1 00:00:01,400 --> 00:00:04,100 ♪♪ 2 00:00:04,100 --> 00:00:06,266 Narrator: Next on "Great Performances"... 3 00:00:06,266 --> 00:00:09,733 ♪♪ 4 00:00:09,733 --> 00:00:11,366 ...the New York Philharmonic 5 00:00:11,366 --> 00:00:14,066 commemorates its return to their revitalized home, 6 00:00:14,066 --> 00:00:16,000 the newly renovated David Geffen Hall, 7 00:00:16,000 --> 00:00:17,600 with a triumphant performance 8 00:00:17,600 --> 00:00:19,666 of Beethoven's iconic Ninth Symphony. 9 00:00:19,666 --> 00:00:25,666 ♪♪ 10 00:00:25,666 --> 00:00:27,800 Connecting the past with the present, 11 00:00:27,800 --> 00:00:30,066 the concert also features a world premiere 12 00:00:30,066 --> 00:00:31,733 by composer Angélica Negrón 13 00:00:31,733 --> 00:00:34,000 honoring the ritual of communities gathering 14 00:00:34,000 --> 00:00:36,300 to experience art and music. 15 00:00:36,300 --> 00:00:38,433 [ Chorus vocalizing ] 16 00:00:38,433 --> 00:00:43,266 ♪♪ 17 00:00:43,266 --> 00:00:46,666 Join us for a joyful celebration of new beginnings 18 00:00:46,666 --> 00:00:50,133 with the New York Philharmonic reopening of David Geffen Hall. 19 00:00:50,133 --> 00:00:52,533 [ Chorus singing in German ] 20 00:00:52,533 --> 00:00:58,100 ♪♪ 21 00:00:58,100 --> 00:01:00,066 [ Cheers and applause ] 22 00:01:00,266 --> 00:01:02,433 ♪♪ 23 00:01:02,433 --> 00:01:04,566 Major funding for "Great Performances" 24 00:01:04,566 --> 00:01:05,433 is provided by... 25 00:01:10,866 --> 00:01:13,166 ...and by contributions to your PBS station 26 00:01:13,166 --> 00:01:14,600 from viewers like you. Thank you. 27 00:01:16,166 --> 00:01:18,833 Major fund [ Vehicle horns honking ] 28 00:01:31,266 --> 00:01:33,566 -Good evening. I'm Katherine Farley, 29 00:01:33,566 --> 00:01:35,700 Chair of the Board here at Lincoln Center. 30 00:01:35,700 --> 00:01:37,733 And I'd like to welcome you as we celebrate 31 00:01:37,733 --> 00:01:40,866 the reopening of David Geffen Hall. 32 00:01:40,866 --> 00:01:45,400 For us, this new hall is so much more than a renovation. 33 00:01:45,400 --> 00:01:47,766 It's an entirely new space 34 00:01:47,766 --> 00:01:50,466 that we've aspired to for decades. 35 00:01:50,466 --> 00:01:55,333 And it's now a promise fulfilled to one of the world's oldest -- 36 00:01:55,333 --> 00:01:57,966 and I think the best -- orchestras, 37 00:01:57,966 --> 00:01:59,833 the New York Philharmonic. 38 00:01:59,833 --> 00:02:03,633 It's a place they will call home for decades to come. 39 00:02:03,633 --> 00:02:06,033 We call tonight's program "The Joy" 40 00:02:06,033 --> 00:02:08,300 because it represents to all of us 41 00:02:08,300 --> 00:02:11,966 the joy of having a dream come true. 42 00:02:11,966 --> 00:02:13,900 And who can express that feeling better 43 00:02:13,900 --> 00:02:18,266 than our musicians who make up this great orchestra? 44 00:02:18,266 --> 00:02:19,833 I'm Anthony McGill, 45 00:02:19,833 --> 00:02:21,966 principal clarinet of the New York Philharmonic. 46 00:02:21,966 --> 00:02:25,400 My joy was finally experiencing this amazing new space 47 00:02:25,400 --> 00:02:27,300 when the first notes we played 48 00:02:27,300 --> 00:02:29,633 reverberated throughout our new hall. 49 00:02:29,633 --> 00:02:31,266 All the years of planning and waiting 50 00:02:31,266 --> 00:02:33,266 had finally come to fruition. 51 00:02:33,266 --> 00:02:35,833 The acoustics passed the test. 52 00:02:35,833 --> 00:02:37,800 Instead of hard hats and hammers, 53 00:02:37,800 --> 00:02:41,933 we finally heard music, and I was happy to be home again. 