WEBVTT 00:06.166 --> 00:11.166 align:left position:87.5% line:5% size:2.5% ♪ 00:11.166 --> 00:13.166 align:left position:27.5% line:83% size:62.5% (male announcer)  From New York, 00:13.166 --> 00:15.166 align:left position:17.5% line:83% size:72.5% a special  television presentation 00:15.166 --> 00:17.166 align:left position:17.5% line:83% size:72.5% of one  of the longest-running 00:17.166 --> 00:19.800 align:left position:15% line:83% size:75% and most highly acclaimed  public radio series, 00:19.800 --> 00:22.366 align:left position:17.5% line:77% size:72.5% National Public Radio's  Marian McPartland's  "Piano Jazz." 00:22.366 --> 00:24.366 align:left position:27.5% line:89% size:62.5% For eight years, 00:24.366 --> 00:27.000 align:left position:12.5% line:83% size:77.5% this colorful kaleidoscope  of great keyboard artists, 00:27.000 --> 00:30.000 align:left position:15% line:83% size:75% hosted by renowned composer  and pianist Marian McPartland, 00:30.000 --> 00:32.633 align:left position:22.5% line:83% size:67.5% has offered audiences  a rare insider's view 00:32.633 --> 00:34.633 align:left position:32.5% line:83% size:57.5% of the world  of jazz, 00:34.633 --> 00:37.266 align:left position:12.5% line:83% size:77.5% featuring outstanding  piano artists of our time. 00:37.266 --> 00:40.533 align:left position:12.5% line:83% size:77.5% For this special televised  edition of "Piano Jazz," 00:40.533 --> 00:43.533 align:left position:17.5% line:83% size:72.5% Marian welcomes the king  of the cabaret singers, 00:43.533 --> 00:45.900 align:left position:32.5% line:89% size:57.5% Bobby Short. 00:45.900 --> 00:51.233 align:left position:87.5% line:5% size:2.5% ♪ 00:51.233 --> 00:53.866 align:left position:47.5% line:83% size:42.5% Bobby, it's great  to see you again! 00:53.866 --> 00:56.500 align:left position:10% line:83% size:80% It's wonderful seeing you again so soon. 00:56.500 --> 00:58.133 align:left position:67.5% line:83% size:22.5% I know, so soon. 00:58.133 --> 01:00.133 align:left position:10% line:83% size:80% Never too often, you know. 01:00.133 --> 01:02.200 align:left position:45% line:83% size:45% How about raising the roof? 01:02.200 --> 01:05.200 align:left position:42.5% line:83% size:47.5% Do one that you do at The Carlyle. 01:05.200 --> 01:06.366 align:left position:10% line:89% size:80% Oh, well. 01:06.366 --> 01:10.100 align:left position:10% line:83% size:80% I'll do a song that we do at The Carlyle 01:10.100 --> 01:12.100 align:left position:10% line:83% size:80% by Duke Ellington. 01:12.100 --> 01:15.066 align:left position:10% line:83% size:80% It's called "Drop Me Off In Harlem." 01:15.066 --> 01:16.400 align:left position:55% line:83% size:35% That's a great tune. 01:16.400 --> 01:17.733 align:left position:10% line:83% size:80% How's that strike you? 01:17.733 --> 01:18.733 align:left position:75% line:89% size:15% Great! 01:18.733 --> 01:25.333 align:left position:87.5% line:5% size:2.5% ♪ ["Drop Me Off In Harlem"] 01:25.333 --> 01:28.500 align:left position:10% line:83% size:80% ♪ Drop me off in Harlem, ♪ 01:28.500 --> 01:31.966 align:left position:10% line:83% size:80% ♪ anyplac  in Harlem. ♪ 01:31.966 --> 01:34.900 align:left position:10% line:83% size:80% ♪ There's someon  waiting there ♪ 01:34.900 --> 01:39.533 align:left position:10% line:83% size:80% ♪ who makes it see  like heaven up in Harlem. ♪ 01:39.533 --> 01:42.700 align:left position:10% line:83% size:80% ♪ I don't wan  your Dixie. ♪ 01:42.700 --> 01:46.000 align:left position:10% line:83% size:80% ♪ You can kee  your Dixie. ♪ 01:46.000 --> 01:48.666 align:left position:10% line:83% size:80% ♪ There's nothin  down in Dixie ♪ 01:48.666 --> 01:52.033 align:left position:10% line:83% size:80% ♪ that can take the plac  of my old Harlem. ♪ 01:52.033 --> 01:56.866 align:left position:10% line:83% size:80% ♪ Harlem has those southern skies. ♪ 01:56.866 --> 01:59.500 align:left position:10% line:83% size:80% ♪ They're in my baby's smile. ♪ 01:59.500 --> 02:06.533 align:left position:10% line:83% size:80% ♪ I idolize my baby's eyes, their classy, uptown style. ♪ 02:06.533 --> 02:09.466 align:left position:10% line:83% size:80% ♪ If Harlem moved to China, ♪ 02:09.466 --> 02:12.700 align:left position:10% line:83% size:80% ♪ there'd be nothing finer ♪ 02:12.700 --> 02:16.066 align:left position:10% line:83% size:80% ♪ than to stow away on a plane someday ♪ 02:16.066 --> 02:20.233 align:left position:10% line:83% size:80% ♪ and let 'em drop me off in Harlem. ♪ 02:20.233 --> 02:23.600 align:left position:10% line:83% size:80% ♪ Harlem has those southern skies ♪ 02:23.600 --> 02:26.000 align:left position:10% line:83% size:80% ♪ in my baby's smile. ♪ 02:26.000 --> 02:32.400 align:left position:10% line:83% size:80% ♪ I idolize my baby's eyes, their classy, uptown style. ♪ 02:32.400 --> 02:35.033 align:left position:10% line:83% size:80% ♪ If Harlem moved to China, ♪ 02:35.033 --> 02:38.333 align:left position:10% line:83% size:80% ♪ there'd be nothing finer ♪ 02:38.333 --> 02:41.700 align:left position:10% line:83% size:80% ♪ than to stow away on a plane someday ♪ 02:41.700 --> 02:45.000 align:left position:10% line:83% size:80% ♪ and let 'em drop me off in Harlem. ♪♪ 02:45.000 --> 02:52.266 align:left position:87.5% line:5% size:2.5% ♪ 02:52.266 --> 02:59.566 align:left position:87.5% line:5% size:2.5% ♪ 03:01.466 --> 03:04.100 align:left position:10% line:83% size:80% Last second modulation, key of D natural. 03:04.100 --> 03:05.233 align:left position:62.5% line:83% size:27.5% That's wonderful. 03:05.233 --> 03:06.733 align:left position:87.5% line:5% size:2.5% ♪ 03:06.733 --> 03:08.600 align:left position:52.5% line:83% size:37.5% I've got to learn that. 03:08.600 --> 03:10.100 align:left position:10% line:83% size:80% It's wonderful, isn't it? 03:10.100 --> 03:12.366 align:left position:10% line:83% size:80% I'll tell you about that song. 03:12.366 --> 03:14.633 align:left position:10% line:83% size:80% I've loved it all my life, 03:14.633 --> 03:17.266 align:left position:10% line:83% size:80% and I was in London in 1966, 03:17.266 --> 03:21.366 align:left position:12.5% line:83% size:77.5% and I decided to buy the music to learn the words. 03:21.366 --> 03:23.933 align:left position:10% line:83% size:80% I walked into a small, nondescript shop 03:23.933 --> 03:27.300 align:left position:10% line:83% size:80% in New Bond Street, and it was right there. 03:27.300 --> 03:29.166 align:left position:40% line:83% size:50% Nondescript on New Bond Street? 03:29.166 --> 03:30.600 align:left position:10% line:89% size:80% There it was. 03:30.600 --> 03:32.866 align:left position:45% line:83% size:45% Why do you sound so British? 03:32.866 --> 03:34.366 align:left position:10% line:83% size:80% Do I sound British? 03:34.366 --> 03:37.000 align:left position:45% line:83% size:45% You're going to have to teach me. 03:37.000 --> 03:38.500 align:left position:65% line:83% size:25% I'm losing my accent. 03:38.500 --> 03:41.133 align:left position:10% line:83% size:80% I sound mid-Atlantic most of the time 03:41.133 --> 03:43.400 align:left position:10% line:83% size:80% and like Danville the rest. 03:43.400 --> 03:46.766 align:left position:32.5% line:83% size:57.5% In Danville, did you go to church every Sunday? 03:46.766 --> 03:48.633 align:left position:10% line:83% size:80% When I was a kid? 03:48.633 --> 03:49.800 align:left position:80% line:89% size:10% Yes. 03:49.800 --> 03:53.366 align:left position:10% line:83% size:80% I worked on Saturday nights very late as a kid, 03:53.366 --> 03:55.633 align:left position:10% line:83% size:80% so I didn't get to church 03:55.633 --> 03:57.466 align:left position:10% line:83% size:80% too often. 03:57.466 --> 04:00.466 align:left position:10% line:83% size:80% My church was the African Methodist Episcopal Church. 04:00.466 --> 04:03.633 align:left position:10% line:83% size:80% We sang all the standard Methodist hymns, 04:03.633 --> 04:05.633 align:left position:10% line:83% size:80% but around 1940, 04:05.633 --> 04:09.300 align:left position:10% line:83% size:80% Thomas A. Dorsey  who had been the pianist for, 04:09.300 --> 04:11.300 align:left position:10% line:83% size:80% of all people, Ma Rainey, 04:11.300 --> 04:15.033 align:left position:10% line:83% size:80% began to write gospel music-- or before then, I suppose-- 04:15.033 --> 04:19.866 align:left position:10% line:83% size:80% but the ladies in our church got ahold of those songs 04:19.866 --> 04:23.066 align:left position:10% line:83% size:80% because the songs ha  such vitality and spirit. 04:23.066 --> 04:25.700 align:left position:10% line:83% size:80% Then those songs crossed the color line 04:25.700 --> 04:28.800 align:left position:10% line:83% size:80% and became standard in churches around the country. 04:28.800 --> 04:32.866 align:left position:35% line:83% size:55% I was wondering if you ever did any of those. 04:32.866 --> 04:35.700 align:left position:10% line:83% size:80% Oh, there's a wonderful song called, uh... 04:35.700 --> 04:37.700 align:left position:10% line:83% size:80% the one I liked was... 04:37.700 --> 04:40.333 align:left position:10% line:83% size:80% "Hide Me In Thy Bosom  was marvelous. 