1 00:00:03,000 --> 00:00:05,233 We have a myth of 2 00:00:05,233 --> 00:00:09,233 the Gold Rush and its gritty John Ford 3 00:00:09,533 --> 00:00:12,333 type people up against the harshness 4 00:00:12,333 --> 00:00:15,333 of nature. 5 00:00:16,333 --> 00:00:19,333 In fact, the history is full of 6 00:00:19,666 --> 00:00:24,233 both nobility and terrible depravity. 7 00:00:32,400 --> 00:00:34,500 We live in a time now where there's interest 8 00:00:34,500 --> 00:00:38,466 in the people who, as we say, were written out of history. 9 00:00:40,100 --> 00:00:43,400 And in the case of the Gold Rush the Native Americans, 10 00:00:44,233 --> 00:00:47,233 Mexicans, Chileans 11 00:00:49,033 --> 00:00:52,000 and there were actually freed slaves 12 00:00:53,200 --> 00:00:54,566 and the women. 13 00:00:54,566 --> 00:00:57,400 There aren't many women out here 14 00:00:57,400 --> 00:01:00,533 during the Gold Rush, 15 00:01:00,533 --> 00:01:01,866 but those that were here 16 00:01:01,866 --> 00:01:04,833 were pretty extraordinary people. 17 00:01:07,100 --> 00:01:08,066 This is 18 00:01:08,066 --> 00:01:10,566 this is the most wonderful book. 19 00:01:10,566 --> 00:01:12,933 Peter discovered these letters 20 00:01:12,933 --> 00:01:15,933 that were written by Louise Clappe. 21 00:01:17,366 --> 00:01:18,800 “I am the only petticoated 22 00:01:18,800 --> 00:01:21,800 astonishment on this bar.” 23 00:01:22,066 --> 00:01:25,233 This woman from Massachusetts who spent 18 months 24 00:01:25,433 --> 00:01:30,100 in a very, very crude mining encampment called Rich Bar. 25 00:01:33,166 --> 00:01:34,500 Louise Clappe, 26 00:01:34,500 --> 00:01:39,933 who wrote letters from a filthy, crude camp in 27 00:01:39,933 --> 00:01:42,966 the Sierras, is having her words 28 00:01:43,433 --> 00:01:46,200 sung by Julia Bullock. 29 00:01:46,200 --> 00:01:48,066 ♪ Onions and potatoes ♪ 30 00:01:48,066 --> 00:01:57,866 [Vocalizing] 31 00:01:57,866 --> 00:02:00,100 Oh, that's different. 32 00:02:00,100 --> 00:02:04,266 Even though Louise Clapp came out of this Victorian era 33 00:02:04,833 --> 00:02:07,733 with all of the communities that she was encountering 34 00:02:07,733 --> 00:02:09,533 and all of the environments that she was encountering 35 00:02:09,533 --> 00:02:12,533 it was with a complete openness and sort of wonderment. 36 00:02:13,000 --> 00:02:23,533 ♪ Dinner was truly excellent ♪ 37 00:02:24,266 --> 00:02:25,133 [Vocalizing] 38 00:02:25,366 --> 00:02:26,966 Oh, ok! Cool. 39 00:02:27,333 --> 00:02:28,400 And then its an octave replacement. 40 00:02:28,400 --> 00:02:30,133 Yeah! Yes. 41 00:02:32,166 --> 00:02:34,266 [Vocalizing] 42 00:02:34,266 --> 00:02:37,333 [Mimicking vocalizing] 43 00:02:37,333 --> 00:02:40,133 [Laughs] 44 00:02:40,133 --> 00:02:43,133 Let's go from 446. 45 00:02:44,066 --> 00:02:45,400 [Piano playing] 46 00:02:45,400 --> 00:02:47,033 [Vocalizing] 47 00:02:47,733 --> 00:02:48,866 Most of the characters in 48 00:02:48,866 --> 00:02:51,866 the opera are real people, historical people. 49 00:02:52,633 --> 00:02:55,433 Josefa Segovia, this young Mexican woman, 50 00:02:55,433 --> 00:02:57,666 defended herself against a miner 51 00:02:57,666 --> 00:02:59,133 who was harassing her. 52 00:02:59,133 --> 00:03:00,733 Stabbed him, killed him, 53 00:03:01,533 --> 00:03:03,766 and the next day was lynched 54 00:03:03,766 --> 00:03:05,966 off a bridge over the Yuba River 55 00:03:05,966 --> 00:03:08,000 on Independence Day, 56 00:03:08,000 --> 00:03:08,833 ironically. 57 00:03:16,366 --> 00:03:16,900 I don't 58 00:03:17,300 --> 00:03:19,900 remember learning that in school. 59 00:03:20,700 --> 00:03:23,566 She's kind of unwritten in history. 60 00:03:23,566 --> 00:03:26,200 Not kind of, she is.