54 00:02:41,933 --> 00:02:44,900 I'm Rebecca Young, associate principal viola, 55 00:02:44,900 --> 00:02:46,833 and if you're curious about what's happening 56 00:02:46,833 --> 00:02:49,300 inside our new hall, all you'll have to do 57 00:02:49,300 --> 00:02:51,600 is visit our new public lobby 58 00:02:51,600 --> 00:02:55,733 and see our concerts streamed on the 50-foot digital wall. 59 00:02:55,733 --> 00:02:58,466 And as you walk around the corner on Broadway, 60 00:02:58,466 --> 00:03:01,100 you'll see inside our new Sidewalk Studio 61 00:03:01,100 --> 00:03:03,066 where performances will take place 62 00:03:03,066 --> 00:03:05,800 during the day and at night. 63 00:03:05,800 --> 00:03:08,833 I'm Carter Brey, principal cello. 64 00:03:08,833 --> 00:03:11,000 I'm amazing by the flexibility 65 00:03:11,000 --> 00:03:13,333 and technical features of our new home, 66 00:03:13,333 --> 00:03:16,300 as well as its intimate feel. 67 00:03:16,300 --> 00:03:18,166 When I played my first notes on stage, 68 00:03:18,166 --> 00:03:20,500 it felt like I finally didn't have to fight the hall 69 00:03:20,500 --> 00:03:22,466 to be heard. 70 00:03:22,466 --> 00:03:24,300 The stage can also be reconfigured 71 00:03:24,300 --> 00:03:26,266 for different-sized ensembles, 72 00:03:26,266 --> 00:03:30,266 as well as cinema and even pop concerts. 73 00:03:30,266 --> 00:03:33,866 Most importantly, the stage and wrap-around seating 74 00:03:33,866 --> 00:03:35,766 are designed for a closer connection 75 00:03:35,766 --> 00:03:39,133 between us and our audiences. 76 00:03:39,133 --> 00:03:41,433 I'm Chris Martin, principal trumpet. 77 00:03:41,433 --> 00:03:44,300 When I played my trumpet in our new hall for the first time, 78 00:03:44,300 --> 00:03:46,666 I was truly amazed by the acoustics. 79 00:03:46,666 --> 00:03:48,800 I also get to toot my own horn by saying 80 00:03:48,800 --> 00:03:50,966 that it's only fitting we begin our gala 81 00:03:50,966 --> 00:03:53,833 with a brass fanfare to announce the start of a new era 82 00:03:53,833 --> 00:03:55,666 for the New York Philharmonic. 83 00:03:55,666 --> 00:03:57,933 It's time to welcome you inside our new home, 84 00:03:57,933 --> 00:04:00,466 as the dancing of the firefly chandeliers overhead 85 00:04:00,466 --> 00:04:02,833 signal the concert is about to begin. 86 00:04:02,833 --> 00:04:05,233 [ Applause ] 87 00:04:05,233 --> 00:04:07,033 And our maestro, Jaap van Zweden, 88 00:04:07,033 --> 00:04:08,966 makes his way to the podium. 89 00:04:08,966 --> 00:04:10,966 [ Cheers and applause ] 90 00:04:20,166 --> 00:04:22,133 [ Applause continues ] 91 00:04:28,833 --> 00:04:30,666 [ Applause stops ] 92 00:04:34,900 --> 00:04:42,066 ♪♪ 93 00:04:42,066 --> 00:04:49,200 ♪♪ 94 00:04:49,200 --> 00:04:56,366 ♪♪ 95 00:04:56,366 --> 00:05:03,566 ♪♪ 96 00:05:03,566 --> 00:05:10,733 ♪♪ 97 00:05:10,733 --> 00:05:17,866 ♪♪ 98 00:05:17,866 --> 00:05:25,033 ♪♪ 99 00:05:25,033 --> 00:05:32,166 ♪♪ 100 00:05:32,166 --> 00:05:39,333 ♪♪ 101 00:05:39,333 --> 00:05:46,466 ♪♪ 102 00:05:46,466 --> 00:05:53,633 ♪♪ 103 00:05:53,633 --> 00:06:00,833 ♪♪ 104 00:06:00,833 --> 00:06:08,000 ♪♪ 105 00:06:08,000 --> 00:06:15,133 ♪♪ 106 00:06:15,133 --> 00:06:22,300 ♪♪ 107 00:06:22,300 --> 00:06:29,466 ♪♪ 108 00:06:29,466 --> 00:06:36,600 ♪♪ 109 00:06:36,600 --> 00:06:43,766 ♪♪ 110 00:06:43,766 --> 00:06:50,900 ♪♪ 111 00:06:50,900 --> 00:06:58,066 ♪♪ 112 00:06:58,066 --> 00:07:05,266 ♪♪ 113 00:07:05,266 --> 00:07:12,433 ♪♪ 114 00:07:12,433 --> 00:07:19,566 ♪♪ 115 00:07:19,566 --> 00:07:26,733 ♪♪ 116 00:07:26,733 --> 00:07:33,866 ♪♪ 117 00:07:33,866 --> 00:07:41,033 ♪♪ 118 00:07:41,033 --> 00:07:48,166 ♪♪ 119 00:07:48,166 --> 00:07:55,333 ♪♪ 120 00:07:55,333 --> 00:08:02,533 ♪♪ 121 00:08:02,533 --> 00:08:04,766 [ Applause ] 122 00:08:05,800 --> 00:08:08,266 Narrator: The brass players of the New York Philharmonic, 123 00:08:08,266 --> 00:08:10,533 under the baton of Jaap van Zweden, 124 00:08:10,533 --> 00:08:13,566 have signaled the beginning of our joyous celebration, 125 00:08:13,566 --> 00:08:16,400 as the final sounds of Giovanni