04:40.333 --> 04:41.833 align:left position:10% line:83% size:80% Ever hear that? 04:41.833 --> 04:44.833 align:left position:42.5% line:83% size:47.5% No...why don't you do a little bit? 04:44.833 --> 04:48.000 align:left position:10% line:83% size:80% ♪ I'm so glad somehow  I've found salvation now. ♪ 04:48.000 --> 04:52.800 align:left position:10% line:83% size:80% ♪ It's touched my spirit, moving into my soul. ♪ 04:52.800 --> 04:56.700 align:left position:12.5% line:83% size:77.5% ♪ Every now and then, my thoughts come back again, ♪ 04:56.700 --> 05:01.433 align:left position:10% line:83% size:80% ♪ da, da, da, da-da, daaa, da-da, daaa. ♪ 05:01.433 --> 05:05.933 align:left position:10% line:83% size:80% ♪ Hide me in thy bosom till the storm of life is o'er, ♪ 05:05.933 --> 05:10.033 align:left position:10% line:83% size:80% ♪ and then rock me in the cradle of thy love. ♪ 05:10.033 --> 05:13.966 align:left position:10% line:83% size:80% ♪ And just feeeed me till I want no more, ♪ 05:13.966 --> 05:17.700 align:left position:10% line:83% size:80% ♪ and rock me in the cradle of thy love. ♪♪ 05:17.700 --> 05:19.533 align:left position:47.5% line:89% size:42.5% That's wonderful! 05:19.533 --> 05:22.100 align:left position:10% line:83% size:80% Now, when the altos sang "Feeed me"-- 05:22.100 --> 05:24.366 align:left position:10% line:83% size:80% when the sopranos sang that line, 05:24.366 --> 05:25.866 align:left position:10% line:83% size:80% the altos all went, 05:25.866 --> 05:28.866 align:left position:10% line:83% size:80% ♪ Feed me, feed me, feed me, feed me... ♪ 05:28.866 --> 05:30.466 align:left position:37.5% line:89% size:52.5% [chuckling] 05:30.466 --> 05:31.600 align:left position:60% line:83% size:30% That's  wonderful. 05:31.600 --> 05:32.733 align:left position:10% line:89% size:80% Pretty good song. 05:32.733 --> 05:34.600 align:left position:52.5% line:83% size:37.5% 'Cause I was brought up 05:34.600 --> 05:37.233 align:left position:30% line:83% size:60% in such a different way from you. 05:37.233 --> 05:39.500 align:left position:32.5% line:83% size:57.5% There were you in Danville, Illinois, 05:39.500 --> 05:42.133 align:left position:37.5% line:83% size:52.5% and there was I in Windsor, England, 05:42.133 --> 05:45.133 align:left position:22.5% line:83% size:67.5% never dreaming I was gonna come over here 05:45.133 --> 05:48.133 align:left position:42.5% line:83% size:47.5% and be a part of the jazz scene. 05:48.133 --> 05:52.233 align:left position:25% line:83% size:65% I'd love to hear you play a chorus of your blues, 05:52.233 --> 05:55.233 align:left position:45% line:83% size:45% and then I'll do a chorus of mine. 05:55.233 --> 06:04.700 align:left position:87.5% line:5% size:2.5% ♪ 06:04.700 --> 06:14.100 align:left position:87.5% line:5% size:2.5% ♪ 06:14.100 --> 06:23.433 align:left position:87.5% line:5% size:2.5% ♪ 06:23.433 --> 06:32.833 align:left position:87.5% line:5% size:2.5% ♪ 06:32.833 --> 06:34.300 align:left position:10% line:89% size:80% You like that? 06:34.300 --> 06:36.300 align:left position:65% line:89% size:25% I love it. 06:36.300 --> 06:38.566 align:left position:37.5% line:83% size:52.5% Knowing how you love Duke Ellington, 06:38.566 --> 06:41.200 align:left position:22.5% line:83% size:67.5% it has a "Creole Love Call" flavor. 06:41.200 --> 06:42.333 align:left position:10% line:89% size:80% Yes, it has. 06:42.333 --> 06:44.600 align:left position:50% line:83% size:40% Now I'll do one; let's see. 06:44.600 --> 06:52.833 align:left position:87.5% line:5% size:2.5% ♪ 06:52.833 --> 07:01.133 align:left position:87.5% line:5% size:2.5% ♪ 07:01.133 --> 07:09.366 align:left position:87.5% line:5% size:2.5% ♪ 07:09.366 --> 07:17.600 align:left position:87.5% line:5% size:2.5% ♪ 07:17.600 --> 07:25.766 align:left position:87.5% line:5% size:2.5% ♪ 07:25.766 --> 07:26.966 align:left position:10% line:89% size:80% That's lovely. 07:26.966 --> 07:28.966 align:left position:37.5% line:83% size:52.5% There's so many different harmonies. 07:28.966 --> 07:30.533 align:left position:10% line:89% size:80% I love it. 07:30.533 --> 07:32.066 align:left position:37.5% line:89% size:52.5% Nine thousand ways-- 07:32.066 --> 07:34.333 align:left position:10% line:83% size:80% But they're all akin, aren't they? 07:34.333 --> 07:37.333 align:left position:10% line:83% size:80% They always get back to the same point. 07:37.333 --> 07:38.833 align:left position:60% line:83% size:30% Oh, sure; it's funny. 07:38.833 --> 07:41.466 align:left position:35% line:83% size:55% I remember hearing Thelonius Monk do one 07:41.466 --> 07:43.166 align:left position:60% line:83% size:30% that went... let's see. 07:43.166 --> 07:48.566 align:left position:87.5% line:5% size:2.5% ♪ 07:48.566 --> 07:53.966 align:left position:87.5% line:5% size:2.5% ♪ 07:53.966 --> 07:55.333 align:left position:10% line:89% size:80% Yes, yes, yes! 07:55.333 --> 07:56.833 align:left position:60% line:83% size:30% It all comes back. 07:56.833 --> 07:58.700 align:left position:45% line:83% size:45% That's kind of a cliche. 07:58.700 --> 08:06.200 align:left position:87.5% line:5% size:2.5% ♪ 08:06.200 --> 08:13.633 align:left position:87.5% line:5% size:2.5% ♪ 08:13.633 --> 08:21.066 align:left position:87.5% line:5% size:2.5% ♪ 08:21.066 --> 08:28.433 align:left position:87.5% line:5% size:2.5% ♪ 08:28.433 --> 08:31.066 align:left position:10% line:83% size:80% It's kind of like "Mr. Freddie Blues." 08:31.066 --> 08:32.233 align:left position:70% line:89% size:20% Oh, yes! 08:32.233 --> 08:34.866 align:left position:10% line:83% size:80% I love the names for the blues. 08:34.866 --> 08:36.866 align:left position:10% line:83% size:80% There'll all marvelous, aren't they? 08:36.866 --> 08:38.366 align:left position:10% line:83% size:80% "Mr. Freddie Blues." 08:38.366 --> 08:39.866 align:left position:55% line:83% size:35% Yeah, that's great. 08:39.866 --> 08:41.366 align:left position:10% line:83% size:80% That's wonderful, isn't it? 08:41.366 --> 08:44.000 align:left position:32.5% line:83% size:57.5% I'm trying to think of some more. 08:44.000 --> 08:45.866 align:left position:10% line:83% size:80% And Duke's "Carnegie Blues." 08:45.866 --> 08:50.400 align:left position:87.5% line:5% size:2.5% ♪ 08:50.400 --> 08:52.400 align:left position:87.5% line:5% size:2.5% ♪ Oh, yeah! 08:52.400 --> 09:00.366 align:left position:87.5% line:5% size:2.5% ♪ 09:00.366 --> 09:08.266 align:left position:87.5% line:5% size:2.5% ♪ 09:08.266 --> 09:16.166 align:left position:87.5% line:5% size:2.5% ♪ 09:16.166 --> 09:24.066 align:left position:87.5% line:5% size:2.5% ♪ 09:24.066 --> 09:25.566 align:left position:10% line:83% size:80% Then the solos begin. 09:25.566 --> 09:28.566 align:left position:30% line:83% size:60% I wonder if that's where Dave Brubeck got... 09:28.566 --> 09:30.566 align:left position:87.5% line:5% size:2.5% ♪ 09:30.566 --> 09:33.400 align:left position:12.5% line:83% size:77.5% Oh, I love that... called "The Duke." 09:33.400 --> 09:34.566 align:left position:10% line:89% size:80% Yes. 09:34.566 --> 09:37.200 align:left position:25% line:83% size:65% That's such a great thing with the... 09:37.200 --> 09:39.500 align:left position:87.5% line:5% size:2.5% ♪ 09:39.500 --> 09:41.500 align:left position:47.5% line:89% size:42.5% I just love that. 09:41.500 --> 09:43.500 align:left position:87.5% line:5% size:2.5% ♪ 09:43.500 --> 09:45.500 align:left position:10% line:89% size:80% That's Dave. 09:45.500 --> 09:48.500 align:left position:87.5% line:5% size:2.5% ♪ 09:48.500 --> 09:49.666 align:left position:10% line:89% size:80% That's marvelous. 09:49.666 --> 09:51.933 align:left position:40% line:83% size:50% Isn't that a well put-together piece? 09:51.933 --> 09:53.100 align:left position:10% line:89% size:80% It's beautiful. 09:53.100 --> 09:55.733 align:left position:37.5% line:83% size:52.5% It's got a bass line and everything. 09:55.733 --> 10:03.866 align:left position:87.5% line:5% size:2.5% ♪ 10:03.866 --> 10:12.000 align:left position:87.5% line:5% size:2.5% ♪ 10:12.000 --> 10:20.133 align:left position:87.5% line:5% size:2.5% ♪ 10:20.133 --> 10:28.200 align:left position:87.5% line:5% size:2.5% ♪ 10:28.200 --> 10:30.466 align:left position:10% line:83% size:80% And on and on and on. 10:30.466 --> 10:33.100 align:left position:40% line:83% size:50% How about you doing a piano solo? 10:33.100 --> 10:34.433 align:left position:10% line:89% size:80% All right. 10:34.433 --> 10:38.466 align:left position:10% line:83% size:80% You know, there was once a very elaborate popular song 10:38.466 --> 10:41.466 align:left position:10% line:83% size:80% in France calle "Couches Dans Le Foin," 10:41.466 --> 10:44.100 align:left position:10% line:83% size:80% and it was a very long song 10:44.100 --> 10:47.100 align:left position:10% line:83% size:80% that all the French singers used to sing. 10:47.100 --> 10:48.266 align:left position:65% line:83% size:25% "Sleeping  in the--" 10:48.266 --> 10:50.533 align:left position:10% line:83% size:80% And it came over here, reduced, 10:50.533 --> 10:52.533 align:left position:10% line:83% size:80% as "Lying In The Hay." 10:52.533 --> 10:54.800 align:left position:10% line:83% size:80% You want to hear that? 10:54.800 --> 10:56.600 align:left position:60% line:83% size:30% I love  that tune! 10:56.600 --> 10:58.366 align:left position:57.5% line:83% size:32.5% Who  wrote that? 10:58.366 --> 11:00.366 align:left position:10% line:83% size:80% A French lady wrote it, 11:00.366 --> 11:03.433 align:left position:10% line:83% size:80% and it was very funny because a duet, 11:03.433 --> 11:06.500 align:left position:10% line:83% size:80% very, very popular in France, recorded it. 11:06.500 --> 11:10.533 align:left position:10% line:83% size:80% Their names were so funny  like Pills and... 11:10.533 --> 11:16.833 align:left position:10% line:83% size:80% Clark and Tilson, and they became... 