WEBVTT 00:01.333 --> 00:03.333 align:left position:15% line:83% size:75% Before I show you around I want to show you this guitar. 00:03.933 --> 00:06.066 align:left position:25% line:83% size:65% It's a copy from a Barrios guitar. 00:06.066 --> 00:07.166 align:left position:35% line:89% size:55% Oh, wow. 00:07.166 --> 00:09.866 align:left position:10% line:83% size:80% You were talking to Federico Shepherd, right? 00:09.866 --> 00:10.266 align:left position:40% line:89% size:50% Fred? 00:10.500 --> 00:11.600 align:left position:32.5% line:89% size:57.5% Yeah. Yeah. 00:11.600 --> 00:13.133 align:left position:17.5% line:89% size:72.5% So he made this guitar. 00:13.133 --> 00:14.466 align:left position:30% line:83% size:60% No kidding. - Yeah. 00:14.466 --> 00:18.766 align:left position:10% line:83% size:80% And he made a copy of the first good guitar Barrios had. 00:19.266 --> 00:24.333 align:left position:10% line:83% size:80% So this is a copy of Ramirez from 1911. 00:24.666 --> 00:29.266 align:left position:10% line:83% size:80% He makes sure all the details are close to the original 00:29.266 --> 00:33.966 align:left position:10% line:83% size:80% guitar - the mother of pearl and the sound of it. 00:33.966 --> 00:34.700 align:left position:32.5% line:89% size:57.5% Beautiful. 00:34.900 --> 00:37.700 align:left position:27.5% line:83% size:62.5% So this guitar has a funny story. 00:37.966 --> 00:40.833 align:left position:12.5% line:83% size:77.5% When Barrios was traveling in a car, 00:40.833 --> 00:44.566 align:left position:15% line:83% size:75% they had an accident, and the car went down on a river. 00:44.933 --> 00:47.933 align:left position:22.5% line:83% size:67.5% So the guitar sunk inside the car 00:48.366 --> 00:51.700 align:left position:10% line:83% size:80% and Barrios dove into to the river and rescued the guitar. 00:52.333 --> 00:55.266 align:left position:10% line:83% size:80% But it won't sound good anymore. - Of course. 00:55.266 --> 00:58.466 align:left position:12.5% line:89% size:77.5% So Shepherd made this copy 00:58.900 --> 01:01.966 align:left position:32.5% line:83% size:57.5% to restore the sound of the guitar. 01:02.166 --> 01:04.100 align:left position:40% line:83% size:50% Okay. - So now we can hear it. 01:04.100 --> 01:04.966 align:left position:15% line:89% size:75% All right, let's hear it. 01:06.033 --> 01:07.933 align:left position:32.5% line:83% size:57.5% So, Scott, I wanted to bring you here 01:07.933 --> 01:11.700 align:left position:27.5% line:83% size:62.5% because Barrios played on this stage in 1929. 01:11.700 --> 01:12.633 align:left position:32.5% line:89% size:57.5% Incredible. 01:12.833 --> 01:15.266 align:left position:15% line:83% size:75% Now we have our orchestra rehearsing there. 01:15.266 --> 01:18.033 align:left position:25% line:83% size:65% So we'll be here on the entrance hall 01:18.033 --> 01:20.866 align:left position:17.5% line:83% size:72.5% that is just beautiful as the main hall. 01:20.866 --> 01:23.733 align:left position:10% line:89% size:80% So he started as a folk musician 01:23.733 --> 01:26.300 align:left position:35% line:83% size:55% learning folk tunes from his father. 01:26.300 --> 01:29.733 align:left position:17.5% line:83% size:72.5% And then one guy called Gustavo Sosa Escalada 01:29.733 --> 01:32.733 align:left position:25% line:83% size:65% saw the young boy and became his tutor, 01:33.166 --> 01:36.400 align:left position:17.5% line:83% size:72.5% Gustavo Sosa Escalada was very well connected 01:36.600 --> 01:38.633 align:left position:17.5% line:83% size:72.5% with the Spanish guitar repertoire. 01:38.633 --> 01:41.000 align:left position:15% line:83% size:75% And he start introducing these to Barrios. 