Gabrieli's 126 00:08:16,400 --> 00:08:19,333 "Canzon in echo duodecimi toni" 127 00:08:19,333 --> 00:08:22,766 reverberate through the newly reopened David Geffen Hall. 128 00:08:26,800 --> 00:08:28,433 The centerpiece of tonight's program 129 00:08:28,433 --> 00:08:30,966 will be Beethoven's epic Ninth Symphony, 130 00:08:30,966 --> 00:08:34,000 with its triumphant finale, "Ode to Joy." 131 00:08:34,000 --> 00:08:37,200 But first we will hear the world premiere of a new work 132 00:08:37,200 --> 00:08:39,033 commissioned by the Philharmonic 133 00:08:39,033 --> 00:08:42,100 from Puerto Rican-born composer Angélica Negrón 134 00:08:42,100 --> 00:08:44,666 entitled "You Are the Prelude." 135 00:08:44,666 --> 00:08:49,633 [ Applause ] 136 00:08:49,633 --> 00:08:52,500 Maestro Jaap van Zweden returns to the podium 137 00:08:52,500 --> 00:08:55,866 to lead the orchestra and the New York Philharmonic Chorus. 138 00:08:55,866 --> 00:08:58,100 [ Applause ] 139 00:09:08,566 --> 00:09:17,500 ♪♪ 140 00:09:17,500 --> 00:09:26,400 ♪♪ 141 00:09:26,400 --> 00:09:35,300 ♪♪ 142 00:09:35,300 --> 00:09:37,733 [ Chorus vocalizing ] 143 00:09:37,733 --> 00:09:46,300 ♪♪ 144 00:09:46,300 --> 00:09:54,866 ♪♪ 145 00:09:54,866 --> 00:10:03,433 ♪♪ 146 00:10:03,433 --> 00:10:12,000 ♪♪ 147 00:10:12,000 --> 00:10:20,566 ♪♪ 148 00:10:20,566 --> 00:10:29,133 ♪♪ 149 00:10:29,133 --> 00:10:37,700 ♪♪ 150 00:10:37,700 --> 00:10:46,266 ♪♪ 151 00:10:46,266 --> 00:10:54,866 ♪♪ 152 00:10:54,866 --> 00:11:03,500 ♪♪ 153 00:11:03,500 --> 00:11:12,066 ♪♪ 154 00:11:12,066 --> 00:11:20,633 ♪♪ 155 00:11:20,633 --> 00:11:29,200 ♪♪ 156 00:11:29,200 --> 00:11:37,766 ♪♪ 157 00:11:37,766 --> 00:11:46,333 ♪♪ 158 00:11:46,333 --> 00:11:54,900 ♪♪ 159 00:11:54,900 --> 00:12:02,966 ♪♪ 160 00:12:02,966 --> 00:12:10,933 ♪♪ 161 00:12:10,933 --> 00:12:18,933 ♪♪ 162 00:12:18,933 --> 00:12:26,900 ♪♪ 163 00:12:26,900 --> 00:12:34,900 ♪♪ 164 00:12:34,900 --> 00:12:42,866 ♪♪ 165 00:12:42,866 --> 00:12:50,866 ♪♪ 166 00:12:50,866 --> 00:12:58,833 ♪♪ 167 00:12:58,833 --> 00:13:06,900 ♪♪ 168 00:13:06,900 --> 00:13:14,866 ♪♪ 169 00:13:14,866 --> 00:13:22,566 ♪♪ 170 00:13:22,566 --> 00:13:30,300 ♪♪ 171 00:13:30,300 --> 00:13:38,000 ♪♪ 172 00:13:38,000 --> 00:13:45,733 ♪♪ 173 00:13:45,733 --> 00:13:53,433 ♪♪ 174 00:13:53,433 --> 00:14:01,200 ♪♪ 175 00:14:01,200 --> 00:14:08,933 ♪♪ 176 00:14:08,933 --> 00:14:16,633 ♪♪ 177 00:14:16,633 --> 00:14:24,366 ♪♪ 178 00:14:24,366 --> 00:14:32,066 ♪♪ 179 00:14:32,066 --> 00:14:38,633 ♪♪ 180 00:14:38,633 --> 00:14:45,166 ♪♪ 181 00:14:45,166 --> 00:14:51,733 ♪♪ 182 00:14:51,733 --> 00:14:58,266 ♪♪ 183 00:14:58,266 --> 00:15:04,900 ♪♪ 184 00:15:04,900 --> 00:15:11,466 ♪♪ 185 00:15:11,466 --> 00:15:18,000 ♪♪ 186 00:15:18,000 --> 00:15:24,566 ♪♪ 187 00:15:24,566 --> 00:15:32,566 ♪♪ 188 00:15:32,566 --> 00:15:40,533 ♪♪ 189 00:15:40,533 --> 00:15:48,533 ♪♪ 190 00:15:48,533 --> 00:15:56,500 ♪♪ 191 00:15:56,500 --> 00:16:04,566 ♪♪ 192 00:16:04,566 --> 00:16:12,533 ♪♪ 193 00:16:12,533 --> 00:16:20,533 ♪♪ 194 00:16:20,533 --> 00:16:28,500 ♪♪ 195 00:16:28,500 --> 00:16:36,500 ♪♪ 196 00:16:36,500 --> 00:16:44,466 ♪♪ 197 00:16:44,466 --> 00:16:53,766 ♪♪ 198 00:16:53,766 --> 00:17:03,166 ♪♪ 199 00:17:03,166 --> 00:17:12,466 ♪♪ 200 00:17:12,466 --> 00:17:21,766 ♪♪ 201 00:17:21,766 --> 00:17:25,333 [ Applause ] 202 00:17:25,333 --> 00:17:28,033 Under the baton of conductor Jaap van Zweden, 203 00:17:28,033 --> 00:17:30,866 the orchestra and the New York Philharmonic Chorus 204 00:17:30,866 --> 00:17:35,166 premiere Angélica Negrón's "You Are the Prelude." 205 00:17:35,166 --> 00:17:38,033 Negrón's work celebrates the new concert hall 206 00:17:38,033 --> 00:17:40,500 and the joy shared by audiences and artists 207 00:17:40,500 --> 00:17:45,600 coming together again to experience live music. 