11:16.833 --> 11:20.533 align:left position:12.5% line:83% size:77.5% Park and Tilson became Pills and Tarson or something. 11:20.533 --> 11:22.466 align:left position:10% line:89% size:80% But here it is. 11:22.466 --> 11:32.266 align:left position:87.5% line:5% size:2.5% ♪ ["Lying In The Hay"] 11:32.266 --> 11:42.066 align:left position:87.5% line:5% size:2.5% ♪ 11:42.066 --> 11:51.866 align:left position:87.5% line:5% size:2.5% ♪ 11:51.866 --> 12:01.733 align:left position:87.5% line:5% size:2.5% ♪ 12:01.733 --> 12:11.533 align:left position:87.5% line:5% size:2.5% ♪ 12:11.533 --> 12:21.333 align:left position:87.5% line:5% size:2.5% ♪ 12:21.333 --> 12:31.066 align:left position:87.5% line:5% size:2.5% ♪ 12:31.066 --> 12:40.866 align:left position:87.5% line:5% size:2.5% ♪ 12:40.866 --> 12:50.666 align:left position:87.5% line:5% size:2.5% ♪ 12:50.666 --> 13:00.533 align:left position:87.5% line:5% size:2.5% ♪ 13:00.533 --> 13:10.500 align:left position:87.5% line:5% size:2.5% ♪ 13:10.500 --> 13:20.133 align:left position:87.5% line:5% size:2.5% ♪ 13:20.133 --> 13:29.866 align:left position:87.5% line:5% size:2.5% ♪ 13:29.866 --> 13:39.666 align:left position:87.5% line:5% size:2.5% ♪ 13:39.666 --> 13:41.666 align:left position:10% line:83% size:80% Very bluesy, isn't it? 13:41.666 --> 13:43.666 align:left position:70% line:83% size:20% See, it is. 13:43.666 --> 13:47.033 align:left position:32.5% line:83% size:57.5% I would've been sure it was from some show. 13:47.033 --> 13:49.666 align:left position:35% line:83% size:55% That's a tune I learned in England. 13:49.666 --> 13:51.933 align:left position:10% line:83% size:80% You probably knew the entire version. 13:51.933 --> 13:54.933 align:left position:10% line:83% size:80% My friend Jean Sablon sang that in Paris. 13:54.933 --> 13:58.666 align:left position:10% line:83% size:80% He said that there are parts we didn't get here. 13:58.666 --> 13:59.666 align:left position:62.5% line:89% size:27.5% Oh, really? 13:59.666 --> 14:00.666 align:left position:10% line:89% size:80% Yes. 14:00.666 --> 14:03.000 align:left position:37.5% line:83% size:52.5% That's the only part I remember, 14:03.000 --> 14:05.633 align:left position:52.5% line:83% size:37.5% and I thought I was very hip 14:05.633 --> 14:07.133 align:left position:60% line:83% size:30% playing this bass line. 14:07.133 --> 14:08.466 align:left position:10% line:89% size:80% It's wonderful. 14:08.466 --> 14:10.133 align:left position:87.5% line:5% size:2.5% ♪ 14:10.133 --> 14:12.800 align:left position:10% line:83% size:80% ♪ Da, dee-da, dee-dum... ♪ 14:12.800 --> 14:16.533 align:left position:10% line:83% size:80% ♪ lying in the hay on a summer day. ♪♪ 14:16.533 --> 14:18.266 align:left position:87.5% line:5% size:2.5% ♪ 14:18.266 --> 14:21.266 align:left position:10% line:83% size:80% It's a marvelous song.. "Couches Dans Le Foin." 14:21.266 --> 14:23.466 align:left position:52.5% line:83% size:37.5% Do you sing it in French? 14:23.466 --> 14:24.966 align:left position:10% line:89% size:80% I wish I did. 14:24.966 --> 14:26.833 align:left position:45% line:83% size:45% It's probably got great lyrics. 14:26.833 --> 14:28.100 align:left position:10% line:89% size:80% Yes. 14:28.100 --> 14:30.366 align:left position:60% line:83% size:30% Do you ever do that song 14:30.366 --> 14:33.733 align:left position:32.5% line:83% size:57.5% that you sang when you were ten, "Hot Lips"? 14:33.733 --> 14:35.233 align:left position:10% line:89% size:80% Oh! 14:35.233 --> 14:37.533 align:left position:10% line:83% size:80% That is a terrible story. 14:37.533 --> 14:40.266 align:left position:10% line:83% size:80% I was standing in this theater, 14:40.266 --> 14:42.266 align:left position:10% line:83% size:80% and suddenly Cab Calloway said 14:42.266 --> 14:45.333 align:left position:10% line:83% size:80% that I was in the wings  and he said, 14:45.333 --> 14:48.333 align:left position:10% line:83% size:80% "Get him out here to play and sing." 14:48.333 --> 14:50.200 align:left position:10% line:83% size:80% I didn't even sing. 14:50.200 --> 14:52.833 align:left position:10% line:83% size:80% I just played it, scared to death. 14:52.833 --> 14:54.333 align:left position:52.5% line:89% size:37.5% How does it go? 14:54.333 --> 14:55.833 align:left position:10% line:83% size:80% I wa  about eight. 14:55.833 --> 14:57.000 align:left position:67.5% line:89% size:22.5% Oh, yeah? 14:57.000 --> 14:58.500 align:left position:52.5% line:89% size:37.5% How does it go? 14:58.500 --> 15:03.900 align:left position:87.5% line:5% size:2.5% ♪ ["Hot Lips"] 15:03.900 --> 15:09.233 align:left position:87.5% line:5% size:2.5% ♪ 15:09.233 --> 15:11.233 align:left position:87.5% line:5% size:2.5% ♪ Hot lips! 15:11.233 --> 15:17.966 align:left position:87.5% line:5% size:2.5% ♪ 15:17.966 --> 15:20.733 align:left position:87.5% line:5% size:2.5% ♪ [laughing] 15:20.733 --> 15:27.766 align:left position:87.5% line:5% size:2.5% ♪ 15:27.766 --> 15:34.866 align:left position:87.5% line:5% size:2.5% ♪ 15:34.866 --> 15:37.133 align:left position:10% line:83% size:80% It was Henry Busse's theme song. 15:37.133 --> 15:38.300 align:left position:52.5% line:89% size:37.5% That's the one! 15:38.300 --> 15:40.166 align:left position:10% line:83% size:80% He played the muted trumpet. 15:40.166 --> 15:42.033 align:left position:60% line:83% size:30% With kind of a shake. 15:42.033 --> 15:44.666 align:left position:10% line:83% size:80% ♪ I've got hot lips, duh, duh-duh, duh. ♪♪ 15:44.666 --> 15:46.666 align:left position:10% line:83% size:80% It was a hot number. 15:46.666 --> 15:48.933 align:left position:55% line:83% size:35% We can do a hot number. 15:48.933 --> 15:50.566 align:left position:10% line:89% size:80% Of course. 15:50.566 --> 15:53.200 align:left position:35% line:83% size:55% My fingers can't keep off the keyboard 15:53.200 --> 15:54.733 align:left position:37.5% line:89% size:52.5% when you're playing. 15:54.733 --> 15:57.000 align:left position:10% line:83% size:80% What dost thou wish to play? 15:57.000 --> 16:00.000 align:left position:45% line:83% size:45% I dost--I think an Ellington tune 16:00.000 --> 16:01.566 align:left position:55% line:89% size:35% would be nice. 16:01.566 --> 16:02.733 align:left position:10% line:89% size:80% Oh! 16:02.733 --> 16:04.733 align:left position:40% line:83% size:50% Since we're talking about him. 16:04.733 --> 16:07.366 align:left position:10% line:83% size:80% Should we play "In A Mellow Tone"? 16:07.366 --> 16:09.366 align:left position:60% line:83% size:30% I love the melody. 16:09.366 --> 16:11.366 align:left position:10% line:83% size:80% I'll give you Duke's introduction. 16:11.366 --> 16:14.000 align:left position:47.5% line:83% size:42.5% He took that tune from "Rose Room." 16:14.000 --> 16:15.166 align:left position:10% line:89% size:80% Absolutely. 16:15.166 --> 16:16.500 align:left position:60% line:89% size:30% He's crafty. 16:16.500 --> 16:18.500 align:left position:10% line:83% size:80% We'll try to interpolate that. 16:18.500 --> 16:19.833 align:left position:65% line:89% size:25% All right. 16:19.833 --> 16:28.933 align:left position:87.5% line:5% size:2.5% ♪ ["In A Mellow Tone"] 16:28.933 --> 16:38.100 align:left position:87.5% line:5% size:2.5% ♪ 16:38.100 --> 16:47.266 align:left position:87.5% line:5% size:2.5% ♪ 16:47.266 --> 16:56.433 align:left position:87.5% line:5% size:2.5% ♪ 16:56.433 --> 17:05.666 align:left position:87.5% line:5% size:2.5% ♪ 17:05.666 --> 17:14.833 align:left position:87.5% line:5% size:2.5% ♪ 17:14.833 --> 17:23.933 align:left position:87.5% line:5% size:2.5% ♪ 17:23.933 --> 17:33.100 align:left position:87.5% line:5% size:2.5% ♪ 17:33.100 --> 17:42.266 align:left position:87.5% line:5% size:2.5% ♪ 17:42.266 --> 17:51.433 align:left position:87.5% line:5% size:2.5% ♪ 17:51.433 --> 18:00.666 align:left position:87.5% line:5% size:2.5% ♪ 18:00.666 --> 18:09.833 align:left position:87.5% line:5% size:2.5% ♪ 18:09.833 --> 18:19.000 align:left position:87.5% line:5% size:2.5% ♪ 18:19.000 --> 18:28.100 align:left position:87.5% line:5% size:2.5% ♪ 18:28.100 --> 18:37.266 align:left position:87.5% line:5% size:2.5% ♪ 18:37.266 --> 18:46.433 align:left position:87.5% line:5% size:2.5% ♪ 18:46.433 --> 18:55.600 align:left position:87.5% line:5% size:2.5% ♪ 18:55.600 --> 19:04.833 align:left position:87.5% line:5% size:2.5% ♪ 19:04.833 --> 19:14.000 align:left position:87.5% line:5% size:2.5% ♪ 19:14.000 --> 19:23.166 align:left position:87.5% line:5% size:2.5% ♪ 19:23.166 --> 19:32.333 align:left position:87.5% line:5% size:2.5% ♪ 19:32.333 --> 19:41.533 align:left position:87.5% line:5% size:2.5% ♪ 19:43.633 --> 19:45.633 align:left position:60% line:83% size:30% Just the way we intended. 19:45.633 --> 19:46.800 align:left position:10% line:89% size:80% Perfecto! 19:46.800 --> 19:47.966 align:left position:65% line:89% size:25% Wasn't it? 19:47.966 --> 19:49.133 align:left position:10% line:83% size:80% It was marvelous! 19:49.133 --> 19:51.000 align:left position:50% line:83% size:40% We should be recording this. 19:51.000 --> 19:52.500 align:left position:10% line:83% size:80% We are, aren't we? 19:52.500 --> 19:55.133 align:left position:30% line:83% size:60% I mean on direct-to-disc or something exciting. 