WEBVTT 00:01.366 --> 00:02.833 align:left position:20% line:5% size:70% ANNOUNCER: MAJOR FUNDING FOR "HEMINGWAY" 00:02.833 --> 00:05.800 align:left position:32.5% line:5% size:57.5% WAS PROVIDED BY THE BETTER ANGELS SOCIETY 00:05.800 --> 00:07.566 align:left position:27.5% line:89% size:62.5% AND BY ITS MEMBERS: 00:07.566 --> 00:10.033 align:left position:17.5% line:83% size:72.5% THE ELIZABETH RUTH WALLACE LIVING TRUST, 00:10.033 --> 00:11.966 align:left position:20% line:89% size:70% JOHN AND LESLIE McQUOWN, 00:11.966 --> 00:13.666 align:left position:20% line:89% size:70% JOHN AND CATHERINE DEBS, 00:13.666 --> 00:16.400 align:left position:25% line:83% size:65% THE FULLERTON FAMILY CHARITABLE TRUST, 00:16.400 --> 00:19.400 align:left position:17.5% line:83% size:72.5% KISSICK FAMILY FOUNDATION, GAIL ELDEN, 00:19.400 --> 00:21.000 align:left position:22.5% line:89% size:67.5% GILCHRIST AND AMY BERG, 00:21.000 --> 00:22.600 align:left position:15% line:89% size:75% ROBERT AND BEVERLY GRAPPONE, 00:22.600 --> 00:25.066 align:left position:12.5% line:89% size:77.5% AND MAUREE JANE AND MARK PERRY. 00:25.066 --> 00:29.466 align:left position:12.5% line:83% size:77.5% ADDITIONAL FUNDING WAS PROVIDED BY THE ANNENBERG FOUNDATION, 00:29.466 --> 00:32.033 align:left position:22.5% line:83% size:67.5% THE ARTHUR VINING DAVIS FOUNDATIONS, 00:32.033 --> 00:34.566 align:left position:32.5% line:83% size:57.5% THE CORPORATION FOR PUBLIC BROADCASTING, 00:34.566 --> 00:37.833 align:left position:15% line:83% size:75% AND BY CONTRIBUTIONS TO YOUR PBS STATION 00:37.833 --> 00:39.900 align:left position:22.5% line:89% size:67.5% FROM VIEWERS LIKE YOU. 00:39.900 --> 00:44.266 align:left position:37.5% line:89% size:52.5% THANK YOU. 00:45.400 --> 01:10.066 align:left position:50% line:89% size:40% ♪ 01:10.066 --> 01:14.600 align:left position:17.5% line:83% size:72.5% MAN: HEMINGWAY WAS A WRITER WHO HAPPENED TO BE AMERICAN, 01:14.600 --> 01:18.133 align:left position:32.5% line:83% size:57.5% BUT HIS PALETTE WAS INCREDIBLY WIDE 01:18.133 --> 01:24.833 align:left position:20% line:83% size:70% AND DELICIOUS AND VIOLENT AND BRUTAL AND UGLY, 01:24.833 --> 01:27.300 align:left position:25% line:89% size:65% ALL OF THOSE THINGS. 01:27.300 --> 01:31.633 align:left position:15% line:5% size:75% IT'S SOMETHING EVERY CULTURE CAN BASICALLY UNDERSTAND. 01:31.633 --> 01:37.500 align:left position:15% line:5% size:75% EVERY CULTURE CAN UNDERSTAND FALLING IN LOVE WITH SOMEONE, 01:37.500 --> 01:40.033 align:left position:20% line:89% size:70% THE LOSS OF THAT PERSON, 01:40.033 --> 01:42.666 align:left position:17.5% line:89% size:72.5% OF HOW GREAT A MEAL TASTES, 01:42.666 --> 01:46.033 align:left position:30% line:83% size:60% HOW EXTRAORDINARY THIS JOURNEY IS. 01:46.033 --> 01:49.100 align:left position:17.5% line:89% size:72.5% THAT IS NOT NATIONALISTIC. 01:49.100 --> 01:51.133 align:left position:37.5% line:89% size:52.5% IT'S HUMAN, 01:51.133 --> 01:53.633 align:left position:25% line:83% size:65% AND I THINK WITH ALL OF HIS FLAWS, 01:53.633 --> 01:57.666 align:left position:17.5% line:83% size:72.5% WITH ALL THE DIFFICULTIES, HIS PERSONAL LIFE, WHATEVER, 01:57.666 --> 02:03.400 align:left position:22.5% line:83% size:67.5% HE SEEMED TO UNDERSTAND HUMAN BEINGS. 02:03.400 --> 02:05.733 align:left position:17.5% line:83% size:72.5% MAN, AS HEMINGWAY: YOU SEE, I'M TRYING IN ALL MY STORIES 02:05.733 --> 02:09.800 align:left position:27.5% line:83% size:62.5% TO GET THE FEELING OF THE ACTUAL LIFE ACROSS-- 02:09.800 --> 02:14.500 align:left position:22.5% line:83% size:67.5% NOT JUST TO DEPICT LIFE OR CRITICIZE IT-- 02:14.500 --> 02:17.166 align:left position:15% line:89% size:75% BUT TO ACTUALLY MAKE IT ALIVE 02:17.166 --> 02:19.533 align:left position:20% line:83% size:70% SO THAT WHEN YOU'VE READ SOMETHING BY ME 02:19.533 --> 02:22.566 align:left position:22.5% line:83% size:67.5% YOU ACTUALLY EXPERIENCE THE THING. 02:22.566 --> 02:24.433 align:left position:30% line:83% size:60% YOU CAN'T DO THIS WITHOUT PUTTING IN 02:24.433 --> 02:28.033 align:left position:25% line:83% size:65% THE BAD AND THE UGLY, AS WELL AS WHAT IS BEAUTIFUL, 02:28.033 --> 02:31.800 align:left position:12.5% line:83% size:77.5% BECAUSE IF IT IS ALL BEAUTIFUL YOU CAN'T BELIEVE IN IT. 02:31.800 --> 02:33.966 align:left position:22.5% line:89% size:67.5% THINGS AREN'T THAT WAY. 02:33.966 --> 02:36.566 align:left position:25% line:83% size:65% IT IS ONLY BY SHOWING BOTH SIDES-- 02:36.566 --> 02:39.766 align:left position:10% line:89% size:80% 3 DIMENSIONS AND IF POSSIBLE 4-- 02:39.766 --> 02:42.466 align:left position:27.5% line:83% size:62.5% THAT YOU CAN WRITE THE WAY I WANT TO. 02:49.266 --> 02:52.866 align:left position:17.5% line:83% size:72.5% [THE BENNY GOODMAN SEXTET'S "A SMO-O-O-OTH ONE" PLAYING] 02:52.866 --> 02:56.600 align:left position:17.5% line:83% size:72.5% NARRATOR: ERNEST HEMINGWAY REMADE AMERICAN LITERATURE. 02:56.600 --> 02:59.833 align:left position:22.5% line:83% size:67.5% HE PARED STORY-TELLING TO ITS ESSENTIALS, 02:59.833 --> 03:02.333 align:left position:32.5% line:83% size:57.5% CHANGED THE WAY CHARACTERS SPEAK, 03:02.333 --> 03:06.300 align:left position:15% line:83% size:75% EXPANDED THE WORLDS A WRITER COULD LEGITIMATELY EXPLORE, 03:06.300 --> 03:10.466 align:left position:15% line:83% size:75% AND LEFT AN INDELIBLE RECORD OF HOW MEN AND WOMEN LIVED 03:10.466 --> 03:13.266 align:left position:25% line:89% size:65% DURING HIS LIFETIME. 03:13.266 --> 03:16.100 align:left position:22.5% line:83% size:67.5% GENERATIONS OF WRITERS WOULD FIND THEIR WORK 03:16.100 --> 03:18.100 align:left position:25% line:89% size:65% MEASURED AGAINST HIS. 03:18.100 --> 03:20.833 align:left position:35% line:83% size:55% SOME FOLLOWED THE PATH HE'D BLAZED. 03:20.833 --> 03:23.000 align:left position:17.5% line:89% size:72.5% OTHERS REBELLED AGAINST IT. 03:23.000 --> 03:26.166 align:left position:25% line:89% size:65% NONE COULD ESCAPE IT. 03:26.166 --> 03:29.133 align:left position:20% line:83% size:70% HE MADE HIMSELF THE MOST CELEBRATED AMERICAN WRITER 03:29.133 --> 03:30.933 align:left position:30% line:89% size:60% SINCE MARK TWAIN, 03:30.933 --> 03:35.133 align:left position:27.5% line:83% size:62.5% READ--AND REVERED-- AROUND THE WORLD. 03:35.133 --> 03:37.833 align:left position:20% line:83% size:70% MAN: IT'S HARD TO IMAGINE A WRITER TODAY 03:37.833 --> 03:42.133 align:left position:17.5% line:83% size:72.5% WHO HASN'T BEEN IN SOME WAY INFLUENCED BY HIM. 03:42.133 --> 03:43.866 align:left position:25% line:83% size:65% IT'S LIKE HE CHANGED ALL THE FURNITURE 03:43.866 --> 03:47.000 align:left position:27.5% line:5% size:62.5% IN THE ROOM, RIGHT, AND WE ALL HAVE TO SIT IN IT 03:47.000 --> 03:48.933 align:left position:27.5% line:5% size:62.5% TO SOME--YOU KNOW, WE CAN KIND OF SIT 03:48.933 --> 03:52.400 align:left position:15% line:83% size:75% ON THE EDGE OF THE ARMCHAIR, ON THE ARM OR DO THIS, 03:52.400 --> 03:57.100 align:left position:20% line:83% size:70% BUT, YOU KNOW HE CHANGED THE FURNITURE IN THE ROOM. 03:57.100 --> 04:02.200 align:left position:20% line:83% size:70% THE VALUE OF THE AMERICAN DECLARATIVE SENTENCE, RIGHT, 04:02.200 --> 04:06.166 align:left position:20% line:83% size:70% THE WAY YOU BUILD A HOUSE BRICK BY BRICK OUT OF THOSE. 04:06.166 --> 04:09.433 align:left position:22.5% line:83% size:67.5% WITHIN A FEW SENTENCES OF READING A HEMINGWAY STORY, 04:09.433 --> 04:14.033 align:left position:15% line:83% size:75% YOU WERE NOT IN ANY CONFUSION AS TO WHO HAD WRITTEN IT. 04:14.033 --> 04:17.566 align:left position:22.5% line:83% size:67.5% WOMAN: I CAN'T IMAGINE HOW IT'S POSSIBLE 04:17.566 --> 04:22.833 align:left position:12.5% line:83% size:77.5% THAT ANY ONE WRITER COULD HAVE SO CHANGED THE LANGUAGE. 04:22.833 --> 04:27.500 align:left position:15% line:5% size:75% PEOPLE HAVE BEEN COPYING HIM FOR NEARLY A HUNDRED YEARS, 04:27.500 --> 04:32.966 align:left position:17.5% line:5% size:72.5% AND THEY HAVEN'T SUCCEEDED IN EQUALING WHAT HE DID. 04:32.966 --> 04:36.833 align:left position:20% line:83% size:70% MAN: IF YOU'RE A WRITER, YOU CAN'T ESCAPE HEMINGWAY. 04:36.833 --> 04:40.066 align:left position:15% line:83% size:75% HE'S SO DAMN POPULAR THAT YOU CAN'T BEGIN TO WRITE 04:40.066 --> 04:42.733 align:left position:25% line:83% size:65% TILL YOU TRY AND KILL HIS GHOST IN YOU 04:42.733 --> 04:44.600 align:left position:32.5% line:89% size:57.5% OR EMBRACE IT, 04:44.600 --> 04:48.033 align:left position:17.5% line:5% size:72.5% AND I THINK I IDENTIFY THAT MOST ABOUT HEMINGWAY 04:48.033 --> 04:50.200 align:left position:32.5% line:5% size:57.5% IS THAT HE WAS ALWAYS QUESTING. 04:50.200 --> 04:52.500 align:left position:30% line:83% size:60% THE PERFECT LINE HAD NOT HAPPENED YET. 04:52.500 --> 04:55.166 align:left position:22.5% line:83% size:67.5% IT IS ALWAYS A STRUGGLE TRYING TO GET IT RIGHT, 04:55.166 --> 04:58.033 align:left position:27.5% line:89% size:62.5% AND YOU NEVER WILL. 04:58.033 --> 05:00.900 align:left position:20% line:83% size:70% NARRATOR: FOR 3 DECADES, PEOPLE WHO HAD NOT READ 05:00.900 --> 05:04.266 align:left position:17.5% line:83% size:72.5% A WORD HE'D WRITTEN THOUGHT THEY KNEW HIM-- 05:04.266 --> 05:07.600 align:left position:32.5% line:83% size:57.5% WOUNDED VETERAN AND BATTLEFIELD CORRESPONDENT, 05:07.600 --> 05:11.233 align:left position:32.5% line:83% size:57.5% BIG-GAME HUNTER AND DEEP-SEA FISHERMAN, 05:11.233 --> 05:15.433 align:left position:22.5% line:83% size:67.5% BULL-FIGHT AFICIONADO, BRAWLER, AND LOVER 05:15.433 --> 05:17.466 align:left position:25% line:89% size:65% AND MAN ABOUT TOWN... 05:22.700 --> 05:27.266 align:left position:10% line:83% size:80% BUT BEHIND THE PUBLIC FIGURE WAS A TROUBLED AND CONFLICTED MAN, 05:27.266 --> 05:30.466 align:left position:17.5% line:83% size:72.5% WHO BELONGED TO A TROUBLED AND CONFLICTED FAMILY 05:30.466 --> 05:35.700 align:left position:12.5% line:83% size:77.5% WITH ITS OWN DRAMA AND DARKNESS AND CLOSELY-HELD SECRETS. 05:35.700 --> 05:38.766 align:left position:30% line:83% size:60% THE WORLD SAW HIM AS A MAN'S MAN, 05:38.766 --> 05:41.900 align:left position:17.5% line:83% size:72.5% BUT ALL HIS LIFE, HE WOULD PRIVATELY BE INTRIGUED 05:41.900 --> 05:45.066 align:left position:25% line:83% size:65% BY THE BLURRED LINES BETWEEN MALE AND FEMALE, 05:45.066 --> 05:48.566 align:left position:32.5% line:89% size:57.5% MEN AND WOMEN. 05:48.566 --> 05:50.500 align:left position:20% line:83% size:70% THERE WERE SO MANY SIDES TO HIM, 05:50.500 --> 05:52.900 align:left position:30% line:83% size:60% THE FIRST OF HIS 4 WIVES REMEMBERED, 05:52.900 --> 05:56.100 align:left position:20% line:89% size:70% THAT HE DEFIED GEOMETRY. 05:56.100 --> 05:57.733 align:left position:17.5% line:89% size:72.5% WOMAN: HE WAS OPEN TO LIFE. 05:57.733 --> 06:00.300 align:left position:22.5% line:89% size:67.5% HE WAS OPEN TO TRAGEDY. 06:00.300 --> 06:02.933 align:left position:37.5% line:83% size:52.5% HE WAS OPEN TO FEELING. 06:02.933 --> 06:05.866 align:left position:15% line:89% size:75% I LIKED THAT HE FELL IN LOVE, 06:05.866 --> 06:09.400 align:left position:27.5% line:83% size:62.5% AND HE FELL IN LOVE QUITE A FEW TIMES. 06:09.400 --> 06:13.500 align:left position:15% line:89% size:75% HE ALWAYS HAD THE NEXT WOMAN 06:13.500 --> 06:18.166 align:left position:32.5% line:5% size:57.5% BEFORE HE LEFT THE EXISTING WOMAN. 06:18.166 --> 06:20.733 align:left position:17.5% line:83% size:72.5% NARRATOR: HE WAS OFTEN KIND AND GENEROUS TO THOSE 06:20.733 --> 06:24.033 align:left position:32.5% line:83% size:57.5% IN NEED OF HELP AND SOMETIMES JUST AS CRUEL 06:24.033 --> 06:28.866 align:left position:25% line:83% size:65% AND VENGEFUL TO THOSE WHO HAD HELPED HIM. 06:28.866 --> 06:30.800 align:left position:10% line:83% size:80% MAN, AS HEMINGWAY: I HAVE ALWAYS HAD THE ILLUSION 06:30.800 --> 06:33.666 align:left position:22.5% line:83% size:67.5% IT WAS MORE IMPORTANT, OR AS IMPORTANT, 06:33.666 --> 06:37.200 align:left position:30% line:83% size:60% TO BE A GOOD MAN AS TO BE A GREAT WRITER. 06:37.200 --> 06:39.566 align:left position:15% line:89% size:75% I MAY TURN OUT TO BE NEITHER 06:39.566 --> 06:42.100 align:left position:17.5% line:89% size:72.5% BUT WOULD LIKE TO BE BOTH. 06:45.000 --> 06:48.633 align:left position:17.5% line:83% size:72.5% NARRATOR: HEMINGWAY'S STORY IS A TALE OLDER EVEN 06:48.633 --> 06:51.700 align:left position:25% line:83% size:65% THAN THE WRITTEN WORD OF A YOUNG MAN 06:51.700 --> 06:53.966 align:left position:12.5% line:89% size:77.5% WHOSE AMBITION AND IMAGINATION, 06:53.966 --> 06:58.033 align:left position:20% line:83% size:70% ENERGY AND ENORMOUS GIFTS BRING HIM WEALTH AND FAME 06:58.033 --> 07:02.100 align:left position:30% line:89% size:60% BEYOND IMAGINING, 07:02.100 --> 07:05.833 align:left position:17.5% line:83% size:72.5% WHO DESTROYS HIMSELF TRYING TO REMAIN TRUE 07:05.833 --> 07:10.033 align:left position:30% line:83% size:60% TO THE CHARACTER HE HAS INVENTED. 07:10.033 --> 07:12.633 align:left position:40% line:83% size:50% O'BRIEN: ONE OF HIS WEAKNESSES-- 07:12.633 --> 07:17.033 align:left position:12.5% line:83% size:77.5% I WAS GOING TO SAY, "FAILINGS," AND IT WAS A GREAT PITY-- 07:17.033 --> 07:19.600 align:left position:30% line:83% size:60% IT'S A GREAT PITY FOR ANY WRITER-- 07:19.600 --> 07:22.933 align:left position:25% line:89% size:65% HE LOVED AN AUDIENCE. 07:22.933 --> 07:27.066 align:left position:25% line:83% size:65% HE LOVED AN AUDIENCE, AND IN FRONT OF AN AUDIENCE, 07:27.066 --> 07:30.500 align:left position:10% line:89% size:80% HE LOST THE BEST PART OF HIMSELF 07:30.500 --> 07:34.333 align:left position:25% line:83% size:65% BY TRYING TO IMPRESS THE AUDIENCE. 07:34.333 --> 07:36.566 align:left position:32.5% line:83% size:57.5% KATAKIS: I HATE THE MYTH OF HEMINGWAY, 07:36.566 --> 07:39.433 align:left position:12.5% line:83% size:77.5% AND THE REASON I HATE THE MYTH OF HEMINGWAY, 07:39.433 --> 07:42.300 align:left position:25% line:89% size:65% IT OBSCURES THE MAN, 07:42.300 --> 07:48.033 align:left position:20% line:83% size:70% AND THE MAN IS MUCH MORE INTERESTING THAN THE MYTH. 07:48.033 --> 07:51.433 align:left position:32.5% line:83% size:57.5% I THINK HE WAS A TERRIFIC FATHER SOMETIMES. 07:51.433 --> 07:55.733 align:left position:27.5% line:77% size:62.5% I THINK THAT HE WAS A LOVING HUSBAND SOMETIMES. 07:55.733 --> 07:59.066 align:left position:27.5% line:83% size:62.5% I THINK HE WAS LIKE SO MANY PEOPLE 07:59.066 --> 08:02.133 align:left position:15% line:89% size:75% EXCEPT THIS ENORMOUS TALENT. 08:02.133 --> 08:06.000 align:left position:20% line:83% size:70% HEMINGWAY IS COMPLICATED. HE'S VERY COMPLICATED. 08:07.466 --> 08:09.633 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: THE GREAT THING IS TO LAST 08:09.633 --> 08:12.333 align:left position:22.5% line:89% size:67.5% AND GET YOUR WORK DONE 08:12.333 --> 08:17.166 align:left position:17.5% line:83% size:72.5% AND SEE AND HEAR AND LEARN AND UNDERSTAND; 08:17.166 --> 08:20.133 align:left position:22.5% line:83% size:67.5% AND WRITE WHEN THERE IS SOMETHING THAT YOU KNOW; 08:20.133 --> 08:22.333 align:left position:32.5% line:89% size:57.5% AND NOT BEFORE; 08:22.333 --> 08:25.433 align:left position:12.5% line:89% size:77.5% AND NOT TOO DAMNED MUCH AFTER. 08:25.433 --> 08:41.300 align:left position:50% line:89% size:40% ♪ 08:41.300 --> 08:43.500 align:left position:15% line:83% size:75% [SCOTT JOPLIN'S "PARAGON RAG" PLAYING] 08:43.500 --> 08:56.766 align:left position:50% line:89% size:40% ♪ 08:56.766 --> 08:58.666 align:left position:17.5% line:83% size:72.5% WOMAN, AS GRACE HEMINGWAY: MY BOY DELIGHTS IN SHOOTING 08:58.666 --> 09:02.166 align:left position:12.5% line:89% size:77.5% IMAGINARY WOLVES, BEARS, LIONS. 09:02.166 --> 09:05.733 align:left position:25% line:83% size:65% ALSO LIKES TO PRETEND HE IS A SOLDIER. 09:05.733 --> 09:10.866 align:left position:12.5% line:83% size:77.5% HE STORMS AND KICKS AND DANCES WITH RAGE WHEN THWARTED. 09:10.866 --> 09:13.000 align:left position:10% line:89% size:80% WHEN ASKED WHAT HE IS AFRAID OF, 09:13.000 --> 09:18.066 align:left position:35% line:83% size:55% HE SHOUTS OUT "'FRAID OF NOTHING!" 09:18.066 --> 09:20.700 align:left position:40% line:83% size:50% NARRATOR: ERNEST MILLER HEMINGWAY WAS BORN 09:20.700 --> 09:26.166 align:left position:32.5% line:83% size:57.5% JULY 21, 1899, THE SECOND OF 6 CHILDREN 09:26.166 --> 09:30.366 align:left position:15% line:83% size:75% AND ENJOYED WHAT SEEMED TO BE AN IDYLLIC BOYHOOD. 09:30.366 --> 09:32.533 align:left position:20% line:89% size:70% HE HAD 4 ADORING SISTERS 09:32.533 --> 09:34.933 align:left position:30% line:83% size:60% AND A WORSHIPFUL YOUNGER BROTHER. 09:34.933 --> 09:37.066 align:left position:32.5% line:83% size:57.5% THEY ALL LIVED IN A BIG, COMFORTABLE HOME 09:37.066 --> 09:41.033 align:left position:30% line:83% size:60% IN THE PROSPEROUS CHICAGO SUBURB OF OAK PARK, 09:41.033 --> 09:43.533 align:left position:35% line:83% size:55% A COMPLACENT, WELL-MANNERED COMMUNITY 09:43.533 --> 09:46.066 align:left position:32.5% line:83% size:57.5% WITH NO SALOONS AND SO MANY CHURCHES 09:46.066 --> 09:50.466 align:left position:22.5% line:83% size:67.5% IT LIKED TO CALL ITSELF "SAINT'S REST." 09:50.466 --> 09:54.033 align:left position:25% line:83% size:65% THE HEMINGWAYS SPENT LONG SUMMERS AT WINDEMERE, 09:54.033 --> 09:57.400 align:left position:15% line:83% size:75% THEIR COTTAGE ON WALLOON LAKE IN MICHIGAN. 09:57.400 --> 10:00.700 align:left position:30% line:89% size:60% [FIRE CRACKLING] 10:00.700 --> 10:03.566 align:left position:32.5% line:83% size:57.5% ERNEST'S FATHER CLARENCE HEMINGWAY-- 10:03.566 --> 10:08.000 align:left position:20% line:83% size:70% KNOWN TO EVERYONE AS ED-- WAS A FAMILY DOCTOR. 10:08.000 --> 10:10.800 align:left position:25% line:83% size:65% HE KEPT OFFICE HOURS EVERY DAY OF THE WEEK 10:10.800 --> 10:13.133 align:left position:25% line:83% size:65% BUT WAS OFTEN FORCED TO MAKE HOUSE CALLS 10:13.133 --> 10:15.000 align:left position:17.5% line:89% size:72.5% IN THE MIDDLE OF THE NIGHT, 10:15.000 --> 10:17.866 align:left position:25% line:83% size:65% PERFORMING EMERGENCY CESAREAN SECTIONS 10:17.866 --> 10:20.266 align:left position:30% line:89% size:60% BY LANTERN LIGHT. 