208 00:17:45,600 --> 00:17:49,166 Taking a bow is composer Angélica Negrón. 209 00:17:49,166 --> 00:17:51,866 She set her work to an original choral text 210 00:17:51,866 --> 00:17:54,533 by poet Richardo Alberto Maldonado 211 00:17:54,533 --> 00:17:57,533 written to honor the impact of the new hall's design 212 00:17:57,533 --> 00:18:00,866 on the communal experience of sound. 213 00:18:00,866 --> 00:18:05,266 [ Applause ] 214 00:18:05,266 --> 00:18:08,500 Next on our program, Beethoven's Ninth Symphony. 215 00:18:08,500 --> 00:18:11,033 It premiered in Vienna in 1824, 216 00:18:11,033 --> 00:18:14,900 in the US at the New York Philharmonic in 1846, 217 00:18:14,900 --> 00:18:17,133 and has achieved iconic status for centuries 218 00:18:17,133 --> 00:18:19,400 all over the world. 219 00:18:19,400 --> 00:18:21,300 The grand chorale finale 220 00:18:21,300 --> 00:18:24,666 is set to Friedrich Schiller's poem "Ode to Joy," 221 00:18:24,666 --> 00:18:28,433 a source of inspiration for the entire work. 222 00:18:28,433 --> 00:18:31,800 Also called "The ChoralSymphony," it was the firt 223 00:18:31,800 --> 00:18:35,400 symphony to include vocal soloists and chorus 224 00:18:35,400 --> 00:18:38,300 into what, until then, had been a purely instrumental genre. 225 00:18:41,400 --> 00:18:44,400 Maestro Jaap van Zweden returns to the podium to 226 00:18:44,400 --> 00:18:46,966 lead the Orchestra and the New York Philharmonic 227 00:18:46,966 --> 00:18:49,933 Chorus in Beethoven's Symphony Number 9. 228 00:18:55,566 --> 00:19:04,700 ♪♪ 229 00:19:04,700 --> 00:19:13,766 ♪♪ 230 00:19:13,766 --> 00:19:22,833 ♪♪ 231 00:19:22,833 --> 00:19:31,933 ♪♪ 232 00:19:31,933 --> 00:19:41,000 ♪♪ 233 00:19:41,000 --> 00:19:50,066 ♪♪ 234 00:19:50,066 --> 00:19:59,133 ♪♪ 235 00:19:59,133 --> 00:20:08,200 ♪♪ 236 00:20:08,200 --> 00:20:17,266 ♪♪ 237 00:20:17,266 --> 00:20:26,366 ♪♪ 238 00:20:26,366 --> 00:20:35,433 ♪♪ 239 00:20:35,433 --> 00:20:44,500 ♪♪ 240 00:20:44,500 --> 00:20:53,566 ♪♪ 241 00:20:53,566 --> 00:21:02,700 ♪♪ 242 00:21:02,700 --> 00:21:11,766 ♪♪ 243 00:21:11,766 --> 00:21:20,866 ♪♪ 244 00:21:20,866 --> 00:21:29,933 ♪♪ 245 00:21:29,933 --> 00:21:39,000 ♪♪ 246 00:21:39,000 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00:33:18,200 --> 00:33:27,133 ♪♪ 328 00:33:27,133 --> 00:33:36,033 ♪♪ 329 00:33:36,033 --> 00:33:44,966 ♪♪ 330 00:33:44,966 --> 00:33:53,900 ♪♪ 331 00:33:53,900 --> 00:34:02,866 ♪♪ 332 00:34:02,866 --> 00:34:11,800 ♪♪ 333 00:34:11,800 --> 00:34:20,733 ♪♪ 334 00:34:20,733 --> 00:34:29,633 ♪♪ 335 00:34:29,633 --> 00:34:38,566 ♪♪ 336 00:34:38,566 --> 00:34:47,500 ♪♪ 337 00:34:47,500 --> 00:34:56,433 ♪♪ 338 00:34:56,433 --> 00:35:05,400 ♪♪ 339 00:35:05,400 --> 00:35:14,333 ♪♪ 340 00:35:14,333 --> 00:35:23,266 ♪♪ 341 00:35:23,266 --> 00:35:32,166 ♪♪ 342 00:35:32,166 --> 00:35:41,100 ♪♪ 343 00:35:41,100 --> 00:35:50,033 ♪♪ 344 00:35:50,033 --> 00:35:58,933 ♪♪ 345 00:35:58,933 --> 00:36:07,933 ♪♪ 346 00:36:07,933 --> 00:36:16,866 ♪♪ 347 00:36:16,866 --> 00:36:25,766 ♪♪ 348 00:36:25,766 --> 00:36:34,700 ♪♪ 349 00:36:34,700 --> 00:36:42,833 ♪♪ 350 00:36:42,833 --> 00:36:50,966 ♪♪ 351 00:36:50,966 --> 00:36:59,100 ♪♪ 352 00:36:59,100 --> 00:37:07,300 ♪♪ 353 00:37:07,300 --> 00:37:15,433 ♪♪ 354 00:37:15,433 --> 00:37:23,566 ♪♪ 355 00:37:23,566 --> 00:37:31,700 ♪♪ 356 00:37:31,700 --> 00:37:39,833 ♪♪ 357 00:37:39,833 --> 00:37:47,966 ♪♪ 358 00:37:47,966 --> 00:37:56,100 ♪♪ 359 00:37:56,100 --> 00:38:04,300 ♪♪ 360 00:38:04,300 --> 00:38:12,400 ♪♪ 361 00:38:12,400 --> 00:38:20,533 ♪♪ 362 00:38:20,533 --> 00:38:28,666 ♪♪ 363 00:38:28,666 --> 00:38:36,800 ♪♪ 364 00:38:36,800 --> 00:38:44,933 ♪♪ 365 00:38:44,933 --> 00:38:53,066 ♪♪ 366 00:38:53,066 --> 00:39:01,266 ♪♪ 367 00:39:01,266 --> 00:39:09,400 ♪♪ 368 00:39:09,400 --> 00:39:17,533 ♪♪ 369 00:39:17,533 --> 00:39:25,666 ♪♪ 370 00:39:25,666 --> 00:39:33,800 ♪♪ 371 00:39:33,800 --> 00:39:43,433 ♪♪ 372 00:39:43,433 --> 00:39:53,066 ♪♪ 373 00:39:53,066 --> 00:40:02,700 ♪♪ 374 00:40:02,700 --> 00:40:12,366 ♪♪ 375 00:40:12,366 --> 00:40:22,000 ♪♪ 376 00:40:22,000 --> 00:40:31,633 ♪♪ 377 00:40:31,633 --> 00:40:41,266 ♪♪ 378 00:40:41,266 --> 00:40:50,900 ♪♪ 379 00:40:50,900 --> 00:41:00,600 ♪♪ 380 00:41:00,600 --> 00:41:10,266 ♪♪ 381 00:41:10,266 --> 00:41:19,900 ♪♪ 382 00:41:19,900 --> 00:41:29,533 ♪♪ 383 00:41:29,533 --> 00:41:39,166 ♪♪ 384 00:41:39,166 --> 00:41:46,466 ♪♪ 385 00:41:46,466 --> 00:41:53,733 ♪♪ 386 00:41:53,733 --> 00:42:01,100 ♪♪ 387 00:42:01,100 --> 00:42:08,400 ♪♪ 388 00:42:08,400 --> 00:42:15,666 ♪♪ 389 00:42:15,666 --> 00:42:22,966 ♪♪ 390 00:42:22,966 --> 00:42:30,266 ♪♪ 391 00:42:30,266 --> 00:42:37,533 ♪♪ 392 00:42:37,533 --> 00:42:44,833 ♪♪ 393 00:42:44,833 --> 00:42:52,133 ♪♪ 394 00:42:52,133 --> 00:42:59,433 ♪♪ 395 00:42:59,433 --> 00:43:06,766 ♪♪ 396 00:43:06,766 --> 00:43:14,066 ♪♪ 397 00:43:14,066 --> 00:43:21,366 ♪♪ 398 00:43:21,366 --> 00:43:28,633 ♪♪ 399 00:43:28,633 --> 00:43:35,933 ♪♪ 400 00:43:35,933 --> 00:43:43,233 ♪♪ 401 00:43:43,233 --> 00:43:50,500 ♪♪ 402 00:43:50,500 --> 00:43:57,766 ♪♪ 403 00:43:57,766 --> 00:44:00,633 [ Applause ] 404 00:44:11,366 --> 00:44:15,033 Entering the stage are soloists soprano Joélle Harvey, 405 00:44:15,033 --> 00:44:17,100 mezzo-soprano Kelley O'Connor, 406 00:44:17,100 --> 00:44:19,100 tenor Issachah Savage, 407 00:44:19,100 --> 00:44:21,400 and bass-baritone Davóne Tines. 408 00:44:33,133 --> 00:44:40,900 ♪♪ 409 00:44:40,900 --> 00:44:48,666 ♪♪ 410 00:44:48,666 --> 00:44:56,400 ♪♪ 411 00:44:56,400 --> 00:45:04,233 ♪♪ 412 00:45:04,233 --> 00:45:12,000 ♪♪ 413 00:45:12,000 --> 00:45:19,766 ♪♪ 414 00:45:19,766 --> 00:45:27,533 ♪♪ 415 00:45:27,533 --> 00:45:35,266 ♪♪ 416 00:45:35,266 --> 00:45:43,033 ♪♪ 417 00:45:43,033 --> 00:45:50,800 ♪♪ 418 00:45:50,800 --> 00:45:58,566 ♪♪ 419 00:45:58,566 --> 00:46:06,400 ♪♪ 420 00:46:06,400 --> 00:46:14,133 ♪♪ 421 00:46:14,133 --> 00:46:21,900 ♪♪ 422 00:46:21,900 --> 00:46:29,666 ♪♪ 423 00:46:29,666 --> 00:46:37,433 ♪♪ 424 00:46:37,433 --> 00:46:45,200 ♪♪ 425 00:46:45,200 --> 00:46:52,933 ♪♪ 426 00:46:52,933 --> 00:47:00,766 ♪♪ 427 00:47:00,766 --> 00:47:08,533 ♪♪ 428 00:47:08,533 --> 00:47:16,300 ♪♪ 429 00:47:16,300 --> 00:47:24,066 ♪♪ 430 00:47:24,066 --> 00:47:31,800 ♪♪ 431 00:47:31,800 --> 00:47:39,566 ♪♪ 432 00:47:39,566 --> 00:47:47,333 ♪♪ 433 00:47:47,333 --> 00:47:55,100 ♪♪ 434 00:47:55,100 --> 00:48:02,933 ♪♪ 435 00:48:02,933 --> 00:48:10,666 ♪♪ 436 00:48:10,666 --> 00:48:18,433 ♪♪ 437 00:48:18,433 --> 00:48:26,200 ♪♪ 438 00:48:26,200 --> 00:48:33,566 ♪♪ 439 00:48:33,566 --> 00:48:40,933 ♪♪ 440 00:48:40,933 --> 00:48:48,300 ♪♪ 441 00:48:48,300 --> 00:48:55,666 ♪♪ 442 00:48:55,666 --> 00:49:03,100 ♪♪ 443 00:49:03,100 --> 00:49:10,433 ♪♪ 444 00:49:10,433 --> 00:49:17,800 ♪♪ 445 00:49:17,800 --> 00:49:25,166 ♪♪ 446 00:49:25,166 --> 00:49:32,533 ♪♪ 447 00:49:32,533 --> 00:49:39,900 ♪♪ 448 00:49:39,900 --> 00:49:47,266 ♪♪ 449 00:49:47,266 --> 00:49:54,633 ♪♪ 450 00:49:54,633 --> 00:50:02,000 ♪♪ 451 00:50:02,000 --> 00:50:09,366 ♪♪ 452 00:50:09,366 --> 00:50:16,733 ♪♪ 453 00:50:16,733 --> 00:50:24,066 ♪♪ 454 00:50:24,066 --> 00:50:31,433 ♪♪ 455 00:50:31,433 --> 00:50:38,800 ♪♪ 456 00:50:38,800 --> 00:50:46,166 ♪♪ 457 00:50:46,166 --> 00:50:53,533 ♪♪ 458 00:50:53,533 --> 00:51:00,966 ♪♪ 459 00:51:00,966 --> 00:51:10,566 ♪♪ 460 00:51:10,566 --> 00:51:20,200 ♪♪ 461 00:51:20,200 --> 00:51:29,800 ♪♪ 462 00:51:29,800 --> 00:51:39,400 ♪♪ 463 00:51:39,400 --> 00:51:49,033 ♪♪ 464 00:51:49,033 --> 00:51:58,633 ♪♪ 465 00:51:58,633 --> 00:52:08,300 ♪♪ 466 00:52:08,300 --> 00:52:17,933 ♪♪ 467 00:52:17,933 --> 00:52:27,533 ♪♪ 468 00:52:27,533 --> 00:52:37,166 ♪♪ 469 00:52:37,166 --> 00:52:46,766 ♪♪ 470 00:52:46,766 --> 00:52:56,366 ♪♪ 471 00:52:56,366 --> 00:53:06,066 ♪♪ 472 00:53:06,066 --> 00:53:15,666 ♪♪ 473 00:53:15,666 --> 00:53:25,266 ♪♪ 474 00:53:25,266 --> 00:53:34,900 ♪♪ 475 00:53:34,900 --> 00:53:44,500 ♪♪ 476 00:53:44,500 --> 00:53:54,100 ♪♪ 477 00:53:54,100 --> 00:54:03,800 ♪♪ 478 00:54:03,800 --> 00:54:13,400 ♪♪ 479 00:54:13,400 --> 00:54:23,000 ♪♪ 480 00:54:23,000 --> 00:54:32,633 ♪♪ 481 00:54:32,633 --> 00:54:42,233 ♪♪ 482 00:54:42,233 --> 00:54:51,833 ♪♪ 483 00:54:51,833 --> 00:55:01,533 ♪♪ 484 00:55:01,533 --> 00:55:11,133 ♪♪ 485 00:55:11,133 --> 00:55:20,766 ♪♪ 486 00:55:20,766 --> 00:55:30,366 ♪♪ 487 00:55:30,366 --> 00:55:39,966 ♪♪ 488 00:55:39,966 --> 00:55:49,600 ♪♪ 489 00:55:49,600 --> 00:55:59,200 ♪♪ 490 00:55:59,200 --> 00:56:08,866 ♪♪ 491 00:56:08,866 --> 00:56:18,500 ♪♪ 492 00:56:18,500 --> 00:56:28,100 ♪♪ 493 00:56:28,100 --> 00:56:37,633 ♪♪ 494 00:56:47,200 --> 00:56:54,400 ♪♪ 495 00:56:54,400 --> 00:57:01,700 ♪♪ 496 00:57:01,700 --> 00:57:08,900 ♪♪ 497 00:57:08,900 --> 00:57:16,100 ♪♪ 498 00:57:16,100 --> 00:57:23,333 ♪♪ 499 00:57:23,333 --> 00:57:30,533 ♪♪ 500 00:57:30,533 --> 00:57:37,733 ♪♪ 501 00:57:37,733 --> 00:57:44,966 ♪♪ 502 00:57:44,966 --> 00:57:52,166 ♪♪ 503 00:57:52,166 --> 00:57:59,400 ♪♪ 504 00:57:59,400 --> 00:58:06,666 ♪♪ 505 00:58:06,666 --> 00:58:13,866 ♪♪ 506 00:58:13,866 --> 00:58:21,100 ♪♪ 507 00:58:21,100 --> 00:58:28,300 ♪♪ 508 00:58:28,300 --> 00:58:33,566 ♪♪ 509 00:58:33,566 --> 00:58:42,866 ♪♪ 510 00:58:42,866 --> 00:58:52,166 ♪♪ 511 00:58:52,166 --> 00:59:01,566 ♪♪ 512 00:59:01,566 --> 00:59:10,866 ♪♪ 513 00:59:10,866 --> 00:59:20,166 ♪♪ 514 00:59:20,166 --> 00:59:29,466 ♪♪ 515 00:59:29,466 --> 00:59:38,766 ♪♪ 516 00:59:38,766 --> 00:59:48,066 ♪♪ 517 00:59:48,066 --> 00:59:57,400 ♪♪ 518 00:59:57,400 --> 01:00:06,700 ♪♪ 519 01:00:06,700 --> 01:00:16,000 ♪♪ 520 01:00:16,000 --> 01:00:25,300 ♪♪ 521 01:00:25,300 --> 01:00:34,600 ♪♪ 522 01:00:34,600 --> 01:00:43,933 ♪♪ 523 01:00:43,933 --> 01:00:53,233 ♪♪ 524 01:00:53,233 --> 01:01:02,600 ♪♪ 525 01:01:02,600 --> 01:01:11,900 ♪♪ 526 01:01:11,900 --> 01:01:21,200 ♪♪ 527 01:01:21,200 --> 01:01:30,533 ♪♪ 528 01:01:30,533 --> 01:01:39,833 ♪♪ 529 01:01:39,833 --> 01:01:49,133 ♪♪ 530 01:01:49,133 --> 01:01:58,433 ♪♪ 531 01:01:58,433 --> 01:02:07,800 ♪♪ 532 01:02:07,800 --> 01:02:17,100 ♪♪ 533 01:02:17,100 --> 01:02:26,433 ♪♪ 534 01:02:26,433 --> 01:02:35,733 ♪♪ 535 01:02:35,733 --> 01:02:45,800 ♪♪ 536 01:02:45,800 --> 01:02:54,433 ♪ O Freunde ♪ 537 01:02:54,433 --> 01:03:02,066 ♪ Nicht diese Toene ♪ 538 01:03:02,066 --> 01:03:07,366 ♪♪ 539 01:03:07,366 --> 01:03:17,266 ♪ Sondern lasst uns angenehmere ♪ 540 01:03:17,266 --> 01:03:20,466 ♪ Anstimmen ♪ 541 01:03:20,466 --> 01:03:21,900 ♪♪ 542 01:03:21,900 --> 01:03:28,833 ♪ Und freudenvollere ♪ 543 01:03:28,833 --> 01:03:35,733 ♪ Und freudenvollere ♪ 544 01:03:35,733 --> 01:03:38,133 ♪♪ 545 01:03:38,133 --> 01:03:41,133 ♪ Freude ♪ ♪ Freude ♪ 546 01:03:41,133 --> 01:03:42,900 ♪ Freude ♪ ♪ Freude ♪ 547 01:03:42,900 --> 01:03:45,700 ♪ Freude schoener Goetterfunken ♪ 548 01:03:45,700 --> 01:03:48,833 ♪ Tochter aus Elysium ♪ 549 01:03:48,833 --> 01:03:51,766 ♪ Wir betreten feuertrunken ♪ 550 01:03:51,766 --> 01:03:54,900 ♪ Himmlische, dein Heiligtum ♪ 551 01:03:54,900 --> 01:03:57,933 ♪ Deine Zauber binden wieder ♪ 552 01:03:57,933 --> 01:04:00,733 ♪ Was die Mode streng geteilt ♪ 553 01:04:00,733 --> 01:04:04,133 ♪ Alle Menschen werden Brueder ♪ 554 01:04:04,133 --> 01:04:06,900 ♪ Wo dein sanfter Fluegel weilt ♪ 555 01:04:06,900 --> 01:04:09,833 [ Chorus singing in German ] 556 01:04:09,833 --> 01:04:17,433 ♪♪ 557 01:04:17,433 --> 01:04:25,000 ♪♪ 558 01:04:25,000 --> 01:04:28,033 ♪ Wem der grosse Wurf gelungen ♪ 559 01:04:28,033 --> 01:04:30,933 ♪ Eines Freundes Freund zu sein ♪ 560 01:04:30,933 --> 01:04:34,833 [ All singing in German ] 561 01:04:34,833 --> 