW

227
00:08:11,966 --> 00:08:15,233
AFTERNOON.

228
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>> I MEAN, I DO MY BEST, BUT

229
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I SOMETIMES, SWEAR TO GOD, SHE

230
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MAKES ME FEEL LIKE SCREAMING!

231
00:08:28,866 --> 00:08:33,900
OW!

232
00:08:30,133 --> 00:08:35,833
>> SORRY, SORRY, SORRY.

233
00:08:31,700 --> 00:08:37,733
>> DIDN’T SAY "STOP."

234
00:08:33,900 --> 00:08:40,366
>> YOU’RE--I’M THE ONE WHO’S

235
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BEEN ON HIS FEET ALL EVENING IN

236
00:08:37,733 --> 00:08:43,133
THE RESTAURANT. I MEAN, NORMALLY

237
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IT’S THE HARDWORKING MAN WHO

238
00:08:41,766 --> 00:08:45,400
GETS A MASSAGE.

239
00:08:43,133 --> 00:08:46,733
>> YEAH, BUT THAT’S WHAT I LIKE

240
00:08:44,166 --> 00:08:49,133
ABOUT YOU, BERT--YOU’RE

241
00:08:45,400 --> 00:08:50,533
DIFFERENT.

242
00:08:46,733 --> 00:08:51,866
>> NOW, DON’T LET SAL GET YOU.

243
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SHE’S HAD A BIT OF A HARD TIME

244
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OF IT RECENTLY.

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00:08:51,866 --> 00:08:56,933
>> YEAH, I SUPPOSE SO.

246
00:08:53,766 --> 00:08:57,966
>> LET’S DO SOMETHING TO TAKE

247
00:08:55,033 --> 00:08:58,933
YOUR MIND OFF HER.

248
00:08:56,933 --> 00:09:01,266
>> OOH, WHAT KIND OF

249
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"SOMETHING"?

250
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>> WELL, I CAN THINK OF A COUPLE

251
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OF THINGS.

252
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>> OH, I BET YOU COULD.

253
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>> NO, NO, NO. WHAT ABOUT THIS

254
00:09:05,366 --> 00:09:14,000
WEEKEND, YOU AND I GO FOR A WALK

255
00:09:09,333 --> 00:09:15,333
LIKE THE OLD DAYS? FRESH AIR,

256
00:09:11,966 --> 00:09:17,233
GORGEOUS VIEWS.

257
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>> SOUNDS NICE.

258
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>> HMM.

259
00:09:17,233 --> 00:09:24,966
>> JUST WHAT THE DOCTOR ORDERED,

260
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EH? COME ON. BACK TO WORK.

261
00:09:21,800 --> 00:09:29,233
>> HUH. RIGHT, MADAM.

262
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>> OH, YOU’RE GOOD AT THIS,

263
00:09:26,833 --> 00:09:29,233
BERT.

264
00:09:34,866 --> 00:09:39,833
[MARTIN SNIFFS]

265
00:09:36,700 --> 00:09:41,266
>> WHAT’S THAT SMELL?

266
00:09:38,133 --> 00:09:42,533
[LOUISA SNIFFS]

267
00:09:39,833 --> 00:09:43,633
>> I CAN’T SMELL ANYTHING.

268
00:09:41,266 --> 00:09:45,033
>> IS IT PERFUME? IT SMELLS LIKE

269
00:09:42,533 --> 00:09:49,066
A CAT.

270
00:09:43,633 --> 00:09:50,466
>> OH. YOU THOUGHT IT WAS MY

271
00:09:45,033 --> 00:09:51,566
PERFUME? THANKS.

272
00:09:49,066 --> 00:09:52,633
>> OOH!

273
00:09:50,466 --> 00:09:53,866
>> I PUT SOME LAVENDER OIL ON

274
00:09:51,566 --> 00:09:55,533
THE PILLOW. I THOUGHT IT MIGHT

275
00:09:52,633 --> 00:09:56,700
HELP YOU TO SLEEP.

276
00:09:53,866 --> 00:09:57,800
>> I SEE.

277
00:09:55,533 --> 00:09:58,766
>> WELL, MAYBE YOU COULD GIVE IT

278
00:09:56,700 --> 00:09:59,766
A TRY.

279
00:09:57,800 --> 00:10:01,000
>> YOU DO KNOW THAT LAVENDER OIL

280
00:09:58,766 --> 00:10:02,000
IN HIGH CONCENTRATION CAN BE

281
00:09:59,766 --> 00:10:03,966
SLIGHTLY TOXIC?

282
00:10:01,000 --> 00:10:05,833
>> WELL, IT’S NOT HIGH IN

283
00:10:02,000 --> 00:10:06,966
CONCENTRATION. AND I BROUGHT

284
00:10:03,966 --> 00:10:08,100
YOUR MAGAZINE UP FOR YOU.

285
00:10:05,833 --> 00:10:09,566
I THOUGHT YOU COULD READ AND

286
00:10:06,966 --> 00:10:11,566
FALL ASLEEP.

287
00:10:08,100 --> 00:10:12,966
>> IT CAN ALSO BE A STIMULANT.

288
00:10:09,566 --> 00:10:15,166
>> I ONLY USED A TINY BIT.

289
00:10:11,566 --> 00:10:16,100
AND I’VE GOT AN EYE MASK TOO

290
00:10:12,966 --> 00:10:17,000
SO THE LIGHT WON’T BOTHER ME.

291
00:10:15,166 --> 00:10:18,200
>> I DON’T REALLY FEEL LIKE

292
00:10:16,100 --> 00:10:20,566
READING.

293
00:10:17,000 --> 00:10:20,566
>> OH, JUST GIVE IT A TRY,

294
00:10:18,200 --> 00:10:20,566
WILL YOU?

295
00:10:30,333 --> 00:10:33,066
[MARTIN SNIFFS]

296
00:10:38,833 --> 00:10:47,200
[MARTIN SNIFFS]

297
00:10:42,733 --> 00:10:50,066
OH, MARTIN, STOP IT.

298
00:10:45,666 --> 00:10:50,066
SLEEP WELL.

299
00:10:47,200 --> 00:10:50,066
>> GOOD NIGHT.

300
00:11:12,100 --> 00:11:19,900
>> WHERE ARE YOU GOING?

301
00:11:13,400 --> 00:11:19,900
>> UH, NOWHERE. I WAS JUST, UM,

302
00:11:16,066 --> 00:11:19,900
SETTLING. AHEM.

303
00:12:18,733 --> 00:12:24,166
>> I COULD HARDLY BREATHE LAST

304
00:12:19,933 --> 00:12:25,433
NIGHT. I FELT LIKE SOMEONE WAS--

305
00:12:22,333 --> 00:12:26,966
>> OH, STOP TALKING! I’M TRYING

306
00:12:24,166 --> 00:12:30,033
TO LISTEN TO YOUR LUNGS. HOW CAN

307
00:12:25,433 --> 00:12:30,033
I LISTEN WITH YOU TALKING ALL

308
00:12:26,966 --> 00:12:30,033
THE TIME?

309
00:12:42,066 --> 00:12:45,933
>> WELL?

310
00:12:43,000 --> 00:12:47,266
>> YOU HAVE CREPITATIONS IN BOTH

311
00:12:44,400 --> 00:12:48,866
LUNGS.

312
00:12:45,933 --> 00:12:50,700
>> CREPITATIONS?

313
00:12:47,266 --> 00:12:51,833
>> CRACKLING SOUNDS.

314
00:12:48,866 --> 00:12:52,900
>> WHAT DOES THAT MEAN?

315
00:12:50,700 --> 00:12:54,000
>> IT CAN MEAN ANY NUMBER OF

316
00:12:51,833 --> 00:12:55,233
THINGS. IT SAYS HERE YOU DO

317
00:12:52,900 --> 00:12:56,333
BUILDING WORK.

318
00:12:54,000 --> 00:12:57,433
>> THAT’S RIGHT.

319
00:12:55,233 --> 00:12:59,566
>> WHAT SORT?

320
00:12:56,333 --> 00:13:00,966
>> WELL, YOU NAME IT, I’VE DONE

321
00:12:57,433 --> 00:13:02,233
IT--BRICKIE, DEMOLITION, LOFT

322
00:12:59,566 --> 00:13:03,266
CONVERSIONS.

323
00:13:00,966 --> 00:13:04,866
>> DO YOU USE INSULATION IN LOFT

324
00:13:02,233 --> 00:13:05,933
CONVERSIONS?

325
00:13:03,266 --> 00:13:07,133
>> WELL, YEAH, OF COURSE. GOT TO

326
00:13:04,866 --> 00:13:08,300
KEEP THE HEAT IN AND THE COLD

327
00:13:05,933 --> 00:13:09,433
OUT, RIGHT?

328
00:13:07,133 --> 00:13:10,900
>> COULD YOU EVER HAVE USED

329
00:13:08,300 --> 00:13:12,666
ASBESTOS AS INSULATION IN THE

330
00:13:09,433 --> 00:13:14,833
PAST?

331
00:13:10,900 --> 00:13:15,700
>> I’M NOT SURE. MIKE WAS IN

332
00:13:12,666 --> 00:13:17,266
CHARGE OF THE PROJECT.

333
00:13:14,833 --> 00:13:20,266
>> I’M GOING TO SEND YOU FOR

334
00:13:15,700 --> 00:13:21,600
A CHEST X-RAY.

335
00:13:17,266 --> 00:13:22,866
>> WHAT?

336
00:13:20,266 --> 00:13:25,400
WHY?

337
00:13:21,600 --> 00:13:27,233
>> YOU HEARD OF ASBESTOSIS?

338
00:13:22,866 --> 00:13:28,366
>> YES. IS IT SERIOUS?

339
00:13:25,400 --> 00:13:29,433
>> IT CAN LEAD TO CANCER. YOU

340
00:13:27,233 --> 00:13:30,800
SHOULD TELL THE MAN YOU USED TO

341
00:13:28,366 --> 00:13:32,866
WORK FOR THAT HE NEEDS TO GET

342
00:13:29,433 --> 00:13:37,266
A CHECKUP, TOO.

343
00:13:30,800 --> 00:13:37,266
>> MIKE EARLY? I CAN’T.

344
00:13:32,866 --> 00:13:37,266
HE’S DEAD: LUNG CANCER.

345
00:13:40,400 --> 00:13:44,200
>> TAKE THAT WITH YOU TO THE

346
00:13:41,500 --> 00:13:44,200
HOSPITAL TOMORROW.