19:55.133 --> 19:57.133 align:left position:10% line:89% size:80% We'll arrange that. 19:57.133 --> 19:59.400 align:left position:50% line:83% size:40% Yes, I think we're going to. 19:59.400 --> 20:02.400 align:left position:35% line:83% size:55% I was thinking, watching you playing, 20:02.400 --> 20:05.766 align:left position:32.5% line:83% size:57.5% one of the reasons you must be so popular 20:05.766 --> 20:07.766 align:left position:52.5% line:83% size:37.5% at The Carlyle or everywhere 20:07.766 --> 20:10.033 align:left position:50% line:83% size:40% is the way you come across 20:10.033 --> 20:12.300 align:left position:30% line:83% size:60% just liking doing what you're doing, 20:12.300 --> 20:15.666 align:left position:40% line:83% size:50% and you just have a way of showing it 20:15.666 --> 20:17.566 align:left position:42.5% line:89% size:47.5% that's just lovely. 20:17.566 --> 20:19.300 align:left position:47.5% line:89% size:42.5% What's really... 20:19.300 --> 20:22.200 align:left position:45% line:83% size:45% your best kind of communication? 20:22.200 --> 20:24.833 align:left position:40% line:83% size:50% In The Carlyle or at other places? 20:24.833 --> 20:28.133 align:left position:10% line:83% size:80% Nothing can beat being in a room 20:28.133 --> 20:30.766 align:left position:10% line:83% size:80% with people sitting very close around you. 20:30.766 --> 20:33.300 align:left position:37.5% line:83% size:52.5% Do you get an invisible thread? 20:33.300 --> 20:34.800 align:left position:10% line:89% size:80% It's a wonderful osmosis-- 20:34.800 --> 20:37.433 align:left position:10% line:83% size:80% they go right along with your thoughts-- 20:37.433 --> 20:39.300 align:left position:10% line:83% size:80% but on the other hand, 20:39.300 --> 20:41.933 align:left position:10% line:83% size:80% there's something special about a concert stage 20:41.933 --> 20:44.566 align:left position:10% line:83% size:80% with an audience in front of you, 20:44.566 --> 20:48.666 align:left position:12.5% line:83% size:77.5% and best of all is having a symphony orchestra around you. 20:48.666 --> 20:50.333 align:left position:10% line:83% size:80% That's a special feeling. 20:50.333 --> 20:53.333 align:left position:32.5% line:83% size:57.5% You started that in the last few years. 20:53.333 --> 20:55.600 align:left position:10% line:83% size:80% In 197  with the Boston Pops. 20:55.600 --> 20:57.600 align:left position:62.5% line:83% size:27.5% What a way to start! 20:57.600 --> 20:59.600 align:left position:10% line:83% size:80% Now we play  in Boston-- 20:59.600 --> 21:02.366 align:left position:10% line:83% size:80% in Buffalo with the Philharmonic, 21:02.366 --> 21:05.000 align:left position:10% line:83% size:80% and we've been all over the country. 21:05.000 --> 21:07.266 align:left position:10% line:83% size:80% We're going to be in Florida 21:07.266 --> 21:10.266 align:left position:10% line:83% size:80% with Skitch Henderson and the New York Pops. 21:10.266 --> 21:12.900 align:left position:10% line:83% size:80% We've been with the North Carolina Symphony 21:12.900 --> 21:15.766 align:left position:10% line:83% size:80% in Raleigh. 21:15.766 --> 21:18.766 align:left position:35% line:83% size:55% I've done those, and it's so much fun. 21:18.766 --> 21:20.266 align:left position:10% line:83% size:80% Playing jazz  of course. 21:20.266 --> 21:21.700 align:left position:77.5% line:89% size:12.5% Sure. 21:21.700 --> 21:23.566 align:left position:42.5% line:83% size:47.5% You're playing a Gershwin melody, 21:23.566 --> 21:25.833 align:left position:50% line:83% size:40% and you hear all the fiddles. 21:25.833 --> 21:27.700 align:left position:10% line:83% size:80% You fee  like playing then. 21:27.700 --> 21:29.933 align:left position:45% line:83% size:45% It's like no other feeling. 21:29.933 --> 21:32.933 align:left position:12.5% line:83% size:77.5% Errol Garner said that after a symphony concert, 21:32.933 --> 21:36.666 align:left position:10% line:83% size:80% he goes back to playing the piano by himself, 21:36.666 --> 21:40.033 align:left position:10% line:83% size:80% it's like going to the kitchen from the parlor. 21:40.033 --> 21:42.366 align:left position:10% line:83% size:80% I understand that so well. 21:42.366 --> 21:44.633 align:left position:30% line:83% size:60% Speaking about playing something by themselves, 21:44.633 --> 21:47.633 align:left position:42.5% line:83% size:47.5% could you stand to hear me do one? 21:47.633 --> 21:49.133 align:left position:10% line:83% size:80% I woul  love that. 21:49.133 --> 21:50.633 align:left position:55% line:83% size:35% I need the exercise. 21:50.633 --> 21:52.500 align:left position:10% line:83% size:80% I shall watch every movement. 21:52.500 --> 21:55.866 align:left position:10% line:83% size:80% This one's called "The Things We Did Last Summer." 21:55.866 --> 21:57.066 align:left position:10% line:83% size:80% Wonderful. 21:58.600 --> 22:08.233 align:left position:87.5% line:5% size:2.5% ♪ ["The Things  We Did Last Summer"] 22:08.233 --> 22:17.800 align:left position:87.5% line:5% size:2.5% ♪ 22:17.800 --> 22:27.300 align:left position:87.5% line:5% size:2.5% ♪ 22:27.300 --> 22:36.866 align:left position:87.5% line:5% size:2.5% ♪ 22:36.866 --> 22:46.433 align:left position:87.5% line:5% size:2.5% ♪ 22:46.433 --> 22:56.000 align:left position:87.5% line:5% size:2.5% ♪ 22:56.000 --> 23:05.633 align:left position:87.5% line:5% size:2.5% ♪ 23:05.633 --> 23:15.200 align:left position:87.5% line:5% size:2.5% ♪ 23:15.200 --> 23:24.700 align:left position:87.5% line:5% size:2.5% ♪ 23:24.700 --> 23:34.266 align:left position:87.5% line:5% size:2.5% ♪ 23:34.266 --> 23:43.833 align:left position:87.5% line:5% size:2.5% ♪ 23:43.833 --> 23:53.400 align:left position:87.5% line:5% size:2.5% ♪ 23:53.400 --> 24:03.033 align:left position:87.5% line:5% size:2.5% ♪ 24:03.033 --> 24:12.600 align:left position:87.5% line:5% size:2.5% ♪ 24:12.600 --> 24:22.100 align:left position:87.5% line:5% size:2.5% ♪ 24:22.100 --> 24:31.666 align:left position:87.5% line:5% size:2.5% ♪ 24:31.666 --> 24:41.233 align:left position:87.5% line:5% size:2.5% ♪ 24:41.233 --> 24:50.800 align:left position:87.5% line:5% size:2.5% ♪ 24:50.800 --> 25:00.433 align:left position:87.5% line:5% size:2.5% ♪ 25:00.433 --> 25:10.000 align:left position:87.5% line:5% size:2.5% ♪ 25:10.000 --> 25:19.566 align:left position:87.5% line:5% size:2.5% ♪ 25:19.566 --> 25:29.066 align:left position:87.5% line:5% size:2.5% ♪ 25:29.066 --> 25:38.633 align:left position:87.5% line:5% size:2.5% ♪ 25:38.633 --> 25:40.166 align:left position:10% line:89% size:80% [clapping softly] 25:40.166 --> 25:41.300 align:left position:10% line:89% size:80% Lovely song. 25:41.300 --> 25:42.800 align:left position:65% line:89% size:25% Thank you. 25:42.800 --> 25:45.700 align:left position:40% line:83% size:50% It's one of my all-time favorites. 25:45.700 --> 25:47.966 align:left position:10% line:83% size:80% You're an old sentimentalist. 25:47.966 --> 25:50.233 align:left position:40% line:83% size:50% I am; romantic as can be. 25:50.233 --> 25:51.333 align:left position:57.5% line:83% size:32.5% It's  ridiculous! 25:51.333 --> 25:53.966 align:left position:32.5% line:83% size:57.5% You know  what I'd love to try? 25:53.966 --> 25:55.966 align:left position:60% line:83% size:30% Can I play a song? 25:55.966 --> 25:58.600 align:left position:37.5% line:83% size:52.5% You talk about being a stand-up singer. 25:58.600 --> 26:00.933 align:left position:42.5% line:83% size:47.5% Will you be a sit-down singer? 26:00.933 --> 26:02.300 align:left position:10% line:89% size:80% Sure! 26:02.300 --> 26:04.333 align:left position:10% line:83% size:80% I'd like that very much! 26:04.333 --> 26:06.600 align:left position:47.5% line:83% size:42.5% We had something  picked out here. 26:06.600 --> 26:08.600 align:left position:10% line:83% size:80% A Rodgers and Hart tune 26:08.600 --> 26:12.000 align:left position:10% line:83% size:80% that your Jessie Matthews sang in 1930. 26:12.000 --> 26:15.466 align:left position:30% line:83% size:60% I remember that so well, going to the... 26:15.466 --> 26:18.500 align:left position:42.5% line:83% size:47.5% going to see her in the movies too. 26:18.500 --> 26:20.500 align:left position:10% line:83% size:80% She was wonderful, wasn't she? 26:20.500 --> 26:23.433 align:left position:32.5% line:83% size:57.5% She really was; that was a great show. 26:23.433 --> 26:26.266 align:left position:42.5% line:83% size:47.5% I've got to get this right. 