10:20.266 --> 10:27.000 align:left position:15% line:83% size:75% SOMETIMES, HE FAILED TO SAVE THE MOTHER OR THE BABY OR BOTH. 10:27.000 --> 10:29.566 align:left position:17.5% line:83% size:72.5% "MY FATHER WAS VERY DEVOTED TO MY MOTHER," 10:29.566 --> 10:31.933 align:left position:20% line:83% size:70% ERNEST'S YOUNGEST SISTER REMEMBERED, 10:31.933 --> 10:35.100 align:left position:25% line:83% size:65% "BUT SHE WAS DEVOTED TO HERSELF." 10:36.666 --> 10:39.066 align:left position:12.5% line:89% size:77.5% HIS MOTHER GRACE HALL HEMINGWAY 10:39.066 --> 10:41.333 align:left position:15% line:83% size:75% HAD MARRIED AFTER ABANDONING HER DREAM 10:41.333 --> 10:44.366 align:left position:20% line:83% size:70% OF BEING AN OPERA SINGER, BUT SHE GAVE 10:44.366 --> 10:47.200 align:left position:30% line:83% size:60% VOICE AND VIOLIN AND PIANO LESSONS, 10:47.200 --> 10:48.733 align:left position:30% line:83% size:60% DIRECTED A CHOIR, 10:48.733 --> 10:52.366 align:left position:32.5% line:83% size:57.5% AND EARNED MORE THAN HER HUSBAND. 10:52.366 --> 10:55.700 align:left position:30% line:83% size:60% GRACE EXPOSED ALL OF HER CHILDREN TO THE ARTS, 10:55.700 --> 10:58.866 align:left position:15% line:83% size:75% BUT SHE NEVER LET THEM FORGET THAT SHE HAD SACRIFICED 10:58.866 --> 11:02.233 align:left position:12.5% line:89% size:77.5% A CONCERT CAREER TO RAISE THEM. 11:02.233 --> 11:04.900 align:left position:27.5% line:83% size:62.5% IF THEY LOVED HER, SHE SAID, THEY WOULD DO 11:04.900 --> 11:07.433 align:left position:15% line:89% size:75% WHATEVER SHE TOLD THEM TO DO. 11:09.100 --> 11:11.933 align:left position:17.5% line:83% size:72.5% IT AMUSED HER FOR A TIME TO PRETEND THAT ERNEST 11:11.933 --> 11:16.133 align:left position:25% line:83% size:65% AND HIS OLDER SISTER MARCELLINE WERE SOMEHOW TWINS, 11:16.133 --> 11:22.966 align:left position:27.5% line:83% size:62.5% SOMETIMES TWO BOYS, SOMETIMES TWO GIRLS. 11:22.966 --> 11:26.566 align:left position:20% line:83% size:70% WOMAN: SHE DID THIS THING OF TWINNING HIM WITH HIS SISTER. 11:26.566 --> 11:28.233 align:left position:22.5% line:89% size:67.5% SHE DRESSED THEM ALIKE. 11:28.233 --> 11:31.466 align:left position:30% line:83% size:60% SHE DRESSED THEM IN DRESSES OFTEN, 11:31.466 --> 11:34.233 align:left position:22.5% line:83% size:67.5% BUT THEN SHE'D PUT THEM IN OVERALLS. 11:34.233 --> 11:36.466 align:left position:15% line:5% size:75% SHE DIDN'T ONLY DRESS HIM UP AS A GIRL. 11:36.466 --> 11:38.900 align:left position:22.5% line:5% size:67.5% SOMETIMES, SHE'D DRESS THE GIRLS UP AS BOYS, 11:38.900 --> 11:42.733 align:left position:17.5% line:83% size:72.5% AND THERE'S THIS--THERE IS THIS ANDROGYNY GOING ON. 11:42.733 --> 11:45.333 align:left position:15% line:83% size:75% WOMAN, AS MARCELLINE: WE WORE OUR HAIR EXACTLY THE SAME 11:45.333 --> 11:48.166 align:left position:17.5% line:89% size:72.5% IN A SQUARE-CUT DUTCH BOB. 11:48.166 --> 11:51.533 align:left position:25% line:83% size:65% WE PLAYED WITH SMALL CHINA TEA SETS. 11:51.533 --> 11:54.700 align:left position:27.5% line:83% size:62.5% WE HAD DOLLS ALIKE, AND WHEN ERNEST WAS GIVEN 11:54.700 --> 11:59.266 align:left position:27.5% line:83% size:62.5% A LITTLE AIR RIFLE, I HAD ONE, TOO. 11:59.266 --> 12:01.500 align:left position:15% line:83% size:75% NARRATOR: ONE OF HIS TEACHERS THOUGHT GRACE TOO CLOSE 12:01.500 --> 12:04.033 align:left position:15% line:89% size:75% TO HER SON, TOO CONTROLLING. 12:04.033 --> 12:07.266 align:left position:15% line:83% size:75% SHE REMEMBERED WONDERING IF, "GIVEN THE LUSH MOTHERHOOD 12:07.266 --> 12:11.200 align:left position:15% line:89% size:75% HE KNEW, HE WOULD FIND WIFE." 12:14.100 --> 12:17.666 align:left position:30% line:5% size:60% [BIRDS CHIRPING, DUCKS QUACKING] 12:17.666 --> 12:19.633 align:left position:15% line:5% size:75% MAN, AS HEMINGWAY: HIS FATHER CAME BACK TO HIM 12:19.633 --> 12:21.800 align:left position:20% line:5% size:70% IN THE FALL OF THE YEAR, 12:21.800 --> 12:24.800 align:left position:22.5% line:5% size:67.5% OR IN THE EARLY SPRING WHEN THERE HAD BEEN JACKSNIPE 12:24.800 --> 12:27.400 align:left position:32.5% line:5% size:57.5% ON THE PRAIRIE, 12:27.400 --> 12:29.566 align:left position:12.5% line:89% size:77.5% OR WHEN HE SAW SHOCKS OF CORN, 12:29.566 --> 12:32.966 align:left position:22.5% line:89% size:67.5% OR WHEN HE SAW A LAKE, 12:32.966 --> 12:36.066 align:left position:30% line:83% size:60% OR IF HE EVER SAW A HORSE AND BUGGY, 12:36.066 --> 12:39.233 align:left position:20% line:83% size:70% OR WHEN HE SAW, OR HEARD, WILD GEESE, 12:39.233 --> 12:41.466 align:left position:27.5% line:89% size:62.5% OR IN A DUCK BLIND. 12:41.466 --> 12:45.866 align:left position:32.5% line:83% size:57.5% HIS FATHER WAS WITH HIM, SUDDENLY, 12:45.866 --> 12:49.166 align:left position:25% line:83% size:65% IN DESERTED ORCHARDS AND IN NEW-PLOWED FIELDS, 12:49.166 --> 12:52.500 align:left position:15% line:89% size:75% IN THICKETS, ON SMALL HILLS, 12:52.500 --> 12:55.266 align:left position:35% line:83% size:55% OR WHEN GOING THROUGH DEAD GRASS, 12:55.266 --> 12:58.266 align:left position:22.5% line:83% size:67.5% WHENEVER SPLITTING WOOD OR HAULING WATER, 12:58.266 --> 13:01.866 align:left position:32.5% line:83% size:57.5% BY GRIST MILLS, CIDER MILLS, AND DAMS 13:01.866 --> 13:06.733 align:left position:17.5% line:89% size:72.5% AND ALWAYS WITH OPEN FIRES. 13:06.733 --> 13:08.900 align:left position:17.5% line:83% size:72.5% NARRATOR: ERNEST WORSHIPPED HIS FATHER, 13:08.900 --> 13:14.166 align:left position:15% line:83% size:75% WHO SPENT HOURS TEACHING HIM HOW TO HUNT AND FISH AND CANOE, 13:14.166 --> 13:16.700 align:left position:37.5% line:83% size:52.5% INCULCATING A LIFE-LONG FASCINATION 13:16.700 --> 13:20.200 align:left position:30% line:83% size:60% WITH THE OUTDOORS AND WITH LEARNING PRECISELY 13:20.200 --> 13:23.700 align:left position:17.5% line:89% size:72.5% HOW THINGS SHOULD BE DONE. 13:23.700 --> 13:27.533 align:left position:15% line:83% size:75% MAN: HE INSTILLED IN THIS BOY BEFORE THE BOY 13:27.533 --> 13:32.066 align:left position:30% line:83% size:60% ALMOST COULD WALK THIS PRIMAL FEELING 13:32.066 --> 13:34.100 align:left position:20% line:89% size:70% FOR THE BEAUTY OF NATURE, 13:34.100 --> 13:38.233 align:left position:25% line:5% size:65% JUST THE ORGANIC LOVE FOR THE WOODS, FOR WATER. 13:38.233 --> 13:42.033 align:left position:17.5% line:83% size:72.5% NARRATOR: BUT ED HEMINGWAY WAS ALSO SEVERE, PIOUS, 13:42.033 --> 13:45.700 align:left position:25% line:83% size:65% OPPOSED TO DRINKING, CARD-PLAYING, AND DANCING 13:45.700 --> 13:47.733 align:left position:17.5% line:89% size:72.5% AND, AS ERNEST GREW OLDER, 13:47.733 --> 13:51.966 align:left position:25% line:83% size:65% INCREASINGLY ANXIOUS, MOODY, AND UNPREDICTABLE. 13:51.966 --> 13:54.466 align:left position:17.5% line:83% size:72.5% ONE MINUTE HE WAS LAUGHING WITH HIS CHILDREN, 13:54.466 --> 13:59.733 align:left position:12.5% line:83% size:77.5% THE NEXT HE WAS PUNISHING THEM WITH A LEATHER STRAP. 13:59.733 --> 14:03.433 align:left position:15% line:83% size:75% TWICE, HEMINGWAY'S FATHER WAS SO CRIPPLED BY DEPRESSION 14:03.433 --> 14:06.300 align:left position:20% line:83% size:70% THAT HE HAD TO LEAVE TOWN FOR SEVERAL WEEKS 14:06.300 --> 14:08.933 align:left position:30% line:83% size:60% IN ORDER TO REST WHAT HIS WIFE CALLED 14:08.933 --> 14:13.266 align:left position:27.5% line:83% size:62.5% "THE WORRYING PLACE IN YOUR BRAIN." 14:13.266 --> 14:16.633 align:left position:22.5% line:83% size:67.5% BY THE TIME ERNEST WAS A TEENAGER, HE REMEMBERED, 14:16.633 --> 14:20.800 align:left position:15% line:83% size:75% HIS ADMIRATION FOR HIS FATHER HAD BEGUN TO TURN TO PITY. 14:20.800 --> 14:23.800 align:left position:27.5% line:83% size:62.5% HE CAME TO SEE HIM AS WEAK AND SUBMISSIVE 14:23.800 --> 14:27.400 align:left position:20% line:83% size:70% AND BLAMED HIS MOTHER FOR HIS FATHER'S UNHAPPINESS. 14:29.366 --> 14:32.700 align:left position:20% line:83% size:70% ERNEST DREAMED OF ONE DAY BECOMING A NATURALIST 14:32.700 --> 14:38.100 align:left position:15% line:83% size:75% OR AN EXPLORER LIKE HIS HERO THEODORE ROOSEVELT. 14:38.100 --> 14:41.466 align:left position:17.5% line:83% size:72.5% HE WAS ALSO A GOOD STUDENT AND A FERVENT READER, 14:41.466 --> 14:46.333 align:left position:10% line:83% size:80% WHO LOVED O. HENRY, JACK LONDON, AND RUDYARD KIPLING. 14:46.333 --> 14:47.966 align:left position:22.5% line:89% size:67.5% AT HIS MOTHER'S URGING, 14:47.966 --> 14:50.500 align:left position:32.5% line:83% size:57.5% HE SANG IN HER CONGREGATIONAL CHURCH CHOIR 14:50.500 --> 14:52.500 align:left position:25% line:89% size:65% AND PLAYED THE CELLO. 14:52.500 --> 14:55.466 align:left position:10% line:83% size:80% HE REMEMBERED THAT HE ESPECIALLY ENJOYED THE REPETITION 14:55.466 --> 14:59.000 align:left position:30% line:83% size:60% AND COUNTERPOINT, COUNTERPOINT AND REPETITION 14:59.000 --> 15:02.666 align:left position:17.5% line:83% size:72.5% THAT RAN THROUGH THE WORKS OF BACH. 15:02.666 --> 15:05.500 align:left position:12.5% line:83% size:77.5% WOMAN: SHE ALSO TAUGHT HER KIDS WHAT EVERY MUSICIAN 15:05.500 --> 15:08.633 align:left position:27.5% line:83% size:62.5% TEACHES THEIR KIDS, TO PRACTICE. 15:08.633 --> 15:13.000 align:left position:20% line:83% size:70% "DON'T COME TO ME AND SAY THAT YOU LOVE ART 15:13.000 --> 15:16.500 align:left position:12.5% line:5% size:77.5% "IF YOU DON'T PRACTICE YOUR ART BECAUSE PRACTICE IS LOVE. 15:16.500 --> 15:18.400 align:left position:32.5% line:5% size:57.5% WORK IS LOVE." 15:18.400 --> 15:20.033 align:left position:20% line:89% size:70% AND THROUGHOUT HIS LIFE, 15:20.033 --> 15:23.300 align:left position:25% line:83% size:65% HE WAS A TREMENDOUSLY DISCIPLINED WRITER. 15:23.300 --> 15:26.233 align:left position:15% line:83% size:75% NARRATOR: IN HIS JUNIOR YEAR, HE BEGAN TO WRITE, 15:26.233 --> 15:29.833 align:left position:17.5% line:83% size:72.5% CONTRIBUTING SPORTS STORIES AND TALES OF ADVENTURE 15:29.833 --> 15:33.733 align:left position:20% line:83% size:70% TO THE HIGH SCHOOL PAPER AND ITS LITERARY MAGAZINE, 15:33.733 --> 15:36.566 align:left position:17.5% line:83% size:72.5% BUT HE WAS REMEMBERED MOST BY HIS CLASSMATES 15:36.566 --> 15:40.366 align:left position:27.5% line:83% size:62.5% AS A BIG, HANDSOME, SLIGHTLY AWKWARD BOY 15:40.366 --> 15:44.166 align:left position:27.5% line:83% size:62.5% FOND OF BOXING BUT TOO NEARSIGHTED AND TOO CLUMSY 15:44.166 --> 15:46.700 align:left position:20% line:89% size:70% TO EXCEL AT TEAM SPORTS, 15:46.700 --> 15:50.000 align:left position:22.5% line:83% size:67.5% WHO WAS SHY WITH GIRLS AND PREFERRED TO HUNT 15:50.000 --> 15:52.200 align:left position:30% line:83% size:60% AND HIKE AND FISH IN THE WOODS 15:52.200 --> 15:56.400 align:left position:25% line:83% size:65% OF NORTHERN MICHIGAN WHENEVER HE GOT THE CHANCE. 15:56.400 --> 15:59.900 align:left position:22.5% line:83% size:67.5% HIS SHYNESS WITH WOMEN WOULD EVENTUALLY EVAPORATE, 15:59.900 --> 16:02.633 align:left position:20% line:83% size:70% BUT HE WOULD REMAIN EAGER ALL HIS LIFE 16:02.633 --> 16:05.366 align:left position:22.5% line:83% size:67.5% FOR THE COMPANY OF MEN WHO SHARED HIS LOVE 16:05.366 --> 16:08.766 align:left position:35% line:83% size:55% OF GOOD TIMES AND THE GREAT OUTDOORS. 16:12.533 --> 16:16.200 align:left position:35% line:89% size:55% [EXPLOSIONS] 16:16.200 --> 16:41.133 align:left position:50% line:89% size:40% ♪ 16:41.133 --> 16:45.000 align:left position:17.5% line:83% size:72.5% NARRATOR: ON APRIL 6, 1917, THE UNITED STATES 16:45.000 --> 16:47.766 align:left position:17.5% line:83% size:72.5% ENTERED THE GREAT WAR THAT HAD BEEN UNDERWAY 16:47.766 --> 16:51.600 align:left position:15% line:89% size:75% IN EUROPE FOR NEARLY 3 YEARS. 16:51.600 --> 16:55.400 align:left position:20% line:83% size:70% MILLIONS OF YOUNG MEN HAD ALREADY BEEN SLAUGHTERED. 16:55.400 --> 16:59.500 align:left position:15% line:83% size:75% THE WORLD ERNEST HEMINGWAY'S PARENTS HAD PREPARED HIM FOR 16:59.500 --> 17:03.533 align:left position:30% line:89% size:60% HAD DISAPPEARED. 17:03.533 --> 17:05.700 align:left position:17.5% line:83% size:72.5% SEVERAL OF HIS HIGH SCHOOL CLASSMATES 17:05.700 --> 17:09.100 align:left position:22.5% line:83% size:67.5% HAD ALREADY VOLUNTEERED TO GO TO WAR. 17:09.100 --> 17:13.800 align:left position:25% line:83% size:65% HE HOPED TO GO, TOO, BUT HE WAS TOO YOUNG AT 17, 17:13.800 --> 17:16.133 align:left position:20% line:83% size:70% AND HIS PARENTS WOULD NOT SIGN THE PAPERS 17:16.133 --> 17:18.500 align:left position:22.5% line:83% size:67.5% THAT WOULD HAVE WAIVED THAT REQUIREMENT. 17:18.500 --> 17:21.200 align:left position:25% line:83% size:65% THEY WANTED HIM TO GO TO COLLEGE. 17:21.200 --> 17:25.500 align:left position:37.5% line:89% size:52.5% HE REFUSED. 17:25.500 --> 17:28.100 align:left position:35% line:83% size:55% A COMPROMISE WAS EVENTUALLY REACHED. 17:28.100 --> 17:33.133 align:left position:17.5% line:83% size:72.5% AN UNCLE GOT THE BOY A JOB AT A NEWSPAPER IN KANSAS CITY. 17:33.133 --> 17:36.333 align:left position:20% line:83% size:70% KANSAS CITY WAS A TOUGH, WIDE-OPEN TOWN, 17:36.333 --> 17:39.166 align:left position:17.5% line:83% size:72.5% AND THE "KANSAS CITY STAR" WAS ONE OF THE BEST PAPERS 17:39.166 --> 17:40.866 align:left position:32.5% line:89% size:57.5% IN THE COUNTRY, 17:40.866 --> 17:46.033 align:left position:17.5% line:83% size:72.5% A PIONEER IN CRISP, CLEAR, IMMEDIATE REPORTING. 17:46.033 --> 17:49.166 align:left position:15% line:89% size:75% ITS STYLE-SHEET SET THE TONE. 17:49.166 --> 17:51.300 align:left position:20% line:89% size:70% MAN: USE SHORT SENTENCES. 17:51.300 --> 17:53.833 align:left position:17.5% line:89% size:72.5% USE SHORT FIRST PARAGRAPHS. 17:53.833 --> 17:56.133 align:left position:25% line:89% size:65% USE VIGOROUS ENGLISH. 17:56.133 --> 17:58.800 align:left position:17.5% line:89% size:72.5% BE POSITIVE, NOT NEGATIVE. 17:58.800 --> 18:01.966 align:left position:15% line:89% size:75% AVOID THE USE OF ADJECTIVES. 18:01.966 --> 18:04.733 align:left position:17.5% line:83% size:72.5% NARRATOR: HEMINGWAY COVERED SHOOTINGS, STABBINGS, 18:04.733 --> 18:07.766 align:left position:32.5% line:83% size:57.5% LABOR TROUBLES, A SMALLPOX SCARE. 18:07.766 --> 18:10.533 align:left position:12.5% line:89% size:77.5% HE WAS FASCINATED BY ALL OF IT, 18:10.533 --> 18:14.166 align:left position:12.5% line:83% size:77.5% AND ECHOES OF WHAT HE HAD HEARD AND SEEN IN KANSAS CITY 18:14.166 --> 18:18.600 align:left position:15% line:83% size:75% WOULD APPEAR AGAIN AND AGAIN IN HIS LATER WRITING. 18:18.600 --> 18:20.400 align:left position:15% line:83% size:75% MAN, AS HEMINGWAY: DEAR DAD, WE ARE HAVING 18:20.400 --> 18:21.900 align:left position:22.5% line:89% size:67.5% A LAUNDRY STRIKE HERE, 18:21.900 --> 18:23.900 align:left position:30% line:83% size:60% AND I AM HANDLING THE POLICE END. 18:23.900 --> 18:25.666 align:left position:25% line:89% size:65% THE VIOLENCE STORIES. 18:25.666 --> 18:28.233 align:left position:30% line:83% size:60% WRECKING TRUCKS, RUNNING THEM OVER CLIFFS, 18:28.233 --> 18:31.533 align:left position:15% line:83% size:75% AND YESTERDAY, THEY MURDERED A NON-UNION GUARD. 18:31.533 --> 18:33.233 align:left position:30% line:83% size:60% FOR OVER A MONTH I HAVE AVERAGED 18:33.233 --> 18:36.100 align:left position:25% line:89% size:65% OVER A COLUMN A DAY. 18:38.066 --> 18:40.100 align:left position:20% line:83% size:70% NARRATOR: AFTER HEMINGWAY TURNED 18, 18:40.100 --> 18:44.566 align:left position:10% line:83% size:80% HE NO LONGER NEEDED HIS PARENTS' PERMISSION TO JOIN THE ARMY, 18:44.566 --> 18:46.633 align:left position:25% line:83% size:65% BUT HE WAS CONVINCED HE WOULD BE REJECTED 18:46.633 --> 18:49.033 align:left position:17.5% line:83% size:72.5% BECAUSE HE WAS NEAR-SIGHTED AND JOINED 18:49.033 --> 18:52.766 align:left position:35% line:83% size:55% THE RED CROSS AMBULANCE SERVICE INSTEAD. 18:52.766 --> 18:59.433 align:left position:12.5% line:83% size:77.5% NOTHING COULD HAVE PREPARED HIM FOR WHAT HE WAS ABOUT TO SEE. 18:59.433 --> 19:01.633 align:left position:15% line:89% size:75% HEMINGWAY WAS SENT TO ITALY, 19:01.633 --> 19:03.866 align:left position:20% line:83% size:70% WHERE HE WAS IMMEDIATELY DISPATCHED TO THE SCENE 19:03.866 --> 19:06.466 align:left position:22.5% line:89% size:67.5% OF A HORRIFIC DISASTER. 19:06.466 --> 19:09.400 align:left position:27.5% line:83% size:62.5% A MUNITIONS FACTORY HAD EXPLODED. 19:09.400 --> 19:13.733 align:left position:37.5% line:83% size:52.5% 35 WORKERS WERE BLOWN TO PIECES. 19:13.733 --> 19:17.000 align:left position:15% line:83% size:75% HE HELPED GATHER UP THE DEAD, INCLUDING THE CORPSE 19:17.000 --> 19:20.166 align:left position:15% line:89% size:75% OF A HEADLESS, LEGLESS WOMAN. 19:20.166 --> 19:22.500 align:left position:25% line:83% size:65% "HEMMIE AND I NEARLY PASSED OUT COLD," 19:22.500 --> 19:25.633 align:left position:25% line:83% size:65% A FRIEND REMEMBERED, "BUT GRITTED OUR TEETH 19:25.633 --> 19:30.100 align:left position:27.5% line:83% size:62.5% AND LAID THE THING ON THE STRETCHER." 19:30.100 --> 19:34.100 align:left position:12.5% line:83% size:77.5% HEMINGWAY'S RED CROSS UNIT WAS ASSIGNED TO THE ITALIAN ARMY, 19:34.100 --> 19:35.900 align:left position:22.5% line:83% size:67.5% FIGHTING THE AUSTRIANS IN THE FOOTHILLS 19:35.900 --> 19:39.133 align:left position:25% line:89% size:65% OF THE ITALIAN ALPS. 19:39.133 --> 19:42.166 align:left position:25% line:83% size:65% HE DROVE AN AMBULANCE FOR ALMOST TWO WEEKS, 19:42.166 --> 19:44.500 align:left position:20% line:83% size:70% BRINGING WOUNDED ITALIAN SOLDIERS DOWN 19:44.500 --> 19:47.366 align:left position:27.5% line:89% size:62.5% FROM THE MOUNTAINS. 19:47.366 --> 19:49.200 align:left position:25% line:83% size:65% "THERE'S NOTHING HERE BUT SCENERY 19:49.200 --> 19:52.133 align:left position:17.5% line:83% size:72.5% AND TOO DAMN MUCH OF THAT," HE TOLD A FRIEND. 