347
00:13:48,766 --> 00:13:53,600
>> OH, DEAR. I’M SORRY

348
00:13:50,366 --> 00:13:58,033
I’M A LITTLE BIT LATE.

349
00:13:52,133 --> 00:14:00,866
>> DON’T BE SILLY. YOU’RE

350
00:13:53,600 --> 00:14:01,900
SPOT ON. HOW ARE YOU TODAY?

351
00:13:58,033 --> 00:14:03,600
>> OH. WELL, I’M FINE, THANKS.

352
00:14:00,866 --> 00:14:05,433
AND YOU?

353
00:14:01,900 --> 00:14:08,033
>> VERY WELL. OH!

354
00:14:03,600 --> 00:14:09,533
[MRS. TISHELL CHUCKLES]

355
00:14:05,433 --> 00:14:11,000
NOW, I’VE BEEN THINKING, MAYBE

356
00:14:08,033 --> 00:14:13,900
I’VE BEEN A LITTLE UNFAIR

357
00:14:09,533 --> 00:14:15,100
ON YOU, JENNIFER.

358
00:14:11,000 --> 00:14:19,133
>> OH, NO. NOT IN THE LEAST.

359
00:14:13,900 --> 00:14:21,200
>> I UNDERSTAND YOU’RE JUST

360
00:14:15,100 --> 00:14:23,166
DOING YOUR JOB. OH.

361
00:14:19,133 --> 00:14:25,066
THERE YOU GO. I CAN’T FAULT YOU

362
00:14:21,200 --> 00:14:27,933
FOR THAT.

363
00:14:23,166 --> 00:14:29,800
>> WELL, I ALWAYS TRY AND GIVE

364
00:14:25,066 --> 00:14:31,333
IT MY BEST WHEREVER I AM.

365
00:14:27,933 --> 00:14:34,500
>> YOU CERTAINLY DO. AND NOW YOU

366
00:14:29,800 --> 00:14:34,500
CAN GIVE IT YOUR BEST SOMEWHERE

367
00:14:31,333 --> 00:14:34,500
ELSE, THANKS.

368
00:14:38,966 --> 00:14:48,700
MY CASE HAS BEEN REVIEWED BY THE

369
00:14:40,966 --> 00:14:48,700
PHARMACY REGULATOR AND I CAN NOW

370
00:14:43,766 --> 00:14:48,700
PRACTICE AGAIN UNSUPERVISED.

371
00:14:58,933 --> 00:15:04,366
>> MORNING, MALCOLM.

372
00:15:01,533 --> 00:15:06,533
>> I’M DYING.

373
00:15:03,033 --> 00:15:08,933
>> WHAT, AGAIN?

374
00:15:04,366 --> 00:15:10,200
>> NO, I REALLY AM THIS TIME.

375
00:15:06,533 --> 00:15:12,900
>> SORRY ABOUT THAT, MATE. PINT?

376
00:15:08,933 --> 00:15:12,900
>> ON THE HOUSE?

377
00:15:10,200 --> 00:15:12,900
>> HA HA! YOU’RE NOT DEAD YET!

378
00:15:20,666 --> 00:15:24,266
>> SO WHAT ARE YOU DOING BACK,

379
00:15:21,866 --> 00:15:27,066
THEN?

380
00:15:23,000 --> 00:15:28,233
>> OH. WELL, SHE’S BEEN GIVEN

381
00:15:24,266 --> 00:15:29,700
THE ALL CLEAR, SO I’M OUT OF

382
00:15:27,066 --> 00:15:30,800
A JOB NOW.

383
00:15:28,233 --> 00:15:32,300
>> WELL, WE WON’T HAVE TO WAIT

384
00:15:29,700 --> 00:15:33,400
UNTIL THE WEEKEND FOR OUR

385
00:15:30,800 --> 00:15:34,500
PICNIC.

386
00:15:32,300 --> 00:15:36,666
>> I SUPPOSE I BETTER PHONE

387
00:15:33,400 --> 00:15:38,166
THE AGENCY AND SEE IF THEY GOT

388
00:15:34,500 --> 00:15:39,800
SOMETHING ELSE FOR ME.

389
00:15:36,666 --> 00:15:43,666
>> DON’T WORRY ABOUT THAT. THINK

390
00:15:38,166 --> 00:15:43,666
OF THIS AS A HOLIDAY. I RECKON

391
00:15:39,800 --> 00:15:43,666
YOU DESERVE A BREAK, DON’T YOU?

392
00:15:45,533 --> 00:15:52,633
>> I MEAN, THE PROBLEM IS WE ALL

393
00:15:47,833 --> 00:15:56,266
THINK WE GOT ALL THIS TIME,

394
00:15:50,066 --> 00:15:58,700
LOADS OF THE STUFF! "OH, WE’LL

395
00:15:52,633 --> 00:16:00,700
DO IT LATER, MAYBE TOMORROW."

396
00:15:56,266 --> 00:16:02,766
AND THEN YOU WAKE UP ONE DAY

397
00:15:58,700 --> 00:16:05,600
AND, YOU KNOW, THERE MIGHT NOT

398
00:16:00,700 --> 00:16:08,533
BE A "TOMORROW," MIGHT NOT BE

399
00:16:02,766 --> 00:16:08,533
A "LATER." JUST ASK OLD MIKE

400
00:16:05,600 --> 00:16:08,533
EARLY, HUH? HEH!

401
00:16:14,366 --> 00:16:20,100
YEAH, THAT’S RIGHT. LIVE WHILE

402
00:16:16,366 --> 00:16:21,833
YOU CAN, BECAUSE YOU NEVER KNOW

403
00:16:18,600 --> 00:16:23,566
WHAT’S GOING TO HAPPEN NEXT.

404
00:16:20,100 --> 00:16:26,300
>> ALL RIGHT, MALCOLM,

405
00:16:21,833 --> 00:16:26,300
I’VE HAD A FEW COMPLAINTS.

406
00:16:23,566 --> 00:16:26,300
12:00’s A BIT EARLY, ISN’T IT?

407
00:16:30,866 --> 00:16:36,200
>> WOULD YOU LIKE ONE, JOE? THEY

408
00:16:32,533 --> 00:16:37,600
SAY THEY’RE BAD FOR YOU, BUT IT

409
00:16:34,566 --> 00:16:39,566
DON’T MATTER NOW, DOES IT?

410
00:16:36,200 --> 00:16:42,433
>> NO, BECAUSE YOU’RE DRUNK AND

411
00:16:37,600 --> 00:16:47,266
DISORDERLY. AND THEY’RE CHEESE

412
00:16:39,566 --> 00:16:49,266
AND ONION--I’M NOT A FAN.

413
00:16:42,433 --> 00:16:54,433
NOW, COME ON.

414
00:16:47,266 --> 00:16:56,566
>> GOT TO HAVE AN X-RAY, JOE:

415
00:16:49,266 --> 00:16:58,933
CHEST. COULD BE ALL OVER.

416
00:16:54,433 --> 00:17:03,566
SOME FOLKS SAY THE GLASS IS

417
00:16:56,566 --> 00:17:05,566
HALF EMPTY, OTHERS SAY IT’S

418
00:16:58,933 --> 00:17:06,700
HALF FULL.

419
00:17:03,566 --> 00:17:11,600
I’D JUST SAY IT’S BROKEN.

420
00:17:05,566 --> 00:17:12,733
>> AND I SAY YOU’RE COMING DOWN

421
00:17:06,700 --> 00:17:14,000
THE STATION TO SOBER UP.

422
00:17:11,600 --> 00:17:15,200
>> MORWENNA, WHAT’S THIS?

423
00:17:12,733 --> 00:17:16,400
THERE’S ONLY TWO M.M.R.

424
00:17:14,000 --> 00:17:17,600
VACCINATIONS. I TOLD YOU TO

425
00:17:15,200 --> 00:17:18,900
CONTACT EVERYONE ON THAT LIST.

426
00:17:16,400 --> 00:17:19,966
>> I DID. THE REST OF THEM ARE

427
00:17:17,600 --> 00:17:21,000
A BIT SCARED TO COME IN, THOUGH.

428
00:17:18,900 --> 00:17:22,133
>> OH, FOR GOD’S SAKE. DON’T

429
00:17:19,966 --> 00:17:23,200
THEY REALIZE IT’S PERFECTLY

430
00:17:21,000 --> 00:17:24,333
SAFE? IF THEY DON’T VACCINATE

431
00:17:22,133 --> 00:17:25,300
THEIR CHILDREN, THEY RUN THE

432
00:17:23,200 --> 00:17:26,400
RISK OF CATCHING A GHASTLY

433
00:17:24,333 --> 00:17:27,500
DISEASE.

434
00:17:25,300 --> 00:17:29,933
>> NO, THEY’RE NOT SCARED OF

435
00:17:26,400 --> 00:17:29,933
THE VACCINATION; THEY’RE SCARED

436
00:17:27,500 --> 00:17:29,933
OF YOU.

437
00:17:32,300 --> 00:17:37,300
[MALCOLM GROANS]

438
00:17:35,133 --> 00:17:38,366
>> HOW LONG WOULD IT TAKE

439
00:17:36,266 --> 00:17:39,300
TO GET TO BRISTOL?

440
00:17:37,300 --> 00:17:41,133
>> WHO CARES?

441
00:17:38,366 --> 00:17:42,533
>> IT’S THE ONLY PLACE I CAN

442
00:17:39,300 --> 00:17:43,866
FIND ANY SORT OF DECENT JOB.

443
00:17:41,133 --> 00:17:48,233
>> AT LEAST YOU’RE NOT DYING.

444
00:17:42,533 --> 00:17:50,600
>> IT’S NOT A COMPETITION.

445
00:17:43,866 --> 00:17:52,266
>> JUST AS WELL: I’D HAVE WON.

446
00:17:48,233 --> 00:17:53,400
>> HOW ARE YOU FEELING?

447
00:17:50,600 --> 00:17:54,466
>> OH, GOD.

448
00:17:52,266 --> 00:17:55,933
>> THAT WAS QUITE THE LIQUID

449
00:17:53,400 --> 00:17:57,666
LUNCH, MALCOLM. I THINK YOU NEED

450
00:17:54,466 --> 00:17:58,833
TO HEAR A FEW HARD TRUTHS ABOUT

451
00:17:55,933 --> 00:18:01,166
THE PERILS OF THE DEMON DRINK.