26:26.266 --> 26:27.433 align:left position:67.5% line:89% size:22.5% Key of F? 26:27.433 --> 26:28.600 align:left position:10% line:89% size:80% Key of G. 26:28.600 --> 26:30.866 align:left position:55% line:83% size:35% Key of G; not too fast. 26:30.866 --> 26:32.100 align:left position:10% line:89% size:80% Not too fast. 26:32.100 --> 26:33.600 align:left position:52.5% line:89% size:37.5% Shall I set it? 26:33.600 --> 26:35.366 align:left position:10% line:83% size:80% Yes, you set it. 26:35.366 --> 26:43.866 align:left position:87.5% line:5% size:2.5% ♪ ["Dancing On The Ceiling"] 26:43.866 --> 26:52.366 align:left position:87.5% line:5% size:2.5% ♪ 26:52.366 --> 26:55.966 align:left position:10% line:89% size:80% ♪ She dances overhead ♪ 26:55.966 --> 27:00.566 align:left position:10% line:83% size:80% ♪ on the ceiling near my bed, ♪ 27:00.566 --> 27:04.333 align:left position:10% line:83% size:80% ♪ in my sight, ♪ 27:04.333 --> 27:08.333 align:left position:10% line:83% size:80% ♪ through the night. ♪ 27:08.333 --> 27:12.033 align:left position:10% line:83% size:80% ♪ I try to hide in vain ♪ 27:12.033 --> 27:16.500 align:left position:12.5% line:89% size:77.5% ♪ underneath my counterpane. ♪ 27:16.500 --> 27:20.566 align:left position:10% line:89% size:80% ♪ There's my love ♪ 27:20.566 --> 27:24.133 align:left position:10% line:89% size:80% ♪ up above. ♪ 27:24.133 --> 27:28.500 align:left position:10% line:83% size:80% ♪ I whisper, "Go away, my lover. ♪ 27:28.500 --> 27:31.900 align:left position:10% line:83% size:80% ♪ It's not fair." ♪ 27:31.900 --> 27:35.766 align:left position:10% line:83% size:80% ♪ But I'm so happy to discover ♪ 27:35.766 --> 27:39.900 align:left position:10% line:83% size:80% ♪ she's still there. ♪ 27:39.900 --> 27:43.633 align:left position:10% line:83% size:80% ♪ I like my ceiling more ♪ 27:43.633 --> 27:48.066 align:left position:10% line:83% size:80% ♪ since it is a dancing floor ♪ 27:48.066 --> 27:52.733 align:left position:10% line:83% size:80% ♪ just for my love. ♪ 27:52.733 --> 28:01.533 align:left position:87.5% line:5% size:2.5% ♪ 28:01.533 --> 28:09.733 align:left position:87.5% line:5% size:2.5% ♪ 28:09.733 --> 28:17.933 align:left position:87.5% line:5% size:2.5% ♪ 28:17.933 --> 28:26.066 align:left position:87.5% line:5% size:2.5% ♪ 28:26.066 --> 28:31.333 align:left position:10% line:83% size:80% ♪ I whisper, "Go away, my lover. ♪ 28:31.333 --> 28:33.866 align:left position:10% line:83% size:80% ♪ It's not fair." ♪ 28:33.866 --> 28:37.566 align:left position:10% line:83% size:80% ♪ But I'm so grateful to discover ♪ 28:37.566 --> 28:41.766 align:left position:10% line:83% size:80% ♪ she's still there. ♪ 28:41.766 --> 28:45.433 align:left position:10% line:83% size:80% ♪ I like my ceiling more ♪ 28:45.433 --> 28:49.666 align:left position:10% line:83% size:80% ♪ since it is a dancing floor ♪ 28:49.666 --> 28:56.400 align:left position:10% line:83% size:80% ♪ just for my love. ♪♪ 28:56.400 --> 29:00.466 align:left position:87.5% line:5% size:2.5% ♪ 29:01.433 --> 29:05.166 align:left position:10% line:83% size:80% In the movie, they turned the whole thing upside down 29:05.166 --> 29:07.433 align:left position:10% line:83% size:80% and danced on the ceiling literally! 29:07.433 --> 29:08.566 align:left position:10% line:83% size:80% I liked that. 29:08.566 --> 29:10.433 align:left position:50% line:83% size:40% That was  a nice effect. 29:10.433 --> 29:13.800 align:left position:32.5% line:83% size:57.5% Years ago did you ever go to those parties 29:13.800 --> 29:16.000 align:left position:32.5% line:89% size:57.5% at Sherman Fairchild's? 29:16.000 --> 29:17.633 align:left position:10% line:89% size:80% No, I wasn't-- 29:17.633 --> 29:20.633 align:left position:10% line:83% size:80% Two-piano parties...  maybe you weren't in New York. 29:20.633 --> 29:22.500 align:left position:10% line:83% size:80% I don't think I'd arrived. 29:22.500 --> 29:24.766 align:left position:45% line:83% size:45% I was thinking about that today, 29:24.766 --> 29:27.033 align:left position:40% line:83% size:50% all the pianists who would assemble: 29:27.033 --> 29:30.033 align:left position:15% line:83% size:75% Joe Bushkin, Hoagy Carmichael, Cy Coleman. 29:30.033 --> 29:31.933 align:left position:10% line:89% size:80% Before my time. 29:31.933 --> 29:37.566 align:left position:20% line:83% size:70% Well, I thought it might be that you were... 29:37.566 --> 29:41.100 align:left position:15% line:83% size:75% very young, but when you were very young, 29:41.100 --> 29:42.933 align:left position:47.5% line:83% size:42.5% you were  somewhere else. 29:42.933 --> 29:44.500 align:left position:10% line:83% size:80% Yes, probably in California... 29:44.500 --> 29:47.866 align:left position:10% line:83% size:80% hearing about all the good times I was missing. 29:47.866 --> 29:50.500 align:left position:32.5% line:83% size:57.5% You were probably at the Hague? 29:50.500 --> 29:53.733 align:left position:10% line:83% size:80% Probably the Hague or the Café Gala; 29:53.733 --> 29:57.100 align:left position:12.5% line:83% size:77.5% one of those places, you know, singing show tunes. 29:57.100 --> 29:59.100 align:left position:50% line:83% size:40% It's funny because I think 29:59.100 --> 30:03.100 align:left position:17.5% line:83% size:72.5% you would have made a great contribution to those parties, 30:03.100 --> 30:07.633 align:left position:30% line:83% size:60% and I think that's one of the first places 30:07.633 --> 30:11.833 align:left position:40% line:83% size:50% I got to like playing two pianos. 30:11.833 --> 30:14.833 align:left position:25% line:83% size:65% Actually you had to play at those parties. 30:14.833 --> 30:16.833 align:left position:37.5% line:83% size:52.5% Everybody was invited to play, 30:16.833 --> 30:19.833 align:left position:42.5% line:83% size:47.5% and the first time I ever did this 30:19.833 --> 30:21.766 align:left position:27.5% line:89% size:62.5% was on "Piano Playhouse," 30:21.766 --> 30:24.400 align:left position:37.5% line:83% size:52.5% and Sherman Fairchild was at the broadcast. 30:24.400 --> 30:25.933 align:left position:10% line:83% size:80% Was Cy Walter there? 30:25.933 --> 30:27.933 align:left position:42.5% line:83% size:47.5% Cy Walter  and Stan Freeman. 30:27.933 --> 30:30.933 align:left position:10% line:83% size:80% What a wonderful pianist; what a great show! 30:30.933 --> 30:32.966 align:left position:72.5% line:89% size:17.5% It was! 30:32.966 --> 30:36.700 align:left position:32.5% line:83% size:57.5% I was scared to death, but I did the show. 30:36.700 --> 30:39.700 align:left position:40% line:83% size:50% So then we would go over to Sherman's. 30:39.700 --> 30:43.066 align:left position:25% line:83% size:65% Cy would be there, and Lee Wiley would sing. 30:43.066 --> 30:46.066 align:left position:30% line:83% size:60% But Sherman would come to the door saying, 30:46.066 --> 30:48.333 align:left position:45% line:83% size:45% "Joe Bushkin will go on first. 30:48.333 --> 30:49.833 align:left position:62.5% line:83% size:27.5% Then you're on second." 30:49.833 --> 30:51.200 align:left position:10% line:89% size:80% Really? 30:51.200 --> 30:54.200 align:left position:10% line:83% size:80% Like a real impresario at his own party. 30:54.200 --> 30:56.200 align:left position:10% line:83% size:80% That's interesting, isn't it? 30:56.200 --> 30:58.066 align:left position:50% line:83% size:40% Yeah, but it was fun. 30:58.066 --> 31:01.133 align:left position:25% line:83% size:65% I learned a lot about playing two pianos. 31:01.133 --> 31:03.400 align:left position:30% line:83% size:60% Sometimes Hoagy would get carried away. 31:03.400 --> 31:06.033 align:left position:40% line:83% size:50% He'd do "Stardust," and then he'd say, 31:06.033 --> 31:09.033 align:left position:37.5% line:83% size:52.5% "And then I wrote... and then I wrote..." 31:09.033 --> 31:10.533 align:left position:55% line:83% size:35% He'd just play forever. 31:10.533 --> 31:13.600 align:left position:35% line:89% size:55% [laughing] 31:13.600 --> 31:15.600 align:left position:50% line:83% size:40% Why don't we--  oh! 31:15.600 --> 31:17.866 align:left position:37.5% line:83% size:52.5% A lovely song  by Billy Strayhorn. 31:17.866 --> 31:20.366 align:left position:10% line:83% size:80% We'll play it together? 31:20.366 --> 31:22.300 align:left position:50% line:83% size:40% You're gonna play this alone. 31:22.300 --> 31:23.466 align:left position:10% line:89% size:80% Solo? 31:23.466 --> 31:24.633 align:left position:80% line:89% size:10% Yes. 31:24.633 --> 31:26.633 align:left position:50% line:83% size:40% I recorded this years ago. 31:26.633 --> 31:30.733 align:left position:20% line:83% size:70% Billy used to sit at the bar in the Hickory House. 31:30.733 --> 31:34.833 align:left position:15% line:83% size:75% I played it for him and said, "Is this all right?" 31:34.833 --> 31:37.466 align:left position:50% line:83% size:40% He was so encouraging. 31:37.466 --> 31:38.633 align:left position:10% line:83% size:80% He was wonderful. 31:38.633 --> 31:41.633 align:left position:10% line:83% size:80% I was playing  the wrong chord changes, but-- 31:41.633 --> 31:45.000 align:left position:10% line:83% size:80% A sweet, sweet person; I miss Billy a lot. 31:45.000 --> 31:47.633 align:left position:10% line:83% size:80% I wish he were around right now. 31:47.633 --> 31:49.900 align:left position:10% line:83% size:80% He'd be such a marvelous influence 31:49.900 --> 31:53.266 align:left position:10% line:83% size:80% to have on the music scene right through here. 31:53.266 --> 31:55.266 align:left position:10% line:83% size:80% Wouldn't it be nice? 31:55.266 --> 31:56.933 align:left position:60% line:83% size:30% It would be heaven. 31:56.933 --> 31:59.566 align:left position:45% line:83% size:45% We can do one of his songs. 31:59.566 --> 32:00.966 align:left position:10% line:89% size:80% I will gladly. 32:00.966 --> 32:02.133 align:left position:60% line:89% size:30% "After All"? 