19:52.133 --> 19:54.466 align:left position:25% line:83% size:65% "I'M GOING TO GET OUT OF THIS AMBULANCE SECTION 19:54.466 --> 20:00.000 align:left position:17.5% line:83% size:72.5% AND SEE IF I CAN'T FIND OUT WHERE THE WAR IS." 20:00.000 --> 20:03.633 align:left position:10% line:83% size:80% ERNEST VOLUNTEERED TO BICYCLE UP TO THE FRONTLINE TRENCHES 20:03.633 --> 20:06.633 align:left position:20% line:83% size:70% NEAR THE TOWN OF FOSSALTA AND DISTRIBUTE 20:06.633 --> 20:09.500 align:left position:25% line:83% size:65% CANDY AND CIGARETTES TO THE MEN. 20:09.500 --> 20:14.100 align:left position:22.5% line:83% size:67.5% LESS THAN A WEEK LATER, ON JULY 8, 1918, 20:14.100 --> 20:16.300 align:left position:27.5% line:83% size:62.5% HE WAS PASSING OUT CHOCOLATE BARS 20:16.300 --> 20:19.066 align:left position:17.5% line:83% size:72.5% IN A FORWARD LISTENING POST ON THE WEST BANK 20:19.066 --> 20:20.900 align:left position:27.5% line:89% size:62.5% OF THE PIAVE RIVER 20:20.900 --> 20:27.400 align:left position:17.5% line:83% size:72.5% WHEN AN ENEMY MORTAR SHELL EXPLODED JUST 3 FEET AWAY. 20:27.400 --> 20:29.666 align:left position:22.5% line:89% size:67.5% ONE SOLDIER WAS KILLED. 20:29.666 --> 20:33.566 align:left position:12.5% line:89% size:77.5% ANOTHER HAD HIS LEGS BLOWN OFF. 20:33.566 --> 20:38.633 align:left position:10% line:83% size:80% MORE THAN 220 SHARDS OF SHRAPNEL RIPPED INTO HEMINGWAY'S LEGS 20:38.633 --> 20:42.100 align:left position:20% line:83% size:70% AND LACERATED HIS SCALP, AND THE BLAST CAUSED 20:42.100 --> 20:44.833 align:left position:20% line:83% size:70% THE FIRST OF MANY SERIOUS CONCUSSIONS 20:44.833 --> 20:49.366 align:left position:32.5% line:83% size:57.5% HE WOULD ENDURE DURING HIS LIFETIME. 20:49.366 --> 20:51.700 align:left position:12.5% line:89% size:77.5% MAN, AS HEMINGWAY: I DIED THEN. 20:51.700 --> 20:56.633 align:left position:17.5% line:83% size:72.5% I FELT MY SOUL OR SOMETHING COMING RIGHT OUT OF MY BODY, 20:56.633 --> 20:58.500 align:left position:32.5% line:83% size:57.5% LIKE YOU'D PULL A SILK HANDKERCHIEF 20:58.500 --> 21:02.566 align:left position:12.5% line:89% size:77.5% OUT OF A POCKET BY ONE CORNER. 21:02.566 --> 21:04.833 align:left position:32.5% line:83% size:57.5% IT FLEW AROUND AND THEN CAME BACK 21:04.833 --> 21:11.000 align:left position:27.5% line:83% size:62.5% AND WENT IN AGAIN, AND I WASN'T DEAD ANYMORE. 21:11.000 --> 21:13.366 align:left position:12.5% line:83% size:77.5% NARRATOR: AS STRETCHER-BEARERS STRUGGLED TO GET HEMINGWAY 21:13.366 --> 21:15.033 align:left position:27.5% line:89% size:62.5% TO AN AID STATION, 21:15.033 --> 21:17.866 align:left position:22.5% line:83% size:67.5% AN ENEMY MACHINE GUNNER OPENED UP. 21:17.866 --> 21:21.233 align:left position:32.5% line:83% size:57.5% BULLETS LODGED IN HIS RIGHT KNEE AND FOOT. 21:21.233 --> 21:24.166 align:left position:20% line:83% size:70% HE REFUSED TO BE TREATED FOR A TIME BECAUSE HE SAID 21:24.166 --> 21:29.000 align:left position:25% line:83% size:65% THERE WERE OTHER MEN MORE SERIOUSLY WOUNDED THAN HE. 21:29.000 --> 21:31.633 align:left position:17.5% line:83% size:72.5% HE THEN ENDURED THE REMOVAL OF THE LARGEST PIECES 21:31.633 --> 21:34.633 align:left position:12.5% line:89% size:77.5% OF SHRAPNEL WITHOUT ANESTHETIC. 21:34.633 --> 21:37.166 align:left position:27.5% line:83% size:62.5% BECAUSE HIS WOUNDS SEEMED SO SEVERE, 21:37.166 --> 21:41.700 align:left position:12.5% line:83% size:77.5% A CATHOLIC PRIEST ADMINISTERED EXTREME UNCTION. 21:41.700 --> 21:44.933 align:left position:22.5% line:83% size:67.5% ITALY WOULD EVENTUALLY AWARD HIM ITS SILVER MEDAL 21:44.933 --> 21:47.033 align:left position:15% line:89% size:75% FOR WHAT THE CITATION CALLED 21:47.033 --> 21:51.233 align:left position:25% line:83% size:65% HIS "ADMIRABLE SPIRIT OF FRATERNITY." 21:51.233 --> 21:54.433 align:left position:20% line:83% size:70% HEMINGWAY FINALLY REACHED THE AMERICAN RED CROSS HOSPITAL 21:54.433 --> 21:58.700 align:left position:22.5% line:83% size:67.5% IN MILAN AND UNDERWENT A FURTHER SERIES OF SURGERIES 21:58.700 --> 22:03.833 align:left position:10% line:83% size:80% TO REMOVE THE REMAINING SHRAPNEL AND THE MACHINE GUN BULLETS. 22:05.833 --> 22:09.300 align:left position:12.5% line:83% size:77.5% MAN, AS HEMINGWAY: DEAR FOLKS, THIS IS A PEACH OF A HOSPITAL. 22:09.300 --> 22:11.600 align:left position:27.5% line:83% size:62.5% THERE ARE ABOUT 18 AMERICAN NURSES 22:11.600 --> 22:14.366 align:left position:17.5% line:89% size:72.5% TO TAKE CARE OF 4 PATIENTS. 22:14.366 --> 22:16.866 align:left position:22.5% line:83% size:67.5% I'M ENCLOSING A PICTURE OF ME IN BED. 22:16.866 --> 22:19.133 align:left position:20% line:83% size:70% IT LOOKS LIKE MY LEFT LEG WAS A STUMP, 22:19.133 --> 22:20.633 align:left position:25% line:89% size:65% BUT IT REALLY ISN'T, 22:20.633 --> 22:24.200 align:left position:12.5% line:89% size:77.5% JUST BENT SO IT LOOKS THAT WAY. 22:24.200 --> 22:26.433 align:left position:20% line:83% size:70% THERE IS NOTHING FOR YOU TO WORRY ABOUT 22:26.433 --> 22:29.100 align:left position:17.5% line:83% size:72.5% BECAUSE IT HAS BEEN FAIRLY CONCLUSIVELY PROVED 22:29.100 --> 22:31.800 align:left position:17.5% line:89% size:72.5% THAT I CAN'T BE BUMPED OFF, 22:31.800 --> 22:33.866 align:left position:20% line:89% size:70% AND WOUNDS DON'T MATTER. 22:33.866 --> 22:36.233 align:left position:15% line:83% size:75% I WOULDN'T MIND BEING WOUNDED AGAIN SO MUCH 22:36.233 --> 22:39.733 align:left position:32.5% line:83% size:57.5% BECAUSE I KNOW JUST WHAT IT IS LIKE, 22:39.733 --> 22:42.866 align:left position:22.5% line:83% size:67.5% AND YOU CAN ONLY SUFFER SO MUCH, YOU KNOW, 22:42.866 --> 22:45.666 align:left position:12.5% line:83% size:77.5% AND IT DOES GIVE YOU AN AWFULLY SATISFACTORY FEELING 22:45.666 --> 22:47.233 align:left position:32.5% line:89% size:57.5% TO BE WOUNDED. 22:47.233 --> 22:52.066 align:left position:22.5% line:83% size:67.5% IT'S GETTING BEATEN UP IN A GOOD CAUSE. 22:52.066 --> 22:55.766 align:left position:10% line:89% size:80% THERE ARE NO HEROES IN THIS WAR. 22:55.766 --> 22:57.900 align:left position:20% line:89% size:70% ALL THE HEROES ARE DEAD, 22:57.900 --> 23:01.800 align:left position:27.5% line:83% size:62.5% AND THE REAL HEROES ARE THE PARENTS. 23:01.800 --> 23:04.666 align:left position:15% line:89% size:75% DYING IS A VERY SIMPLE THING. 23:04.666 --> 23:08.366 align:left position:25% line:83% size:65% I'VE LOOKED AT DEATH, AND REALLY I KNOW. 23:08.366 --> 23:10.066 align:left position:22.5% line:83% size:67.5% IF I SHOULD HAVE DIED, IT WOULD HAVE BEEN 23:10.066 --> 23:12.833 align:left position:30% line:89% size:60% VERY EASY FOR ME, 23:12.833 --> 23:15.500 align:left position:17.5% line:83% size:72.5% AND HOW MUCH BETTER TO DIE IN ALL THE HAPPY PERIOD 23:15.500 --> 23:18.366 align:left position:20% line:89% size:70% OF UNDISILLUSIONED YOUTH, 23:18.366 --> 23:20.866 align:left position:12.5% line:89% size:77.5% TO GO OUT IN A BLAZE OF LIGHT, 23:20.866 --> 23:23.600 align:left position:22.5% line:83% size:67.5% THAN TO HAVE YOUR BODY WORN OUT AND OLD 23:23.600 --> 23:27.200 align:left position:20% line:89% size:70% AND ILLUSIONS SHATTERED. 23:27.200 --> 23:31.700 align:left position:25% line:83% size:65% SO, DEAR OLD FAMILY, DON'T EVER WORRY ABOUT ME! 23:31.700 --> 23:34.200 align:left position:17.5% line:89% size:72.5% IT ISN'T BAD TO BE WOUNDED: 23:34.200 --> 23:37.533 align:left position:32.5% line:83% size:57.5% I KNOW BECAUSE I'VE EXPERIENCED IT, 23:37.533 --> 23:41.466 align:left position:20% line:89% size:70% AND IF I DIE, I'M LUCKY. 23:44.633 --> 23:46.933 align:left position:30% line:89% size:60% WOMAN: AUGUST 26. 23:46.933 --> 23:50.033 align:left position:30% line:83% size:60% ERNEST HEMINGWAY IS GETTING EARNEST. 23:50.033 --> 23:52.133 align:left position:20% line:83% size:70% HE WAS TALKING LAST NIGHT OF WHAT MIGHT BE 23:52.133 --> 23:54.700 align:left position:27.5% line:89% size:62.5% IF HE WAS 26 OR 28. 23:54.700 --> 23:59.333 align:left position:15% line:83% size:75% IN SOME WAYS--AT SOME TIMES-- I WISH VERY MUCH THAT HE WAS. 23:59.333 --> 24:01.733 align:left position:32.5% line:83% size:57.5% HE IS ADORABLE, AND WE ARE VERY CONGENIAL 24:01.733 --> 24:05.133 align:left position:35% line:89% size:55% IN EVERY WAY. 24:05.133 --> 24:07.800 align:left position:12.5% line:83% size:77.5% NARRATOR: AS HE WAS RECOVERING, HEMINGWAY FELL IN LOVE 24:07.800 --> 24:09.566 align:left position:25% line:89% size:65% WITH HIS NIGHT NURSE, 24:09.566 --> 24:12.900 align:left position:30% line:83% size:60% AN AMERICAN NAMED AGNES VON KUROWSKY. 24:12.900 --> 24:16.033 align:left position:15% line:89% size:75% SHE WAS AUBURN-HAIRED AND 26, 24:16.033 --> 24:19.033 align:left position:30% line:83% size:60% 7 1/2 YEARS OLDER THAN HER PATIENT, 24:19.033 --> 24:23.533 align:left position:12.5% line:83% size:77.5% ENGAGED TO A DOCTOR BACK HOME, AND FLIRTATIOUS. 24:23.533 --> 24:25.833 align:left position:17.5% line:89% size:72.5% HE BEGAN CALLING HER "AG." 24:25.833 --> 24:29.033 align:left position:25% line:83% size:65% SHE CALLED HIM "KID," AND OVER THE WEEKS 24:29.033 --> 24:32.000 align:left position:17.5% line:83% size:72.5% THAT FOLLOWED, SHE GAVE HIM A RING TO WEAR, 24:32.000 --> 24:34.233 align:left position:20% line:83% size:70% ENJOYED WITH HIM THE WINE AND COGNAC 24:34.233 --> 24:37.033 align:left position:25% line:83% size:65% HE BRIBED THE PORTER TO SMUGGLE IN, 24:37.033 --> 24:39.433 align:left position:37.5% line:83% size:52.5% TOOK WALKS AND CARRIAGE RIDES WITH HIM 24:39.433 --> 24:42.266 align:left position:22.5% line:83% size:67.5% AS SOON AS HE WAS ABLE TO LEAVE HIS ROOM, 24:42.266 --> 24:45.533 align:left position:15% line:83% size:75% AND SHE WAS ONCE REPRIMANDED BY HER SUPERIOR 24:45.533 --> 24:50.366 align:left position:12.5% line:83% size:77.5% FOR HAVING LEFT A GOLD HAIR-PIN BENEATH HIS PILLOW. 24:50.366 --> 24:52.900 align:left position:17.5% line:83% size:72.5% WHEN AGNES WAS TRANSFERRED TO AN ARMY HOSPITAL 24:52.900 --> 24:56.366 align:left position:15% line:83% size:75% IN FLORENCE, ERNEST WROTE HER SO MANY LETTERS, 24:56.366 --> 24:59.900 align:left position:17.5% line:89% size:72.5% SHE URGED HIM TO SLOW DOWN, 24:59.900 --> 25:03.266 align:left position:25% line:83% size:65% BUT SHE ALSO TOLD HIM SHE WAS LOST WITHOUT HIM, 25:03.266 --> 25:05.666 align:left position:25% line:83% size:65% WISHED SHE COULD PUT HER ARMS AROUND HIM, 25:05.666 --> 25:08.033 align:left position:17.5% line:89% size:72.5% DREAMED OF HIM EVERY NIGHT. 25:08.033 --> 25:11.766 align:left position:17.5% line:83% size:72.5% "I SOMETIMES WISH WE COULD MARRY OVER HERE," SHE WROTE, 25:11.766 --> 25:15.600 align:left position:27.5% line:83% size:62.5% AND SHE SIGNED SOME OF HER LETTERS "MRS. KID," 25:15.600 --> 25:22.266 align:left position:15% line:83% size:75% BUT SHE SIGNED OTHERS SIMPLY, "YOURS TILL THE WAR IS OVER." 25:22.266 --> 25:24.500 align:left position:30% line:83% size:60% TO FILL THE HOURS WHILE SHE WAS AWAY, 25:24.500 --> 25:26.966 align:left position:25% line:83% size:65% ERNEST BEGAN TO WRITE A SHORT STORY 25:26.966 --> 25:30.000 align:left position:20% line:83% size:70% ABOUT A HIDEOUSLY WOUNDED AMERICAN SOLDIER, 25:30.000 --> 25:34.266 align:left position:20% line:83% size:70% WHO MUSES OVER THE MEDALS HE'D BEEN GIVEN FOR HIS HEROISM 25:34.266 --> 25:37.733 align:left position:15% line:83% size:75% AND THE MEANINGLESS CITATION THAT ACCOMPANIED THEM 25:37.733 --> 25:42.933 align:left position:30% line:83% size:60% AND THEN DECIDES TO KILL HIMSELF. 25:42.933 --> 25:45.766 align:left position:20% line:83% size:70% BY THE TIME HEMINGWAY WAS FINALLY WELL ENOUGH TO SAIL 25:45.766 --> 25:49.733 align:left position:22.5% line:83% size:67.5% FOR HOME IN EARLY 1919, THE WAR HAD ENDED, 25:49.733 --> 25:53.466 align:left position:12.5% line:83% size:77.5% AND HE WAS DETERMINED, HE SAID, TO "MAKE THE WORLD SAFE 25:53.466 --> 25:55.700 align:left position:22.5% line:89% size:67.5% FOR ERNEST HEMINGWAY." 25:55.700 --> 25:58.500 align:left position:12.5% line:83% size:77.5% AS SOON AS HIS WRITING PROVIDED HIM WITH A LIVING, 25:58.500 --> 26:01.566 align:left position:20% line:89% size:70% HE AND AGNES WOULD MARRY. 26:01.566 --> 26:05.666 align:left position:15% line:83% size:75% NARRATOR: AS HEMINGWAY LIMPED DOWN THE GANGPLANK IN NEW YORK, 26:05.666 --> 26:07.700 align:left position:32.5% line:83% size:57.5% A REPORTER FROM THE "NEW YORK SUN" 26:07.700 --> 26:09.533 align:left position:22.5% line:89% size:67.5% WAS THERE TO MEET HIM. 26:09.533 --> 26:11.366 align:left position:30% line:83% size:60% HE MADE THE FIRST OF THE HUNDREDS 26:11.366 --> 26:15.200 align:left position:12.5% line:83% size:77.5% OF NATIONAL HEADLINES HE WOULD MAKE DURING HIS LIFETIME. 26:17.900 --> 26:21.666 align:left position:22.5% line:83% size:67.5% HE RETURNED TO OAK PARK TO A HERO'S WELCOME. 26:21.666 --> 26:24.700 align:left position:22.5% line:83% size:67.5% HE LOVED THE ADULATION, WAS DELIGHTED 26:24.700 --> 26:27.700 align:left position:20% line:83% size:70% WHEN AN ITALIAN-AMERICAN DELEGATION CAME OUT 26:27.700 --> 26:30.566 align:left position:35% line:83% size:55% FROM CHICAGO TO HIS MOTHER'S MUSIC ROOM 26:30.566 --> 26:35.633 align:left position:15% line:83% size:75% TO HONOR HIM FOR HIS COURAGE UNTIL HIS TEETOTALING PARENTS-- 26:35.633 --> 26:38.400 align:left position:40% line:83% size:50% APPALLED BY THE FREE-FLOWING WINE-- 26:38.400 --> 26:41.366 align:left position:17.5% line:89% size:72.5% PUT A STOP TO SUCH VISITS. 26:41.366 --> 26:43.233 align:left position:30% line:83% size:60% WHENEVER HE LEFT HIS PARENTS' HOUSE, 26:43.233 --> 26:45.000 align:left position:25% line:89% size:65% HE WORE HIS UNIFORM, 26:45.000 --> 26:48.200 align:left position:35% line:83% size:55% COMPLETE WITH A BLACK VELVET ITALIAN CAPE, 26:48.200 --> 26:50.366 align:left position:32.5% line:83% size:57.5% AND HE APPEARED BEFORE LOCAL GROUPS, 26:50.366 --> 26:55.200 align:left position:17.5% line:83% size:72.5% RETELLING AND EMBELLISHING HIS WAR STORIES FOR A FEE, 26:55.200 --> 26:57.233 align:left position:25% line:83% size:65% THOUGH HE SAID HE HAD NOTHING BUT CONTEMPT 26:57.233 --> 27:01.833 align:left position:17.5% line:83% size:72.5% FOR THOSE WHO WANTED TO BE "VICARIOUSLY HORRIFIED." 27:05.066 --> 27:07.933 align:left position:27.5% line:83% size:62.5% BUT NOW HE CLAIMED, DESPITE HIS WOUNDS, 27:07.933 --> 27:11.133 align:left position:25% line:83% size:65% HE'D MANAGED TO CARRY AN INJURED MAN TO SAFETY 27:11.133 --> 27:14.466 align:left position:27.5% line:83% size:62.5% BEFORE COLLAPSING, AND HE LET HIS AUDIENCES BELIEVE 27:14.466 --> 27:17.466 align:left position:22.5% line:83% size:67.5% THAT, ALTHOUGH HE STILL COULD NOT WALK WITHOUT A CANE, 27:17.466 --> 27:20.400 align:left position:22.5% line:83% size:67.5% HE'D SOMEHOW BEEN ABLE TO RETURN TO THE FRONT 27:20.400 --> 27:24.433 align:left position:15% line:83% size:75% AND FIGHT ALONGSIDE AN ELITE UNIT OF THE ITALIAN ARMY 27:24.433 --> 27:27.133 align:left position:15% line:89% size:75% BEFORE THE SHOOTING STOPPED. 27:30.233 --> 27:32.066 align:left position:20% line:83% size:70% MAN, AS HEMINGWAY: TO BE LISTENED TO AT ALL HE 27:32.066 --> 27:33.800 align:left position:37.5% line:89% size:52.5% HAD TO LIE, 27:33.800 --> 27:35.700 align:left position:30% line:83% size:60% AND AFTER HE HAD DONE THIS TWICE, 27:35.700 --> 27:38.466 align:left position:22.5% line:5% size:67.5% HE, TOO, HAD A REACTION AGAINST THE WAR 27:38.466 --> 27:40.566 align:left position:15% line:5% size:75% AND AGAINST TALKING ABOUT IT. 27:40.566 --> 27:43.300 align:left position:12.5% line:5% size:77.5% A DISTASTE FOR EVERYTHING THAT HAD HAPPENED TO HIM 27:43.300 --> 27:45.866 align:left position:30% line:5% size:60% IN THE WAR SET IN 27:45.866 --> 27:50.066 align:left position:27.5% line:83% size:62.5% BECAUSE OF THE LIES HE HAD TOLD. 27:50.066 --> 27:53.133 align:left position:15% line:83% size:75% NARRATOR: WHEN ERNEST WAS NOT MAKING PUBLIC APPEARANCES, 27:53.133 --> 27:56.300 align:left position:20% line:83% size:70% HE WAS IN HIS THIRD-FLOOR BEDROOM UNDER THE EAVES, 27:56.300 --> 28:00.000 align:left position:12.5% line:83% size:77.5% HUNCHED OVER AN OLD TYPEWRITER, WRITING WAR STORIES 28:00.000 --> 28:02.866 align:left position:22.5% line:83% size:67.5% AND SENDING THEM OFF TO THE "SATURDAY EVENING POST" 28:02.866 --> 28:07.033 align:left position:20% line:83% size:70% AND "REDBOOK," TRYING TO SHOW AGNES AND HIS PARENTS 28:07.033 --> 28:10.000 align:left position:35% line:83% size:55% THAT HE COULD MAKE IT AS A WRITER. 28:10.000 --> 28:13.533 align:left position:12.5% line:89% size:77.5% ALL THE STORIES WERE REJECTED. 28:13.533 --> 28:15.400 align:left position:27.5% line:83% size:62.5% DESPITE THE BRAVADO WITH WHICH 28:15.400 --> 28:18.666 align:left position:22.5% line:83% size:67.5% HE FACED HIS NEIGHBORS, HE HAD BEEN DEEPLY AFFECTED 28:18.666 --> 28:21.533 align:left position:12.5% line:89% size:77.5% BY THE WAR AND BY HIS WOUNDING. 28:21.533 --> 28:25.066 align:left position:15% line:83% size:75% AN OLD FRIEND WHO VISITED HIM THAT WINTER REMEMBERED 28:25.066 --> 28:28.600 align:left position:12.5% line:83% size:77.5% THAT "HE CAME BACK FIGURATIVELY AS WELL AS LITERALLY 28:28.600 --> 28:30.433 align:left position:30% line:89% size:60% SHOT TO PIECES." 28:30.433 --> 28:32.466 align:left position:27.5% line:83% size:62.5% HE COULD NOT SLEEP WITHOUT A LIGHT 28:32.466 --> 28:34.666 align:left position:17.5% line:83% size:72.5% BECAUSE HE HAD BEEN WOUNDED AT NIGHT 28:34.666 --> 28:37.000 align:left position:20% line:83% size:70% AND HAD COME TO BELIEVE, HE WOULD WRITE, 28:37.000 --> 28:41.333 align:left position:15% line:83% size:75% "THAT IF I EVER SHUT MY EYES IN THE DARK AND LET MYSELF GO, 28:41.333 --> 28:45.700 align:left position:30% line:83% size:60% MY SOUL WOULD GO OUT OF MY BODY." 28:45.700 --> 28:48.366 align:left position:17.5% line:83% size:72.5% HIS SISTER URSULA SOMETIMES SLEPT IN HIS ROOM 28:48.366 --> 28:50.466 align:left position:25% line:89% size:65% TO SOOTHE HIS FEARS. 28:50.466 --> 28:55.166 align:left position:20% line:83% size:70% ALL HIS LIFE, HE WOULD BE FRIGHTENED OF SLEEPING ALONE. 28:55.166 --> 28:58.700 align:left position:20% line:83% size:70% HIS GREAT CONSOLATION WAS THAT AGNES WOULD SOON 28:58.700 --> 29:03.200 align:left position:15% line:89% size:75% BE COMING HOME TO MARRY HIM. 29:03.200 --> 29:07.200 align:left position:12.5% line:89% size:77.5% WOMAN, AS AGNES: MARCH 7, 1919. 29:07.200 --> 29:10.200 align:left position:30% line:83% size:60% ERNIE, DEAR BOY, I AM WRITING THIS 29:10.200 --> 29:13.433 align:left position:27.5% line:83% size:62.5% LATE AT NIGHT AFTER A LONG THINK BY MYSELF, 29:13.433 --> 29:15.933 align:left position:25% line:83% size:65% AND I AM AFRAID IT IS GOING TO HURT YOU, 29:15.933 --> 29:19.400 align:left position:25% line:83% size:65% BUT I'M SURE IT WON'T HARM YOU PERMANENTLY. 