452
00:17:57,666 --> 00:18:02,433
>> AS LONG AS I’M TOLD IN A

453
00:17:58,833 --> 00:18:04,200
NICE, QUIET VOLUME.

454
00:18:01,166 --> 00:18:06,333
>> YOU’RE LUCKY I DON’T ISSUE

455
00:18:02,433 --> 00:18:07,800
YOU WITH A FIXED PENALTY NOTICE.

456
00:18:04,200 --> 00:18:10,000
>> DOC SAYS I MIGHT’VE GOT

457
00:18:06,333 --> 00:18:12,566
ASBESTOSIS.

458
00:18:07,800 --> 00:18:14,600
[MALCOLM COUGHS]

459
00:18:10,000 --> 00:18:15,600
>> WELL, THAT’S STILL NO EXCUSE

460
00:18:12,566 --> 00:18:16,800
FOR DISORDERLY CONDUCT.

461
00:18:14,600 --> 00:18:19,533
>> YOU’VE BEEN WORKING WITH

462
00:18:15,600 --> 00:18:19,533
ASBESTOS?

463
00:18:16,800 --> 00:18:19,533
>> AGES AGO.

464
00:18:21,733 --> 00:18:24,233
I DID THIS PLACE.

465
00:18:27,766 --> 00:18:30,433
[MALCOLM COUGHS]

466
00:18:37,533 --> 00:18:44,933
YEAH, THIS IS THE STUFF

467
00:18:39,766 --> 00:18:46,766
I PUT IN.

468
00:18:43,133 --> 00:18:47,800
[MALCOLM COUGHS]

469
00:18:44,933 --> 00:18:48,833
>> CAN’T I JUST KEEP THE DOOR

470
00:18:46,766 --> 00:18:50,166
CLOSED?

471
00:18:47,800 --> 00:18:51,933
>> NO, NO. YOU GOT TO GET IT

472
00:18:48,833 --> 00:18:54,733
REMOVED PROFESSIONALLY.

473
00:18:50,166 --> 00:18:56,066
IT’S NASTY STUFF, THIS.

474
00:18:51,933 --> 00:18:58,366
>> IT GETS WORSE. WE MUST’VE

475
00:18:54,733 --> 00:19:02,766
DONE THE LOFTS IN AT LEAST

476
00:18:56,066 --> 00:19:07,200
10 HOUSES IN THIS VILLAGE.

477
00:18:58,366 --> 00:19:08,933
[MALCOLM COUGHS]

478
00:19:02,766 --> 00:19:10,500
>> YOU’LL BE FINE. INJECTION.

479
00:19:07,200 --> 00:19:11,800
HE’S A BRAVE LAD, MY HARRY,

480
00:19:08,933 --> 00:19:13,666
BUT, YOU KNOW, NOT A BIG FAN

481
00:19:10,500 --> 00:19:15,100
OF GETTING JABBED.

482
00:19:11,800 --> 00:19:16,133
>> GOD, YEAH, I HATE IT. I

483
00:19:13,666 --> 00:19:17,366
REMEMBER THIS ONE TIME, RIGHT?

484
00:19:15,100 --> 00:19:18,700
THERE WAS THIS NURSE AND SHE

485
00:19:16,133 --> 00:19:22,466
COULDN’T FIND A VEIN, SO SHE

486
00:19:17,366 --> 00:19:23,833
JUST KEPT STABBING ME WITH THE

487
00:19:18,700 --> 00:19:25,333
NEEDLE OVER AND OVER AND OVER.

488
00:19:22,466 --> 00:19:27,700
>> NEXT PATIENT!

489
00:19:23,833 --> 00:19:27,700
>> IN YOU GO.

490
00:19:25,333 --> 00:19:27,700
>> HURRY UP!

491
00:19:37,566 --> 00:19:43,666
>> OOH! THAT’S A BIG TOOL

492
00:19:39,933 --> 00:19:46,233
YOU GOT THERE, CONSTABLE.

493
00:19:42,666 --> 00:19:49,033
>> IT’S NOT MINE, ACTUALLY,

494
00:19:43,666 --> 00:19:53,366
I BORROWED IT. OH, I SEE

495
00:19:46,233 --> 00:19:53,366
WHAT YOU DID THERE. OHH!

496
00:19:49,033 --> 00:19:53,366
[GIRLS LAUGH]

497
00:19:57,433 --> 00:20:00,766
>> WHY IS HE SHAKING?

498
00:19:58,666 --> 00:20:02,033
>> A BIT SCARED OF THE OLD

499
00:19:59,766 --> 00:20:03,166
NEEDLE, DOC.

500
00:20:00,766 --> 00:20:04,433
>> THIS IS AN M.M.R.

501
00:20:02,033 --> 00:20:05,733
VACCINATION. IT HELPS PROTECT

502
00:20:03,166 --> 00:20:07,800
YOU AGAINST HIGHLY INFECTIOUS

503
00:20:04,433 --> 00:20:09,233
DISEASES. NOW, WHAT DO YOU WANT,

504
00:20:05,733 --> 00:20:10,866
A SHORT, SHARP PAIN IN YOUR ARM

505
00:20:07,800 --> 00:20:12,566
NOW, OR THE POSSIBILITY OF

506
00:20:09,233 --> 00:20:14,400
MEASLES AND MUMPS DOWN THE LINE,

507
00:20:10,866 --> 00:20:15,833
HMM? MAYBE PNEUMONIA AND

508
00:20:12,566 --> 00:20:17,866
SEIZURES IF YOU’RE EXTRA LUCKY.

509
00:20:14,400 --> 00:20:18,900
>> ALSO, THE DOCTOR GIVES OUT

510
00:20:15,833 --> 00:20:20,200
LOLLIPOPS TO BRAVE LITTLE BOYS.

511
00:20:17,866 --> 00:20:21,500
>> NO, I DON’T.

512
00:20:18,900 --> 00:20:22,633
>> OH!

513
00:20:20,200 --> 00:20:23,700
[KNOCK ON DOOR]

514
00:20:21,500 --> 00:20:25,033
>> THERE’S AN EMERGENCY

515
00:20:22,633 --> 00:20:28,300
IN THE VILLAGE.

516
00:20:23,700 --> 00:20:29,166
>> RIGHT. I’LL GET MY BAG.

517
00:20:25,033 --> 00:20:31,133
WE’RE FINISHED.

518
00:20:28,300 --> 00:20:32,400
>> I’VE BEEN LOOKING AND THERE

519
00:20:29,166 --> 00:20:33,500
ARE NO JOBS AROUND HERE, SO

520
00:20:31,133 --> 00:20:34,666
I’M GONNA HAVE TO MAKE ONE

521
00:20:32,400 --> 00:20:35,933
FOR MYSELF, CORRECT?

522
00:20:33,500 --> 00:20:38,000
>> GOOD.

523
00:20:34,666 --> 00:20:39,266
>> YEAH. I WAS THINKING ELECTRIC

524
00:20:35,933 --> 00:20:40,366
SHUTTLE BUS FOR THE HILL

525
00:20:38,000 --> 00:20:41,466
TO THE VILLAGE.

526
00:20:39,266 --> 00:20:43,100
>> GO ON.

527
00:20:40,366 --> 00:20:44,300
>> WELL, IT’S STEEP, ISN’T IT,

528
00:20:41,466 --> 00:20:45,533
AND YOU GET ALL THESE TOURISTS

529
00:20:43,100 --> 00:20:47,533
EVERYWHERE, RIGHT?

530
00:20:44,300 --> 00:20:48,766
>> CORRECT ON BOTH COUNTS.

531
00:20:45,533 --> 00:20:50,766
>> FERRY THEM UP AND DOWN,

532
00:20:47,533 --> 00:20:54,500
GIVE A LITTLE DESCRIPTION OF

533
00:20:48,766 --> 00:20:55,500
ALL THE HISTORICAL PLACES,

534
00:20:50,766 --> 00:20:56,400
AND CHARGE THEM WHAT I WANT.

535
00:20:54,500 --> 00:20:57,433
>> RIGHT.

536
00:20:55,500 --> 00:20:59,233
>> YEAH.

537
00:20:56,400 --> 00:21:00,933
>> HAVE YOU WORKED OUT THE

538
00:20:57,433 --> 00:21:03,133
COSTS: VEHICLE, INSURANCE,

539
00:20:59,233 --> 00:21:05,000
MAINTENANCE? HAVE YOU GOT A

540
00:21:00,933 --> 00:21:06,133
BUSINESS PLAN? CAN YOU COVER

541
00:21:03,133 --> 00:21:09,133
THE COSTS WITH A SUMMER TRADE,

542
00:21:05,000 --> 00:21:09,133
BECAUSE IN THE WINTER, THIS

543
00:21:06,133 --> 00:21:09,133
PLACE IS A GHOST TOWN.

544
00:21:11,700 --> 00:21:17,200
>> YOU’RE RIGHT.

545
00:21:12,800 --> 00:21:19,166
>> YOU HAVEN’T REALLY THOUGHT

546
00:21:14,066 --> 00:21:20,566
THIS THROUGH, HAVE YOU?

547
00:21:17,200 --> 00:21:23,366
>> NO.

548
00:21:19,166 --> 00:21:25,600
>> COME ON. I DON’T WANT TO BE

549
00:21:20,566 --> 00:21:27,500
LATE.

550
00:21:23,366 --> 00:21:29,866
>> SMILE FOR THE CAMERA.

551
00:21:25,600 --> 00:21:31,133
>> THAT’S A GOOD ONE.

552
00:21:27,500 --> 00:21:32,466
[LAUGHTER]

553
00:21:29,866 --> 00:21:33,566
>> LOSER.

554
00:21:31,133 --> 00:21:34,733
>> WHAT’S THE EMERGENCY?

555
00:21:32,466 --> 00:21:35,733
>> WELL, IT’S NOT REALLY AN

556
00:21:33,566 --> 00:21:36,800
EMERGENCY, DOC.

557
00:21:34,733 --> 00:21:37,933
>> HE STAPLED HIS HAND TO THE

558
00:21:35,733 --> 00:21:38,800
POLE.

