WEBVTT 00:01.233 --> 00:03.433 align:left position:12.5% line:83% size:77.5% Around this time, Barrios personality began to split 00:03.800 --> 00:06.366 align:left position:32.5% line:83% size:57.5% as he faced an internal struggle. 00:06.366 --> 00:11.100 align:left position:10% line:83% size:80% Fred had the photos to walk us through it by about 1923. 00:11.300 --> 00:14.500 align:left position:22.5% line:83% size:67.5% Barrios really had developed as an artist. 00:14.800 --> 00:17.833 align:left position:32.5% line:83% size:57.5% He also ha the extra frets on the guitar. 00:17.833 --> 00:20.633 align:left position:10% line:83% size:80% But this is also very important, like these last frets, 00:20.633 --> 00:23.200 align:left position:15% line:83% size:75% because we don't have it on every guitars. 00:23.200 --> 00:23.933 align:left position:30% line:89% size:60% And sometimes 00:24.233 --> 00:25.266 align:left position:20% line:83% size:70% when you have to play some Barrios pieces 00:25.266 --> 00:27.033 align:left position:27.5% line:83% size:62.5% you cannot play all the notes 00:27.033 --> 00:29.166 align:left position:22.5% line:83% size:67.5% because he composed especially for that. 00:29.166 --> 00:29.900 align:left position:35% line:89% size:55% Exactly. 00:30.500 --> 00:32.933 align:left position:15% line:83% size:75% The world has been tryin to catch up to Agustín Barrios 00:32.933 --> 00:36.133 align:left position:25% line:83% size:65% since about 1920, and that's the reality. 00:37.066 --> 00:39.300 align:left position:20% line:83% size:70% This was a photograph taken in the in the home 00:39.300 --> 00:42.200 align:left position:22.5% line:83% size:67.5% of one of Barrios principal students. 00:42.200 --> 00:45.733 align:left position:15% line:83% size:75% And it really showed him at the ultimate expression 00:45.733 --> 00:48.733 align:left position:20% line:83% size:70% of his concert career as Agustín Barrios, 00:49.000 --> 00:50.033 align:left position:22.5% line:89% size:67.5% Very professional. 00:50.233 --> 00:53.833 align:left position:10% line:83% size:80% His presentation was as European as he could make it. 00:54.766 --> 00:58.433 align:left position:12.5% line:83% size:77.5% Then, because of a lot of internal pressures 00:58.433 --> 00:59.733 align:left position:25% line:89% size:65% in his family and 01:01.066 --> 01:02.000 align:left position:27.5% line:89% size:62.5% he was getting 01:02.266 --> 01:06.200 align:left position:17.5% line:83% size:72.5% close to the age of 40, he had a midlife crisis. 01:07.366 --> 01:09.400 align:left position:10% line:89% size:80% And when he emerged from this 01:09.400 --> 01:12.400 align:left position:27.5% line:89% size:62.5% midlife crisis; 01:15.700 --> 01:18.800 align:left position:35% line:89% size:55% Oh, wow. 01:18.800 --> 01:21.766 align:left position:20% line:89% size:70% That's who he became. 01:22.066 --> 01:26.433 align:left position:25% line:83% size:65% Barrios underwen a complete spiritual, physical 01:26.966 --> 01:30.466 align:left position:12.5% line:83% size:77.5% and cosmetic transformation and underwent the earliest 01:30.466 --> 01:33.933 align:left position:15% line:83% size:75% cosmetic plastic surger ever performed in South America. 01:34.366 --> 01:35.633 align:left position:22.5% line:89% size:67.5% Why did he do this? 01:35.633 --> 01:38.700 align:left position:25% line:83% size:65% I mean, was this sort of a publicity thing 01:38.700 --> 01:41.800 align:left position:22.5% line:83% size:67.5% or it was somethin sort of conflict within himself 01:41.800 --> 01:46.733 align:left position:10% line:83% size:80% that he was he was resolvin or what what led him to do this? 01:47.266 --> 01:49.700 align:left position:20% line:83% size:70% You mean like underg three surgeries that had never 01:49.700 --> 01:53.166 align:left position:10% line:83% size:80% been done with no antibiotics and no guarantee of success? 01:53.766 --> 01:56.900 align:left position:15% line:83% size:75% There's something in hi that was exploding and it wasn't 01:56.900 --> 01:58.966 align:left position:15% line:89% size:75% he wasn't being accepted 01:58.966 --> 02:01.866 align:left position:20% line:83% size:70% in the European model and he had to break out. 02:01.866 --> 02:05.100 align:left position:10% line:83% size:80% He just wrapped himself around his Guaraní heritage. 02:05.666 --> 02:09.600 align:left position:17.5% line:83% size:72.5% His transition included changing his name to Nitsuga. 02:10.900 --> 02:11.833 align:left position:25% line:89% size:65% Nitsuga Mangoré. 02:11.833 --> 02:15.600 align:left position:30% line:83% size:60% It's Agustín spelled backwards. 02:15.833 --> 02:19.466 align:left position:15% line:83% size:75% And Mangoré was the name of one of the last indigenous 02:19.733 --> 02:22.900 align:left position:37.5% line:83% size:52.5% chiefs of the tribes of Paraguay. 02:23.333 --> 02:27.133 align:left position:10% line:83% size:80% If we look at a typical Guaraní, this is who 02:27.133 --> 02:30.100 align:left position:12.5% line:83% size:77.5% you would have encountered on the Rio Paraguay. 02:30.100 --> 02:33.300 align:left position:10% line:83% size:80% This was taken from the earliest ever motion picture film 02:33.300 --> 02:36.300 align:left position:15% line:89% size:75% from Paraguay from 1924. 02:37.633 --> 02:39.300 align:left position:20% line:89% size:70% And this was Barrios 02:39.300 --> 02:40.600 align:left position:20% line:89% size:70% after his transition.