29:19.400 --> 29:21.366 align:left position:30% line:83% size:60% FOR QUITE A WHILE BEFORE YOU LEFT, 29:21.366 --> 29:26.633 align:left position:12.5% line:83% size:77.5% I WAS TRYING TO CONVINCE MYSELF IT WAS A REAL LOVE-AFFAIR, 29:26.633 --> 29:30.733 align:left position:22.5% line:83% size:67.5% BUT NOW, AFTER A COUPLE OF MONTHS AWAY FROM YOU, 29:30.733 --> 29:33.400 align:left position:22.5% line:83% size:67.5% I KNOW THAT I AM STILL VERY FOND OF YOU, 29:33.400 --> 29:37.166 align:left position:17.5% line:83% size:72.5% BUT IT IS MORE AS A MOTHER THAN AS A SWEETHEART, 29:37.166 --> 29:38.833 align:left position:25% line:83% size:65% AND I CAN'T GET AWAY FROM THE FACT 29:38.833 --> 29:41.933 align:left position:12.5% line:89% size:77.5% THAT YOU'RE JUST A BOY, A KID. 29:44.033 --> 29:46.933 align:left position:15% line:89% size:75% I EXPECT TO BE MARRIED SOON. 29:46.933 --> 29:49.400 align:left position:20% line:83% size:70% AND I HOPE AND PRAY THAT AFTER YOU HAVE THOUGHT 29:49.400 --> 29:52.033 align:left position:15% line:83% size:75% THINGS OUT, YOU'LL BE ABLE TO FORGIVE ME AND START 29:52.033 --> 29:56.533 align:left position:17.5% line:83% size:72.5% A WONDERFUL CAREER AND SHOW WHAT A MAN YOU REALLY ARE. 29:56.533 --> 30:02.966 align:left position:17.5% line:5% size:72.5% EVER ADMIRINGLY AND FONDLY, YOUR FRIEND, AGGIE. 30:02.966 --> 30:05.733 align:left position:15% line:5% size:75% NARRATOR: ERNEST IMMEDIATELY WROTE TO BILL HORNE, 30:05.733 --> 30:08.600 align:left position:35% line:83% size:55% A FRIEND FROM THE AMBULANCE SERVICE. 30:12.066 --> 30:14.966 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: IT HAS HIT ME SO SUDDEN. 30:14.966 --> 30:17.200 align:left position:17.5% line:89% size:72.5% SHE DOESN'T LOVE ME, BILL. 30:17.200 --> 30:19.233 align:left position:22.5% line:89% size:67.5% SHE TAKES IT ALL BACK. 30:19.233 --> 30:24.400 align:left position:20% line:83% size:70% A "MISTAKE," ONE OF THOSE LITTLE MISTAKES, YOU KNOW. 30:24.400 --> 30:26.200 align:left position:40% line:83% size:50% OH, BILL, I CAN'T KID ABOUT IT 30:26.200 --> 30:28.433 align:left position:30% line:83% size:60% BECAUSE I'M JUST SMASHED BY IT, 30:28.433 --> 30:30.033 align:left position:32.5% line:83% size:57.5% BUT SHE DOESN'T LOVE ME NOW, BILL, 30:30.033 --> 30:33.400 align:left position:27.5% line:83% size:62.5% AND SHE IS GOING TO MARRY SOMEONE ELSE, 30:33.400 --> 30:35.900 align:left position:27.5% line:83% size:62.5% AND SHE HOPES THAT AFTER I HAVE FORGIVEN HER 30:35.900 --> 30:39.866 align:left position:12.5% line:83% size:77.5% I WILL HAVE A WONDERFUL CAREER AND EVERYTHING, 30:39.866 --> 30:43.866 align:left position:22.5% line:83% size:67.5% BUT, BILL, I DON'T WANT A WONDERFUL CAREER. 30:43.866 --> 30:47.366 align:left position:27.5% line:83% size:62.5% ALL I WANTED WAS AG AND HAPPINESS, 30:47.366 --> 30:52.166 align:left position:12.5% line:83% size:77.5% AND NOW THE BOTTOM HAS DROPPED OUT OF THE WHOLE WORLD. 30:52.166 --> 30:55.433 align:left position:12.5% line:83% size:77.5% NARRATOR: HE DEVELOPED A FEVER, REFUSED TO SEE ANYONE, 30:55.433 --> 30:58.400 align:left position:22.5% line:83% size:67.5% BEGAN DRINKING SECRETLY FROM BOTTLES OF LIQUEUR 30:58.400 --> 31:02.766 align:left position:22.5% line:83% size:67.5% HE HID IN HIS BOOKCASE, STOPPED WRITING FOR A TIME. 31:02.766 --> 31:06.833 align:left position:15% line:89% size:75% THERE SEEMED TO BE NO POINT. 31:06.833 --> 31:10.366 align:left position:25% line:5% size:65% I DON'T KNOW HOW MUCH HE TRUSTED WOMEN AFTER THAT. 31:10.366 --> 31:12.333 align:left position:35% line:5% size:55% I JUST DON'T, 31:12.333 --> 31:15.333 align:left position:22.5% line:83% size:67.5% BUT I DO KNOW HE LOVED BEING IN LOVE. 31:18.666 --> 31:21.166 align:left position:27.5% line:83% size:62.5% NARRATOR: HE'D BEEN A BIG-CITY NEWSPAPERMAN, 31:21.166 --> 31:24.700 align:left position:27.5% line:83% size:62.5% HAD EXPERIENCED WAR AND NEARLY BEEN KILLED, 31:24.700 --> 31:26.966 align:left position:15% line:89% size:75% HAD BEEN DISAPPOINTED IN LOVE 31:26.966 --> 31:30.433 align:left position:25% line:83% size:65% AND SOMEHOW NOW FOUND HIMSELF BACK HOME, 31:30.433 --> 31:33.200 align:left position:27.5% line:83% size:62.5% STILL BEING TREATED AS IF HE WERE A BOY, 31:33.200 --> 31:37.066 align:left position:12.5% line:89% size:77.5% AS IF NONE OF IT HAD HAPPENED. 31:37.066 --> 31:39.333 align:left position:40% line:83% size:50% KATAKIS: THINGS WERE OUT THERE. 31:39.333 --> 31:43.933 align:left position:15% line:83% size:75% HE SEEMS TO HAVE BEEN HUNGRY FROM AN EARLY AGE, 31:43.933 --> 31:47.466 align:left position:15% line:83% size:75% AND HE COULD NEVER HAVE BEEN IN MY OPINION, 31:47.466 --> 31:50.133 align:left position:30% line:83% size:60% ESPECIALLY AFTER THE FIRST WORLD WAR, 31:50.133 --> 31:57.333 align:left position:22.5% line:83% size:67.5% CONTAINED BY OAK PARK'S QUIET SUNDAYS AND PERFECT LAWNS. 31:57.333 --> 31:59.766 align:left position:30% line:83% size:60% I THINK THAT WAS IMPOSSIBLE THEN. 31:59.766 --> 32:04.400 align:left position:22.5% line:83% size:67.5% SO THAT, OF COURSE, LED TO A CONFLICT WITH HIS FAMILY, 32:04.400 --> 32:07.533 align:left position:27.5% line:83% size:62.5% WHO FELT AFTER WAR YOU SHOULD BE 32:07.533 --> 32:10.566 align:left position:22.5% line:83% size:67.5% WHAT THEY PERCEIVED YOU TO BE BEFORE YOU LEFT, 32:10.566 --> 32:12.500 align:left position:37.5% line:83% size:52.5% BUT YOU'RE NO LONGER THE SAME PERSON. 32:12.500 --> 32:16.100 align:left position:30% line:83% size:60% HE WAS NO LONGER THE SAME PERSON. 32:16.100 --> 32:19.566 align:left position:15% line:83% size:75% NARRATOR: THE PAIN OF LOSING AGNES EVENTUALLY EASED. 32:19.566 --> 32:21.866 align:left position:35% line:83% size:55% THAT SUMMER, ERNEST TOLD A FRIEND, 32:21.866 --> 32:25.900 align:left position:17.5% line:83% size:72.5% HE UNDERWENT WHAT HE CALLED A "PROCESS OF CAUTERIZATION 32:25.900 --> 32:29.700 align:left position:17.5% line:83% size:72.5% "IN WHICH COGNAC AND 2 OR 3 GIRLS I CARED NOTHING ABOUT 32:29.700 --> 32:34.300 align:left position:25% line:83% size:65% BUT VIOLENTLY RUSHED TOOK THE PLACE OF THE RED IRON." 32:37.833 --> 32:41.733 align:left position:15% line:83% size:75% HEMINGWAY EVENTUALLY RETURNED TO HIS TYPEWRITER THAT FALL, 32:41.733 --> 32:44.533 align:left position:17.5% line:83% size:72.5% FIRST WRITING MORE STORIES IN A RENTED ROOM 32:44.533 --> 32:48.166 align:left position:22.5% line:83% size:67.5% IN PETOSKEY, MICHIGAN, THEN IN TORONTO, 32:48.166 --> 32:51.466 align:left position:20% line:83% size:70% WRITING FREELANCE PIECES FOR THE "DAILY STAR" 32:51.466 --> 32:55.700 align:left position:12.5% line:83% size:77.5% AND "STAR WEEKLY" ABOUT FISHING AND CHICAGO GANGSTERS 32:55.700 --> 32:58.533 align:left position:32.5% line:83% size:57.5% AND THE DANGERS OF ACCEPTING A FREE SHAVE 32:58.533 --> 33:00.966 align:left position:22.5% line:89% size:67.5% AT A BARBER'S COLLEGE. 33:04.133 --> 33:06.800 align:left position:25% line:83% size:65% BUT WHEN HE RETURNED TO HIS FAMILY AT WALLOON LAKE 33:06.800 --> 33:12.100 align:left position:22.5% line:83% size:67.5% IN THE SUMMER OF 1920, THINGS WENT FROM BAD TO WORSE. 33:12.100 --> 33:15.433 align:left position:22.5% line:83% size:67.5% HE SEEMED UNINTERESTED IN LOOKING FOR A STEADY JOB, 33:15.433 --> 33:17.500 align:left position:35% line:83% size:55% SPOKE VAGUELY OF BOARDING A FREIGHTER 33:17.500 --> 33:19.500 align:left position:15% line:89% size:75% AND SAILING AROUND THE WORLD 33:19.500 --> 33:23.833 align:left position:12.5% line:83% size:77.5% AS ONE OF HIS FAVORITE WRITERS JACK LONDON HAD DONE. 33:23.833 --> 33:27.133 align:left position:20% line:83% size:70% WHEN HIS MOTHER OBJECTED, HE SNAPPED AT HER. 33:27.133 --> 33:30.666 align:left position:17.5% line:83% size:72.5% HIS FATHER EXHORTED HIM TO "SOFTEN YOUR TEMPER 33:30.666 --> 33:34.966 align:left position:35% line:83% size:55% AND FEAR GOD AND RESPECT WOMAN." 33:34.966 --> 33:40.233 align:left position:15% line:83% size:75% THINGS CAME TO A HEAD 6 DAYS AFTER HIS 21st BIRTHDAY. 33:40.233 --> 33:43.466 align:left position:20% line:83% size:70% HE AND TWO OF HIS YOUNGER SISTERS JOINED FRIENDS, 33:43.466 --> 33:46.266 align:left position:17.5% line:83% size:72.5% INCLUDING THEIR NEIGHBOR'S TEENAGE DAUGHTERS, 33:46.266 --> 33:51.033 align:left position:17.5% line:83% size:72.5% AT A SECRET MOONLIGHT PARTY ACROSS THE LAKE. 33:51.033 --> 33:54.200 align:left position:20% line:83% size:70% WHEN HIS MOTHER FOUND OUT ABOUT IT, SHE WAS FURIOUS. 33:54.200 --> 33:57.133 align:left position:20% line:83% size:70% HE WAS OLD ENOUGH TO KNOW BETTER, SHE TOLD HIM. 33:57.133 --> 33:59.933 align:left position:30% line:83% size:60% HE WAS CORRUPTING THE MORALS OF MINORS, 33:59.933 --> 34:03.533 align:left position:10% line:89% size:80% HE WAS A DISGRACE TO HIS FAMILY. 34:03.533 --> 34:05.366 align:left position:32.5% line:83% size:57.5% SHE HANDED HIM A LETTER ADDRESSED 34:05.366 --> 34:08.766 align:left position:20% line:89% size:70% TO "MY DEAR SON ERNEST." 34:08.766 --> 34:11.666 align:left position:20% line:83% size:70% IT BEGAN WITH A CATALOGUE OF THE SACRIFICES 34:11.666 --> 34:16.566 align:left position:25% line:83% size:65% SHE SAID SHE HAD MADE FOR HIS BENEFIT. 34:16.566 --> 34:19.966 align:left position:10% line:83% size:80% "A MOTHER'S LOVE," SHE TOLD HIM, WAS "LIKE A BANK." 34:19.966 --> 34:22.733 align:left position:30% line:83% size:60% SHE HAD MADE ALL THE EARLY DEPOSITS-- 34:22.733 --> 34:25.833 align:left position:22.5% line:83% size:67.5% THE PAIN OF CHILDBIRTH, THE SLEEPLESS NIGHTS, 34:25.833 --> 34:28.200 align:left position:25% line:83% size:65% THE YEARS OF PATIENT UNDERSTANDING 34:28.200 --> 34:30.733 align:left position:27.5% line:89% size:62.5% AND ENCOURAGEMENT, 34:30.733 --> 34:33.300 align:left position:17.5% line:83% size:72.5% BUT NOW THAT "FULL MANHOOD" WAS HERE, 34:33.300 --> 34:39.233 align:left position:22.5% line:83% size:67.5% IT WAS HIS TURN TO MAKE "DEPOSITS" OF HIS OWN, SHE SAID. 34:39.233 --> 34:41.633 align:left position:15% line:83% size:75% WOMAN, AS GRACE: UNLESS YOU, MY SON, ERNEST, 34:41.633 --> 34:45.100 align:left position:30% line:83% size:60% COME TO YOURSELF, CEASE YOUR LAZY LOAFING 34:45.100 --> 34:48.033 align:left position:22.5% line:83% size:67.5% AND PLEASURE SEEKING-- BORROWING WITH NO THOUGHT 34:48.033 --> 34:49.766 align:left position:32.5% line:89% size:57.5% OF RETURNING-- 34:49.766 --> 34:52.433 align:left position:25% line:83% size:65% STOP TRYING TO GRAFT A LIVING OFF ANYBODY, 34:52.433 --> 34:56.333 align:left position:22.5% line:83% size:67.5% AND EVERYBODY, SPENDING ALL YOUR EARNINGS 34:56.333 --> 35:00.633 align:left position:22.5% line:83% size:67.5% LAVISHLY AND WASTEFULLY ON LUXURIES FOR YOURSELF-- 35:00.633 --> 35:03.333 align:left position:35% line:83% size:55% STOP TRADING ON YOUR HANDSOME FACE 35:03.333 --> 35:06.733 align:left position:12.5% line:89% size:77.5% TO FOOL LITTLE GULLIBLE GIRLS, 35:06.733 --> 35:09.400 align:left position:17.5% line:83% size:72.5% AND NEGLECTING YOUR DUTIES TO GOD 35:09.400 --> 35:12.000 align:left position:15% line:89% size:75% AND YOUR SAVIOR JESUS CHRIST, 35:12.000 --> 35:16.566 align:left position:22.5% line:83% size:67.5% UNLESS, IN OTHER WORDS, YOU COME INTO YOUR MANHOOD, 35:16.566 --> 35:21.033 align:left position:15% line:83% size:75% THERE IS NOTHING BEFORE YOU, BUT BANKRUPTCY. 35:21.033 --> 35:24.566 align:left position:27.5% line:89% size:62.5% YOU HAVE OVERDRAWN. 35:24.566 --> 35:27.200 align:left position:15% line:83% size:75% NARRATOR: ERNEST WAS TO LEAVE HOME, SHE SAID, 35:27.200 --> 35:30.066 align:left position:27.5% line:83% size:62.5% AND NOT "COME BACK UNTIL YOUR TONGUE HAS LEARNED 35:30.066 --> 35:33.700 align:left position:35% line:83% size:55% NOT TO INSULT AND SHAME YOUR MOTHER." 35:33.700 --> 35:35.966 align:left position:30% line:83% size:60% "MAKES A GUY FEEL KIND OF ROTTEN," 35:35.966 --> 35:38.033 align:left position:25% line:83% size:65% ERNEST TOLD A FRIEND, "TO KNOW THAT 35:38.033 --> 35:42.766 align:left position:27.5% line:83% size:62.5% HE HASN'T ANY HOME, EVEN IF HE DOESN'T USE IT." 35:42.766 --> 35:46.333 align:left position:22.5% line:83% size:67.5% HE AND HIS MOTHER WOULD EVENTUALLY RECONCILE, 35:46.333 --> 35:47.900 align:left position:20% line:89% size:70% BUT HEMINGWAY'S ANTIPATHY 35:47.900 --> 35:50.766 align:left position:37.5% line:83% size:52.5% TOWARD HER WOULD NEVER DISSIPATE, 35:50.766 --> 35:53.433 align:left position:20% line:83% size:70% YET OF ALL HER CHILDREN, HE WOULD BECOME 35:53.433 --> 35:57.533 align:left position:27.5% line:83% size:62.5% THE MOST LIKE HER-- OPINIONATED, JUDGMENTAL, 35:57.533 --> 36:02.600 align:left position:12.5% line:89% size:77.5% CONTROLLING, SELF-DRAMATIZING. 36:02.600 --> 36:06.300 align:left position:20% line:83% size:70% ERNEST MOVED TO CHICAGO, ROOMED WITH OLD FRIENDS, 36:06.300 --> 36:09.733 align:left position:12.5% line:83% size:77.5% AND GOT TO KNOW THE CELEBRATED WRITER SHERWOOD ANDERSON, 36:09.733 --> 36:12.266 align:left position:25% line:83% size:65% WHO BECAME SOMETHING OF A MENTOR. 36:12.266 --> 36:15.700 align:left position:17.5% line:83% size:72.5% HEMINGWAY SUPPORTED HIMSELF WRITING AD COPY 36:15.700 --> 36:19.133 align:left position:32.5% line:83% size:57.5% AND WORKED AWAY AT SHORT STORIES AT NIGHT. 36:19.133 --> 36:22.166 align:left position:20% line:83% size:70% NO ONE SEEMED INTERESTED IN THEM. 36:22.166 --> 36:25.200 align:left position:27.5% line:83% size:62.5% WOMAN: ALL WRITERS ARE NARCISSISTIC. 36:25.200 --> 36:27.100 align:left position:27.5% line:83% size:62.5% THAT'S NOT THE SAME AS BEING A NARCISSIST, 36:27.100 --> 36:28.700 align:left position:25% line:5% size:65% AS BEING A SOCIOPATH, 36:28.700 --> 36:31.033 align:left position:27.5% line:5% size:62.5% BUT NO ONE CAN SIT IN A ROOM BY THEMSELVES 36:31.033 --> 36:34.666 align:left position:20% line:5% size:70% 12 HOURS A DAY, THINKING ABOUT WHAT THEY'RE THINKING 36:34.666 --> 36:36.533 align:left position:20% line:83% size:70% AND NOT BE A LITTLE MORE SELF-FOCUSED 36:36.533 --> 36:38.300 align:left position:22.5% line:89% size:67.5% THAN THE NORMAL PERSON. 36:38.300 --> 36:41.400 align:left position:10% line:83% size:80% YOU'RE DEFINITELY ON THE FAR END OF THE BELL CURVE. 36:45.100 --> 36:48.433 align:left position:20% line:83% size:70% WOMAN: OH, MR. HEMINGWAY, HOW I LOVE YOU. 36:48.433 --> 36:50.333 align:left position:25% line:89% size:65% HOW EXCITING YOU ARE. 36:50.333 --> 36:52.933 align:left position:17.5% line:83% size:72.5% HOW A LOT OF THINGS HAPPEN AROUND YOU, 36:52.933 --> 36:57.733 align:left position:25% line:83% size:65% AND BESIDES ALL THAT, I LOVE YOU ANYWAY. 36:57.733 --> 37:00.266 align:left position:37.5% line:83% size:52.5% HOW I LOVE THE WAY YOU LOVE ME, 37:00.266 --> 37:04.733 align:left position:15% line:83% size:75% AND YOUR FLANNEL SHIRT SEEMS A STRANGELY BEAUTIFUL THING, 37:04.733 --> 37:07.500 align:left position:12.5% line:89% size:77.5% AND IT SMELLS SO GOOD BESIDES. 37:07.500 --> 37:10.800 align:left position:12.5% line:83% size:77.5% SOME DAY, IF I DON'T WATCH OUT, THERE'LL BE A POEM 37:10.800 --> 37:12.800 align:left position:35% line:83% size:55% ON THE SMELL OF A CLEAN WHITE SHIRT 37:12.800 --> 37:15.566 align:left position:20% line:83% size:70% THAT'LL RAISE UP THE HAIR ON THE DEAD. 37:15.566 --> 37:17.766 align:left position:27.5% line:89% size:62.5% HADLEY RICHARDSON. 37:22.200 --> 37:24.866 align:left position:15% line:83% size:75% NARRATOR: ONE OCTOBER EVENING IN 1920, 37:24.866 --> 37:27.900 align:left position:17.5% line:83% size:72.5% HEMINGWAY ATTENDED A PARTY AT A FRIEND'S APARTMENT 37:27.900 --> 37:32.200 align:left position:27.5% line:83% size:62.5% AND WAS INTRODUCED TO A VISITOR FROM ST. LOUIS. 37:32.200 --> 37:34.000 align:left position:22.5% line:83% size:67.5% "THE MOMENT SHE ENTERED THE ROOM, 37:34.000 --> 37:36.033 align:left position:27.5% line:83% size:62.5% AN INTENSE FEELING CAME OVER ME," 37:36.033 --> 37:38.666 align:left position:25% line:83% size:65% HEMINGWAY REMEMBERED MANY YEARS LATER. 37:38.666 --> 37:43.333 align:left position:20% line:83% size:70% "I KNEW SHE WAS THE GIRL I WAS GOING TO MARRY." 37:43.333 --> 37:46.533 align:left position:17.5% line:83% size:72.5% ELIZABETH HADLEY RICHARDSON WAS 28, 37:46.533 --> 37:49.333 align:left position:32.5% line:83% size:57.5% THE SHY PRODUCT OF A WELL-TO-DO FAMILY 37:49.333 --> 37:53.400 align:left position:17.5% line:83% size:72.5% FAR MORE TENSE AND TROUBLED EVEN THAN HIS. 37:53.400 --> 37:57.566 align:left position:15% line:83% size:75% HER ALCOHOLIC FATHER HAD SHOT HIMSELF WHEN SHE WAS 13. 37:57.566 --> 38:00.133 align:left position:30% line:83% size:60% A BELOVED SISTER HAD BURNED TO DEATH. 38:00.133 --> 38:02.733 align:left position:20% line:83% size:70% SHE HERSELF HAD SUFFERED A NERVOUS BREAKDOWN 38:02.733 --> 38:06.066 align:left position:15% line:83% size:75% AT BRYN MAWR AND BEEN FORCED TO SPEND THE LAST 8 YEARS 38:06.066 --> 38:10.600 align:left position:12.5% line:83% size:77.5% AT HOME, CARING FOR HER ERRATIC AND DOMINEERING MOTHER, 38:10.600 --> 38:13.700 align:left position:10% line:89% size:80% SOMETIMES DRIVEN TO SUCH DESPAIR 38:13.700 --> 38:17.400 align:left position:12.5% line:89% size:77.5% THAT HADLEY CONSIDERED SUICIDE. 38:17.400 --> 38:21.666 align:left position:12.5% line:83% size:77.5% HER MOTHER HAD DIED JUST WEEKS BEFORE SHE MET HEMINGWAY. 38:21.666 --> 38:24.833 align:left position:15% line:83% size:75% SHE WAS EAGER, SHE RECALLED, TO FIND SOMEONE 38:24.833 --> 38:29.133 align:left position:20% line:83% size:70% WITH WHOM SHE COULD BEGIN TO BUILD A LIFE OF HER OWN. 38:33.566 --> 38:36.600 align:left position:10% line:5% size:80% WOMAN, AS RICHARDSON: I NEED YOU IN EVERY PART OF MY LIFE. 38:36.600 --> 38:38.500 align:left position:25% line:5% size:65% I WANT TO BE KISSED. 38:38.500 --> 38:40.500 align:left position:15% line:83% size:75% I WANT TO PULL YOUR HEAD DOWN ON MY HEART 38:40.500 --> 38:43.266 align:left position:22.5% line:83% size:67.5% AND HOLD IT VERY CLOSE AND CRADLE YOU THERE 38:43.266 --> 38:46.966 align:left position:37.5% line:83% size:52.5% FOR HOURS, YOU BLESSED THING. 38:46.966 --> 38:53.600 align:left position:27.5% line:83% size:62.5% LOVE YOU, LOVE YOU, YOUR OWNEST IN THE WORLD. 