559
00:21:36,800 --> 00:21:40,200
>> I DIDN’T KNOW WHETHER TO PULL

560
00:21:37,933 --> 00:21:41,466
IT OUT. I KNOW WHEN YOU GET A

561
00:21:38,800 --> 00:21:44,333
FENCE POST STUCK IN YOU, THE

562
00:21:40,200 --> 00:21:45,533
MEDICAL PROCEDURE IS TO LEAVE IT

563
00:21:41,466 --> 00:21:50,400
IN. SO WHAT ARE YOU GONNA DO?

564
00:21:44,333 --> 00:21:51,800
>> PULL IT OUT.

565
00:21:45,533 --> 00:21:52,800
>> OK. THAT’S A PLAN.

566
00:21:50,400 --> 00:21:55,300
>> ALL RIGHT, HOLD STILL.

567
00:21:51,800 --> 00:21:55,300
>> HAVEN’T REALLY GOT MUCH

568
00:21:52,800 --> 00:21:55,300
CHOICE, HAVE I, DOC?

569
00:21:58,733 --> 00:22:10,166
>> OHH, OW, OW.

570
00:22:02,300 --> 00:22:14,000
>> AH! OHH, OHH.

571
00:22:06,400 --> 00:22:16,533
>> OHH, THAT’S QUITE DEEP, DOC.

572
00:22:10,166 --> 00:22:18,033
[CROWD SHOUTS]

573
00:22:14,000 --> 00:22:20,766
>> SORRY.

574
00:22:16,533 --> 00:22:23,666
>> THAT’S ALL RIGHT. IT’S QUITE

575
00:22:18,033 --> 00:22:25,533
A GOOD SHOT, AS IT GOES. IT GOT

576
00:22:20,766 --> 00:22:28,533
BOTH MY SHOES AND MY TROUSERS:

577
00:22:23,666 --> 00:22:28,533
THAT’S SOMETHING.

578
00:22:25,533 --> 00:22:28,533
>> COME TO THE SURGERY.

579
00:22:36,666 --> 00:22:40,766
>> LOUISA, HOW’S THE DOC?

580
00:22:38,166 --> 00:22:44,000
>> FINE, THANKS.

581
00:22:39,300 --> 00:22:46,633
>> WELL, I SUPPOSE HE’S USED

582
00:22:40,766 --> 00:22:46,633
TO IT, ISN’T HE?

583
00:22:44,000 --> 00:22:46,633
>> USED TO WHAT?

584
00:22:52,433 --> 00:23:00,166
OUT LIKE A LIGHT. HE’S A GREAT

585
00:22:54,033 --> 00:23:01,133
LITTLE SLEEPER.

586
00:22:57,433 --> 00:23:02,233
WELL, IT’S ALL OVER THE VILLAGE.

587
00:23:00,166 --> 00:23:06,400
>> WHAT IS?

588
00:23:01,133 --> 00:23:10,700
>> THAT YOU THREW UP ON JOE

589
00:23:02,233 --> 00:23:11,733
PENHALE.

590
00:23:06,400 --> 00:23:13,833
>> RIGHT. YES. ALL RIGHT.

591
00:23:10,700 --> 00:23:17,400
>> YOUR BLOOD PHOBIA’S NOT

592
00:23:11,733 --> 00:23:18,533
GETTING ANY BETTER, IS IT?

593
00:23:13,833 --> 00:23:21,233
>> NO, NOT YET.

594
00:23:17,400 --> 00:23:24,366
>> WILL YOU PHONE THAT

595
00:23:18,533 --> 00:23:27,633
PSYCHIATRIST NOW? YOU’RE REALLY

596
00:23:21,233 --> 00:23:31,133
GOT TO TALK TO SOMEONE. WHY DO

597
00:23:24,366 --> 00:23:36,066
YOU THINK IT’S GETTING WORSE?

598
00:23:27,633 --> 00:23:40,800
IS IT THE HOUSE? IS IT TOO SMALL

599
00:23:31,133 --> 00:23:42,933
FOR US? DO YOU NEED MORE SPACE?

600
00:23:36,066 --> 00:23:42,933
>> UM, NO, I DON’T THINK SO.

601
00:23:40,800 --> 00:23:42,933
I DON’T KNOW.

602
00:23:46,833 --> 00:23:50,333
>> IS IT ME, THEN?

603
00:23:48,333 --> 00:23:51,366
>> OF COURSE NOT.

604
00:23:49,366 --> 00:23:52,600
>> YOU DON’T SOUND LIKE YOU’RE

605
00:23:50,333 --> 00:23:53,900
VERY SURE.

606
00:23:51,366 --> 00:23:57,200
>> I AM!

607
00:23:52,600 --> 00:23:57,200
>> YOU’RE NOT VERY CONVINCING.

608
00:23:53,900 --> 00:23:57,200
[DOORBELL RINGS]

609
00:24:07,333 --> 00:24:12,266
>> WHAT ARE YOU DOING HERE?

610
00:24:08,633 --> 00:24:12,266
>> YOUR FATHER’S DIED.

611
00:24:14,733 --> 00:24:19,600
I THOUGHT IT BEST I TELL YOU

612
00:24:15,800 --> 00:24:20,833
MYSELF.

613
00:24:17,033 --> 00:24:24,000
>> YES. I SEE.

614
00:24:19,600 --> 00:24:26,500
>> HELLO?

615
00:24:20,833 --> 00:24:29,133
>> UM, MY FATHER’S DIED.

616
00:24:24,000 --> 00:24:30,966
>> OH, MARTIN, I’M SO SORRY.

617
00:24:26,500 --> 00:24:34,533
>> WHO ARE YOU?

618
00:24:29,133 --> 00:24:35,600
>> I’M MARTIN’S WIFE.

619
00:24:30,966 --> 00:24:36,633
>> LOUISA, THIS IS MY MOTHER.

620
00:24:34,533 --> 00:24:37,700
>> OH, RIGHT.

621
00:24:35,600 --> 00:24:38,833
>> YOU’RE MARRIED?

622
00:24:36,633 --> 00:24:39,800
>> YES, WE’RE MARRIED, MARRIED

623
00:24:37,700 --> 00:24:41,000
WITH A SON.

624
00:24:38,833 --> 00:24:42,000
>> REALLY?

625
00:24:39,800 --> 00:24:44,766
>> YES.

626
00:24:41,000 --> 00:24:44,766
>> BUT YOU’RE STILL THE VILLAGE

627
00:24:42,000 --> 00:24:44,766
G.P.?

628
00:24:47,233 --> 00:24:51,233
>> UM, WOULD YOU LIKE TO COME

629
00:24:48,666 --> 00:24:54,000
INSIDE?

630
00:24:50,033 --> 00:24:54,000
>> YES, THANK YOU, LOUISE.

631
00:24:51,233 --> 00:24:54,000
>> IT’S LOUISA.

632
00:25:02,933 --> 00:25:06,600
HAVE YOU COME FAR?

633
00:25:04,200 --> 00:25:06,600
>> FROM PORTUGAL.

634
00:25:09,633 --> 00:25:14,533
>> HOW DID HE DIE?

635
00:25:10,933 --> 00:25:15,600
>> SHOULD WE HAVE A CUP OF TEA?

636
00:25:12,000 --> 00:25:16,933
>> I DON’T DRINK TEA.

637
00:25:14,533 --> 00:25:17,966
HE HAD A STROKE.

638
00:25:15,600 --> 00:25:19,033
>> ISCHEMIC OR HEMORRHAGIC?

639
00:25:16,933 --> 00:25:20,666
>> WHAT?

640
00:25:17,966 --> 00:25:23,200
>> HIS STROKE--WAS IT CAUSED BY

641
00:25:19,033 --> 00:25:25,300
A CLOT OR A BLEED?

642
00:25:20,666 --> 00:25:27,233
>> I REALLY DON’T KNOW, MARTIN.

643
00:25:23,200 --> 00:25:29,066
>> AND WHEN’S THE FUNERAL?

644
00:25:25,300 --> 00:25:30,066
>> IT WAS TWO WEEKS AGO.

645
00:25:27,233 --> 00:25:32,433
>> SO WHEN DID YOU FIND OUT?

646
00:25:29,066 --> 00:25:33,766
>> I WAS THERE. YOUR FATHER

647
00:25:30,066 --> 00:25:37,266
AND I GOT BACK TOGETHER.

648
00:25:32,433 --> 00:25:38,300
>> WHY DIDN’T YOU TELL ME?

649
00:25:33,766 --> 00:25:42,733
>> I’M TELLING YOU NOW.

650
00:25:37,266 --> 00:25:45,566
THERE ARE SOME THINGS ONE JUST

651
00:25:38,300 --> 00:25:46,533
DOESN’T DO OVER THE PHONE.

652
00:25:42,733 --> 00:25:48,566
>> SO WHERE ARE YOU STAYING?

653
00:25:45,566 --> 00:25:49,633
>> I WAS THINKING--

654
00:25:46,533 --> 00:25:50,933
>> WE DON’T HAVE A SPARE ROOM.

655
00:25:48,566 --> 00:25:52,400
>> THERE IS JAMES’ ROOM.

656
00:25:49,633 --> 00:25:54,300
>> WHICH IS WHERE JAMES SLEEPS.

657
00:25:50,933 --> 00:25:57,600
>> WOULD HE MIND?

658
00:25:52,400 --> 00:25:57,600
>> HE’S 9 MONTHS OLD.

659
00:25:54,300 --> 00:25:57,600
>> WELL, THEN.

660
00:26:00,066 --> 00:26:08,866
>> I’M SORRY.

661
00:26:02,100 --> 00:26:12,966
>> OH, IT’S, UM, ONLY FOR

662
00:26:04,533 --> 00:26:17,200
A FEW DAYS, I’M SURE.

663
00:26:08,866 --> 00:26:19,133
>> NO, ABOUT YOUR FATHER.

664
00:26:12,966 --> 00:26:20,233
>> YES.

665
00:26:17,200 --> 00:26:22,500
>> SHE MIGHT’VE CALLED FIRST.

666
00:26:19,133 --> 00:26:26,800
SHE EVER DONE THAT BEFORE,

667
00:26:20,233 --> 00:26:31,733
JUST TURN UP OUT OF THE BLUE?

668
00:26:22,500 --> 00:26:35,366
>> NO.

669
00:26:26,800 --> 00:26:36,566
>> SO HOW ARE YOU?

670
00:26:31,733 --> 00:26:38,000
>> I’M FINE, THANK YOU.