01:41.000 --> 01:44.133 align:left position:37.5% line:83% size:52.5% - Okay, The first one, it's Aguado. 01:44.133 --> 01:47.100 align:left position:42.5% line:89% size:47.5% ♪♪ 01:47.100 --> 01:50.066 align:left position:42.5% line:89% size:47.5% ♪♪ 01:50.066 --> 01:53.033 align:left position:42.5% line:89% size:47.5% ♪♪ 01:53.033 --> 01:56.000 align:left position:42.5% line:89% size:47.5% ♪♪ 01:56.000 --> 01:57.700 align:left position:25% line:83% size:65% So Aguado taught Jose Ascensio 01:57.700 --> 02:00.833 align:left position:15% line:89% size:75% that taught Julian Arcas. 02:00.833 --> 02:03.800 align:left position:42.5% line:89% size:47.5% ♪♪ 02:03.800 --> 02:06.766 align:left position:42.5% line:89% size:47.5% ♪♪ 02:06.766 --> 02:09.733 align:left position:42.5% line:89% size:47.5% ♪♪ 02:09.733 --> 02:12.700 align:left position:42.5% line:89% size:47.5% ♪♪ 02:12.700 --> 02:15.666 align:left position:42.5% line:89% size:47.5% ♪♪ 02:15.666 --> 02:18.633 align:left position:42.5% line:89% size:47.5% ♪♪ 02:18.633 --> 02:21.600 align:left position:42.5% line:89% size:47.5% ♪♪ 02:22.300 --> 02:26.000 align:left position:22.5% line:83% size:67.5% Then Julian Arcas taught García Tolsa. 02:26.000 --> 02:26.866 align:left position:40% line:89% size:50% Okay. 02:26.866 --> 02:29.833 align:left position:42.5% line:89% size:47.5% ♪♪ 02:29.833 --> 02:32.800 align:left position:42.5% line:89% size:47.5% ♪♪ 02:32.800 --> 02:35.766 align:left position:42.5% line:89% size:47.5% ♪♪ 02:35.766 --> 02:38.733 align:left position:42.5% line:89% size:47.5% ♪♪ 02:38.733 --> 02:41.700 align:left position:42.5% line:89% size:47.5% ♪♪ 02:41.700 --> 02:47.966 align:left position:42.5% line:89% size:47.5% ♪♪ 02:47.966 --> 02:50.200 align:left position:20% line:89% size:70% And then García Tolsa 02:50.200 --> 02:52.433 align:left position:27.5% line:83% size:62.5% taught Gustavo Sosa Escalada, 02:52.433 --> 02:54.633 align:left position:22.5% line:89% size:67.5% who taught Barrios. 02:54.633 --> 03:00.966 align:left position:42.5% line:89% size:47.5% ♪♪ 03:00.966 --> 03:07.233 align:left position:42.5% line:89% size:47.5% ♪♪ 03:07.233 --> 03:13.500 align:left position:42.5% line:89% size:47.5% ♪♪ 03:14.366 --> 03:17.200 align:left position:22.5% line:83% size:67.5% You can really hear that Barrios is kind 03:17.200 --> 03:20.333 align:left position:15% line:83% size:75% of part of the evolution of all of those composers. 03:20.333 --> 03:21.133 align:left position:32.5% line:89% size:57.5% I think so. 03:21.133 --> 03:22.766 align:left position:12.5% line:89% size:77.5% It's like a football game, 03:22.766 --> 03:26.100 align:left position:17.5% line:83% size:72.5% one player sending them the ball to the next one. 03:26.600 --> 03:29.666 align:left position:17.5% line:83% size:72.5% So this Spanish music, this was like the foundation 03:29.900 --> 03:31.500 align:left position:30% line:83% size:60% for Barrios. - Yeah. 03:31.500 --> 03:34.466 align:left position:25% line:83% size:65% But he grew up to to connecting himself 03:34.466 --> 03:38.666 align:left position:30% line:83% size:60% to many othe kinds of music styles and so on. 03:39.200 --> 03:42.200 align:left position:15% line:83% size:75% So if he had not traveled to anywhere else, 03:42.400 --> 03:44.666 align:left position:10% line:83% size:80% he probably would have stayed a Spanish composer. 03:44.666 --> 03:45.700 align:left position:35% line:89% size:55% Probably. 03:45.700 --> 03:47.700 align:left position:20% line:83% size:70% And in the Paraguayan folk music. Right. 03:47.700 --> 03:48.733 align:left position:20% line:83% size:70% Right. It's amazing.