38:53.600 --> 38:56.733 align:left position:20% line:83% size:70% NARRATOR: FALLING IN LOVE WITH HEMINGWAY, HADLEY SAID, 38:56.733 --> 39:00.633 align:left position:22.5% line:83% size:67.5% WAS A "GREAT EXPLOSION INTO LIFE." 39:00.633 --> 39:03.633 align:left position:32.5% line:83% size:57.5% WITHIN 6 WEEKS, HE WAS CALLING HER "HASH," 39:03.633 --> 39:06.500 align:left position:25% line:83% size:65% AND THEY WERE TALKING OF MARRIAGE. 39:06.500 --> 39:09.466 align:left position:17.5% line:83% size:72.5% THEY WOULD NOT ACTUALLY WED FOR NEARLY A YEAR 39:09.466 --> 39:12.166 align:left position:32.5% line:83% size:57.5% AND WERE APART MOST OF THAT TIME, 39:12.166 --> 39:17.666 align:left position:17.5% line:83% size:72.5% BUT THEY WROTE ONE ANOTHER ALMOST DAILY. 39:17.666 --> 39:19.633 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: 'COURSE I LOVE YOU. 39:19.633 --> 39:21.933 align:left position:20% line:89% size:70% I LOVE YOU ALL THE TIME. 39:21.933 --> 39:24.666 align:left position:15% line:83% size:75% WHEN I WAKE UP IN THE MORNING AND HAVE TO CLIMB OUT OF BED 39:24.666 --> 39:27.666 align:left position:15% line:83% size:75% AND SPLASH AROUND AND SHAVE, I LOOK AT YOUR PICTURE 39:27.666 --> 39:30.200 align:left position:25% line:89% size:65% AND THINK ABOUT YOU, 39:30.200 --> 39:34.700 align:left position:27.5% line:83% size:62.5% AND IN THE EVENING, IT'S TOO MUCH TO STAND. 39:34.700 --> 39:37.666 align:left position:20% line:89% size:70% 'NIGHT, MY DEAREST HASH. 39:37.666 --> 39:40.500 align:left position:22.5% line:83% size:67.5% I'D LIKE TO HOLD YOU SO AND KISS YOU SO 39:40.500 --> 39:44.300 align:left position:22.5% line:83% size:67.5% THAT YOU WOULDN'T DOUBT WHETHER I WANTED TO OR NOT. 39:44.300 --> 39:48.533 align:left position:30% line:89% size:60% LOVE YOU--ERNESTO 39:48.533 --> 39:51.466 align:left position:17.5% line:83% size:72.5% NARRATOR: HIS LOVE RESTORED HER SELF-CONFIDENCE 39:51.466 --> 39:54.133 align:left position:17.5% line:89% size:72.5% AFTER YEARS OF SELF-DOUBT. 39:54.133 --> 39:56.800 align:left position:22.5% line:83% size:67.5% "WE'RE THE SAME FIRM," SHE TOLD HIM. 39:56.800 --> 39:58.300 align:left position:25% line:89% size:65% "THE WORLD'S A JAIL, 39:58.300 --> 40:01.000 align:left position:32.5% line:83% size:57.5% AND WE'RE GONNA BREAK IT TOGETHER." 40:01.000 --> 40:05.833 align:left position:17.5% line:83% size:72.5% HER CONFIDENCE IN HIM WOULD HELP HIM REALIZE HIS TALENT. 40:05.833 --> 40:09.966 align:left position:12.5% line:83% size:77.5% WHEN ERNEST TOLD HADLEY HE NOW FELT READY TO START A NOVEL 40:09.966 --> 40:13.100 align:left position:17.5% line:83% size:72.5% BASED UPON HIS OWN BOYHOOD WITH "REAL PEOPLE, 40:13.100 --> 40:15.766 align:left position:27.5% line:83% size:62.5% TALKING AND SAYING WHAT THEY THINK," 40:15.766 --> 40:19.533 align:left position:35% line:83% size:55% SHE SENT HIM A NEW CORONA TYPEWRITER. 40:19.533 --> 40:21.933 align:left position:32.5% line:83% size:57.5% FROM THE FIRST, SHE SEEMED TO UNDERSTAND 40:21.933 --> 40:24.000 align:left position:20% line:89% size:70% WHAT HE WAS TRYING TO DO. 40:24.000 --> 40:27.400 align:left position:17.5% line:83% size:72.5% SHE LOVED IT THAT HIS STYLE "ELIMINATED EVERYTHING 40:27.400 --> 40:31.366 align:left position:20% line:83% size:70% EXCEPT WHAT IS NECESSARY AND STRENGTHENING"... 40:34.566 --> 40:36.866 align:left position:20% line:83% size:70% BUT AS THEIR WEDDING DAY APPROACHED, 40:36.866 --> 40:41.466 align:left position:22.5% line:83% size:67.5% ANXIETY AND DEPRESSION AGAIN ENVELOPED HIM. 40:41.466 --> 40:44.533 align:left position:22.5% line:83% size:67.5% HE LOST WEIGHT, WORRIED THAT MARRIED LIFE 40:44.533 --> 40:47.133 align:left position:12.5% line:89% size:77.5% MIGHT NOT BE FOR HIM AFTER ALL 40:47.133 --> 40:50.966 align:left position:25% line:83% size:65% OR THAT HADLEY WOULD BETRAY HIM THE WAY AGNES HAD. 40:50.966 --> 40:53.833 align:left position:17.5% line:89% size:72.5% HE GREW DARKER AND DARKER. 40:53.833 --> 41:00.000 align:left position:20% line:83% size:70% HE HINTED TO HADLEY THAT HE WAS CONSIDERING SUICIDE. 41:00.000 --> 41:02.233 align:left position:10% line:83% size:80% WOMAN, AS RICHARDSON: I KNOW HOW IT FEELS 'CAUSE I HAVE 41:02.233 --> 41:06.166 align:left position:27.5% line:83% size:62.5% SO VERY MANY TIMES WANTED TO GO AND COULDN'T 41:06.166 --> 41:09.766 align:left position:17.5% line:83% size:72.5% ON ACCOUNT OF THE MESS I'D LEAVE SOME OTHER PEOPLE IN, 41:09.766 --> 41:14.833 align:left position:15% line:83% size:75% BUT REMEMBER IT WOULD KILL ME TO ALL INTENTS AND PURPOSES. 41:14.833 --> 41:19.700 align:left position:22.5% line:83% size:67.5% DON'T EVER GET CONFUSED WHEN SUCH A MOMENT COMES. 41:19.700 --> 41:21.533 align:left position:30% line:89% size:60% YOU GOTTA LIVE-- 41:21.533 --> 41:25.766 align:left position:22.5% line:83% size:67.5% FIRST FOR YOU AND THEN FOR MY HAPPINESS. 41:25.766 --> 41:30.066 align:left position:15% line:83% size:75% YOU MUSTN'T FEEL SO HORRIBLY, DEAR ERN. 41:30.066 --> 41:33.233 align:left position:25% line:83% size:65% I'M ARRIVING SATURDAY TO LOVE YOU CLOSER. 41:35.566 --> 41:39.966 align:left position:10% line:83% size:80% NARRATOR: ON SATURDAY AFTERNOON, SEPTEMBER 3, 1921, 41:39.966 --> 41:43.233 align:left position:15% line:83% size:75% IN A METHODIST CHURCH NOT FAR FROM THE FAMILY COTTAGE 41:43.233 --> 41:46.300 align:left position:30% line:83% size:60% ON WALLOON LAKE, HADLEY RICHARDSON 41:46.300 --> 41:52.066 align:left position:15% line:89% size:75% BECAME MRS. ERNEST HEMINGWAY. 41:52.066 --> 42:06.966 align:left position:50% line:89% size:40% ♪ 42:06.966 --> 42:09.800 align:left position:10% line:89% size:80% MAN, AS HEMINGWAY: JANUARY 1922. 42:09.800 --> 42:12.433 align:left position:35% line:83% size:55% DEAR FAMILY, HASH JUST CAME IN 42:12.433 --> 42:14.733 align:left position:25% line:83% size:65% AND SAYS TO SEND LOTS OF LOVE TO YOU 42:14.733 --> 42:16.966 align:left position:35% line:83% size:55% AND TELL YOU ABOUT OUR APARTMENT. 42:16.966 --> 42:20.633 align:left position:32.5% line:83% size:57.5% IT IS AT 74 RUE DU CARDINAL LEMOINE 42:20.633 --> 42:24.000 align:left position:20% line:83% size:70% AND IS THE JOLLIEST PLACE YOU EVER SAW. 42:24.000 --> 42:27.400 align:left position:22.5% line:83% size:67.5% WE RENTED IT FURNISHED FOR 250 FRANCS A MONTH, 42:27.400 --> 42:29.133 align:left position:37.5% line:89% size:52.5% ABOUT $18. 42:29.133 --> 42:31.966 align:left position:17.5% line:83% size:72.5% IT IS THE MOST COMFORTABLE AND CHEAPEST WAY TO LIVE, 42:31.966 --> 42:34.766 align:left position:25% line:83% size:65% AND HASH HAS A PIANO, AND WE HAVE ALL OUR PICTURES 42:34.766 --> 42:38.266 align:left position:32.5% line:83% size:57.5% UP ON THE WALLS AND AN OPEN FIREPLACE. 42:38.266 --> 42:40.133 align:left position:17.5% line:89% size:72.5% IT IS ON TOP OF A HIGH HILL 42:40.133 --> 42:43.466 align:left position:22.5% line:83% size:67.5% IN THE VERY OLDEST PART OF PARIS. 42:43.466 --> 42:46.600 align:left position:22.5% line:83% size:67.5% NARRATOR: THE NEWLY-WED HEMINGWAYS' FIRST REAL HOME 42:46.600 --> 42:50.166 align:left position:20% line:83% size:70% WAS A FOURTH-FLOOR WALKUP IN THE LATIN QUARTER. 42:50.166 --> 42:52.633 align:left position:35% line:83% size:55% EACH EVENING, ACCORDION MUSIC DRIFTED UP 42:52.633 --> 42:55.933 align:left position:22.5% line:83% size:67.5% FROM THE WORKING-MAN'S DANCE-HALL NEXT DOOR. 42:55.933 --> 42:58.500 align:left position:25% line:83% size:65% HIS FRIEND AND MENTOR SHERWOOD ANDERSON 42:58.500 --> 43:01.800 align:left position:20% line:83% size:70% HAD PERSUADED ERNEST THAT FOR A YOUNG WRITER 43:01.800 --> 43:04.400 align:left position:17.5% line:89% size:72.5% PARIS WAS THE PLACE TO BE. 43:04.400 --> 43:07.966 align:left position:15% line:83% size:75% ONE COULD LIVE CHEAPLY THERE, AND THE LEFT BANK TEEMED 43:07.966 --> 43:12.233 align:left position:17.5% line:83% size:72.5% WITH REVOLUTIONARY ARTISTS AND WRITERS FROM EVERYWHERE-- 43:12.233 --> 43:15.800 align:left position:15% line:89% size:75% PABLO PICASSO AND JOAN MIRÓ; 43:15.800 --> 43:19.066 align:left position:12.5% line:89% size:77.5% IGOR STRAVINSKY AND ERIK SATIE; 43:19.066 --> 43:23.733 align:left position:12.5% line:83% size:77.5% JAMES JOYCE AND GERTRUDE STEIN, WHO REMEMBERED PARIS 43:23.733 --> 43:29.166 align:left position:27.5% line:83% size:62.5% AS "THE PLACE WHERE THE 20th CENTURY WAS." 43:29.166 --> 43:33.233 align:left position:15% line:83% size:75% ERNEST WAS JUST 22 YEARS OLD, WORKING AS A CORRESPONDENT 43:33.233 --> 43:35.100 align:left position:22.5% line:89% size:67.5% FOR THE "TORONTO STAR," 43:35.100 --> 43:38.233 align:left position:25% line:83% size:65% OTHERWISE UNPUBLISHED AND UNKNOWN, 43:38.233 --> 43:41.366 align:left position:20% line:83% size:70% BUT SHERWOOD ANDERSON HAD WRITTEN LETTERS OF INTRODUCTION 43:41.366 --> 43:45.533 align:left position:20% line:83% size:70% TO 3 INFLUENTIAL FRIENDS, GENEROUSLY DESCRIBING HIM 43:45.533 --> 43:48.166 align:left position:25% line:83% size:65% AS A "QUITE WONDERFUL NEWSPAPERMAN" 43:48.166 --> 43:51.833 align:left position:15% line:83% size:75% WHOSE "EXTRAORDINARY TALENT" WAS SURE TO TAKE HIM 43:51.833 --> 43:55.066 align:left position:22.5% line:89% size:67.5% FAR BEYOND JOURNALISM. 43:55.066 --> 43:56.666 align:left position:30% line:89% size:60% VAILL: HE'S TALL. 43:56.666 --> 43:58.866 align:left position:30% line:83% size:60% HE IS AS HANDSOME AS A MOVIE STAR. 43:58.866 --> 44:01.233 align:left position:32.5% line:89% size:57.5% HE HAS DIMPLES. 44:01.233 --> 44:05.566 align:left position:22.5% line:5% size:67.5% HE HAS A SWASHBUCKLING QUALITY TO HIM, 44:05.566 --> 44:08.200 align:left position:22.5% line:5% size:67.5% BUT HE HAS THIS KIND OF MIDWESTERN SWEETNESS 44:08.200 --> 44:09.933 align:left position:30% line:89% size:60% AT THE SAME TIME. 44:09.933 --> 44:12.100 align:left position:30% line:83% size:60% THE FACT IS THAT IF HE WOULD WALK INTO A ROOM 44:12.100 --> 44:15.466 align:left position:30% line:83% size:60% PEOPLE LOVED HIM THE MINUTE THEY SAW HIM, 44:15.466 --> 44:17.533 align:left position:20% line:83% size:70% AND THAT GIVES YOU A KIND OF CONFIDENCE 44:17.533 --> 44:20.900 align:left position:20% line:83% size:70% THAT YOU CAN DO ANYTHING. 44:20.900 --> 44:23.033 align:left position:15% line:83% size:75% NARRATOR: SHERWOOD ANDERSON'S FRIENDS DID 44:23.033 --> 44:25.266 align:left position:32.5% line:83% size:57.5% WHAT THEY COULD FOR THE NEWCOMER. 44:25.266 --> 44:29.300 align:left position:17.5% line:83% size:72.5% THE FIRST WAS THE AMERICAN EXPATRIATE POET EZRA POUND. 44:29.300 --> 44:32.766 align:left position:25% line:83% size:65% HE WAS WELL-CONNECTED IN AVANT-GARDE LITERARY CIRCLES 44:32.766 --> 44:37.433 align:left position:22.5% line:83% size:67.5% AND TALKED ERNEST UP TO EVERY MAGAZINE EDITOR HE KNEW. 44:37.433 --> 44:40.733 align:left position:22.5% line:83% size:67.5% GERTRUDE STEIN PRESIDED OVER A SALON AT THE HOME 44:40.733 --> 44:44.566 align:left position:17.5% line:83% size:72.5% SHE SHARED WITH HER PARTNER ALICE B. TOKLAS. 44:44.566 --> 44:47.233 align:left position:32.5% line:83% size:57.5% ART COLLECTOR, AVANT-GARDE WRITER, 44:47.233 --> 44:50.266 align:left position:25% line:83% size:65% CHAMPION OF MODERNISM IN ALL ITS FORMS, 44:50.266 --> 44:52.300 align:left position:30% line:83% size:60% SHE TOOK A LIKING TO THE HANDSOME, 44:52.300 --> 44:54.733 align:left position:27.5% line:83% size:62.5% EAGER YOUNG VISITOR WITH WHAT SHE REMEMBERED 44:54.733 --> 44:59.800 align:left position:22.5% line:83% size:67.5% AS "DARK LUMINOUS EYES" AND "A FLASHING SMILE." 44:59.800 --> 45:02.966 align:left position:25% line:83% size:65% SHE LIKED HIS TERSE, DECLARATIVE STYLE, TOO, 45:02.966 --> 45:06.866 align:left position:20% line:83% size:70% AND OFFERED ENCOURAGEMENT AND USEFUL ADVICE. 45:06.866 --> 45:10.333 align:left position:17.5% line:83% size:72.5% "MISS STEIN HAD DISCOVERED MANY TRUTHS ABOUT RHYTHMS 45:10.333 --> 45:12.933 align:left position:25% line:83% size:65% AND THE USES OF WORDS IN REPETITION," 45:12.933 --> 45:15.833 align:left position:25% line:83% size:65% HEMINGWAY REMEMBERED, THAT ECHOED THE COUNTERPOINT 45:15.833 --> 45:21.166 align:left position:22.5% line:83% size:67.5% HE'D FIRST ENCOUNTERED IN THE MUSIC OF BACH. 45:21.166 --> 45:26.300 align:left position:20% line:83% size:70% STEIN ALSO INTRODUCED HIM TO THE WORLD OF MODERN ART. 45:26.300 --> 45:29.666 align:left position:22.5% line:83% size:67.5% HE WAS ESPECIALLY DRAWN TO THE WORK OF PAUL CÉZANNE, 45:29.666 --> 45:33.466 align:left position:15% line:83% size:75% WHO PAINTED THE SAME SUBJECTS OVER AND OVER AGAIN, 45:33.466 --> 45:36.100 align:left position:22.5% line:83% size:67.5% BUILDING UP EACH IMAGE FROM THOUSANDS 45:36.100 --> 45:39.233 align:left position:15% line:89% size:75% OF REPETITIVE BRUSH STROKES. 45:39.233 --> 45:42.233 align:left position:20% line:83% size:70% MAN: CÉZANNE--HE'S TRYING TO BREAK DOWN 45:42.233 --> 45:44.133 align:left position:20% line:83% size:70% NORMAL HABITS OF SEEING, 45:44.133 --> 45:47.233 align:left position:27.5% line:83% size:62.5% AND I THINK THAT'S WHAT HEMINGWAY LIKED. 45:47.233 --> 45:53.400 align:left position:15% line:83% size:75% THE GREAT ENEMY FOR HEMINGWAY IS BOREDOM AND ROUTINE 45:53.400 --> 45:56.633 align:left position:20% line:89% size:70% AND ANYTHING ACCUSTOMED, 45:56.633 --> 46:00.766 align:left position:15% line:5% size:75% AND I THINK HE SAW IN CÉZANNE A MODEL FOR TAKING 46:00.766 --> 46:02.466 align:left position:15% line:5% size:75% THE SAME THING OVER AND OVER, 46:02.466 --> 46:04.066 align:left position:25% line:5% size:65% LANDSCAPE, LANDSCAPE, LANDSCAPE, 46:04.066 --> 46:06.033 align:left position:27.5% line:5% size:62.5% THE SAME MOUNTAIN, THE SAME MOUNTAIN, 46:06.033 --> 46:09.600 align:left position:25% line:89% size:65% AND RENDERING IT NEW 46:09.600 --> 46:12.366 align:left position:30% line:83% size:60% BY LOOKING AT IT IN DIFFERENT WAYS, 46:12.366 --> 46:15.833 align:left position:27.5% line:83% size:62.5% AND I THINK THAT'S THE MODEL FOR HIM. 46:15.833 --> 46:19.266 align:left position:15% line:83% size:75% NARRATOR: SYLVIA BEACH BECAME HEMINGWAY'S FRIEND, TOO. 46:19.266 --> 46:21.233 align:left position:10% line:89% size:80% SHE RAN SHAKESPEARE AND COMPANY, 46:21.233 --> 46:26.233 align:left position:10% line:83% size:80% A BOOKSTORE AND LENDING LIBRARY, AT 12 RUE DE L'ODEON. 46:26.233 --> 46:28.100 align:left position:25% line:83% size:65% SYLVIA BEACH: HE CAME INTO MY SHOP, 46:28.100 --> 46:31.366 align:left position:17.5% line:83% size:72.5% AND HE HAD AN INTRODUCTION FROM SHERWOOD ANDERSON, 46:31.366 --> 46:33.166 align:left position:20% line:5% size:70% BUT HE DIDN'T GIVE THAT. 46:33.166 --> 46:34.766 align:left position:17.5% line:5% size:72.5% HE'D FORGOTTEN TO BRING IT, AND HE DIDN'T NEED IT 46:34.766 --> 46:37.066 align:left position:30% line:5% size:60% BECAUSE I THOUGHT HE WAS SO INTERESTING, 46:37.066 --> 46:41.266 align:left position:22.5% line:83% size:67.5% AND HE SAID, "WOULD YOU LIKE TO SEE MY WOUNDS?" 46:41.266 --> 46:42.700 align:left position:17.5% line:89% size:72.5% AND I SAID, "YES, INDEED," 46:42.700 --> 46:45.366 align:left position:20% line:83% size:70% AND HE TOOK OFF HIS SHOE AND HIS SOCK 46:45.366 --> 46:47.366 align:left position:35% line:83% size:55% AND SHOWED ME ALL THESE DREADFUL SCARS 46:47.366 --> 46:49.566 align:left position:25% line:89% size:65% ON HIS LEG AND FOOT, 46:49.566 --> 46:53.233 align:left position:27.5% line:83% size:62.5% AND THEN WE BECAME GREAT FRIENDS. 46:53.233 --> 46:55.100 align:left position:25% line:83% size:65% NARRATOR: SHAKESPEARE AND COMPANY WAS 46:55.100 --> 46:58.600 align:left position:25% line:83% size:65% A GATHERING PLACE FOR EXPATRIATE ARTISTS AND WRITERS. 46:58.600 --> 47:00.566 align:left position:17.5% line:89% size:72.5% HEMINGWAY CHARMED THEM ALL, 47:00.566 --> 47:04.433 align:left position:17.5% line:83% size:72.5% INCLUDING THE IRISH WRITER JAMES JOYCE, 47:04.433 --> 47:07.333 align:left position:15% line:83% size:75% WHOSE DARINGLY EXPLICIT NOVEL "ULYSSES" 47:07.333 --> 47:10.966 align:left position:10% line:89% size:80% SYLVIA BEACH HAD JUST PUBLISHED, 47:10.966 --> 47:13.733 align:left position:32.5% line:83% size:57.5% AND HE SET OUT TO EDUCATE HIMSELF, 47:13.733 --> 47:18.066 align:left position:15% line:83% size:75% BORROWING BOOKS FROM HER SHOP BY D.H. LAWRENCE, TURGENEV, 47:18.066 --> 47:22.466 align:left position:25% line:89% size:65% DOSTOEVSKY, TOLSTOY. 47:22.466 --> 47:25.500 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: FEBRUARY 14, 1922. 47:25.500 --> 47:28.400 align:left position:25% line:83% size:65% WE KNOW A GOOD BATCH OF PEOPLE NOW IN PARIS 47:28.400 --> 47:30.800 align:left position:17.5% line:83% size:72.5% AND IF WE ALLOWED IT WOULD HAVE ALL OUR TIME 47:30.800 --> 47:34.000 align:left position:27.5% line:83% size:62.5% TAKEN UP SOCIALLY, BUT I AM WORKING VERY HARD, 47:34.000 --> 47:37.666 align:left position:17.5% line:83% size:72.5% AND WE KEEP PLENTY OF TIME TO OURSELVES. 47:37.666 --> 47:41.266 align:left position:17.5% line:83% size:72.5% PARIS IS SO VERY BEAUTIFUL THAT IT SATISFIES SOMETHING 47:41.266 --> 47:44.333 align:left position:32.5% line:83% size:57.5% IN YOU THAT IS ALWAYS HUNGRY IN AMERICA. 47:47.200 --> 47:48.933 align:left position:22.5% line:83% size:67.5% NARRATOR: FOR THE REST OF HIS LIFE, 47:48.933 --> 47:51.633 align:left position:22.5% line:83% size:67.5% HEMINGWAY WOULD INSIST THAT HE AND HADLEY 47:51.633 --> 47:55.933 align:left position:15% line:83% size:75% HAD BEEN VIRTUALLY PENNILESS WHEN THEY LIVED IN PARIS. 47:55.933 --> 47:57.666 align:left position:32.5% line:89% size:57.5% THEY WERE NOT. 47:57.666 --> 48:01.700 align:left position:27.5% line:83% size:62.5% BESIDES HIS SALARY, SHE HAD AN INHERITANCE. 48:01.700 --> 48:03.433 align:left position:25% line:83% size:65% "WE ALWAYS HAD MONEY FOR ANYTHING 48:03.433 --> 48:06.366 align:left position:20% line:83% size:70% WE REALLY WANTED TO DO," HADLEY REMEMBERED, 48:06.366 --> 48:10.700 align:left position:20% line:83% size:70% "AND WE ALWAYS HAD MONEY FOR WHISKEY." 48:10.700 --> 48:13.166 align:left position:32.5% line:83% size:57.5% THE FIRST YEAR OF THEIR MARRIAGE CONSTITUTED 48:13.166 --> 48:18.200 align:left position:12.5% line:83% size:77.5% A SORT OF EXTENDED HONEYMOON-- EXPLORING PARIS, TREKKING, 48:18.200 --> 48:23.833 align:left position:30% line:83% size:60% FISHING, SKIING, BOBSLEDDING IN THE ALPS. 48:23.833 --> 48:25.800 align:left position:17.5% line:83% size:72.5% CUSHMAN: ONE OF THE THINGS ABOUT HIM IS THAT 48:25.800 --> 48:28.400 align:left position:20% line:89% size:70% HE'S COMMITTED TO TRAVEL. 