671
00:26:35,366 --> 00:26:43,066
>> IF YOU WANT TO TALK--I KNOW

672
00:26:36,566 --> 00:26:45,833
YOU PROBABLY DON’T, BUT IF YOU

673
00:26:38,000 --> 00:26:45,833
DO, THEN...

674
00:26:43,066 --> 00:26:45,833
>> HMM.

675
00:26:54,333 --> 00:26:58,666
THE ROOM’S READY.

676
00:26:55,566 --> 00:27:00,166
>> YEAH, WE MOVED JAMES.

677
00:26:57,633 --> 00:27:01,466
ACTUALLY, IT’LL BE QUITE NICE TO

678
00:26:58,666 --> 00:27:04,333
HAVE HIM SLEEPING WITH US AGAIN,

679
00:27:00,166 --> 00:27:04,333
WON’T IT?

680
00:27:01,466 --> 00:27:04,333
>> I’M GOING TO BED.

681
00:27:10,733 --> 00:27:16,766
>> HOT CHOCOLATE?

682
00:27:14,233 --> 00:27:16,766
>> NO.

683
00:27:28,800 --> 00:27:35,300
>> GOOD MORNING. YOU SLEEP WELL?

684
00:27:31,766 --> 00:27:36,266
>> THE ROOM WAS A LITTLE STUFFY.

685
00:27:33,800 --> 00:27:37,933
>> OH, DEAR. I’M SORRY TO HEAR

686
00:27:35,300 --> 00:27:39,100
THAT.

687
00:27:36,266 --> 00:27:41,466
>> BUT IT WAS FINE.

688
00:27:37,933 --> 00:27:43,133
>> WELL, LOOKS LIKE IT’S GONNA

689
00:27:39,100 --> 00:27:45,466
BE A LOVELY DAY. WHEN WAS

690
00:27:41,466 --> 00:27:46,633
THE LAST TIME YOU WERE HERE?

691
00:27:43,133 --> 00:27:48,166
>> WELL, A LITTLE WHILE AGO.

692
00:27:45,466 --> 00:27:52,300
>> IT MUST BE SO NICE SEEING

693
00:27:46,633 --> 00:27:54,166
MARTIN AGAIN.

694
00:27:48,166 --> 00:27:57,566
>> HMM. DOES HE LISTEN TO YOU?

695
00:27:52,300 --> 00:27:59,066
[JAMES VOCALIZES]

696
00:27:54,166 --> 00:28:00,633
>> UM, WELL, YES.

697
00:27:57,566 --> 00:28:03,533
>> I DON’T WANT TO ASSUME.

698
00:27:59,066 --> 00:28:04,433
ALL MARRIAGES ARE DIFFERENT.

699
00:28:00,633 --> 00:28:07,333
>> YEAH, OF COURSE.

700
00:28:03,533 --> 00:28:10,466
>> WE HAVEN’T BEEN AS CLOSE AS

701
00:28:04,433 --> 00:28:12,800
MAYBE I WOULD’VE LIKED. OH,

702
00:28:07,333 --> 00:28:16,300
I DON’T ENTIRELY BLAME MARTIN.

703
00:28:10,466 --> 00:28:18,500
I WAS AT FAULT MYSELF.

704
00:28:12,800 --> 00:28:21,833
>> HMM. WELL, I SUPPOSE, YOU

705
00:28:16,300 --> 00:28:24,666
KNOW, FAMILIES CAN BE LIKE THAT.

706
00:28:18,500 --> 00:28:25,666
>> HMM. WHEN YOU UNDERSTAND.

707
00:28:21,833 --> 00:28:26,700
I’M GLAD YOU CAN SEE MY SIDE.

708
00:28:24,666 --> 00:28:27,733
>> I DIDN’T REALIZE THERE WERE

709
00:28:25,666 --> 00:28:29,866
SIDES.

710
00:28:26,700 --> 00:28:33,100
>> NO, I DON’T MEAN IT EXACTLY

711
00:28:27,733 --> 00:28:34,333
LIKE THAT, BUT I WOULD LIKE TO

712
00:28:29,866 --> 00:28:36,700
IMPROVE THINGS BETWEEN US.

713
00:28:33,100 --> 00:28:39,466
>> YEAH.

714
00:28:34,333 --> 00:28:39,466
>> AND I HOPE WE CAN BE FRIENDS.

715
00:28:36,700 --> 00:28:39,466
>> WELL, YEAH.

716
00:28:42,433 --> 00:28:50,466
WOULD YOU LIKE TO FEED JAMES?

717
00:28:46,766 --> 00:28:54,200
>> NO, I--I’LL HAVE MY COFFEE

718
00:28:48,333 --> 00:28:54,200
FIRST. I’M NOT REALLY A MORNING

719
00:28:50,466 --> 00:28:54,200
PERSON, AS THEY SAY.

720
00:28:57,566 --> 00:29:03,466
>> LET’S GO AND FIND YOUR DADDY

721
00:29:00,833 --> 00:29:03,466
NOW.

722
00:29:09,933 --> 00:29:14,933
MARTIN, WHY ARE YOU DOING THAT

723
00:29:12,233 --> 00:29:16,300
NOW? COME IN THE KITCHEN AND

724
00:29:14,133 --> 00:29:17,366
HELP.

725
00:29:14,933 --> 00:29:19,800
>> UH, I’M NEARLY FINISHED.

726
00:29:16,300 --> 00:29:22,166
>> DO IT LATER. SHE’S YOUR

727
00:29:17,366 --> 00:29:22,166
MOTHER.

728
00:29:19,800 --> 00:29:22,166
>> I’M AWARE OF THAT.

729
00:29:24,200 --> 00:29:34,000
>> WE FOUND HIM.

730
00:29:27,333 --> 00:29:34,000
>> I WANTED TO TALK TO YOU.

731
00:29:31,433 --> 00:29:34,000
PLEASE, RTIN.

732
00:29:36,633 --> 00:29:40,166
JUST AS WELL: IT WASN’T

733
00:29:37,666 --> 00:29:40,166
A GOOD ONE.

734
00:29:44,733 --> 00:29:50,066
>> SO WHAT ARE YOUR PLANS TODAY?

735
00:29:47,733 --> 00:29:51,833
>> HAVEN’T THOUGHT ABOUT IT,

736
00:29:48,666 --> 00:29:53,566
REALLY.

737
00:29:50,066 --> 00:29:54,766
>> MARTIN, MAYBE YOU SHOULD SHOW

738
00:29:51,833 --> 00:29:56,533
YOUR MOTHER AROUND THE VILLAGE.

739
00:29:53,566 --> 00:30:00,466
>> UH, NO. I HAVE PATIENTS TO

740
00:29:54,766 --> 00:30:04,766
ATTEND TO.

741
00:29:56,533 --> 00:30:05,866
>> PERHAPS WE CAN TALK LATER?

742
00:30:00,466 --> 00:30:07,533
OHH! HE LOOKS TIRED.

743
00:30:04,766 --> 00:30:08,766
>> WELL, HE HASN’T BEEN SLEEPING

744
00:30:05,866 --> 00:30:11,500
VERY WELL RECENTLY.

745
00:30:07,533 --> 00:30:13,800
>> WELL, HE DIDN’T AS A CHILD

746
00:30:08,766 --> 00:30:15,466
EITHER. ALWAYS CRIED HIMSELF

747
00:30:11,500 --> 00:30:16,933
TO SLEEP IN THE END, THOUGH.

748
00:30:13,800 --> 00:30:19,066
>> REALLY?

749
00:30:15,466 --> 00:30:20,466
>> HMM. IT MAY SOUND CRUEL:

750
00:30:16,933 --> 00:30:23,866
THAT’S WHAT WE DID IN MY DAY.

751
00:30:19,066 --> 00:30:25,133
IF I HAD MY TIME AGAIN, WE’D

752
00:30:20,466 --> 00:30:26,966
DO THINGS DIFFERENTLY.

753
00:30:23,866 --> 00:30:28,966
>> MORNING.

754
00:30:25,133 --> 00:30:30,366
>> MIKE. THIS IS MARGARET,

755
00:30:26,966 --> 00:30:31,766
MARTIN’S MOTHER. MIKE’S JAMES’

756
00:30:28,966 --> 00:30:37,166
CHILDMINDER.

757
00:30:30,366 --> 00:30:39,300
>> HMM. HOW VERY MODERN.

758
00:30:31,766 --> 00:30:41,500
>> HI. IT’S NICE TO MEET YOU.

759
00:30:37,166 --> 00:30:42,733
>> RIGHT.

760
00:30:39,300 --> 00:30:45,800
>> OH, GIVE HIM TO ME. I’LL GET

761
00:30:41,500 --> 00:30:47,033
TO KNOW HIM BETTER.

762
00:30:42,733 --> 00:30:48,066
>> HERE WE GO. I’M OFF TO WORK.

763
00:30:45,800 --> 00:30:49,000
WILL YOU TWO BE ALL RIGHT?

764
00:30:47,033 --> 00:30:50,000
>> YES.

765
00:30:48,066 --> 00:30:51,000
>> IF THERE ARE ANY PROBLEMS,

766
00:30:49,000 --> 00:30:52,100
JUST GIVE ME A CALL. MIKE, HE’S

767
00:30:50,000 --> 00:30:53,133
NOT HAD ANY BREAKFAST YET.

768
00:30:51,000 --> 00:30:54,133
[JAMES FUSSES]

769
00:30:52,100 --> 00:30:55,033
OH, DEAR. OH, DEAR.

770
00:30:53,133 --> 00:30:55,966
>> DON’T WORRY ABOUT US.

771
00:30:54,133 --> 00:30:56,866
WE’LL BE FINE.

772
00:30:55,033 --> 00:30:57,866
>> OK.

773
00:30:55,966 --> 00:31:00,233
>> YES.

774
00:30:56,866 --> 00:31:00,233
>> SEE YOU LATER.

775
00:30:57,866 --> 00:31:00,233
>> SEE YA.

776
00:31:01,666 --> 00:31:05,366
HE LIKES TO BE JUMPED UP

777
00:31:03,000 --> 00:31:05,366
AND DOWN A BIT.

778
00:31:07,366 --> 00:31:09,766
THERE.

779
00:31:22,833 --> 00:31:29,200
>> IT’S BEAUTIFUL, ISN’T IT?

780
00:31:25,133 --> 00:31:32,300
>> YES, IT IS.

781
00:31:28,100 --> 00:31:32,300
>> CAN’T HAVE CHANGED FOR

782
00:31:29,200 --> 00:31:32,300
THOUSANDS OF YEARS.