32:02.133 --> 32:03.300 align:left position:10% line:89% size:80% Lovely song. 32:03.300 --> 32:04.466 align:left position:77.5% line:89% size:12.5% Okay. 32:04.466 --> 32:14.200 align:left position:87.5% line:5% size:2.5% ♪ ["After All"] 32:14.200 --> 32:23.866 align:left position:87.5% line:5% size:2.5% ♪ 32:23.866 --> 32:33.600 align:left position:87.5% line:5% size:2.5% ♪ 32:33.600 --> 32:43.333 align:left position:87.5% line:5% size:2.5% ♪ 32:43.333 --> 32:53.066 align:left position:87.5% line:5% size:2.5% ♪ 32:53.066 --> 33:02.866 align:left position:87.5% line:5% size:2.5% ♪ 33:02.866 --> 33:12.600 align:left position:87.5% line:5% size:2.5% ♪ 33:12.600 --> 33:22.266 align:left position:87.5% line:5% size:2.5% ♪ 33:22.266 --> 33:32.000 align:left position:87.5% line:5% size:2.5% ♪ 33:32.000 --> 33:41.700 align:left position:87.5% line:5% size:2.5% ♪ 33:41.700 --> 33:51.400 align:left position:87.5% line:5% size:2.5% ♪ 33:51.400 --> 34:01.166 align:left position:87.5% line:5% size:2.5% ♪ 34:01.166 --> 34:10.866 align:left position:87.5% line:5% size:2.5% ♪ 34:10.866 --> 34:20.566 align:left position:87.5% line:5% size:2.5% ♪ 34:20.566 --> 34:30.200 align:left position:87.5% line:5% size:2.5% ♪ 34:30.200 --> 34:39.900 align:left position:87.5% line:5% size:2.5% ♪ 34:39.900 --> 34:41.233 align:left position:47.5% line:89% size:42.5% [clapping softly] 34:41.233 --> 34:42.400 align:left position:10% line:89% size:80% "After All." 34:42.400 --> 34:44.666 align:left position:32.5% line:83% size:57.5% How long since you played that? 34:44.666 --> 34:47.666 align:left position:12.5% line:83% size:77.5% It's been at least five or six years. 34:47.666 --> 34:49.666 align:left position:55% line:83% size:35% That's what's so amazing. 34:49.666 --> 34:53.400 align:left position:35% line:83% size:55% I think...well, I do, and I know you do, 34:53.400 --> 34:56.766 align:left position:12.5% line:83% size:77.5% have these songs in your head, and somebody says, 34:56.766 --> 34:59.400 align:left position:35% line:83% size:55% "Play so-and-so," and you just play it. 34:59.400 --> 35:01.733 align:left position:50% line:83% size:40% You don't have to rehearse it. 35:01.733 --> 35:04.000 align:left position:10% line:83% size:80% But you make quick recovery sometimes. 35:04.000 --> 35:08.100 align:left position:10% line:83% size:80% I almost got lost at the release the second time around, 35:08.100 --> 35:10.733 align:left position:10% line:83% size:80% but I snapped back and recovered myself. 35:10.733 --> 35:11.900 align:left position:57.5% line:89% size:32.5% On that tune? 35:11.900 --> 35:13.066 align:left position:10% line:89% size:80% Yes! 35:13.066 --> 35:15.333 align:left position:10% line:83% size:80% I covered it up too well. 35:15.333 --> 35:18.700 align:left position:25% line:83% size:65% The other day I was asked to play something. 35:18.700 --> 35:21.666 align:left position:40% line:83% size:50% I couldn't remember the bridge at all, 35:21.666 --> 35:25.733 align:left position:12.5% line:83% size:77.5% so I made up one, and it sounded perfectly nice. 35:25.733 --> 35:28.400 align:left position:20% line:83% size:70% The people in the audience  were quite hip. 35:28.400 --> 35:31.400 align:left position:25% line:83% size:65% They knew what the bridge should have been, 35:31.400 --> 35:33.666 align:left position:50% line:83% size:40% and they all kind of laughed. 35:33.666 --> 35:36.666 align:left position:25% line:83% size:65% I was asking for requests from the audience, 35:36.666 --> 35:40.600 align:left position:22.5% line:83% size:67.5% which is a hell of a thing to do anyway. 35:40.600 --> 35:43.533 align:left position:10% line:83% size:80% It certainly is taking a big chance! 35:43.533 --> 35:48.366 align:left position:30% line:83% size:60% You could get stuck with a tune like, uh... 35:48.366 --> 35:53.666 align:left position:87.5% line:5% size:2.5% ♪ ["Lambeth Waltz"] 35:53.666 --> 35:58.633 align:left position:87.5% line:5% size:2.5% ♪ 35:58.633 --> 35:59.800 align:left position:40% line:83% size:50% (both) Hey! 35:59.800 --> 36:03.233 align:left position:10% line:83% size:80% There's an old Duke Ellington recording of that song. 36:03.233 --> 36:04.733 align:left position:10% line:83% size:80% Did you know that? 36:04.733 --> 36:05.900 align:left position:80% line:89% size:10% No! 36:05.900 --> 36:07.533 align:left position:10% line:89% size:80% Speaking of bridges, 36:07.533 --> 36:10.900 align:left position:10% line:83% size:80% I was on the stage at the Majestic Theater 36:10.900 --> 36:13.166 align:left position:10% line:83% size:80% for the homage to Harold Arlen, 36:13.166 --> 36:15.800 align:left position:10% line:83% size:80% and they had five composers on stage. 36:15.800 --> 36:18.433 align:left position:10% line:83% size:80% Each one played his favorite Arlen song, 36:18.433 --> 36:21.066 align:left position:10% line:83% size:80% and John Green was playing 36:21.066 --> 36:23.633 align:left position:10% line:83% size:80% "The Devil and the Deep Blue Sea." 36:23.633 --> 36:26.266 align:left position:10% line:83% size:80% And, you know, that bridge changes keys 36:26.266 --> 36:28.266 align:left position:10% line:83% size:80% rather extravagantly. 36:28.266 --> 36:29.900 align:left position:70% line:89% size:20% Oh, yes. 36:29.900 --> 36:32.533 align:left position:10% line:83% size:80% I was off-stage, and I thought, 36:32.533 --> 36:34.800 align:left position:10% line:83% size:80% Come on, John... make those changes. 36:34.800 --> 36:38.900 align:left position:12.5% line:83% size:77.5% And in a flash, I thought, Wait just a minute, Short. 36:38.900 --> 36:42.633 align:left position:12.5% line:83% size:77.5% Mr. Green did write the bridge to "Body and Soul," 36:42.633 --> 36:45.533 align:left position:10% line:83% size:80% so we shouldn't worry. 36:45.533 --> 36:47.533 align:left position:10% line:83% size:80% He played it so well. 36:47.533 --> 36:48.700 align:left position:65% line:89% size:25% Let's see. 36:48.700 --> 36:50.733 align:left position:87.5% line:5% size:2.5% ♪ 36:50.733 --> 36:53.366 align:left position:87.5% line:5% size:2.5% ♪ I don't know what key it is. 36:53.366 --> 37:01.700 align:left position:87.5% line:5% size:2.5% ♪ ["Between The Devil  And The Deep Blue Sea"] 37:01.700 --> 37:09.966 align:left position:87.5% line:5% size:2.5% ♪ 37:09.966 --> 37:11.133 align:left position:60% line:89% size:30% I love that. 37:11.133 --> 37:12.300 align:left position:10% line:89% size:80% Good song. 37:12.300 --> 37:15.666 align:left position:22.5% line:83% size:67.5% Why do I think that's taken from something else? 37:15.666 --> 37:20.100 align:left position:87.5% line:5% size:2.5% ♪ 37:20.100 --> 37:22.033 align:left position:10% line:83% size:80% That's a lot of changes. 37:22.033 --> 37:23.533 align:left position:10% line:83% size:80% It really goes on. 37:23.533 --> 37:27.266 align:left position:10% line:83% size:80% I keep thinking that that is taken from another tune. 37:27.266 --> 37:29.100 align:left position:87.5% line:5% size:2.5% ♪ 37:29.100 --> 37:30.266 align:left position:62.5% line:89% size:27.5% Never mind. 37:30.266 --> 37:32.266 align:left position:10% line:83% size:80% There's an Arlen tune that... 37:32.266 --> 37:37.600 align:left position:87.5% line:5% size:2.5% ♪ 37:37.600 --> 37:40.600 align:left position:87.5% line:5% size:2.5% ♪ I don't know that one. 37:40.600 --> 37:43.433 align:left position:10% line:83% size:80% It was in "A Star Is Born." 37:43.433 --> 37:46.433 align:left position:30% line:83% size:60% Do you know one called "Buds Won't Bud"? 37:46.433 --> 37:48.933 align:left position:87.5% line:5% size:2.5% ♪ 37:48.933 --> 37:50.933 align:left position:62.5% line:83% size:27.5% You would know that! 37:50.933 --> 37:53.433 align:left position:10% line:89% size:80% That one? 37:53.433 --> 37:55.433 align:left position:65% line:89% size:25% Let's see. 37:55.433 --> 37:57.033 align:left position:52.5% line:89% size:37.5% Then it goes... 37:57.033 --> 38:06.333 align:left position:87.5% line:5% size:2.5% ♪ ["Buds Won't Bud"] 38:06.333 --> 38:15.566 align:left position:87.5% line:5% size:2.5% ♪ 38:15.566 --> 38:16.733 align:left position:10% line:89% size:80% You know that? 38:16.733 --> 38:17.900 align:left position:80% line:89% size:10% No. 38:17.900 --> 38:26.233 align:left position:87.5% line:5% size:2.5% ♪ 38:26.233 --> 38:34.633 align:left position:87.5% line:5% size:2.5% ♪ 38:34.633 --> 38:43.033 align:left position:87.5% line:5% size:2.5% ♪ 38:43.033 --> 38:45.100 align:left position:87.5% line:5% size:2.5% ♪ I'm getting lost. 38:45.100 --> 38:50.100 align:left position:87.5% line:5% size:2.5% ♪ 38:50.100 --> 38:51.266 align:left position:10% line:89% size:80% That's it. 38:51.266 --> 38:52.433 align:left position:52.5% line:89% size:37.5% You're amazing! 38:52.433 --> 38:53.600 align:left position:10% line:89% size:80% No, I'm not. 38:53.600 --> 38:56.966 align:left position:32.5% line:83% size:57.5% I always had in the back of my mind 38:56.966 --> 39:01.533 align:left position:10% line:83% size:80% that I wanted to hear the whole thing sung and played, 39:01.533 --> 39:04.533 align:left position:35% line:83% size:55% and people look at me like I'm crazy. 39:04.533 --> 39:06.800 align:left position:10% line:83% size:80% Well, the words are so defeating. 39:06.800 --> 39:10.166 align:left position:10% line:83% size:80% I can never quite get all the rhymes together. 39:10.166 --> 39:13.533 align:left position:10% line:83% size:80% E.Y. Harburg lyrics, and he could be very tricky. 39:13.533 --> 39:17.266 align:left position:22.5% line:83% size:67.5% "Buds won't bud unless you say you love me, baby." 39:17.266 --> 39:18.500 align:left position:10% line:83% size:80% Yes, that's right. 39:18.500 --> 39:21.500 align:left position:12.5% line:83% size:77.5% "The one you love won't love back." 39:21.500 --> 39:23.000 align:left position:10% line:89% size:80% ♪ Buds won't bud. ♪ 39:23.000 --> 39:24.333 align:left position:47.5% line:89% size:42.5% All those songs-- 39:24.333 --> 39:26.066 align:left position:10% line:89% size:80% "Knicks won't knack." 