48:28.400 --> 48:30.166 align:left position:27.5% line:83% size:62.5% HE LIKES, I THINK, MORE THAN ANYTHING, 48:30.166 --> 48:34.166 align:left position:27.5% line:83% size:62.5% TO BE A FOREIGNER, A STRANGER IN A STRANGE LAND. 48:34.166 --> 48:37.633 align:left position:20% line:83% size:70% EVERYTHING IS HEIGHTENED, AND TASTE IS HEIGHTENED, 48:37.633 --> 48:42.200 align:left position:25% line:83% size:65% VISION IS HEIGHTENED, SMELLS ARE HEIGHTENED. 48:42.200 --> 48:45.233 align:left position:20% line:83% size:70% NARRATOR: HEMINGWAY WROTE ABOUT EVERYTHING-- 48:45.233 --> 48:48.333 align:left position:32.5% line:83% size:57.5% PARIS NIGHTLIFE AND GERMAN MANNERS, 48:48.333 --> 48:52.766 align:left position:25% line:83% size:65% FASCISM AND COMMUNISM AND WOMEN'S HATS-- 48:52.766 --> 48:57.033 align:left position:25% line:83% size:65% ALWAYS WITH A WEARY, INSIDER'S TONE REMARKABLE 48:57.033 --> 49:00.966 align:left position:32.5% line:83% size:57.5% FOR A YOUNG MAN IN HIS EARLY TWENTIES, 49:00.966 --> 49:03.166 align:left position:17.5% line:83% size:72.5% AND WHENEVER HE COULD FIND THE TIME, 49:03.166 --> 49:05.633 align:left position:17.5% line:83% size:72.5% HE WORKED ON SHORT STORIES AND THE NOVEL 49:05.633 --> 49:08.833 align:left position:20% line:89% size:70% HE HAD BEGUN IN CHICAGO. 49:08.833 --> 49:12.933 align:left position:12.5% line:83% size:77.5% SOMETIMES, HE TOOK HADLEY ALONG ON ASSIGNMENT FOR THE "STAR"-- 49:12.933 --> 49:14.766 align:left position:20% line:83% size:70% TO ITALY, WHERE HE SHOWED HER THE PLACE 49:14.766 --> 49:16.733 align:left position:20% line:83% size:70% WHERE HE'D BEEN WOUNDED, 49:16.733 --> 49:19.566 align:left position:27.5% line:83% size:62.5% TO THE BLACK FOREST FOR TROUT FISHING, 49:19.566 --> 49:21.900 align:left position:27.5% line:83% size:62.5% ABOARD A PIONEERING PASSENGER FLIGHT 49:21.900 --> 49:25.033 align:left position:17.5% line:89% size:72.5% FROM PARIS TO STRASBOURG-- 49:25.033 --> 49:27.700 align:left position:32.5% line:83% size:57.5% BUT MORE OFTEN, HE TRAVELED ALONE, 49:27.700 --> 49:30.433 align:left position:32.5% line:83% size:57.5% GETTING TO KNOW HIS FELLOW REPORTERS, 49:30.433 --> 49:34.533 align:left position:20% line:83% size:70% COVERING AN INTERNATIONAL ECONOMIC CONFERENCE AT GENOA, 49:34.533 --> 49:37.533 align:left position:30% line:89% size:60% RIOTS IN COLOGNE, 49:37.533 --> 49:41.200 align:left position:17.5% line:83% size:72.5% AND IN THE AUTUMN OF 1922, OPEN WARFARE 49:41.200 --> 49:45.633 align:left position:20% line:83% size:70% BETWEEN GREECE AND TURKEY THAT SEEMED FOR A TIME 49:45.633 --> 49:50.600 align:left position:15% line:89% size:75% TO THREATEN A NEW WORLD WAR. 49:50.600 --> 49:53.400 align:left position:25% line:83% size:65% HE STOOD AND WATCHED AS A 20-MILE COLUMN 49:53.400 --> 49:56.633 align:left position:20% line:83% size:70% OF GREEK REFUGEES PASSED SLOWLY BY 49:56.633 --> 50:01.400 align:left position:10% line:89% size:80% IN FLIGHT FROM THE TURKISH ARMY. 50:01.400 --> 50:03.933 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: IT IS A SILENT PROCESSION. 50:03.933 --> 50:05.833 align:left position:27.5% line:89% size:62.5% NOBODY EVEN GRUNTS. 50:05.833 --> 50:09.333 align:left position:25% line:83% size:65% IT IS ALL THEY CAN DO TO KEEP MOVING. 50:09.333 --> 50:12.800 align:left position:10% line:83% size:80% THEIR BRILLIANT PEASANT COSTUMES ARE SOAKED AND DRAGGLED. 50:12.800 --> 50:16.800 align:left position:15% line:83% size:75% CHICKENS DANGLE BY THEIR FEET FROM THE CARTS. 50:16.800 --> 50:19.400 align:left position:27.5% line:83% size:62.5% AN OLD MAN MARCHES UNDER A YOUNG PIG, 50:19.400 --> 50:22.133 align:left position:27.5% line:83% size:62.5% A SCYTHE AND A GUN, WITH A CHICKEN TIED 50:22.133 --> 50:24.100 align:left position:32.5% line:89% size:57.5% TO HIS SCYTHE. 50:24.100 --> 50:27.133 align:left position:17.5% line:83% size:72.5% A HUSBAND SPREADS A BLANKET OVER A WOMAN IN LABOR 50:27.133 --> 50:30.766 align:left position:22.5% line:83% size:67.5% IN ONE OF THE CARTS TO KEEP OFF THE DRIVING RAIN. 50:30.766 --> 50:34.466 align:left position:22.5% line:83% size:67.5% SHE IS THE ONLY PERSON MAKING A SOUND. 50:34.466 --> 50:36.766 align:left position:20% line:83% size:70% HER LITTLE DAUGHTER LOOKS AT HER IN HORROR 50:36.766 --> 50:39.400 align:left position:27.5% line:89% size:62.5% AND BEGINS TO CRY. 50:39.400 --> 50:41.800 align:left position:10% line:89% size:80% AND THE PROCESSION KEEPS MOVING. 50:45.033 --> 50:47.800 align:left position:17.5% line:83% size:72.5% NARRATOR: LATER, HEMINGWAY JOINED OTHER REPORTERS 50:47.800 --> 50:51.333 align:left position:20% line:83% size:70% AT LAUSANNE, SWITZERLAND, WHERE EUROPEAN STATESMEN 50:51.333 --> 50:54.900 align:left position:27.5% line:83% size:62.5% WERE TRYING TO STOP THE FIGHTING. 50:54.900 --> 50:57.400 align:left position:25% line:83% size:65% ONE OF THE REPORTERS WITH WHOM HEMINGWAY DRANK 50:57.400 --> 51:01.866 align:left position:15% line:83% size:75% EACH EVENING WAS THE VETERAN CORRESPONDENT LINCOLN STEFFENS. 51:01.866 --> 51:04.800 align:left position:22.5% line:83% size:67.5% STEFFENS WAS IMPRESSED BY THE PIECE ERNEST HAD WRITTEN 51:04.800 --> 51:08.033 align:left position:20% line:83% size:70% ABOUT THE GREEK REFUGEES AND ASKED IF HE COULD SEE 51:08.033 --> 51:10.833 align:left position:10% line:89% size:80% MORE OF THE YOUNG MAN'S WRITING. 51:10.833 --> 51:14.333 align:left position:17.5% line:83% size:72.5% SO WHEN ERNEST ASKED HADLEY TO JOIN HIM IN SWITZERLAND, 51:14.333 --> 51:18.166 align:left position:25% line:83% size:65% SHE DECIDED TO BRING ALONG HIS WORK. 51:18.166 --> 51:22.266 align:left position:25% line:83% size:65% ON DECEMBER 2, 1922, SHE PACKED INTO A VALISE 51:22.266 --> 51:24.866 align:left position:27.5% line:83% size:62.5% ALL THE MANUSCRIPTS SHE COULD FIND AND TOOK 51:24.866 --> 51:28.266 align:left position:17.5% line:89% size:72.5% A TAXI TO THE GARE DE LYON. 51:28.266 --> 51:31.666 align:left position:17.5% line:83% size:72.5% A PORTER CARRIED THE VALISE ONTO A TRAIN. 51:31.666 --> 51:35.133 align:left position:10% line:83% size:80% WHEN SHE GOT TO HER COMPARTMENT, IT WASN'T THERE. 51:39.133 --> 51:43.200 align:left position:27.5% line:83% size:62.5% THE FIRST CHAPTERS OF HIS NOVEL WERE LOST. 51:43.200 --> 51:46.966 align:left position:12.5% line:89% size:77.5% SO WERE SEVERAL SHORT STORIES. 51:46.966 --> 51:49.266 align:left position:22.5% line:83% size:67.5% HADLEY WEPT ALL THE WAY TO LAUSANNE 51:49.266 --> 51:52.166 align:left position:22.5% line:83% size:67.5% AND WHEN SHE GOT THERE COULD BARELY BRING HERSELF 51:52.166 --> 51:57.333 align:left position:27.5% line:83% size:62.5% TO TELL HER HUSBAND WHAT HAD HAPPENED. 51:57.333 --> 51:59.066 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: SHE HAD CRIED AND CRIED 51:59.066 --> 52:01.000 align:left position:22.5% line:89% size:67.5% AND COULD NOT TELL ME. 52:01.000 --> 52:03.566 align:left position:12.5% line:5% size:77.5% I TOLD HER THAT NO MATTER WHAT THE DREADFUL THING WAS 52:03.566 --> 52:07.133 align:left position:30% line:5% size:60% THAT HAD HAPPENED NOTHING COULD BE THAT BAD, 52:07.133 --> 52:10.066 align:left position:25% line:83% size:65% AND WHATEVER IT WAS, IT WAS ALL RIGHT 52:10.066 --> 52:11.733 align:left position:30% line:89% size:60% AND NOT TO WORRY. 52:11.733 --> 52:13.800 align:left position:25% line:89% size:65% WE WOULD WORK IT OUT. 52:15.966 --> 52:18.933 align:left position:17.5% line:83% size:72.5% NARRATOR: BUT THEY DID NOT REALLY WORK IT OUT. 52:18.933 --> 52:20.600 align:left position:25% line:89% size:65% HEMINGWAY WAS ANGRY. 52:20.600 --> 52:23.000 align:left position:25% line:83% size:65% HE'D LOST, HE CLAIMED TO A FRIEND, 52:23.000 --> 52:26.266 align:left position:25% line:83% size:65% "EVERYTHING I'VE DONE FOR TWO YEARS." 52:26.266 --> 52:28.900 align:left position:22.5% line:83% size:67.5% HE WOULD HAVE TO START ALL OVER AGAIN, 52:28.900 --> 52:32.366 align:left position:32.5% line:83% size:57.5% THOUGH IN FACT, SOME WRITING SURVIVED. 52:32.366 --> 52:34.866 align:left position:25% line:83% size:65% HE WAS FURTHER SHAKEN SEVERAL WEEKS LATER 52:34.866 --> 52:37.566 align:left position:25% line:83% size:65% WHEN HADLEY TOLD HIM SHE WAS PREGNANT. 52:37.566 --> 52:39.933 align:left position:32.5% line:89% size:57.5% HE WAS JUST 23. 52:39.933 --> 52:44.200 align:left position:10% line:83% size:80% "I AM TOO YOUNG TO BE A FATHER," HE TOLD GERTRUDE STEIN, 52:44.200 --> 52:48.466 align:left position:12.5% line:83% size:77.5% AND HE SAID IT, SHE REMEMBERED "WITH REAL BITTERNESS." 52:54.766 --> 52:57.700 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: I WAS TRYING TO LEARN TO WRITE, 52:57.700 --> 53:00.266 align:left position:37.5% line:83% size:52.5% COMMENCING WITH THE SIMPLEST THINGS, 53:00.266 --> 53:02.433 align:left position:42.5% line:83% size:47.5% AND ONE OF THE SIMPLEST THINGS OF ALL 53:02.433 --> 53:06.466 align:left position:20% line:5% size:70% AND THE MOST FUNDAMENTAL IS VIOLENT DEATH, 53:06.466 --> 53:09.166 align:left position:27.5% line:5% size:62.5% SO I WENT TO SPAIN TO SEE BULLFIGHTS 53:09.166 --> 53:12.333 align:left position:27.5% line:5% size:62.5% AND TO TRY TO WRITE ABOUT THEM FOR MYSELF. 53:12.333 --> 53:15.800 align:left position:17.5% line:89% size:72.5% [CROWD CHEERING, HOOFBEATS] 53:15.800 --> 53:20.500 align:left position:12.5% line:83% size:77.5% I THOUGHT THEY WOULD BE SIMPLE AND BARBAROUS AND CRUEL 53:20.500 --> 53:22.800 align:left position:12.5% line:89% size:77.5% AND THAT I WOULD NOT LIKE THEM, 53:22.800 --> 53:25.766 align:left position:25% line:83% size:65% BUT THAT I WOULD SEE CERTAIN DEFINITE ACTION 53:25.766 --> 53:28.566 align:left position:27.5% line:83% size:62.5% WHICH WOULD GIVE ME THE FEELING OF LIFE AND DEATH 53:28.566 --> 53:31.766 align:left position:22.5% line:89% size:67.5% THAT I WAS WORKING FOR. 53:31.766 --> 53:34.766 align:left position:30% line:83% size:60% WOMAN: HE TALKED ABOUT SEEING HIS FIRST BULL. 53:34.766 --> 53:36.166 align:left position:20% line:89% size:70% HE HAD A FRONT-ROW SEAT. 53:36.166 --> 53:38.633 align:left position:35% line:83% size:55% HE COULD SEE THE BULL VERY WELL, 53:38.633 --> 53:41.100 align:left position:20% line:83% size:70% AND HE SAID HE WAS STRUCK BY THE POWER OF IT 53:41.100 --> 53:43.766 align:left position:27.5% line:89% size:62.5% AND THE SIZE OF IT, 53:43.766 --> 53:47.300 align:left position:15% line:5% size:75% THIS NATURAL STRENGTH OF IT. 53:47.300 --> 53:50.233 align:left position:17.5% line:5% size:72.5% I THINK MAYBE SOME OF THAT SPOKE TO HIM BECAUSE 53:50.233 --> 53:52.300 align:left position:35% line:83% size:55% HE HAD POWER AND NATURAL STRENGTH, 53:52.300 --> 53:55.600 align:left position:27.5% line:83% size:62.5% AND HE WAS A FORCE OF NATURE, TOO, 53:55.600 --> 54:00.266 align:left position:12.5% line:83% size:77.5% AND THAT'S WHAT AN ARTIST DOES WITH HIS SUBJECT MATTER. 54:00.266 --> 54:02.433 align:left position:27.5% line:83% size:62.5% WITH YOUR STRENGTH, WITH YOUR WILL, 54:02.433 --> 54:05.233 align:left position:30% line:83% size:60% WITH YOUR SKILLS, YOU GO IN, 54:05.233 --> 54:07.266 align:left position:32.5% line:83% size:57.5% AND YOU CONTROL THE SUBJECT MATTER, 54:07.266 --> 54:09.533 align:left position:22.5% line:83% size:67.5% AND YOU MAKE SOMETHING BEAUTIFUL FROM IT. 54:09.533 --> 54:12.433 align:left position:30% line:89% size:60% [CROWD CHEERING] 54:12.433 --> 54:16.000 align:left position:20% line:83% size:70% NARRATOR: HEMINGWAY FELL IN LOVE WITH SPAIN. 54:16.000 --> 54:18.666 align:left position:22.5% line:83% size:67.5% HE WAS SURE, HE WROTE, THAT BULLFIGHTING 54:18.666 --> 54:22.066 align:left position:10% line:89% size:80% "WILL MAKE FINE STORIES SOMEDAY. 54:22.066 --> 54:25.366 align:left position:22.5% line:83% size:67.5% "IT'S JUST LIKE HAVING A RINGSIDE SEAT AT THE WAR 54:25.366 --> 54:28.666 align:left position:25% line:83% size:65% WITH NOTHING GOING TO HAPPEN TO YOU." 54:28.666 --> 54:31.333 align:left position:20% line:83% size:70% HADLEY REMEMBERED SITTING IN THE STANDS, 54:31.333 --> 54:33.233 align:left position:22.5% line:89% size:67.5% STITCHING BABY CLOTHES, 54:33.233 --> 54:37.866 align:left position:15% line:83% size:75% "EMBROIDERING IN THE PRESENCE OF ALL THAT BRUTALITY." 54:41.566 --> 54:43.133 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: TORONTO, CANADA, 54:43.133 --> 54:46.833 align:left position:30% line:89% size:60% NOVEMBER 7, 1923. 54:46.833 --> 54:50.900 align:left position:12.5% line:83% size:77.5% THE BABY HAS TAKEN TO SQUALLING AND IS A FINE NUISANCE. 54:50.900 --> 54:52.733 align:left position:22.5% line:83% size:67.5% I SUPPOSE HE WILL YELL HIS HEAD OFF 54:52.733 --> 54:54.900 align:left position:17.5% line:89% size:72.5% FOR THE NEXT 2 OR 3 YEARS. 54:54.900 --> 54:57.900 align:left position:22.5% line:83% size:67.5% IT SEEMS HIS ONLY FORM OF ENTERTAINMENT. 54:57.900 --> 55:01.600 align:left position:15% line:83% size:75% NO ONE GETS AS MUCH PLEASURE OUT OF IT AS HE DOES. 55:01.600 --> 55:04.633 align:left position:25% line:83% size:65% NARRATOR: JOHN HADLEY NICANOR HEMINGWAY WAS BORN 55:04.633 --> 55:10.133 align:left position:37.5% line:83% size:52.5% IN TORONTO ON OCTOBER 10, 1923. 55:10.133 --> 55:13.100 align:left position:22.5% line:83% size:67.5% "NICANOR" WAS IN HONOR OF A SPANISH BULLFIGHTER 55:13.100 --> 55:16.266 align:left position:15% line:89% size:75% HEMINGWAY ESPECIALLY ADMIRED. 55:16.266 --> 55:18.800 align:left position:30% line:83% size:60% HADLEY NICKNAMED THE BABY "BUMBY" 55:18.800 --> 55:21.666 align:left position:27.5% line:83% size:62.5% BECAUSE, SHE SAID, "OF THE ROUND, SOLID FEEL 55:21.666 --> 55:24.733 align:left position:25% line:89% size:65% OF HIM," IN HER ARMS. 55:24.733 --> 55:26.900 align:left position:15% line:83% size:75% THE HEMINGWAYS HAD COME BACK TO NORTH AMERICA 55:26.900 --> 55:28.966 align:left position:27.5% line:89% size:62.5% EARLIER THAT YEAR. 55:28.966 --> 55:31.366 align:left position:15% line:83% size:75% ERNEST THOUGHT HE SHOULD HAVE A STEADY JOB 55:31.366 --> 55:33.966 align:left position:22.5% line:83% size:67.5% AT LEAST FOR THE BABY'S FIRST YEAR, 55:33.966 --> 55:36.233 align:left position:17.5% line:83% size:72.5% AND THE "TORONTO STAR" WAS EAGER TO HAVE 55:36.233 --> 55:40.600 align:left position:15% line:83% size:75% THEIR TALENTED CORRESPONDENT BACK IN THE HOME OFFICE, 55:40.600 --> 55:43.100 align:left position:12.5% line:89% size:77.5% BUT HE CAME TO HATE HIS EDITOR, 55:43.100 --> 55:46.533 align:left position:20% line:83% size:70% LOATHED THE CUB REPORTER ASSIGNMENTS HE WAS GIVEN, 55:46.533 --> 55:49.733 align:left position:27.5% line:83% size:62.5% COULD FIND NO TIME TO WRITE FOR HIMSELF, 55:49.733 --> 55:53.466 align:left position:15% line:83% size:75% AND LONGED FOR PARIS, WHERE, HE TOLD HIS SISTER, 55:53.466 --> 55:57.200 align:left position:20% line:83% size:70% "THERE ARE FEW BATH TUBS, NO ELECTRIC FIXTURES, 55:57.200 --> 56:01.333 align:left position:12.5% line:83% size:77.5% "BUT VERY NEARLY ALL THE CHARM, ALL THE GOOD FOOD, 56:01.333 --> 56:05.000 align:left position:17.5% line:83% size:72.5% AND MOST OF THE GOOD PEOPLE IN THE WORLD." 56:07.633 --> 56:11.866 align:left position:27.5% line:83% size:62.5% IN FEBRUARY, 1924, AFTER LESS THAN 4 MONTHS, 56:11.866 --> 56:16.300 align:left position:10% line:83% size:80% THEY RETURNED TO PARIS AND MOVED INTO A SECOND-FLOOR APARTMENT 56:16.300 --> 56:22.833 align:left position:20% line:83% size:70% ABOVE A NOISY SAWMILL AT 113 RUE NOTRE-DAME-DES-CHAMPS. 56:22.833 --> 56:26.500 align:left position:15% line:83% size:75% "WE LIVED AS SAVAGES AND KEPT OUR OWN TRIBAL RULES," 56:26.500 --> 56:29.666 align:left position:30% line:83% size:60% HEMINGWAY WROTE, "AND HAD OUR OWN CUSTOMS 56:29.666 --> 56:35.166 align:left position:12.5% line:83% size:77.5% AND OUR OWN STANDARDS, SECRETS, TABOOS, AND DELIGHTS." 56:35.166 --> 56:39.433 align:left position:17.5% line:83% size:72.5% HADLEY CUT HER HAIR SHORT, AND HE GREW HIS LONG 56:39.433 --> 56:41.566 align:left position:27.5% line:89% size:62.5% UNTIL THEY MATCHED. 56:44.433 --> 56:47.800 align:left position:17.5% line:83% size:72.5% ERNEST HAD ALSO DECIDED TO ABANDON JOURNALISM 56:47.800 --> 56:51.666 align:left position:22.5% line:83% size:67.5% IN ORDER TO DO THE KIND OF WRITING HE WANTED TO DO. 56:54.166 --> 56:57.433 align:left position:15% line:83% size:75% "IN NEWSPAPER WORK," HE WOULD EVENTUALLY EXPLAIN, 56:57.433 --> 57:00.766 align:left position:15% line:83% size:75% "YOU HAVE TO LEARN TO FORGET EVERY DAY WHAT HAPPENED 57:00.766 --> 57:02.533 align:left position:30% line:89% size:60% "THE DAY BEFORE. 57:02.533 --> 57:05.600 align:left position:12.5% line:83% size:77.5% "NEWSPAPER WORK IS VALUABLE UP UNTIL THE POINT 57:05.600 --> 57:09.966 align:left position:22.5% line:83% size:67.5% THAT IT FORCIBLY BEGINS TO DESTROY YOUR MEMORY." 57:09.966 --> 57:11.933 align:left position:15% line:89% size:75% WOLFF: WHAT DID HE SAY ONCE? 57:11.933 --> 57:16.200 align:left position:12.5% line:83% size:77.5% A WRITER MUST COME TO HIS WORK LIKE A PRIEST TO THE ALTAR, 57:16.200 --> 57:18.100 align:left position:25% line:5% size:65% AND HE HAD THAT SENSE OF THE SACRED 57:18.100 --> 57:19.733 align:left position:27.5% line:5% size:62.5% ABOUT HIS VOCATION. 57:19.733 --> 57:22.266 align:left position:32.5% line:5% size:57.5% HE REALLY DID. HE WENT TO WORK, 57:22.266 --> 57:25.133 align:left position:17.5% line:83% size:72.5% AND I WOULD SAY THE COURAGE THAT HE SHOWED IN THE WAR 57:25.133 --> 57:26.933 align:left position:25% line:83% size:65% DOESN'T COMPARE TO ME TO THE COURAGE 57:26.933 --> 57:29.400 align:left position:12.5% line:89% size:77.5% HE SHOWED IN HIS WRITING LIFE. 57:31.566 --> 57:33.733 align:left position:17.5% line:83% size:72.5% NARRATOR: WITH THE HELP OF SYMPATHETIC FRIENDS, 57:33.733 --> 57:37.033 align:left position:22.5% line:83% size:67.5% HEMINGWAY WOULD PUBLISH TWO SLENDER BOOKS, 57:37.033 --> 57:41.266 align:left position:17.5% line:83% size:72.5% "THREE STORIES & TEN POEMS" AND "IN OUR TIME". 57:41.266 --> 57:43.200 align:left position:25% line:83% size:65% THEY MEANT THE WORLD TO HEMINGWAY, 57:43.200 --> 57:46.700 align:left position:17.5% line:83% size:72.5% BUT ONLY A VERY FEW COPIES WERE PRINTED. 