783
00:31:42,066 --> 00:31:45,700
BERT?

784
00:31:42,966 --> 00:31:47,733
>> YES, MY LOVE?

785
00:31:44,333 --> 00:31:49,833
>> MY AGENCY PHONED.

786
00:31:45,700 --> 00:31:51,133
I’VE GOT ANOTHER JOB.

787
00:31:47,733 --> 00:31:52,533
>> WELL, THAT’S GOOD NEWS.

788
00:31:49,833 --> 00:31:56,933
WHAT DO THEY SAY?

789
00:31:51,133 --> 00:31:58,133
>> IT’S IN WOKING, AND I’VE GOT

790
00:31:52,533 --> 00:31:59,700
TO LEAVE TOMORROW.

791
00:31:56,933 --> 00:32:00,666
>> THEY CAN FIND YOU SOMETHING

792
00:31:58,133 --> 00:32:04,200
A LITTLE CLOSER.

793
00:31:59,700 --> 00:32:05,400
>> I’VE GOT TO GO TO WHERE

794
00:32:00,666 --> 00:32:08,400
THE WORK IS.

795
00:32:04,200 --> 00:32:12,966
>> BUT YOU COULD STAY HERE A BIT

796
00:32:05,400 --> 00:32:12,966
LONGER, RIGHT?

797
00:32:08,400 --> 00:32:12,966
>> INDUCTION’S ON MONDAY.

798
00:32:23,333 --> 00:32:26,366
>> GET OUT!

799
00:32:24,300 --> 00:32:27,433
>> HAS THE HOSPITAL RUNG ABOUT

800
00:32:25,366 --> 00:32:28,433
MY RESULTS?

801
00:32:26,366 --> 00:32:30,766
>> NO!

802
00:32:27,433 --> 00:32:31,800
>> WELL, HOW MUCH LONGER WILL--

803
00:32:28,433 --> 00:32:32,766
>> OUT! OUT, OUT, OUT! SHUT UP!

804
00:32:30,766 --> 00:32:34,133
[PATIENTS SHOUT]

805
00:32:31,800 --> 00:32:35,066
SHUT UP!

806
00:32:32,766 --> 00:32:36,100
[MARTIN CLAPS]

807
00:32:34,133 --> 00:32:39,866
WHAT’S GOING ON?

808
00:32:35,066 --> 00:32:41,433
>> SEEMS THERE’S A BIT OF WORRY

809
00:32:36,100 --> 00:32:43,366
IN THE VILLAGE.

810
00:32:39,866 --> 00:32:45,600
>> DOC, CAN YOU SEE ME NOW?

811
00:32:41,433 --> 00:32:46,700
>> NO. MORWENNA, MAKE THEM ALL

812
00:32:43,366 --> 00:32:47,866
SIT DOWN.

813
00:32:45,600 --> 00:32:50,800
[PATIENTS SHOUT]

814
00:32:46,700 --> 00:32:52,200
>> YOU HEARD THE MAN: PLEASE

815
00:32:47,866 --> 00:32:53,900
TAKE A SEAT!

816
00:32:50,800 --> 00:32:55,366
>> DOC, SHOULD I WAIT HERE,

817
00:32:52,200 --> 00:32:58,800
THEN?

818
00:32:53,900 --> 00:33:01,033
>> OK, GET BACK, BEHIND THE

819
00:32:55,366 --> 00:33:03,200
TAPE. BEHIND THE TAPE. ARE YOU

820
00:32:58,800 --> 00:33:04,433
LISTENING? NOW, I WANT EVERYONE

821
00:33:01,033 --> 00:33:05,366
TO BREATHE THROUGH YOUR NOSES.

822
00:33:03,200 --> 00:33:06,666
>> UH, WHY?

823
00:33:04,433 --> 00:33:07,766
>> BECAUSE YOUR NOSE HAIR WILL

824
00:33:05,366 --> 00:33:08,866
BLOCK THE ASBESTOS.

825
00:33:06,666 --> 00:33:10,033
>> OUT OF MY WAY.

826
00:33:07,766 --> 00:33:11,300
>> AH, DOC.

827
00:33:08,866 --> 00:33:12,666
>> DOCTOR!

828
00:33:10,033 --> 00:33:13,933
>> JUST IN TIME.

829
00:33:11,300 --> 00:33:15,500
>> DID YOU PUT THIS UP?

830
00:33:12,666 --> 00:33:18,033
>> BLANKETED THE VILLAGE. HEALTH

831
00:33:13,933 --> 00:33:19,200
AND SAFETY’S ONE OF MY DUTIES.

832
00:33:15,500 --> 00:33:20,333
>> YOU’VE CAUSED COMPLETE PANIC.

833
00:33:18,033 --> 00:33:21,333
>> WELL, IT’S MY DUTY TO INFORM

834
00:33:19,200 --> 00:33:22,433
THE PUBLIC IF THERE’S A

835
00:33:20,333 --> 00:33:24,166
CONCERN--

836
00:33:21,333 --> 00:33:25,700
>> "EVERY BREATH YOU TAKE COULD

837
00:33:22,433 --> 00:33:27,600
BE GIVING YOU CANCER."

838
00:33:24,166 --> 00:33:29,000
>> LIKE ON THE MOVIE POSTERS.

839
00:33:25,700 --> 00:33:30,366
YOU KNOW, "IN SPACE, NO ONE

840
00:33:27,600 --> 00:33:32,100
CAN HEAR YOU COUGH."

841
00:33:29,000 --> 00:33:33,066
[MALCOLM COUGHS]

842
00:33:30,366 --> 00:33:34,866
IT GRABS THEIR ATTENTION.

843
00:33:32,100 --> 00:33:36,133
ANYWAY, I LOOKED IT UP ON THE

844
00:33:33,066 --> 00:33:37,066
INTERNET: ASBESTOS DOES GIVE YOU

845
00:33:34,866 --> 00:33:38,133
CANCER.

846
00:33:36,133 --> 00:33:39,166
>> IT’S NOT ASBESTOS, IT’S

847
00:33:37,066 --> 00:33:39,966
CELLULOSE.

848
00:33:38,133 --> 00:33:42,100
>> WHAT?

849
00:33:39,166 --> 00:33:43,133
>> IT’S NOT ASBESTOS--

850
00:33:39,966 --> 00:33:44,233
>> TAKE OFF YOUR MASK!

851
00:33:42,100 --> 00:33:45,166
>> IT’S NOT ASBESTOS, IT’S

852
00:33:43,133 --> 00:33:46,166
CELLULOSE.

853
00:33:44,233 --> 00:33:47,033
>> OH, MY GOD.

854
00:33:45,166 --> 00:33:47,933
>> IT’S HARMLESS. IT’S NOT

855
00:33:46,166 --> 00:33:50,266
A HEALTH HAZARD.

856
00:33:47,033 --> 00:33:51,266
>> REALLY? I ALWAYS THOUGHT

857
00:33:47,933 --> 00:33:52,200
THAT STUFF WAS ASBESTOS.

858
00:33:50,266 --> 00:33:53,166
>> IS THIS WHAT YOU PUT IN

859
00:33:51,266 --> 00:33:54,400
ALL THE HOUSES?

860
00:33:52,200 --> 00:33:55,366
>> TAKE ALL THESE DOWN,

861
00:33:53,166 --> 00:33:56,500
YOU IDIOT.

862
00:33:54,400 --> 00:33:57,400
>> WELL, IF I HAVEN’T GOT

863
00:33:55,366 --> 00:33:58,400
ASBESTOSIS, WHAT’S WRONG

864
00:33:56,500 --> 00:34:01,200
WITH ME?

865
00:33:57,400 --> 00:34:01,200
>> I DON’T KNOW! I HAVEN’T HAD

866
00:33:58,400 --> 00:34:01,200
YOUR X-RAYS BACK, HAVE I?!

867
00:34:04,466 --> 00:34:10,100
>> "WARN EVERYONE," YOU SAID.

868
00:34:06,300 --> 00:34:13,000
"OH, YOU’LL BE A HERO, JOE."

869
00:34:08,933 --> 00:34:13,000
WHY COULDN’T YOU JUST PUT

870
00:34:10,100 --> 00:34:13,000
ASBESTOS IN THE HOUSES, EH?

871
00:34:15,833 --> 00:34:18,466
[MALCOLM COUGHS]

872
00:34:29,366 --> 00:34:32,200
>> YOU’VE GOT TO MAKE ME

873
00:34:30,466 --> 00:34:33,766
AN APPOINTMENT--MY LUNGS ARE

874
00:34:31,333 --> 00:34:34,866
BURNING!

875
00:34:32,200 --> 00:34:36,633
>> I WAS HERE FIRST!

876
00:34:33,766 --> 00:34:37,800
>> YOU’RE ALL FINE. IT’S NOT

877
00:34:34,866 --> 00:34:39,333
ASBESTOS. GET OUT.

878
00:34:36,633 --> 00:34:42,566
>> APART FROM ALL THOSE

879
00:34:37,800 --> 00:34:42,566
WITH SCHEDULED APPOINTMENTS,

880
00:34:39,333 --> 00:34:42,566
OF COURSE. GO.

881
00:34:47,700 --> 00:34:50,533
>> AFTERNOON, SAL.

882
00:34:48,566 --> 00:34:52,100
>> AFTERNOON, BERT. HOW CAN I

883
00:34:49,666 --> 00:34:53,066
HELP?

884
00:34:50,533 --> 00:34:54,933
>> IT’S PERSONAL...

885
00:34:52,100 --> 00:34:57,033
>> OH.

886
00:34:53,066 --> 00:34:58,766
>> MATTER OF THE HEART.

887
00:34:54,933 --> 00:35:00,166
>> REALLY?

888
00:34:57,033 --> 00:35:02,466
>> JENNY’S LEAVING TOMORROW AND

889
00:34:58,766 --> 00:35:04,400
I--WELL, THE TRUTH OF THE MATTER

890
00:35:00,166 --> 00:35:06,966
IS I’VE BEEN FEELING THINGS THAT

891
00:35:02,466 --> 00:35:08,933
I HAVEN’T FELT FOR A WHILE,

892
00:35:04,400 --> 00:35:10,766
A LONG WHILE. I THOUGHT MY OLD

893
00:35:06,966 --> 00:35:13,200
HEART HAD TURNED TO STONE,

894
00:35:08,933 --> 00:35:15,433
BUT THEN SHE SHOWED UP AND

895
00:35:10,766 --> 00:35:16,900
EVERYTHING CHANGED. I GUESS WHAT

896
00:35:13,200 --> 00:35:19,366
I’M TRYING TO SAY, SAL, IS THERE

897
00:35:15,433 --> 00:35:22,500
ANY WAY THAT THE TWO OF YOU

898
00:35:16,900 --> 00:35:26,000
COULD WORK TOGETHER HERE SO THAT

899
00:35:19,366 --> 00:35:26,000
JENNY DIDN’T HAVE TO GO?