39:26.066 --> 39:28.066 align:left position:35% line:89% size:55% [laughing] 39:28.066 --> 39:29.400 align:left position:65% line:89% size:25% What else? 39:29.400 --> 39:31.300 align:left position:10% line:83% size:80% He went on and on. 39:31.300 --> 39:34.033 align:left position:10% line:83% size:80% ♪ Duh-duh, duh-duh, dee-dah, dee. ♪ 39:34.033 --> 39:36.233 align:left position:10% line:83% size:80% ♪ Duh-duh, duh is IOU. ♪ 39:36.233 --> 39:38.500 align:left position:10% line:83% size:80% ♪ Duh-duh, duh, duh-duh, duh. ♪♪ 39:38.500 --> 39:40.500 align:left position:10% line:83% size:80% It's a crazy song! 39:40.500 --> 39:43.133 align:left position:50% line:83% size:40% Next time I come in The Carlyle, 39:43.133 --> 39:45.000 align:left position:55% line:83% size:35% I'm gonna ask for that. 39:45.000 --> 39:48.366 align:left position:10% line:83% size:80% Oh, please do; I'll flash you a big smile. 39:48.366 --> 39:51.733 align:left position:35% line:83% size:55% The back of your hand is what I'll get. 39:51.733 --> 39:53.233 align:left position:55% line:83% size:35% Let's do another duet. 39:53.233 --> 39:54.733 align:left position:10% line:89% size:80% Oh, all right. 39:54.733 --> 39:56.733 align:left position:50% line:83% size:40% Just one of them things. 39:56.733 --> 39:57.733 align:left position:10% line:89% size:80% Fine. 39:57.733 --> 40:00.000 align:left position:87.5% line:5% size:2.5% ♪ Just one of them things, ducks. 40:00.000 --> 40:04.666 align:left position:87.5% line:5% size:2.5% ♪ ["Just One of Those Things"] 40:04.666 --> 40:14.533 align:left position:87.5% line:5% size:2.5% ♪ 40:14.533 --> 40:24.333 align:left position:87.5% line:5% size:2.5% ♪ 40:24.333 --> 40:34.200 align:left position:87.5% line:5% size:2.5% ♪ 40:34.200 --> 40:44.066 align:left position:87.5% line:5% size:2.5% ♪ 40:44.066 --> 40:53.933 align:left position:87.5% line:5% size:2.5% ♪ 40:53.933 --> 41:03.866 align:left position:87.5% line:5% size:2.5% ♪ 41:03.866 --> 41:13.733 align:left position:87.5% line:5% size:2.5% ♪ 41:13.733 --> 41:23.533 align:left position:87.5% line:5% size:2.5% ♪ 41:23.533 --> 41:33.400 align:left position:87.5% line:5% size:2.5% ♪ 41:33.400 --> 41:43.266 align:left position:87.5% line:5% size:2.5% ♪ 41:43.266 --> 41:53.133 align:left position:87.5% line:5% size:2.5% ♪ 41:53.133 --> 42:03.066 align:left position:87.5% line:5% size:2.5% ♪ 42:03.066 --> 42:12.933 align:left position:87.5% line:5% size:2.5% ♪ 42:12.933 --> 42:22.733 align:left position:87.5% line:5% size:2.5% ♪ 42:22.733 --> 42:32.600 align:left position:87.5% line:5% size:2.5% ♪ 42:32.600 --> 42:42.466 align:left position:87.5% line:5% size:2.5% ♪ 42:42.466 --> 42:52.300 align:left position:87.5% line:5% size:2.5% ♪ 42:52.300 --> 43:02.200 align:left position:87.5% line:5% size:2.5% ♪ 43:02.200 --> 43:12.033 align:left position:87.5% line:5% size:2.5% ♪ 43:12.033 --> 43:21.800 align:left position:87.5% line:5% size:2.5% ♪ 43:21.800 --> 43:31.633 align:left position:87.5% line:5% size:2.5% ♪ 43:31.633 --> 43:41.466 align:left position:87.5% line:5% size:2.5% ♪ 43:41.466 --> 43:51.300 align:left position:87.5% line:5% size:2.5% ♪ 43:51.300 --> 43:52.600 align:left position:10% line:89% size:80% How about that? 43:52.600 --> 43:53.900 align:left position:42.5% line:89% size:47.5% That was amazing... 43:53.900 --> 43:56.166 align:left position:45% line:83% size:45% like we know what we're doing. 43:56.166 --> 43:57.666 align:left position:12.5% line:83% size:77.5% It's true, it's true. 43:57.666 --> 43:59.933 align:left position:60% line:83% size:30% And you play in that key, 43:59.933 --> 44:03.000 align:left position:42.5% line:83% size:47.5% and I do it in some other key. 44:03.000 --> 44:04.866 align:left position:10% line:83% size:80% Where do you do it? 44:04.866 --> 44:06.266 align:left position:67.5% line:89% size:22.5% Um, ah... 44:06.266 --> 44:08.266 align:left position:87.5% line:5% size:2.5% ♪ 44:08.266 --> 44:11.566 align:left position:87.5% line:5% size:2.5% ♪ There, or... 44:11.566 --> 44:13.700 align:left position:87.5% line:5% size:2.5% ♪ Watch me. 44:13.700 --> 44:16.700 align:left position:50% line:83% size:40% If I play a tune in one key, 44:16.700 --> 44:18.966 align:left position:52.5% line:83% size:37.5% I get bored with the tune. 44:18.966 --> 44:23.000 align:left position:20% line:83% size:70% You go to some strange key, and it comes up fresh. 44:23.000 --> 44:24.866 align:left position:10% line:89% size:80% And oddly enough, 44:24.866 --> 44:27.866 align:left position:10% line:83% size:80% some songs are more brilliant in other keys. 44:27.866 --> 44:31.966 align:left position:10% line:83% size:80% I sing this song with the key I just played it, 44:31.966 --> 44:34.233 align:left position:10% line:83% size:80% but it's fun to change around. 44:34.233 --> 44:36.233 align:left position:62.5% line:83% size:27.5% It puts you into places 44:36.233 --> 44:39.233 align:left position:12.5% line:83% size:77.5% where you're not as familiar with the patterns, 44:39.233 --> 44:43.733 align:left position:15% line:83% size:75% so you either have to goof or find something else to do. 44:43.733 --> 44:46.366 align:left position:10% line:83% size:80% But there's alway  the chance of serendipity. 44:46.366 --> 44:47.633 align:left position:67.5% line:89% size:22.5% Oh, sure. 44:47.633 --> 44:49.900 align:left position:35% line:83% size:55% I always look at it positively 44:49.900 --> 44:52.533 align:left position:35% line:83% size:55% and maybe take some key like this... 44:52.533 --> 44:59.100 align:left position:87.5% line:5% size:2.5% ♪ 44:59.100 --> 45:00.666 align:left position:10% line:89% size:80% That is some key. 45:00.666 --> 45:02.833 align:left position:10% line:83% size:80% That is some key, lady. 45:02.833 --> 45:04.866 align:left position:87.5% line:5% size:2.5% ♪ 45:04.866 --> 45:06.366 align:left position:60% line:89% size:30% I think I-- 45:06.366 --> 45:09.366 align:left position:87.5% line:5% size:2.5% ♪ 45:09.366 --> 45:12.000 align:left position:50% line:83% size:40% It would have to be a ballad. 45:12.000 --> 45:15.000 align:left position:10% line:83% size:80% You could dig your own grave that way. 45:15.000 --> 45:16.500 align:left position:52.5% line:83% size:37.5% What were those tunes... 45:16.500 --> 45:22.500 align:left position:87.5% line:5% size:2.5% ♪ 45:22.500 --> 45:24.533 align:left position:47.5% line:89% size:42.5% It's fun though. 45:24.533 --> 45:33.533 align:left position:87.5% line:5% size:2.5% ♪ ["Just One Of Those Things"] 45:33.533 --> 45:42.533 align:left position:87.5% line:5% size:2.5% ♪ 45:42.533 --> 45:51.533 align:left position:87.5% line:5% size:2.5% ♪ 45:51.533 --> 46:00.533 align:left position:87.5% line:5% size:2.5% ♪ 46:00.533 --> 46:02.600 align:left position:87.5% line:5% size:2.5% ♪ [discordant note] Argh! 46:02.600 --> 46:11.366 align:left position:87.5% line:5% size:2.5% ♪ 46:11.366 --> 46:20.133 align:left position:87.5% line:5% size:2.5% ♪ 46:20.133 --> 46:21.966 align:left position:10% line:83% size:80% That's enough of that, teacher. 46:21.966 --> 46:25.700 align:left position:15% line:83% size:75% No, but--hey, you know, you'd be a wonderful teacher. 46:25.700 --> 46:27.700 align:left position:55% line:83% size:35% We should do a seminar. 46:27.700 --> 46:29.700 align:left position:70% line:83% size:20% We'd be a gas. 46:29.700 --> 46:31.700 align:left position:10% line:83% size:80% Wh  would have us? 46:31.700 --> 46:33.700 align:left position:50% line:83% size:40% Well, we'd start with Harvard. 46:33.700 --> 46:37.400 align:left position:10% line:83% size:80% My, you have grandiose ideas about our-- 46:37.400 --> 46:41.500 align:left position:30% line:83% size:60% All you have to do is think about it a bit. 46:41.500 --> 46:43.766 align:left position:55% line:83% size:35% You can put it into practice. 46:43.766 --> 46:45.633 align:left position:10% line:83% size:80% It could b  very nice. 46:45.633 --> 46:47.900 align:left position:40% line:83% size:50% Because there certainly is a need 46:47.900 --> 46:50.533 align:left position:35% line:83% size:55% for kids to know about your specialty, 46:50.533 --> 46:53.533 align:left position:22.5% line:83% size:67.5% which is...would you call it "cabaret singing?" 46:53.533 --> 46:55.800 align:left position:10% line:83% size:80% I've lost trac  of my specialty. 46:55.800 --> 46:57.300 align:left position:10% line:83% size:80% I think it's just... 46:57.300 --> 47:00.733 align:left position:10% line:83% size:80% raising lots of sand in smoky rooms sometimes. 47:00.733 --> 47:03.433 align:left position:10% line:83% size:80% I've had an ide  right this minute. 47:03.433 --> 47:05.300 align:left position:10% line:83% size:80% I playe  my solo piece. 47:05.300 --> 47:07.166 align:left position:10% line:83% size:80% How abou  your solo piece? 47:07.166 --> 47:09.433 align:left position:50% line:83% size:40% I'm going to take a chance 47:09.433 --> 47:12.066 align:left position:45% line:83% size:45% and play one of my own pieces. 47:12.066 --> 47:13.566 align:left position:60% line:83% size:30% I'm really rather proud 47:13.566 --> 47:16.800 align:left position:45% line:83% size:45% that Johnny Mercer put a lyric to it. 47:16.800 --> 47:19.033 align:left position:10% line:83% size:80% You should be proud. 47:19.033 --> 47:22.466 align:left position:45% line:83% size:45% And I just heard a wonderful title 47:22.466 --> 47:27.466 align:left position:20% line:83% size:70% for a group of Mercer songs: "The Quality of Mercer." 