57:46.700 --> 57:51.233 align:left position:17.5% line:83% size:72.5% HEMINGWAY'S PARENTS ORDERED 6 COPIES OF "IN OUR TIME." 57:51.233 --> 57:54.433 align:left position:17.5% line:83% size:72.5% HIS SISTER REMEMBERED THAT WHEN HIS FATHER READ A STORY 57:54.433 --> 57:56.600 align:left position:25% line:83% size:65% ABOUT A WAR VETERAN, WHO HAS BEEN JILTED 57:56.600 --> 58:00.166 align:left position:27.5% line:83% size:62.5% BY A NURSE NAMED AG AND CONTRACTS GONORRHEA 58:00.166 --> 58:03.166 align:left position:30% line:83% size:60% FROM A SALESGIRL, HE WROTE TO HIS SON 58:03.166 --> 58:05.433 align:left position:20% line:89% size:70% THAT THE BOOK WAS FILTH. 58:05.433 --> 58:08.666 align:left position:17.5% line:83% size:72.5% NO GENTLEMAN EVER MENTIONED A VENEREAL DISEASE 58:08.666 --> 58:11.700 align:left position:17.5% line:89% size:72.5% OUTSIDE A DOCTOR'S OFFICE. 58:11.700 --> 58:15.366 align:left position:25% line:83% size:65% HIS MOTHER HAD HOPED HE MIGHT BECOME AN ARTIST 58:15.366 --> 58:19.433 align:left position:27.5% line:89% size:62.5% BUT NOT THIS KIND. 58:19.433 --> 58:23.533 align:left position:15% line:83% size:75% ANOTHER STORY WAS SO DARING, THAT EVEN GERTRUDE STEIN 58:23.533 --> 58:28.033 align:left position:20% line:83% size:70% HAD TOLD HEMINGWAY IT WAS TOO OBSCENE TO BE PUBLISHED. 58:28.033 --> 58:33.200 align:left position:12.5% line:89% size:77.5% IT WAS CALLED "UP IN MICHIGAN." 58:33.200 --> 58:34.833 align:left position:30% line:83% size:60% KATAKIS: I THINK "UP IN MICHIGAN" 58:34.833 --> 58:38.300 align:left position:17.5% line:83% size:72.5% IS VERY IMPORTANT BECAUSE, FIRST OF ALL, 58:38.300 --> 58:41.166 align:left position:35% line:5% size:55% HE IS SAYING THERE ARE NO BOUNDARIES. 58:41.166 --> 58:44.133 align:left position:20% line:5% size:70% "I'M GOING TO WRITE WITH NO BOUNDARIES, NO RESTRICTIONS. 58:44.133 --> 58:47.266 align:left position:20% line:5% size:70% "I'M NOT GOING TO LISTEN TO YOU, POLITE WORLD. 58:47.266 --> 58:50.133 align:left position:27.5% line:83% size:62.5% "I'M GOING TO WHAT I THINK IS TRUE, 58:50.133 --> 58:52.500 align:left position:20% line:83% size:70% "BUT I'M GOING TO SEE IT FROM THE POINT OF VIEW 58:52.500 --> 58:55.400 align:left position:32.5% line:89% size:57.5% OF THE WOMAN." 58:55.400 --> 58:58.400 align:left position:22.5% line:83% size:67.5% NARRATOR: LIZ COATES IS A TEEN-AGED GIRL WORKING 58:58.400 --> 59:01.000 align:left position:27.5% line:83% size:62.5% IN A BOARDING HOUSE IN THE TINY TOWN 59:01.000 --> 59:03.000 align:left position:32.5% line:89% size:57.5% OF HORTONS BAY. 59:03.000 --> 59:05.800 align:left position:25% line:83% size:65% AMONG THE BOARDERS IS A HANDSOME YOUNG BLACKSMITH 59:05.800 --> 59:08.900 align:left position:27.5% line:89% size:62.5% NAMED JIM GILMORE. 59:08.900 --> 59:14.233 align:left position:20% line:83% size:70% ONE EVENING, THEY GO DOWN TO THE DOCK. 59:14.233 --> 59:17.500 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: "DON'T, JIM," LIZ SAID. 59:17.500 --> 59:20.433 align:left position:15% line:89% size:75% JIM SLID THE HAND FURTHER UP. 59:20.433 --> 59:22.166 align:left position:27.5% line:89% size:62.5% "YOU MUSTN'T, JIM. 59:22.166 --> 59:24.400 align:left position:35% line:89% size:55% YOU MUSTN'T." 59:24.400 --> 59:26.566 align:left position:25% line:83% size:65% NEITHER JIM NOR JIM'S BIG HAND PAID 59:26.566 --> 59:28.400 align:left position:25% line:89% size:65% ANY ATTENTION TO HER. 59:28.400 --> 59:30.433 align:left position:25% line:89% size:65% THE BOARDS WERE HARD. 59:30.433 --> 59:32.400 align:left position:25% line:83% size:65% JIM HAD HER DRESS UP AND WAS TRYING TO DO 59:32.400 --> 59:34.600 align:left position:30% line:89% size:60% SOMETHING TO HER. 59:34.600 --> 59:37.200 align:left position:27.5% line:83% size:62.5% SHE WAS FRIGHTENED, BUT SHE WANTED IT. 59:37.200 --> 59:41.033 align:left position:27.5% line:83% size:62.5% SHE HAD TO HAVE IT, BUT IT FRIGHTENED HER. 59:41.033 --> 59:43.833 align:left position:20% line:83% size:70% "YOU MUSTN'T DO IT, JIM. YOU MUSTN'T." 59:43.833 --> 59:46.633 align:left position:37.5% line:83% size:52.5% "I GOT TO. I'M GOING TO. 59:46.633 --> 59:49.366 align:left position:25% line:89% size:65% YOU KNOW WE GOT TO." 59:49.366 --> 59:52.866 align:left position:25% line:83% size:65% "NO WE HAVEN'T, JIM. WE AIN'T GOT TO. 59:52.866 --> 59:54.533 align:left position:25% line:89% size:65% "OH, IT ISN'T RIGHT. 59:54.533 --> 59:57.200 align:left position:30% line:83% size:60% "OH, IT'S SO BIG, AND IT HURTS SO. 59:57.200 --> 59:58.833 align:left position:37.5% line:89% size:52.5% "YOU CAN'T. 59:58.833 --> 01:00:00.300 align:left position:40% line:89% size:50% "OH, JIM. 01:00:00.300 --> 01:00:03.033 align:left position:40% line:89% size:50% JIM. OH." 01:00:06.033 --> 01:00:11.766 align:left position:17.5% line:5% size:72.5% O'BRIEN: I THINK MANY WOMEN FEEL, AND, INDEED, 01:00:11.766 --> 01:00:19.433 align:left position:22.5% line:5% size:67.5% UM, BROADCAST THE IDEA THAT HEMINGWAY HATED WOMEN 01:00:19.433 --> 01:00:23.833 align:left position:27.5% line:83% size:62.5% AND WROTE ADVERSELY ALWAYS ABOUT THEM. 01:00:23.833 --> 01:00:26.266 align:left position:30% line:89% size:60% THIS ISN'T TRUE. 01:00:26.266 --> 01:00:28.666 align:left position:12.5% line:83% size:77.5% "THE HEMLOCK PLANKS OF THE DOCK WERE HARD 01:00:28.666 --> 01:00:30.933 align:left position:20% line:89% size:70% "AND SPLINTERY AND COLD, 01:00:30.933 --> 01:00:34.866 align:left position:17.5% line:83% size:72.5% "AND JIM WAS HEAVY ON HER, AND HE HAD HURT HER. 01:00:34.866 --> 01:00:36.433 align:left position:30% line:89% size:60% "LIZ PUSHED HIM. 01:00:36.433 --> 01:00:39.033 align:left position:20% line:83% size:70% "SHE WAS SO UNCOMFORTABLE AND CRAMPED. 01:00:39.033 --> 01:00:41.566 align:left position:30% line:83% size:60% "JIM WAS ASLEEP. HE WOULDN'T MOVE. 01:00:41.566 --> 01:00:43.966 align:left position:12.5% line:89% size:77.5% "SHE WORKED OUT FROM UNDER HIM 01:00:43.966 --> 01:00:48.000 align:left position:15% line:83% size:75% "AND SAT UP AND STRAIGHTENED HER SKIRT AND COAT 01:00:48.000 --> 01:00:51.500 align:left position:17.5% line:83% size:72.5% "AND TRIED TO DO SOMETHING WITH HER HAIR. 01:00:51.500 --> 01:00:54.733 align:left position:30% line:83% size:60% "JIM WAS SLEEPING WITH HIS MOUTH A LITTLE OPEN. 01:00:54.733 --> 01:00:58.033 align:left position:30% line:83% size:60% "LIZ LEANED OVER AND KISSED HIM ON THE CHEEK. 01:00:58.033 --> 01:00:59.666 align:left position:25% line:89% size:65% "HE WAS STILL ASLEEP. 01:00:59.666 --> 01:01:03.366 align:left position:25% line:83% size:65% "SHE LIFTED HIS HEAD A LITTLE AND SHOOK IT. 01:01:03.366 --> 01:01:05.966 align:left position:20% line:83% size:70% "HE ROLLED HIS HEAD OVER AND SWALLOWED. 01:01:05.966 --> 01:01:08.366 align:left position:25% line:89% size:65% "LIZ STARTED TO CRY. 01:01:08.366 --> 01:01:10.633 align:left position:30% line:83% size:60% "SHE WALKED OVER TO THE EDGE OF THE DOCK 01:01:10.633 --> 01:01:13.433 align:left position:12.5% line:89% size:77.5% "AND LOOKED DOWN TO THE WATER. 01:01:13.433 --> 01:01:16.300 align:left position:17.5% line:83% size:72.5% "THERE WAS A MIST COMING UP FROM THE BAY. 01:01:16.300 --> 01:01:23.466 align:left position:17.5% line:83% size:72.5% SHE WAS COLD AND MISERABLE AND EVERYTHING FELT GONE." 01:01:23.466 --> 01:01:29.000 align:left position:30% line:83% size:60% NOW, I WOULD ASK, UM, HIS DETRACTORS, 01:01:29.000 --> 01:01:33.300 align:left position:32.5% line:83% size:57.5% FEMALE OR MALE, JUST TO READ THAT STORY, 01:01:33.300 --> 01:01:38.500 align:left position:17.5% line:83% size:72.5% AND COULD YOU IN ALL HONOR SAY THAT THIS WAS A WRITER 01:01:38.500 --> 01:01:42.400 align:left position:25% line:83% size:65% WHO DIDN'T UNDERSTAND WOMEN'S EMOTIONS 01:01:42.400 --> 01:01:43.766 align:left position:25% line:89% size:65% AND WHO HATED WOMEN? 01:01:43.766 --> 01:01:46.733 align:left position:35% line:83% size:55% YOU COULDN'T. NOBODY COULD. 01:01:46.733 --> 01:01:49.366 align:left position:40% line:83% size:50% KATAKIS: THIS IS ABOUT DATE RAPE. 01:01:49.366 --> 01:01:54.533 align:left position:17.5% line:83% size:72.5% HE WAS DRILLING DOWN DEEPER INTO THOSE DARK SIDES OF US, 01:01:54.533 --> 01:01:58.466 align:left position:22.5% line:83% size:67.5% AND MANY PEOPLE DIDN'T WANT TO SEE THAT, 01:01:58.466 --> 01:02:01.033 align:left position:30% line:83% size:60% LIKE HIS PARENTS, LIKE MS. STEIN, 01:02:01.033 --> 01:02:04.100 align:left position:17.5% line:89% size:72.5% LIKE SO MANY OTHER PEOPLE. 01:02:04.100 --> 01:02:07.100 align:left position:15% line:89% size:75% HE WAS UNCONCERNED WITH THAT, 01:02:07.100 --> 01:02:12.166 align:left position:15% line:83% size:75% AND I THINK AT THE END THAT'S WHAT MAKES HIM AN ARTIST. 01:02:12.166 --> 01:02:14.300 align:left position:25% line:83% size:65% NARRATOR: THE CRITIC EDMUND WILSON 01:02:14.300 --> 01:02:16.800 align:left position:30% line:83% size:60% PRAISED HEMINGWAY FOR WRITING PROSE 01:02:16.800 --> 01:02:19.800 align:left position:17.5% line:83% size:72.5% OF "THE FIRST DISTINCTION" AND FOR PROVIDING 01:02:19.800 --> 01:02:22.500 align:left position:27.5% line:83% size:62.5% "A HARROWING RECORD OF THE BARBARITIES 01:02:22.500 --> 01:02:26.966 align:left position:35% line:83% size:55% OF THE PERIOD IN WHICH WE LIVE." 01:02:26.966 --> 01:02:29.666 align:left position:12.5% line:89% size:77.5% FULL-TIME WRITING WASN'T EASY. 01:02:29.666 --> 01:02:31.300 align:left position:32.5% line:89% size:57.5% THE BABY CRIED. 01:02:31.300 --> 01:02:34.566 align:left position:27.5% line:83% size:62.5% FRIENDS DROPPED IN, DAY AND NIGHT. 01:02:34.566 --> 01:02:37.233 align:left position:15% line:83% size:75% MAN, AS HEMINGWAY: SOMETIMES WHEN I WAS STARTING A NEW STORY 01:02:37.233 --> 01:02:41.033 align:left position:15% line:5% size:75% AND I COULD NOT GET IT GOING, I WOULD STAND AND LOOK OUT 01:02:41.033 --> 01:02:45.500 align:left position:22.5% line:5% size:67.5% OVER THE ROOFS OF PARIS AND THINK, "DO NOT WORRY. 01:02:45.500 --> 01:02:50.533 align:left position:10% line:83% size:80% "YOU HAVE ALWAYS WRITTEN BEFORE, AND YOU WILL WRITE NOW. 01:02:50.533 --> 01:02:54.033 align:left position:15% line:83% size:75% "ALL YOU HAVE TO DO IS WRITE ONE TRUE SENTENCE. 01:02:55.866 --> 01:03:00.133 align:left position:20% line:83% size:70% WRITE THE TRUEST SENTENCE THAT YOU KNOW." 01:03:00.133 --> 01:03:03.333 align:left position:20% line:83% size:70% SO FINALLY I WOULD WRITE ONE TRUE SENTENCE 01:03:03.333 --> 01:03:06.933 align:left position:17.5% line:89% size:72.5% AND THEN GO ON FROM THERE. 01:03:06.933 --> 01:03:10.366 align:left position:12.5% line:83% size:77.5% IT WAS EASY THEN BECAUSE THERE WAS ALWAYS ONE TRUE SENTENCE 01:03:10.366 --> 01:03:15.200 align:left position:20% line:83% size:70% THAT YOU KNEW OR HAD SEEN OR HEARD SOMEONE SAY. 01:03:15.200 --> 01:03:17.866 align:left position:32.5% line:83% size:57.5% IF I STARTED TO WRITE ELABORATELY 01:03:17.866 --> 01:03:21.266 align:left position:17.5% line:83% size:72.5% OR LIKE SOMEONE INTRODUCING OR PRESENTING SOMETHING, 01:03:21.266 --> 01:03:24.400 align:left position:15% line:83% size:75% I FOUND THAT I COULD CUT THAT SCROLLWORK OR ORNAMENT OUT 01:03:24.400 --> 01:03:27.400 align:left position:17.5% line:83% size:72.5% AND THROW IT AWAY AND START WITH THE FIRST TRUE, 01:03:27.400 --> 01:03:30.966 align:left position:17.5% line:83% size:72.5% SIMPLE DECLARATIVE SENTENCE I HAD WRITTEN 01:03:30.966 --> 01:03:34.533 align:left position:17.5% line:89% size:72.5% AND THEN GO ON FROM THERE. 01:03:34.533 --> 01:03:38.433 align:left position:17.5% line:83% size:72.5% KATAKIS: THE SHORT STORIES MEAN MORE TO ME NOW 01:03:38.433 --> 01:03:41.066 align:left position:20% line:89% size:70% BECAUSE IT IS A YOUNG MAN 01:03:41.066 --> 01:03:44.866 align:left position:30% line:83% size:60% AT THE BEGINNING OF HIS ADVENTURE. 01:03:44.866 --> 01:03:48.433 align:left position:17.5% line:83% size:72.5% HE'S HUNGRY, HE'S EXCITED, HIS OBSERVATIONS 01:03:48.433 --> 01:03:51.600 align:left position:30% line:89% size:60% ARE LIKE A HAWK. 01:03:51.600 --> 01:03:53.833 align:left position:20% line:89% size:70% HE'S FEELING EVERYTHING. 01:03:53.833 --> 01:03:56.266 align:left position:15% line:89% size:75% HE'S ANTICIPATING EVERYTHING. 01:03:56.266 --> 01:04:00.433 align:left position:27.5% line:83% size:62.5% HE'S TRYING TO MAKE EVERYTHING GO HIS WAY. 01:04:00.433 --> 01:04:04.333 align:left position:22.5% line:89% size:67.5% IT'S TERRIBLY EXCITING. 01:04:04.333 --> 01:04:07.066 align:left position:17.5% line:83% size:72.5% VAILL: IF HE WERE A CAMERA, HE WOULD BE COMING IN 01:04:07.066 --> 01:04:09.133 align:left position:27.5% line:83% size:62.5% FOR EXTREME CLOSEUP ALL THE TIME. 01:04:09.133 --> 01:04:12.000 align:left position:15% line:89% size:75% HE'S COMING IN, IN, IN AT IT, 01:04:12.000 --> 01:04:16.800 align:left position:22.5% line:83% size:67.5% AND EVERY LITTLE DETAIL SUDDENLY IS VERY, VERY BIG. 01:04:16.800 --> 01:04:19.600 align:left position:25% line:83% size:65% IT'S NOT LIKE THE WAY 19th CENTURY WRITERS 01:04:19.600 --> 01:04:21.466 align:left position:22.5% line:83% size:67.5% WOULD WRITE, WHICH WAS VERY PANORAMIC, 01:04:21.466 --> 01:04:23.500 align:left position:22.5% line:83% size:67.5% WHERE THE CAMERA IS SET WAY, WAY BACK, 01:04:23.500 --> 01:04:27.133 align:left position:17.5% line:83% size:72.5% AND YOU SEE A GIANT EXPANSE OF EXPERIENCE, 01:04:27.133 --> 01:04:30.433 align:left position:27.5% line:83% size:62.5% AND YET HE'S REALLY UP CLOSE AT IT. 01:04:30.433 --> 01:04:33.266 align:left position:22.5% line:5% size:67.5% YOU CAN SEE EVERY PORE IN EVERYBODY'S SKIN 01:04:33.266 --> 01:04:38.433 align:left position:27.5% line:5% size:62.5% WHEN HE'S WRITING, AND THIS IS EXTREMELY EXCITING. 01:04:38.433 --> 01:04:41.500 align:left position:17.5% line:83% size:72.5% NARRATOR: DURING THE FIRST 6 MONTHS OF 1924, 01:04:41.500 --> 01:04:44.966 align:left position:15% line:83% size:75% HEMINGWAY WROTE MORE STORIES, HOPING TO INCLUDE THEM 01:04:44.966 --> 01:04:50.266 align:left position:10% line:83% size:80% IN A NEW AND EXPANDED COLLECTION OF "IN OUR TIME." 01:04:50.266 --> 01:04:54.800 align:left position:17.5% line:5% size:72.5% CUSHMAN: "IN OUR TIME" JUST REARRANGED THE GEOGRAPHY 01:04:54.800 --> 01:04:58.800 align:left position:12.5% line:5% size:77.5% OF WHAT WAS POSSIBLE FOR A LOT OF PEOPLE WRITING IN ENGLISH. 01:04:58.800 --> 01:05:02.333 align:left position:17.5% line:83% size:72.5% WHEN I GO BACK TO THAT BOOK AND TRY TO FORGET ABOUT 01:05:02.333 --> 01:05:05.900 align:left position:32.5% line:83% size:57.5% WHO HE BECAME, I'M JUST BLOWN AWAY. 01:05:05.900 --> 01:05:09.066 align:left position:27.5% line:83% size:62.5% THAT BOOK, IT TAKES THE TOP OF YOUR HEAD OFF. 01:05:11.333 --> 01:05:14.633 align:left position:17.5% line:83% size:72.5% NARRATOR: HALF THE STORIES IN "IN OUR TIME" FEATURE 01:05:14.633 --> 01:05:20.233 align:left position:12.5% line:83% size:77.5% NICK ADAMS, A CHARACTER WHO IS VERY LIKE THE YOUNG HEMINGWAY. 01:05:20.233 --> 01:05:23.966 align:left position:22.5% line:83% size:67.5% IN "INDIAN CAMP," HE IS A LITTLE BOY WHO ACCOMPANIES 01:05:23.966 --> 01:05:26.866 align:left position:25% line:83% size:65% HIS PHYSICIAN FATHER ACROSS A LAKE 01:05:26.866 --> 01:05:28.966 align:left position:30% line:83% size:60% TO AN ENCAMPMENT, WHERE A WOMAN 01:05:28.966 --> 01:05:32.633 align:left position:30% line:83% size:60% HAS BEEN IN LABOR FOR TWO DAYS. 01:05:32.633 --> 01:05:35.700 align:left position:25% line:89% size:65% PURE HORROR FOLLOWS. 01:05:35.700 --> 01:05:38.466 align:left position:25% line:83% size:65% AS THE BOY LOOKS ON, HIS FATHER PERFORMS 01:05:38.466 --> 01:05:42.100 align:left position:12.5% line:83% size:77.5% AN EMERGENCY CAESARIAN SECTION BY LAMP LIGHT, 01:05:42.100 --> 01:05:45.166 align:left position:30% line:83% size:60% USING A JACKKNIFE AND SUTURING THE WOUND 01:05:45.166 --> 01:05:50.200 align:left position:27.5% line:83% size:62.5% WITH FISHING LINE, ALL WITHOUT ANESTHETIC. 01:05:50.200 --> 01:05:52.966 align:left position:20% line:83% size:70% WHEN NICK ASKS HIS FATHER IF HE CAN'T DO SOMETHING 01:05:52.966 --> 01:05:59.766 align:left position:15% line:83% size:75% ABOUT HER SCREAMS, HE ANSWERS "THEY ARE NOT IMPORTANT." 01:05:59.766 --> 01:06:02.466 align:left position:22.5% line:83% size:67.5% AFTERWARDS, THE FATHER OF THE CHILD, 01:06:02.466 --> 01:06:05.500 align:left position:17.5% line:83% size:72.5% APPARENTLY UNABLE TO ENDURE HIS HELPLESSNESS 01:06:05.500 --> 01:06:08.133 align:left position:20% line:83% size:70% DURING HIS WIFE'S ORDEAL, IS FOUND 01:06:08.133 --> 01:06:11.066 align:left position:15% line:89% size:75% TO HAVE SLIT HIS OWN THROAT. 01:06:13.833 --> 01:06:15.500 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: "DO LADIES ALWAYS HAVE 01:06:15.500 --> 01:06:19.033 align:left position:10% line:83% size:80% SUCH A HARD TIME HAVING BABIES?" NICK ASKED. 01:06:19.033 --> 01:06:23.066 align:left position:27.5% line:83% size:62.5% "NO, THAT WAS VERY, VERY EXCEPTIONAL." 01:06:23.066 --> 01:06:26.266 align:left position:20% line:83% size:70% "WHY DID HE KILL HIMSELF, DADDY?" 01:06:26.266 --> 01:06:28.033 align:left position:25% line:89% size:65% "I DON'T KNOW, NICK. 01:06:28.033 --> 01:06:31.200 align:left position:20% line:83% size:70% HE COULDN'T STAND THINGS, I GUESS." 01:06:31.200 --> 01:06:34.200 align:left position:35% line:83% size:55% "DO MANY MEN KILL THEMSELVES, DADDY?" 01:06:34.200 --> 01:06:36.233 align:left position:22.5% line:89% size:67.5% "NOT VERY MANY, NICK." 01:06:36.233 --> 01:06:38.100 align:left position:30% line:89% size:60% "DO MANY WOMEN?" 01:06:38.100 --> 01:06:40.100 align:left position:32.5% line:89% size:57.5% "HARDLY EVER." 01:06:40.100 --> 01:06:41.933 align:left position:27.5% line:89% size:62.5% "DON'T THEY EVER?" 01:06:41.933 --> 01:06:45.233 align:left position:40% line:83% size:50% "OH, YES. THEY DO SOMETIMES." 01:06:45.233 --> 01:06:48.100 align:left position:22.5% line:89% size:67.5% "IS DYING HARD, DADDY?" 01:06:48.100 --> 01:06:51.400 align:left position:30% line:83% size:60% "NO, I THINK IT'S PRETTY EASY, NICK. 01:06:51.400 --> 01:06:53.600 align:left position:30% line:83% size:60% IT ALL DEPENDS." 