900
00:35:22,500 --> 00:35:26,000
>> NO.

901
00:35:48,200 --> 00:35:50,600
>> OH.

902
00:35:56,000 --> 00:36:02,733
>> SO WHAT WAS IT LIKE, THEN,

903
00:35:58,033 --> 00:36:03,966
BEING IN THE ARMY?

904
00:36:00,500 --> 00:36:05,900
>> I--I’D RATHER NOT TALK

905
00:36:02,733 --> 00:36:07,033
ABOUT IT.

906
00:36:03,966 --> 00:36:08,166
>> WHY NOT? WERE YOU BLACK OPS?

907
00:36:05,900 --> 00:36:10,166
>> WHAT?

908
00:36:07,033 --> 00:36:11,433
>> YOU KNOW, SPECIAL SQUAD

909
00:36:08,166 --> 00:36:12,600
INFILTRATING BEHIND ENEMY LINES,

910
00:36:10,166 --> 00:36:15,600
ANSWER BUT ONLY TO THE CHIEF

911
00:36:11,433 --> 00:36:16,700
OF STAFF?

912
00:36:12,600 --> 00:36:17,833
>> NO, I--I JUST...

913
00:36:15,600 --> 00:36:19,666
OH, I JUST THINK TALKING ABOUT

914
00:36:16,700 --> 00:36:20,600
WORK’S BORING.

915
00:36:17,833 --> 00:36:22,300
>> I DON’T MIND IT.

916
00:36:19,666 --> 00:36:23,500
>> THAT’S BECAUSE YOU WORK

917
00:36:20,600 --> 00:36:24,866
FOR THE DOC. BUT HE’S GOT A BIT

918
00:36:22,300 --> 00:36:26,000
OF A REPUTATION IN THE VILLAGE,

919
00:36:23,500 --> 00:36:27,100
ISN’T HE, A NO-NONSENSE KIND

920
00:36:24,866 --> 00:36:29,033
OF GUY?

921
00:36:26,000 --> 00:36:30,233
>> HE DOES GET SOME RIGHT MORONS

922
00:36:27,100 --> 00:36:33,000
IN, HA! BUT THAT DOESN’T MEAN HE

923
00:36:29,033 --> 00:36:34,966
HAS TO SHOUT WITH THEM ALL THE

924
00:36:30,233 --> 00:36:36,966
TIME. LIKE, TODAY, RIGHT, I COME

925
00:36:33,000 --> 00:36:38,466
BACK FROM MY BREAK AND I HEAR

926
00:36:34,966 --> 00:36:39,933
THE DOC AND THIS WOMAN ARGUING.

927
00:36:36,966 --> 00:36:41,133
AND HE’S SAYING, LIKE, "FOR THE

928
00:36:38,466 --> 00:36:43,900
LAST TIME, YOU IDIOT, YOU CAN’T

929
00:36:39,933 --> 00:36:43,900
GET CRABS FROM PADDLING IN ROCK

930
00:36:41,133 --> 00:36:43,900
POOLS!" HA HA HA!

931
00:36:46,400 --> 00:36:54,766
>> WELL, YOU CAN’T.

932
00:36:48,366 --> 00:36:55,933
>> NO, THAT--THAT WAS A JOKE.

933
00:36:51,966 --> 00:36:57,266
>> OH.

934
00:36:54,766 --> 00:36:58,433
LOOK, I JUST MEAN IT MUST BE

935
00:36:55,933 --> 00:36:59,533
DIFFICULT FOR HIM, LIKE.

936
00:36:57,266 --> 00:37:00,600
YOU KNOW, BEING CONSTANTLY

937
00:36:58,433 --> 00:37:01,900
SURROUNDED BY PEOPLE LESS SMART

938
00:36:59,533 --> 00:37:02,933
THAN HE IS.

939
00:37:00,600 --> 00:37:04,100
>> WHAT, LIKE ME?

940
00:37:01,900 --> 00:37:05,700
>> OH, NO, NO, I DIDN’T MEAN

941
00:37:02,933 --> 00:37:08,366
THAT.

942
00:37:04,100 --> 00:37:09,566
>> SO I’M SMARTER THAN THE DOC,

943
00:37:05,700 --> 00:37:14,000
THEN, AM I?

944
00:37:08,366 --> 00:37:16,900
>> UM...

945
00:37:09,566 --> 00:37:16,900
>> "UM..." YEAH. EXACTLY.

946
00:37:14,000 --> 00:37:16,900
CHEERS.

947
00:37:21,000 --> 00:37:29,166
>> GOOD. THANK YOU. THANK YOU

948
00:37:23,933 --> 00:37:30,533
VERY MUCH. TABLE FOR 6--

949
00:37:27,100 --> 00:37:31,600
NOT BAD FOR A WEEKNIGHT.

950
00:37:29,166 --> 00:37:32,600
>> IS THAT IT?

951
00:37:30,533 --> 00:37:34,333
>> WELL, WHAT’S GOT YOU SO

952
00:37:31,600 --> 00:37:36,000
MISERABLE?

953
00:37:32,600 --> 00:37:37,000
>> I’M LIVING WITH JOE PENHALE.

954
00:37:34,333 --> 00:37:38,033
HE WANTS TO GO FOR A RUN

955
00:37:36,000 --> 00:37:39,566
TOMORROW.

956
00:37:37,000 --> 00:37:42,000
>> I TOLD YOU YOU SHOULD’VE

957
00:37:38,033 --> 00:37:43,800
STAYED. NOT MUCH YOU GOT GOING

958
00:37:39,566 --> 00:37:45,500
ON HERE--MIND YOU, NOT MUCH OF

959
00:37:42,000 --> 00:37:48,166
ANYTHING GOING ON HERE.

960
00:37:43,800 --> 00:37:53,766
>> WHAT, IS BUSINESS DOWN?

961
00:37:45,500 --> 00:37:56,266
>> JENNY--SHE’S LEAVING US

962
00:37:48,166 --> 00:37:59,233
TOMORROW, GOT A JOB IN WOKING.

963
00:37:53,766 --> 00:38:00,266
>> OH, RIGHT.

964
00:37:56,266 --> 00:38:02,000
THAT’S ROUGH. SORRY.

965
00:37:59,233 --> 00:38:05,500
>> I DON’T KNOW WHAT I’M GONNA

966
00:38:00,266 --> 00:38:06,566
DO WITH MYSELF.

967
00:38:02,000 --> 00:38:09,333
>> WERE YOU SERIOUS ABOUT HER?

968
00:38:05,500 --> 00:38:11,500
HAVE YOU TOLD HER?

969
00:38:06,566 --> 00:38:15,933
>> I THINK SHE KNOWS.

970
00:38:09,333 --> 00:38:19,233
>> DAD, TELL HER BEFORE IT’S

971
00:38:11,500 --> 00:38:19,233
TOO LATE. BUT IF SHE DOES LEAVE,

972
00:38:15,933 --> 00:38:19,233
CAN I HAVE MY ROOM BACK?

973
00:39:21,900 --> 00:39:25,966
>> MORWENNA, MALCOLM RAYNOR HAS

974
00:39:23,366 --> 00:39:27,166
AN APPOINTMENT. WHERE IS HE?

975
00:39:24,633 --> 00:39:28,300
>> LATE. I RANG, BUT THERE’S

976
00:39:25,966 --> 00:39:29,400
NO ANSWER.

977
00:39:27,166 --> 00:39:30,433
>> HE’S A HYPOCHONDRIAC: HE

978
00:39:28,300 --> 00:39:31,433
WOULDN’T MISS AN APPOINTMENT.

979
00:39:29,400 --> 00:39:32,466
GO TO HIS HOUSE AND SEE IF HE’S

980
00:39:30,433 --> 00:39:33,566
THERE.

981
00:39:31,433 --> 00:39:35,166
>> NOW?

982
00:39:32,466 --> 00:39:37,300
>> NOW.

983
00:39:33,566 --> 00:39:40,333
>> YOU TAKE TINY LANE...

984
00:39:35,166 --> 00:39:43,500
NO, NO. HAVEN’T YOU GOT A MAP

985
00:39:37,300 --> 00:39:46,766
THERE? LOOK, SHOULDN’T YOU

986
00:39:40,333 --> 00:39:46,766
HAVE ONE? FINE. SHALL I COME

987
00:39:43,500 --> 00:39:46,766
’ROUND AND DRAW YOU ONE?

988
00:39:57,733 --> 00:40:07,366
>> MALCOLM?

989
00:40:01,733 --> 00:40:11,333
MALCOLM! THE DOC SENT ME TO

990
00:40:04,700 --> 00:40:11,333
CHECK ON YOU! WE’VE GOT YOUR

991
00:40:07,366 --> 00:40:11,333
X-RAYS BACK FROM THE HOSPITAL!

992
00:40:16,533 --> 00:40:19,133
MALCOLM!

993
00:40:22,033 --> 00:40:32,000
OH, GOD. MALCOLM? MALCOLM?

994
00:40:29,100 --> 00:40:32,000
MALCOLM!

995
00:40:43,300 --> 00:40:45,733
>> YOU COMING, LOVE?

996
00:40:52,033 --> 00:40:55,566
[TAXICAB STARTS]

997
00:41:01,366 --> 00:41:08,000
>> I RANG THE DOC; HE’S ON HIS

998
00:41:02,433 --> 00:41:09,166
WAY. MALCOLM?

999
00:41:06,500 --> 00:41:11,733
[MALCOLM COUGHS]

1000
00:41:08,000 --> 00:41:11,733
>> MORWENNA, WHERE ARE YOU?

1001
00:41:09,166 --> 00:41:11,733
>> BACK HERE, DOC!

1002
00:41:14,266 --> 00:41:18,166
HE’S HARDLY BREATHING.

1003
00:41:15,833 --> 00:41:18,166
>> TAKE THAT.