47:27.466 --> 47:29.666 align:left position:10% line:89% size:80% [chuckling] 47:29.666 --> 47:33.533 align:left position:35% line:83% size:55% The quality of Mercer is always tops. 47:33.533 --> 47:36.166 align:left position:35% line:83% size:55% This is a tune called "Twilight World." 47:36.166 --> 47:37.366 align:left position:10% line:89% size:80% Wonderful. 47:38.333 --> 47:47.900 align:left position:87.5% line:5% size:2.5% ♪ ["Twilight World"] 47:47.900 --> 47:57.466 align:left position:87.5% line:5% size:2.5% ♪ 47:57.466 --> 48:07.100 align:left position:87.5% line:5% size:2.5% ♪ 48:07.100 --> 48:16.666 align:left position:87.5% line:5% size:2.5% ♪ 48:16.666 --> 48:26.166 align:left position:87.5% line:5% size:2.5% ♪ 48:26.166 --> 48:35.700 align:left position:87.5% line:5% size:2.5% ♪ 48:35.700 --> 48:45.233 align:left position:87.5% line:5% size:2.5% ♪ 48:45.233 --> 48:54.766 align:left position:87.5% line:5% size:2.5% ♪ 48:54.766 --> 49:04.366 align:left position:87.5% line:5% size:2.5% ♪ 49:04.366 --> 49:13.900 align:left position:87.5% line:5% size:2.5% ♪ 49:13.900 --> 49:23.433 align:left position:87.5% line:5% size:2.5% ♪ 49:23.433 --> 49:32.966 align:left position:87.5% line:5% size:2.5% ♪ 49:32.966 --> 49:42.500 align:left position:87.5% line:5% size:2.5% ♪ 49:42.500 --> 49:52.033 align:left position:87.5% line:5% size:2.5% ♪ 49:52.033 --> 50:01.566 align:left position:87.5% line:5% size:2.5% ♪ 50:01.566 --> 50:11.100 align:left position:87.5% line:5% size:2.5% ♪ 50:11.100 --> 50:20.633 align:left position:87.5% line:5% size:2.5% ♪ 50:20.633 --> 50:24.600 align:left position:10% line:83% size:80% Very, very pretty; lovely song. 50:24.600 --> 50:28.766 align:left position:10% line:83% size:80% I saw you employ a very intriguing attack there. 50:28.766 --> 50:30.766 align:left position:12.5% line:83% size:77.5% You crossed your hands. 50:30.766 --> 50:32.033 align:left position:82.5% line:89% size:7.5% Oh. 50:32.033 --> 50:33.300 align:left position:10% line:89% size:80% Yes. 50:33.300 --> 50:36.300 align:left position:30% line:83% size:60% It's because I can't really play the tenths. 50:36.300 --> 50:38.166 align:left position:52.5% line:83% size:37.5% I wanted the bass note, 50:38.166 --> 50:40.433 align:left position:35% line:83% size:55% and the bass player's not here. 50:40.433 --> 50:42.433 align:left position:10% line:83% size:80% Ah... so you crossed over. 50:42.433 --> 50:45.066 align:left position:42.5% line:83% size:47.5% I figured I'd play the bass note 50:45.066 --> 50:47.066 align:left position:60% line:83% size:30% 'cause I was up here 50:47.066 --> 50:49.333 align:left position:35% line:83% size:55% and just wanted something down there. 50:49.333 --> 50:50.833 align:left position:10% line:83% size:80% That's nice, though. 50:50.833 --> 50:53.833 align:left position:10% line:83% size:80% A lot of classical pieces rely upon that. 50:53.833 --> 50:55.333 align:left position:12.5% line:83% size:77.5% Don't you think so? 50:55.333 --> 50:56.500 align:left position:65% line:89% size:25% Of course. 50:56.500 --> 50:58.000 align:left position:10% line:89% size:80% A lot of Ravel. 50:58.000 --> 50:59.566 align:left position:65% line:89% size:25% Of course. 50:59.566 --> 51:01.900 align:left position:10% line:83% size:80% And Debussy woul  require crossing over. 51:01.900 --> 51:03.766 align:left position:50% line:83% size:40% After all  that big talk, 51:03.766 --> 51:07.766 align:left position:40% line:83% size:50% I should do as good playing for you 51:07.766 --> 51:09.766 align:left position:45% line:89% size:45% on "Shining Hour." 51:09.766 --> 51:11.066 align:left position:10% line:89% size:80% Oh, yes. 51:11.066 --> 51:12.566 align:left position:50% line:89% size:40% Not hang you up. 51:12.566 --> 51:14.833 align:left position:10% line:83% size:80% In the key of G, madam. 51:14.833 --> 51:15.966 align:left position:65% line:89% size:25% All right. 51:15.966 --> 51:18.600 align:left position:42.5% line:83% size:47.5% Let's see how we do on this. 51:18.600 --> 51:22.066 align:left position:50% line:83% size:40% Now, is this... real slow? 51:22.066 --> 51:26.400 align:left position:10% line:83% size:80% Well, sort of, as they say, legato. 51:26.400 --> 51:32.600 align:left position:87.5% line:5% size:2.5% ♪ ["Shining Hour"] 51:32.600 --> 51:38.800 align:left position:87.5% line:5% size:2.5% ♪ 51:38.800 --> 51:45.800 align:left position:10% line:83% size:80% ♪ This will be my shining hour, ♪ 51:45.800 --> 51:52.200 align:left position:10% line:83% size:80% ♪ calm and happy and bright. ♪ 51:52.200 --> 51:57.700 align:left position:10% line:83% size:80% ♪ In my dreams your face will flower ♪ 51:57.700 --> 52:04.133 align:left position:10% line:83% size:80% ♪ through the darkness of the night ♪ 52:04.133 --> 52:10.033 align:left position:10% line:83% size:80% ♪ like the lights of home before me ♪ 52:10.033 --> 52:16.066 align:left position:10% line:83% size:80% ♪ or an angel watching o'er me. ♪ 52:16.066 --> 52:21.200 align:left position:10% line:83% size:80% ♪ This will be my shining hour ♪ 52:21.200 --> 52:28.433 align:left position:10% line:83% size:80% ♪ till I'm with you again. ♪ 52:28.433 --> 52:34.166 align:left position:10% line:83% size:80% ♪ Like the lights of home before me ♪ 52:34.166 --> 52:42.000 align:left position:10% line:83% size:80% ♪ or an angel watching o'er me. ♪ 52:42.000 --> 52:48.733 align:left position:10% line:83% size:80% ♪ This will be my shining hour ♪ 52:48.733 --> 52:56.766 align:left position:10% line:83% size:80% ♪ till I'm with you again. ♪♪ 52:56.766 --> 53:00.400 align:left position:87.5% line:5% size:2.5% ♪ 53:00.400 --> 53:02.966 align:left position:10% line:83% size:80% Not bad with no rehearsal. 53:02.966 --> 53:06.333 align:left position:25% line:83% size:65% I think it's wonderful... and early in the day. 53:06.333 --> 53:09.700 align:left position:30% line:83% size:60% I mean, it's actually before midnight, so.... 53:09.700 --> 53:11.200 align:left position:52.5% line:89% size:37.5% It's wonderful. 53:11.200 --> 53:14.566 align:left position:37.5% line:83% size:52.5% I can't tell you what a kick this is! 53:14.566 --> 53:16.433 align:left position:10% line:83% size:80% It could go on forever. 53:16.433 --> 53:18.300 align:left position:60% line:83% size:30% I'm having so much fun. 53:18.300 --> 53:19.800 align:left position:10% line:83% size:80% Creating tunes like this. 53:19.800 --> 53:21.233 align:left position:37.5% line:89% size:52.5% And trying things... 53:21.233 --> 53:23.800 align:left position:25% line:83% size:65% and in fact, talk about trying things, 53:23.800 --> 53:26.533 align:left position:32.5% line:89% size:57.5% back to Duke Ellington. 53:26.533 --> 53:29.600 align:left position:47.5% line:89% size:42.5% What about, um... 53:29.600 --> 53:32.300 align:left position:87.5% line:5% size:2.5% ♪ 53:32.300 --> 53:34.666 align:left position:55% line:83% size:35% Whatever key you do it in. 53:34.666 --> 53:37.800 align:left position:87.5% line:5% size:2.5% ♪ 53:37.800 --> 53:39.300 align:left position:10% line:89% size:80% How's that? 53:39.300 --> 53:44.800 align:left position:87.5% line:5% size:2.5% ♪ 53:44.800 --> 53:46.300 align:left position:10% line:89% size:80% How's that? 53:46.300 --> 53:48.166 align:left position:52.5% line:83% size:37.5% "It Don't Mean A Thing." 53:48.166 --> 53:49.666 align:left position:10% line:83% size:80% Should we do that? 53:49.666 --> 53:52.333 align:left position:32.5% line:83% size:57.5% Let's do; this is our last tune. 53:52.333 --> 54:02.366 align:left position:87.5% line:5% size:2.5% ♪ ["It Don't Mean A Thing"] 54:02.366 --> 54:12.333 align:left position:87.5% line:5% size:2.5% ♪ 54:12.333 --> 54:22.233 align:left position:87.5% line:5% size:2.5% ♪ 54:22.233 --> 54:32.200 align:left position:87.5% line:5% size:2.5% ♪ 54:32.200 --> 54:42.166 align:left position:87.5% line:5% size:2.5% ♪ 54:42.166 --> 54:52.133 align:left position:87.5% line:5% size:2.5% ♪ 54:52.133 --> 55:02.166 align:left position:87.5% line:5% size:2.5% ♪ 55:02.166 --> 55:12.133 align:left position:87.5% line:5% size:2.5% ♪ 55:12.133 --> 55:22.033 align:left position:87.5% line:5% size:2.5% ♪ 55:22.033 --> 55:32.000 align:left position:87.5% line:5% size:2.5% ♪ 55:32.000 --> 55:42.066 align:left position:87.5% line:5% size:2.5% ♪ 55:42.066 --> 55:51.933 align:left position:87.5% line:5% size:2.5% ♪ 55:51.933 --> 56:01.966 align:left position:87.5% line:5% size:2.5% ♪ 56:01.966 --> 56:11.933 align:left position:87.5% line:5% size:2.5% ♪ 56:11.933 --> 56:21.833 align:left position:87.5% line:5% size:2.5% ♪ 56:21.833 --> 56:31.800 align:left position:87.5% line:5% size:2.5% ♪ 56:31.800 --> 56:41.766 align:left position:87.5% line:5% size:2.5% ♪ 56:41.766 --> 56:51.733 align:left position:87.5% line:5% size:2.5% ♪ 56:51.733 --> 56:58.500 align:left position:87.5% line:5% size:2.5% ♪ 56:59.466 --> 57:00.866 align:left position:10% line:89% size:80% Et voilà! 57:00.866 --> 57:02.200 align:left position:75% line:89% size:15% There! 57:02.200 --> 57:06.433 align:left position:87.5% line:5% size:2.5% ♪ 57:06.433 --> 57:12.433 align:left position:87.5% line:5% size:2.5% ♪ Captioned by: CompuScripts Captioning, Inc. www.compuscriptsinc.com 57:12.433 --> 57:21.666 align:left position:87.5% line:5% size:2.5% ♪ 57:21.666 --> 57:30.966 align:left position:87.5% line:5% size:2.5% ♪ 57:30.966 --> 57:40.266 align:left position:87.5% line:5% size:2.5% ♪ 57:40.266 --> 57:49.600 align:left position:87.5% line:5% size:2.5% ♪