01:04:39,966 ♪♪ 562 01:04:39,966 --> 01:04:42,633 ♪ Sein nennt auf dem Erdenrund ♪ 563 01:04:42,633 --> 01:04:45,933 ♪ Und wer's nie gekonnt, der stehle ♪ 564 01:04:45,933 --> 01:04:48,800 ♪ Weinend sich aus diesem Bund ♪ 565 01:04:48,800 --> 01:04:50,900 [ Chorus singing in German ] 566 01:04:50,900 --> 01:04:58,466 ♪♪ 567 01:04:58,466 --> 01:05:06,066 ♪♪ 568 01:05:06,066 --> 01:05:08,966 [ Singing in German ] 569 01:05:08,966 --> 01:05:17,666 ♪♪ 570 01:05:17,666 --> 01:05:26,433 ♪♪ 571 01:05:26,433 --> 01:05:35,166 ♪♪ 572 01:05:35,166 --> 01:05:43,900 ♪♪ 573 01:05:43,900 --> 01:05:52,633 ♪♪ 574 01:05:52,633 --> 01:06:01,300 ♪♪ 575 01:06:03,500 --> 01:06:11,966 ♪♪ 576 01:06:11,966 --> 01:06:20,400 ♪♪ 577 01:06:20,400 --> 01:06:28,866 ♪♪ 578 01:06:28,866 --> 01:06:37,300 ♪♪ 579 01:06:37,300 --> 01:06:45,733 ♪♪ 580 01:06:45,733 --> 01:06:48,500 [ Singing in German ] 581 01:06:48,500 --> 01:06:56,400 ♪♪ 582 01:06:56,400 --> 01:07:04,366 ♪♪ 583 01:07:04,366 --> 01:07:12,300 ♪♪ 584 01:07:12,300 --> 01:07:20,133 ♪♪ 585 01:07:20,133 --> 01:07:22,133 [ Chorus joins ] 586 01:07:22,133 --> 01:07:31,833 ♪♪ 587 01:07:31,833 --> 01:07:41,533 ♪♪ 588 01:07:41,533 --> 01:07:51,233 ♪♪ 589 01:07:51,233 --> 01:08:01,000 ♪♪ 590 01:08:01,000 --> 01:08:10,700 ♪♪ 591 01:08:10,700 --> 01:08:20,400 ♪♪ 592 01:08:20,400 --> 01:08:30,133 ♪♪ 593 01:08:30,133 --> 01:08:39,833 ♪♪ 594 01:08:39,833 --> 01:08:49,533 ♪♪ 595 01:08:49,533 --> 01:08:59,233 ♪♪ 596 01:08:59,233 --> 01:09:09,000 ♪♪ 597 01:09:09,000 --> 01:09:18,766 ♪♪ 598 01:09:18,766 --> 01:09:22,600 ♪ Freude schoener Goetterfunken ♪ 599 01:09:22,600 --> 01:09:26,066 ♪ Tochter aus Elysium ♪ 600 01:09:26,066 --> 01:09:29,500 ♪ Wir betreten feuertrunken ♪ 601 01:09:29,500 --> 01:09:33,233 ♪ Himmlische, dein Heiligtum ♪ 602 01:09:33,233 --> 01:09:40,766 ♪ Deine Zauber binden wieder Was die Mode streng geteilt ♪ 603 01:09:40,766 --> 01:09:43,900 ♪ Alle Menschen werden Brueder ♪ 604 01:09:43,900 --> 01:09:47,333 ♪ Wo dein sanfter Fluegel weilt ♪ 605 01:09:47,333 --> 01:09:50,500 [ Singing in German ] 606 01:09:50,500 --> 01:09:58,766 ♪♪ 607 01:09:58,766 --> 01:10:07,066 ♪♪ 608 01:10:07,066 --> 01:10:16,800 ♪ Seid umschlungen, Millionen ♪ 609 01:10:16,800 --> 01:10:19,000 ♪♪ 610 01:10:19,000 --> 01:10:28,200 ♪♪ 611 01:10:28,200 --> 01:10:37,433 ♪♪ 612 01:10:37,433 --> 01:10:46,633 ♪♪ 613 01:10:46,633 --> 01:10:55,833 ♪♪ 614 01:10:55,833 --> 01:11:05,100 ♪♪ 615 01:11:05,100 --> 01:11:14,300 ♪♪ 616 01:11:14,300 --> 01:11:23,500 ♪♪ 617 01:11:23,500 --> 01:11:32,733 ♪♪ 618 01:11:32,733 --> 01:11:41,933 ♪♪ 619 01:11:41,933 --> 01:11:51,133 ♪♪ 620 01:11:51,133 --> 01:11:59,533 ♪♪ 621 01:11:59,533 --> 01:12:08,000 ♪♪ 622 01:12:08,000 --> 01:12:16,400 ♪♪ 623 01:12:16,400 --> 01:12:24,766 ♪♪ 624 01:12:24,766 --> 01:12:33,166 ♪♪ 625 01:12:33,166 --> 01:12:41,566 ♪♪ 626 01:12:41,566 --> 01:12:49,966 ♪♪ 627 01:12:49,966 --> 01:12:57,233 ♪♪ 628 01:12:57,233 --> 01:13:04,566 ♪♪ 629 01:13:04,566 --> 01:13:11,833 ♪♪ 630 01:13:11,833 --> 01:13:19,100 ♪♪ 631 01:13:19,100 --> 01:13:22,533 [ Chorus singing overlapping verses in German ] 632 01:13:22,533 --> 01:13:31,300 ♪♪ 633 01:13:31,300 --> 01:13:40,100 ♪♪ 634 01:13:40,100 --> 01:13:48,866 ♪♪ 635 01:13:48,866 --> 01:13:57,666 ♪♪ 636 01:13:57,666 --> 01:14:06,500 ♪♪ 637 01:14:06,500 --> 01:14:15,266 ♪♪ 638 01:14:15,266 --> 01:14:24,066 ♪♪ 639 01:14:24,066 --> 01:14:32,833 ♪♪ 640 01:14:32,833 --> 01:14:41,600 ♪♪ 641 01:14:41,600 --> 01:14:50,400 ♪♪ 642 01:14:50,400 --> 01:14:59,166 ♪♪ 643 01:14:59,166 --> 01:15:08,033 ♪♪ 644 01:15:08,033 --> 01:15:16,833 ♪♪ 645 01:15:16,833 --> 01:15:20,100 [ Soloists singing overlapping verses in German ] 646 01:15:20,100 --> 01:15:28,633 ♪♪ 647 01:15:28,633 --> 01:15:37,166 ♪♪ 648 01:15:37,166 --> 01:15:45,700 ♪♪ 649 01:15:45,700 --> 01:15:54,233 ♪♪ 650 01:15:54,233 --> 01:16:02,833 ♪♪ 651 01:16:02,833 --> 01:16:11,400 ♪♪ 652 01:16:11,400 --> 01:16:19,933 ♪♪ 653 01:16:19,933 --> 01:16:28,466 ♪♪ 654 01:16:28,466 --> 01:16:37,000 ♪♪ 655 01:16:37,000 --> 01:16:45,533 ♪♪ 656 01:16:45,533 --> 01:16:54,066 ♪♪ 657 01:16:54,066 --> 01:17:02,666 ♪♪ 658 01:17:02,666 --> 01:17:11,200 ♪♪ 659 01:17:11,200 --> 01:17:19,733 ♪♪ 660 01:17:19,733 --> 01:17:28,266 ♪♪ 661 01:17:28,266 --> 01:17:36,800 ♪♪ 662 01:17:36,800 --> 01:17:45,333 ♪♪ 663 01:17:45,333 --> 01:17:53,900 ♪♪ 664 01:17:53,900 --> 01:18:02,500 ♪♪ 665 01:18:02,500 --> 01:18:11,033 ♪♪ 666 01:18:11,033 --> 01:18:19,566 ♪♪ 667 01:18:19,566 --> 01:18:28,100 ♪♪ 668 01:18:28,100 --> 01:18:36,633 ♪♪ 669 01:18:36,633 --> 01:18:45,133 ♪♪ 670 01:18:45,133 --> 01:18:47,200 [ Cheers and applause ] 671 01:18:47,200 --> 01:18:49,933 Narrator: The New York Philharmonic's Gala Celebration 672 01:18:49,933 --> 01:18:52,100 comes to a rousing conclusion 673 01:18:52,100 --> 01:18:56,866 with the finale of Beethoven's Ninth Symphony, "Ode to Joy." 674 01:18:56,866 --> 01:19:00,133 Maestro Jaap van Zweden gestures to the 84 musicians 675 01:19:00,133 --> 01:19:02,066 of the orchestra to stand 676 01:19:02,066 --> 01:19:04,833 and receive the ovation of this Gala audience. 677 01:19:04,833 --> 01:19:10,400 [ Cheers and applause ] 678 01:19:10,400 --> 01:19:14,733 The Maestro shakes hands with the Concert Master, Frank Huang. 679 01:19:14,733 --> 01:19:22,666 [ Cheers and applause continue ] 680 01:19:33,866 --> 01:19:37,366 Tonight's soloists -- Joélle Harvey, Kelley O'Connor, 681 01:19:37,366 --> 01:19:39,800 Issachah Savage, Davóne Tines -- 682 01:19:39,800 --> 01:19:41,200 return to the stage 683 01:19:41,200 --> 01:19:43,300 with director Malcolm J. Merriweather, 684 01:19:43,300 --> 01:19:46,100 who gestures the 120-member chorus to stand. 685 01:19:46,100 --> 01:19:48,100 [ Cheers and applause ] 686 01:20:00,066 --> 01:20:01,866 [ Cheers and applause ] 687 01:20:01,866 --> 01:20:03,366 [ Pop ] 688 01:20:03,366 --> 01:20:06,233 And with a celebratory pop, the newly renovated 689 01:20:06,233 --> 01:20:10,200 David Geffen Hall receives a shower of sparkling confetti, 690 01:20:10,200 --> 01:20:13,000 a toast to the joy of tonight's performance 691 01:20:13,000 --> 01:20:16,300 and to a bright future ahead for the New York Philharmonic. 692 01:20:16,300 --> 01:20:31,233 [ Cheers and applause ] 693 01:20:31,233 --> 01:20:32,366 [ Cheers and applause ] 694 01:20:32,366 --> 01:20:34,800 The new David Geffen Hall - inaugurated in this Gala 695 01:20:34,800 --> 01:20:37,433 homecoming for the New York Philharmonic - will 696 01:20:37,433 --> 01:20:40,566 be a place where the joy of music can be shared by 697 01:20:40,566 --> 01:20:43,033 artists and audiences for years to come! 698 01:20:53,400 --> 01:20:56,700 Now in his fifth season as music director, 699 01:20:56,700 --> 01:20:58,666 Jaap van Zweden has served through 700 01:20:58,666 --> 01:21:00,600 one of the most challenging periods 701 01:21:00,600 --> 01:21:02,466 in the orchestra's history, 702 01:21:02,466 --> 01:21:04,933 a long journey to their new home 703 01:21:04,933 --> 01:21:07,033 celebrated tonight with a fanfare, 704 01:21:07,033 --> 01:21:10,966 a world premiere, and a joyful finale. 705 01:21:10,966 --> 01:21:12,966 [ Cheers and applause ] 706 01:21:25,766 --> 01:21:28,100 [ Cheers and applause continue ] 707 01:21:41,533 --> 01:21:42,900 To find out more about this 708 01:21:42,900 --> 01:21:44,633 and other "Great Performances" programs, 709 01:21:44,633 --> 01:21:47,966 visit PBS.org/greatperformances. 710 01:21:47,966 --> 01:21:50,266 Find us on Facebook and follow us on Twitter. 711 01:21:50,266 --> 01:21:54,266 [ Cheers and applause continue ] 712 01:22:09,066 --> 01:22:11,500 [ Cheers and applause continue ] 713 01:22:22,000 --> 01:22:26,000 ♪♪