1004
00:41:25,433 --> 00:41:28,233
JUST TRY AND BREATHE NORMALLY.

1005
00:41:30,900 --> 00:41:34,833
>> WHAT’S WRONG WITH HIM?

1006
00:41:31,966 --> 00:41:36,166
>> HYPERSENSITIVITY PNEUMONITIS.

1007
00:41:33,600 --> 00:41:37,566
>> WHAT’S THAT?

1008
00:41:34,833 --> 00:41:39,133
>> MR. RAYNOR, I’M GOING TO ASK

1009
00:41:36,166 --> 00:41:41,266
YOU SOME QUESTIONS. ANSWER BY

1010
00:41:37,566 --> 00:41:44,766
JUST SHAKING OR NODDING

1011
00:41:39,133 --> 00:41:46,833
YOUR HEAD. DO YOU HAVE AIR

1012
00:41:41,266 --> 00:41:48,400
CONDITIONING IN YOUR HOUSE?

1013
00:41:44,766 --> 00:41:50,266
ARE YOU EVER EXPOSED TO HAY OR

1014
00:41:46,833 --> 00:41:51,566
DAMP GRAIN?

1015
00:41:48,400 --> 00:41:52,800
>> DOES BIRDSEED COUNT AS GRAIN?

1016
00:41:50,266 --> 00:41:53,933
>> WHY? DO YOU EVER COME INTO

1017
00:41:51,566 --> 00:41:55,000
CONTACT WITH BIRDSEED?

1018
00:41:52,800 --> 00:41:56,066
>> OF COURSE HE DOES. EVERYBODY

1019
00:41:53,933 --> 00:41:58,533
KNOWS ABOUT MALCOLM AND HIS

1020
00:41:55,000 --> 00:41:58,533
PIGEONS.

1021
00:41:56,066 --> 00:41:58,533
>> WELL, I DIDN’T!

1022
00:42:07,700 --> 00:42:14,566
YOU’VE GOT PIGEON FANCIER’S

1023
00:42:09,133 --> 00:42:15,700
LUNG. THE PULMONARY LINING HAS

1024
00:42:11,400 --> 00:42:16,866
BECOME INFLAMED.

1025
00:42:14,566 --> 00:42:18,166
>> THE BIRDSEED GOT IN YOUR

1026
00:42:15,700 --> 00:42:20,800
LUNGS, MALCOLM.

1027
00:42:16,866 --> 00:42:21,833
>> NO, IT DIDN’T. YOU INHALED

1028
00:42:18,166 --> 00:42:23,200
PROTEINS FROM BIRD FECES.

1029
00:42:20,800 --> 00:42:24,733
>> YOU’VE BEEN INHALING BIRD

1030
00:42:21,833 --> 00:42:26,200
POO.

1031
00:42:23,200 --> 00:42:27,233
>> WELL, THAT CAN’T BE RIGHT.

1032
00:42:24,733 --> 00:42:28,333
I’VE HAD THEM BIRDS FOR YEARS.

1033
00:42:26,200 --> 00:42:29,366
>> IT COULD COME OUT AT ANY

1034
00:42:27,233 --> 00:42:30,500
TIME. YOU’LL HAVE TO GET RID

1035
00:42:28,333 --> 00:42:31,800
OF THEM.

1036
00:42:29,366 --> 00:42:32,866
>> BUT THEY’RE MY FAMILY.

1037
00:42:30,500 --> 00:42:34,100
CAN’T I KEEP JUST A COUPLE?

1038
00:42:31,800 --> 00:42:35,566
>> WHAT DO YOU MEAN, THEY’RE

1039
00:42:32,866 --> 00:42:36,866
YOUR FAMILY? THEY’RE PIGEONS.

1040
00:42:34,100 --> 00:42:39,300
YOU HAVE A SERIOUS PULMONARY

1041
00:42:35,566 --> 00:42:43,266
DISEASE THAT COULD LEAD TO

1042
00:42:36,866 --> 00:42:44,466
ASPHYXIATION.

1043
00:42:39,300 --> 00:42:45,700
>> NO. SORRY.

1044
00:42:43,266 --> 00:42:48,433
>> MAKE AN APPOINTMENT AS SOON

1045
00:42:44,466 --> 00:42:48,433
AS POSSIBLE. MORWENNA,

1046
00:42:45,700 --> 00:42:48,433
GET THE BAG.

1047
00:42:58,833 --> 00:43:01,300
>> WHERE ARE WE?

1048
00:43:05,366 --> 00:43:09,933
WHY ARE WE STOPPING?

1049
00:43:06,733 --> 00:43:12,966
>> WE’RE HERE, AREN’T WE?

1050
00:43:07,833 --> 00:43:12,966
>> I SAID BODMIN STATION! I’VE

1051
00:43:09,933 --> 00:43:12,966
GOT PEPPER SPRAY IN MY BAG.

1052
00:43:18,733 --> 00:43:21,100
BERT?

1053
00:43:25,033 --> 00:43:32,866
BERT! WHAT’S GOING ON?

1054
00:43:28,733 --> 00:43:34,266
>> I DON’T WANT YOU TO LEAVE.

1055
00:43:31,133 --> 00:43:35,633
>> WELL, I DON’T WANT TO EITHER,

1056
00:43:32,866 --> 00:43:38,166
BUT I’VE GOT TO WORK.

1057
00:43:34,266 --> 00:43:39,566
>> WHAT IF YOU DIDN’T?

1058
00:43:35,633 --> 00:43:41,866
WHAT IF I SUPPORTED YOU?

1059
00:43:38,166 --> 00:43:45,566
>> WHAT DO YOU MEAN?

1060
00:43:39,566 --> 00:43:48,000
>> WELL, WHAT IF YOU STAYED HERE

1061
00:43:41,866 --> 00:43:51,966
AND LIVE WITH ME PERMANENTLY,

1062
00:43:45,566 --> 00:43:57,933
FOREVER?

1063
00:43:48,000 --> 00:44:02,366
>> WHAT ARE YOU SAYING?

1064
00:43:51,966 --> 00:44:04,966
>> JENNIFER CARDEW, WILL YOU

1065
00:43:57,933 --> 00:44:05,966
MARRY ME?

1066
00:44:02,366 --> 00:44:07,066
>> OH, BERT.

1067
00:44:04,966 --> 00:44:09,733
>> THIS IS THE FIRST TIME

1068
00:44:05,966 --> 00:44:09,733
I’VE EVER HAD YOU

1069
00:44:07,066 --> 00:44:09,733
A LOSS FOR WORDS, GIRL.

1070
00:44:13,833 --> 00:44:16,833
>> OF COURSE I WILL.

1071
00:44:37,066 --> 00:44:39,633
>> YOU COMING?

1072
00:44:45,000 --> 00:44:49,500
[JAMES CRIES]

1073
00:44:46,533 --> 00:44:52,400
>> SHH, SHH, SHH.

1074
00:44:48,266 --> 00:44:55,800
>> WHERE’S LOUISA?

1075
00:44:49,500 --> 00:44:57,000
>> UPSTAIRS. WONDERED WHERE THAT

1076
00:44:52,400 --> 00:44:58,500
HAD GOT TO.

1077
00:44:55,800 --> 00:44:59,766
>> IT’S THE ONLY THING OF JOAN’S

1078
00:44:57,000 --> 00:45:01,833
WORTH SALVAGING. IF I CAN GET IT

1079
00:44:58,500 --> 00:45:03,166
GOING, IT MIGHT BE QUITE

1080
00:44:59,766 --> 00:45:06,033
VALUABLE.

1081
00:45:01,833 --> 00:45:08,333
>> YOUR FATHER HAD REGRETS,

1082
00:45:03,166 --> 00:45:09,366
YOU KNOW.

1083
00:45:06,033 --> 00:45:11,700
>> NO, I DIDN’T.

1084
00:45:08,333 --> 00:45:15,300
>> WITH THE WAY YOU WERE

1085
00:45:09,366 --> 00:45:16,400
BROUGHT UP.

1086
00:45:11,700 --> 00:45:22,200
>> I SEE.

1087
00:45:15,300 --> 00:45:23,966
>> HE WANTED TO TELL YOU HOW HE

1088
00:45:16,400 --> 00:45:25,433
FELT, AND THEN IT WAS TOO LATE.

1089
00:45:22,200 --> 00:45:28,666
I’M SORRY, MARTIN.

1090
00:45:23,966 --> 00:45:31,100
[JAMES FUSSES]

1091
00:45:25,433 --> 00:45:34,166
SHH, SHH, SHH.

1092
00:45:28,666 --> 00:45:37,300
>> HE HAD YEARS TO TELL ME THAT.

1093
00:45:31,100 --> 00:45:40,500
>> I SAID I’M SORRY FOR HOW I

1094
00:45:34,166 --> 00:45:43,666
WAS WITH YOU. THAT’S WHY I’M

1095
00:45:37,300 --> 00:45:47,333
HERE, TO TRY SOMEHOW TO MAKE UP

1096
00:45:40,500 --> 00:45:49,066
FOR EVERYTHING.

1097
00:45:43,666 --> 00:45:51,533
WELL, I CAN ONLY SAY I DID THE

1098
00:45:47,333 --> 00:45:51,533
BEST I COULD; IT WASN’T GOOD

1099
00:45:49,066 --> 00:45:51,533
ENOUGH.

1100
00:45:54,800 --> 00:46:00,833
WE ARE ALL WE’VE GOT LEFT,

1101
00:45:56,133 --> 00:46:00,833
MARTIN, YOU AND ME, FAMILY.

1102
00:46:07,466 --> 00:46:14,766
[JAMES FUSSES]

1103
00:46:08,733 --> 00:46:18,733
>> SHH!

1104
00:46:11,966 --> 00:46:21,200
>> I HAVE A FAMILY. I HAVE

1105
00:46:14,766 --> 00:46:25,466
A WIFE, AND I HAVE A SON,

1106
00:46:18,733 --> 00:46:28,400
AND I HAVE RUTH.

1107
00:46:21,200 --> 00:46:34,100
>> THAT’S NOT WHAT I MEANT.

1108
00:46:25,466 --> 00:46:34,100
WE HAVE A CHANCE NOW TO MAKE UP

1109
00:46:28,400 --> 00:46:34,100
FOR LOST TIME. DON’T WE, MARTIN?

1110
00:46:44,766 --> 00:46:48,733
I’M GOING TO MY ROOM TO READ.