01:06:56.333 --> 01:06:59.333 align:left position:15% line:83% size:75% THEY WERE SEATED IN THE BOAT, NICK IN THE STERN, 01:06:59.333 --> 01:07:02.033 align:left position:27.5% line:89% size:62.5% HIS FATHER ROWING. 01:07:02.033 --> 01:07:05.100 align:left position:25% line:83% size:65% THE SUN WAS COMING UP OVER THE HILLS. 01:07:05.100 --> 01:07:08.966 align:left position:25% line:83% size:65% A BASS JUMPED, MAKING A CIRCLE IN THE WATER. 01:07:08.966 --> 01:07:11.533 align:left position:25% line:83% size:65% NICK TRAILED HIS HAND IN THE WATER. 01:07:11.533 --> 01:07:14.600 align:left position:12.5% line:83% size:77.5% IT FELT WARM IN THE SHARP CHILL OF THE MORNING. 01:07:16.600 --> 01:07:18.466 align:left position:25% line:83% size:65% IN THE EARLY MORNING ON THE LAKE, 01:07:18.466 --> 01:07:22.400 align:left position:10% line:83% size:80% SITTING IN THE STERN OF THE BOAT WITH HIS FATHER ROWING, 01:07:22.400 --> 01:07:25.933 align:left position:27.5% line:83% size:62.5% HE FELT QUITE SURE THAT HE WOULD NEVER DIE. 01:07:28.733 --> 01:07:32.166 align:left position:10% line:89% size:80% WOLFF: "INDIAN CAMP," THAT'S ONE 01:07:32.166 --> 01:07:35.166 align:left position:22.5% line:83% size:67.5% OF MY FAVORITE STORIES IN THE WORLD, 01:07:35.166 --> 01:07:37.900 align:left position:30% line:5% size:60% AND HE WAS A BABY WHEN HE WROTE IT, 01:07:37.900 --> 01:07:41.766 align:left position:15% line:5% size:75% BUT IT IS COMPL--IT IS A WORK OF GREAT SOPHISTICATION, 01:07:41.766 --> 01:07:45.266 align:left position:32.5% line:5% size:57.5% AND IT HANDLES VERY SENSATIONAL MATERIAL 01:07:45.266 --> 01:07:48.400 align:left position:30% line:83% size:60% IN AN ABSOLUTELY UNSENSATIONAL WAY. 01:07:48.400 --> 01:07:53.300 align:left position:10% line:83% size:80% AND WHAT IT ALL COMES DOWN TO IS "YOU'RE GOING TO DIE." 01:07:53.300 --> 01:07:56.166 align:left position:17.5% line:83% size:72.5% HE KNOWS HE'S GOING TO DIE. HE'S SEEN IT, 01:07:56.166 --> 01:07:59.900 align:left position:20% line:83% size:70% BUT THERE'S THIS FEELING, BEING WITH HIS FATHER, 01:07:59.900 --> 01:08:03.966 align:left position:17.5% line:89% size:72.5% BEING OUTDOORS IN THE DAWN, 01:08:03.966 --> 01:08:09.833 align:left position:17.5% line:83% size:72.5% THAT IT'S POSSIBLE TO HOPE OR DENY OR EVADE THAT TRUTH 01:08:09.833 --> 01:08:11.966 align:left position:27.5% line:89% size:62.5% FOR A LITTLE WHILE. 01:08:14.333 --> 01:08:16.766 align:left position:17.5% line:83% size:72.5% NARRATOR: THE LAST STORIES IN THE COLLECTION 01:08:16.766 --> 01:08:21.100 align:left position:17.5% line:83% size:72.5% ARE "BIG TWO-HEARTED RIVER, PARTS I AND II." 01:08:21.100 --> 01:08:23.700 align:left position:17.5% line:83% size:72.5% THEY ARE ABOUT A NOW OLDER NICK ADAMS, 01:08:23.700 --> 01:08:26.300 align:left position:15% line:83% size:75% A WRITER WHO HAD BEEN WOUNDED AND TRAUMATIZED 01:08:26.300 --> 01:08:28.533 align:left position:27.5% line:89% size:62.5% FROM THE GREAT WAR. 01:08:28.533 --> 01:08:31.666 align:left position:22.5% line:83% size:67.5% "IT WAS ABOUT THE WAR," HEMINGWAY LATER RECALLED, 01:08:31.666 --> 01:08:34.766 align:left position:20% line:83% size:70% "BUT THERE WAS NO MENTION OF THE WAR IN IT." 01:08:37.466 --> 01:08:38.966 align:left position:27.5% line:89% size:62.5% NICK JOURNEYS ALONE 01:08:38.966 --> 01:08:41.400 align:left position:22.5% line:83% size:67.5% TO THE UPPER PENINSULA OF MICHIGAN, 01:08:41.400 --> 01:08:46.133 align:left position:12.5% line:83% size:77.5% WHERE HE HAD FREQUENTLY FISHED FOR TROUT BEFORE THE WAR. 01:08:46.133 --> 01:08:49.866 align:left position:17.5% line:83% size:72.5% A FOREST FIRE HAS DESTROYED THE TOWN HE HAD KNOWN. 01:08:49.866 --> 01:08:52.500 align:left position:27.5% line:83% size:62.5% HE FEARS THE RIVER AND THE LIFE HE KNEW 01:08:52.500 --> 01:08:55.400 align:left position:32.5% line:83% size:57.5% BEFORE THE WAR HAD BEEN RUINED, TOO. 01:08:59.466 --> 01:09:02.166 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: THE RIVER WAS THERE. 01:09:02.166 --> 01:09:06.366 align:left position:10% line:83% size:80% IT SWIRLED AGAINST THE LOG PILES OF THE BRIDGE. 01:09:06.366 --> 01:09:09.000 align:left position:30% line:83% size:60% NICK LOOKED DOWN INTO THE CLEAR, BROWN WATER, 01:09:09.000 --> 01:09:12.833 align:left position:12.5% line:83% size:77.5% COLORED FROM THE PEBBLY BOTTOM, AND WATCHED THE TROUT 01:09:12.833 --> 01:09:14.866 align:left position:20% line:83% size:70% KEEPING THEMSELVES STEADY IN THE CURRENT 01:09:14.866 --> 01:09:17.033 align:left position:27.5% line:89% size:62.5% WITH WAVERING FINS. 01:09:19.700 --> 01:09:22.166 align:left position:27.5% line:83% size:62.5% AS HE WATCHED THEM, THEY CHANGED THEIR POSITIONS 01:09:22.166 --> 01:09:24.933 align:left position:30% line:83% size:60% BY QUICK ANGLES, ONLY TO HOLD STEADY 01:09:24.933 --> 01:09:27.700 align:left position:20% line:89% size:70% IN THE FAST WATER AGAIN. 01:09:27.700 --> 01:09:30.433 align:left position:12.5% line:89% size:77.5% NICK WATCHED THEM A LONG TIME. 01:09:32.233 --> 01:09:34.200 align:left position:30% line:89% size:60% IT WAS A HOT DAY. 01:09:34.200 --> 01:09:37.233 align:left position:10% line:89% size:80% A KINGFISHER FLEW UP THE STREAM. 01:09:37.233 --> 01:09:40.133 align:left position:15% line:83% size:75% IT WAS A LONG TIME SINCE NICK HAD LOOKED INTO A STREAM 01:09:40.133 --> 01:09:42.366 align:left position:32.5% line:89% size:57.5% AND SEEN TROUT. 01:09:42.366 --> 01:09:46.133 align:left position:15% line:89% size:75% THEY WERE VERY SATISFACTORY. 01:09:46.133 --> 01:09:48.700 align:left position:27.5% line:89% size:62.5% WOMAN: I LOVED IT. 01:09:48.700 --> 01:09:52.100 align:left position:22.5% line:83% size:67.5% I LOVED THE DESCRIPTION OF THE SCENERY 01:09:52.100 --> 01:09:57.933 align:left position:22.5% line:83% size:67.5% WITHOUT SAYING ANYTHING ABOUT HIS INNER SITUATION. 01:09:57.933 --> 01:10:00.566 align:left position:30% line:5% size:60% HE HAD SOME HURT, OR SOMETHING BAD, 01:10:00.566 --> 01:10:03.066 align:left position:20% line:5% size:70% IT WAS INSIDE OF HIMSELF. 01:10:03.066 --> 01:10:07.233 align:left position:15% line:83% size:75% BY FOLLOWING HIS DESCRIPTION OF THE LANDSCAPE 01:10:07.233 --> 01:10:13.700 align:left position:20% line:83% size:70% AND WHAT HE DOES, WE FEEL HE IS CURED, HEALED. 01:10:16.900 --> 01:10:21.066 align:left position:12.5% line:83% size:77.5% NARRATOR: IN 1925, THE NEW YORK PUBLISHER HORACE LIVERIGHT 01:10:21.066 --> 01:10:25.000 align:left position:10% line:83% size:80% BROUGHT OUT THE EXPANDED EDITION OF "IN OUR TIME," 01:10:25.000 --> 01:10:27.833 align:left position:20% line:83% size:70% BUT HE REFUSED TO INCLUDE "UP IN MICHIGAN," 01:10:27.833 --> 01:10:32.500 align:left position:20% line:83% size:70% THE STORY GERTRUDE STEIN HAD SAID WAS UNPUBLISHABLE. 01:10:32.500 --> 01:10:35.866 align:left position:17.5% line:83% size:72.5% HEMINGWAY WAS DISAPPOINTED BUT SAID HE HOPED THE BOOK 01:10:35.866 --> 01:10:40.900 align:left position:12.5% line:83% size:77.5% WOULD BE "PRAISED BY HIGHBROWS AND CAN BE READ BY LOWBROWS. 01:10:40.900 --> 01:10:43.200 align:left position:17.5% line:83% size:72.5% "THERE IS NO WRITING IN IT THAT ANYBODY 01:10:43.200 --> 01:10:47.200 align:left position:15% line:83% size:75% WITH A HIGH SCHOOL EDUCATION CANNOT READ." 01:10:47.200 --> 01:10:48.633 align:left position:17.5% line:83% size:72.5% CUSHMAN: ONE OF THE THINGS TO THINK ABOUT, 01:10:48.633 --> 01:10:50.766 align:left position:12.5% line:89% size:77.5% WHEN YOU THINK ABOUT MODERNISM, 01:10:50.766 --> 01:10:54.433 align:left position:25% line:5% size:65% AT LEAST ANGLO-IRISH, AMERICAN, HIGH MODERNISM, 01:10:54.433 --> 01:10:59.100 align:left position:27.5% line:5% size:62.5% IS THERE WAS A CULT OF DIFFICULTY: 01:10:59.100 --> 01:11:02.700 align:left position:30% line:83% size:60% JOYCE, DIFFICULT; GERTRUDE STEIN, DIFFICULT; 01:11:02.700 --> 01:11:06.933 align:left position:25% line:83% size:65% FAULKNER, DIFFICULT; E.E. CUMMINGS, DIFFICULT. 01:11:06.933 --> 01:11:10.833 align:left position:22.5% line:83% size:67.5% AND HEMINGWAY JUST WENT AGAINST THE GRAIN ON THAT. 01:11:10.833 --> 01:11:13.300 align:left position:12.5% line:89% size:77.5% HE DARED TO BE STRAIGHTFORWARD 01:11:13.300 --> 01:11:15.300 align:left position:12.5% line:89% size:77.5% OR APPARENTLY STRAIGHTFORWARD. 01:11:15.300 --> 01:11:19.733 align:left position:37.5% line:83% size:52.5% HE DARED TO IMPERSONATE SIMPLICITY. 01:11:19.733 --> 01:11:22.966 align:left position:35% line:83% size:55% HE HOOKS YOU WITH THE LOWBROW APPEARANCE. 01:11:22.966 --> 01:11:29.966 align:left position:27.5% line:83% size:62.5% THEN, HE PLAYS YOU, AND THEN, YOU'RE HIS TROPHY. 01:11:29.966 --> 01:11:33.266 align:left position:22.5% line:83% size:67.5% NARRATOR: THE BOOK WAS A CRITICAL SENSATION. 01:11:33.266 --> 01:11:36.166 align:left position:20% line:83% size:70% THE "NEW YORK TIMES" SAID THAT HEMINGWAY PACKED 01:11:36.166 --> 01:11:38.866 align:left position:27.5% line:83% size:62.5% "A WHOLE CHARACTER INTO A PHRASE, 01:11:38.866 --> 01:11:42.600 align:left position:27.5% line:83% size:62.5% AN ENTIRE SITUATION INTO A SENTENCE OR TWO" 01:11:42.600 --> 01:11:47.033 align:left position:20% line:83% size:70% AND MADE "EACH WORD COUNT 3 OR 4 WAYS." 01:11:47.033 --> 01:11:50.500 align:left position:12.5% line:83% size:77.5% "ERNEST HEMINGWAY IS SOMEBODY," SAID "TIME," 01:11:50.500 --> 01:11:59.433 align:left position:17.5% line:83% size:72.5% "A NEW, HONEST, UNLITERARY TRANSCRIBER OF LIFE, A WRITER." 01:11:59.433 --> 01:12:02.500 align:left position:32.5% line:83% size:57.5% CUSHMAN: HE WAS VERY RESTLESS AND AMBITIOUS, 01:12:02.500 --> 01:12:04.533 align:left position:30% line:89% size:60% VERY COMPETITIVE, 01:12:04.533 --> 01:12:11.000 align:left position:15% line:83% size:75% AND FAULKNER'S GETTING GOING, FITZGERALD'S GETTING GOING, 01:12:11.000 --> 01:12:13.866 align:left position:12.5% line:89% size:77.5% JOYCE IS KING OF THE MOUNTAIN, 01:12:13.866 --> 01:12:18.466 align:left position:20% line:83% size:70% AND HE KNEW THAT A NOVEL HAD TO HAPPEN. 01:12:18.466 --> 01:12:23.333 align:left position:32.5% line:83% size:57.5% HOW DOES ONE GO FROM THE MICROSTITCHING 01:12:23.333 --> 01:12:26.166 align:left position:22.5% line:83% size:67.5% OF SENTENCE TO SENTENCE TO SENTENCE AND, 01:12:26.166 --> 01:12:28.466 align:left position:12.5% line:89% size:77.5% "OH, MY GOODNESS, A PARAGRAPH! 01:12:28.466 --> 01:12:31.033 align:left position:15% line:89% size:75% IT ONLY TOOK ME A MORNING"-- 01:12:31.033 --> 01:12:33.233 align:left position:22.5% line:83% size:67.5% HOW DO YOU GO FROM THAT TO A LONGER FORM? 01:12:39.400 --> 01:12:42.500 align:left position:25% line:5% size:65% I STARTED IN VALENCIA ON MY 26th BIRTHDAY, 01:12:42.500 --> 01:12:45.166 align:left position:37.5% line:5% size:52.5% JULY 21st. 01:12:45.166 --> 01:12:47.700 align:left position:25% line:83% size:65% EVERYBODY MY AGE HAD WRITTEN A NOVEL, 01:12:47.700 --> 01:12:49.533 align:left position:22.5% line:83% size:67.5% AND I WAS STILL HAVING A DIFFICULT TIME 01:12:49.533 --> 01:12:52.200 align:left position:25% line:89% size:65% WRITING A PARAGRAPH, 01:12:52.200 --> 01:12:54.933 align:left position:25% line:83% size:65% SO I STARTED THE BOOK ON MY BIRTHDAY, 01:12:54.933 --> 01:12:58.766 align:left position:15% line:83% size:75% WROTE ALL THROUGH THE FERIA, IN BED IN THE MORNING, 01:12:58.766 --> 01:13:02.666 align:left position:30% line:83% size:60% WENT ON TO MADRID AND WROTE THERE. 01:13:02.666 --> 01:13:05.900 align:left position:17.5% line:83% size:72.5% WE HAD A ROOM WITH A TABLE, AND I WROTE IN GREAT LUXURY 01:13:05.900 --> 01:13:08.633 align:left position:35% line:83% size:55% ON THE TABLE AND AROUND THE CORNER 01:13:08.633 --> 01:13:11.966 align:left position:12.5% line:83% size:77.5% FROM THE HOTEL IN A BEER PLACE, WHERE IT WAS COOL. 01:13:11.966 --> 01:13:27.866 align:left position:50% line:89% size:40% ♪ 01:13:27.866 --> 01:13:32.600 align:left position:10% line:83% size:80% NARRATOR: IN THE SUMMER OF 1925, LEAVING BUMBY WITH A NANNY, 01:13:32.600 --> 01:13:34.800 align:left position:22.5% line:83% size:67.5% THE HEMINGWAYS RETURNED TO PAMPLONA 01:13:34.800 --> 01:13:38.733 align:left position:22.5% line:83% size:67.5% FOR THE ANNUAL RUNNING OF THE BULLS. 01:13:38.733 --> 01:13:43.000 align:left position:17.5% line:83% size:72.5% WITH THEM WENT A GROUP OF 5 AMERICAN AND BRITISH FRIENDS, 01:13:43.000 --> 01:13:47.400 align:left position:22.5% line:83% size:67.5% INCLUDING THE SEDUCTIVE LADY DUFF TWYSDEN. 01:13:47.400 --> 01:13:49.900 align:left position:22.5% line:83% size:67.5% "EVERYBODY WAS DRINKING ALL THE TIME, 01:13:49.900 --> 01:13:52.500 align:left position:20% line:83% size:70% AND EVERYBODY WAS HAVING AFFAIRS ALL THE TIME," 01:13:52.500 --> 01:13:54.400 align:left position:27.5% line:89% size:62.5% HADLEY REMEMBERED. 01:13:54.400 --> 01:13:57.900 align:left position:12.5% line:89% size:77.5% "I FOUND IT SORT OF UPSETTING." 01:13:57.900 --> 01:14:01.100 align:left position:15% line:83% size:75% AFTERWARDS, ERNEST AND HADLEY CONTINUED TO FOLLOW 01:14:01.100 --> 01:14:08.800 align:left position:15% line:83% size:75% THE BULLFIGHTS ACROSS SPAIN-- VALENCIA, MADRID, SAN SEBASTIAN, 01:14:08.800 --> 01:14:12.633 align:left position:25% line:83% size:65% AND AS THEY TRAVELED ABOARD TRAINS AND BUSES, 01:14:12.633 --> 01:14:16.533 align:left position:25% line:83% size:65% ON RESTAURANT TABLES AND IN HOTEL ROOMS AT NIGHT, 01:14:16.533 --> 01:14:19.166 align:left position:10% line:89% size:80% HE WORKED FEVERISHLY ON A NOVEL, 01:14:19.166 --> 01:14:21.866 align:left position:37.5% line:83% size:52.5% INSPIRED BY THE TURBULENT TIME THEY'D HAD 01:14:21.866 --> 01:14:24.366 align:left position:27.5% line:83% size:62.5% WITH THEIR FRIENDS IN PAMPLONA. 01:14:24.366 --> 01:14:29.700 align:left position:27.5% line:83% size:62.5% IT WOULD BE CALLED "THE SUN ALSO RISES." 01:14:29.700 --> 01:14:33.933 align:left position:15% line:83% size:75% THE FIRST DRAFT WAS FINISHED IN JUST 8 WEEKS. 01:14:33.933 --> 01:14:36.700 align:left position:20% line:83% size:70% IT WOULD BE A CLEAR-EYED AND SARDONIC PORTRAIT 01:14:36.700 --> 01:14:41.133 align:left position:12.5% line:83% size:77.5% OF WHAT GERTRUDE STEIN CALLED, "THE LOST GENERATION," 01:14:41.133 --> 01:14:44.033 align:left position:25% line:83% size:65% MEN AND WOMEN SCARRED BY THE GREAT WAR, 01:14:44.033 --> 01:14:48.866 align:left position:27.5% line:83% size:62.5% WHO DID THEIR BEST TO ERASE ITS MEMORY. 01:14:48.866 --> 01:14:52.333 align:left position:15% line:83% size:75% THE NARRATOR, A NEWSPAPERMAN FROM KANSAS CITY, 01:14:52.333 --> 01:14:58.233 align:left position:25% line:83% size:65% WAS FIRST NAMED "HEM" BEFORE HE BECAME JAKE BARNES. 01:14:58.233 --> 01:15:01.100 align:left position:22.5% line:83% size:67.5% BARNES IS A WAR VETERAN WITH A MYSTERIOUS 01:15:01.100 --> 01:15:06.200 align:left position:17.5% line:5% size:72.5% AND UNEXPLAINED WOUND THAT HAS MADE HIM IMPOTENT. 01:15:06.200 --> 01:15:08.233 align:left position:22.5% line:5% size:67.5% [MAN SPEAKING SPANISH] 01:15:19.933 --> 01:15:22.066 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: OUTSIDE A NIGHT TRAIN, 01:15:22.066 --> 01:15:23.833 align:left position:10% line:89% size:80% RUNNING ON THE STREETCAR TRACKS, 01:15:23.833 --> 01:15:26.900 align:left position:17.5% line:83% size:72.5% WENT BY CARRYING VEGETABLES TO THE MARKETS. 01:15:26.900 --> 01:15:31.033 align:left position:20% line:83% size:70% THEY WERE NOISY AT NIGHT WHEN YOU COULD NOT SLEEP. 01:15:31.033 --> 01:15:33.733 align:left position:25% line:83% size:65% UNDRESSING, I LOOKED AT MYSELF IN THE MIRROR 01:15:33.733 --> 01:15:38.000 align:left position:27.5% line:83% size:62.5% OF THE BIG ARMOIRE BESIDE THE BED. 01:15:38.000 --> 01:15:40.533 align:left position:12.5% line:89% size:77.5% OF ALL THE WAYS TO BE WOUNDED. 01:15:42.266 --> 01:15:44.433 align:left position:12.5% line:5% size:77.5% [VARGAS LLOSA SPEAKING SPANISH] 01:16:07.200 --> 01:16:09.533 align:left position:12.5% line:83% size:77.5% NARRATOR: IN THE EARLY DRAFTS, HEMINGWAY HAD USED 01:16:09.533 --> 01:16:11.500 align:left position:15% line:89% size:75% THE REAL NAMES OF HIS FRIENDS 01:16:11.500 --> 01:16:15.000 align:left position:25% line:83% size:65% FROM THEIR RECKLESS, DRUNKEN TIME IN PAMPLONA. 01:16:15.000 --> 01:16:19.500 align:left position:22.5% line:83% size:67.5% FOR FEAR OF BEING SUED, HE LATER CHANGED THEM. 01:16:19.500 --> 01:16:22.866 align:left position:27.5% line:83% size:62.5% LADY DUFF TWYSDEN, WHO HAD CAPTIVATED HEMINGWAY 01:16:22.866 --> 01:16:24.633 align:left position:22.5% line:89% size:67.5% AND HAD WORRIED HADLEY, 01:16:24.633 --> 01:16:27.333 align:left position:22.5% line:83% size:67.5% WOULD EVENTUALLY BECOME THE THINLY DISGUISED 01:16:27.333 --> 01:16:30.600 align:left position:27.5% line:5% size:62.5% LADY BRETT ASHLEY, THE PROMISCUOUS WOMAN 01:16:30.600 --> 01:16:35.600 align:left position:25% line:5% size:65% JAKE BARNES LONGS FOR BUT CAN NEVER HAVE. 01:16:35.600 --> 01:16:38.500 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: BRETT WAS DAMNED GOOD-LOOKING. 01:16:38.500 --> 01:16:40.533 align:left position:27.5% line:83% size:62.5% SHE WORE A SLIPOVER JERSEY SWEATER 01:16:40.533 --> 01:16:42.300 align:left position:27.5% line:89% size:62.5% AND A TWEED SKIRT, 01:16:42.300 --> 01:16:45.800 align:left position:15% line:83% size:75% AND HER HAIR WAS BRUSHED BACK LIKE A BOY'S. 01:16:45.800 --> 01:16:48.633 align:left position:25% line:89% size:65% SHE STARTED ALL THAT. 01:16:48.633 --> 01:16:51.933 align:left position:12.5% line:83% size:77.5% SHE WAS BUILT WITH CURVES LIKE THE HULL OF A RACING YACHT, 01:16:51.933 --> 01:16:55.933 align:left position:20% line:83% size:70% AND YOU MISSED NONE OF IT WITH THAT WOOL JERSEY. 01:16:55.933 --> 01:16:58.733 align:left position:15% line:83% size:75% MAN: SOMEBODY LIKE LADY BRETT IS EFFECTIVELY 01:16:58.733 --> 01:17:00.800 align:left position:20% line:89% size:70% A VERY STRONG CHARACTER. 01:17:00.800 --> 01:17:03.666 align:left position:10% line:5% size:80% SHE ACTIVELY GOES OUT OF HER WAY TO DRESS LIKE A MAN, 01:17:03.666 --> 01:17:05.366 align:left position:30% line:5% size:60% DRESS LIKE A BOY. 01:17:05.366 --> 01:17:07.733 align:left position:17.5% line:5% size:72.5% SHE WEARS A RUGBY SWEATER, CUTS HER HAIR SHORT, 01:17:07.733 --> 01:17:12.166 align:left position:15% line:83% size:75% AND CHOOSES TO LIVE HER LIFE AS A MAN WOULD IN THAT MOMENT. 01:17:12.166 --> 01:17:17.200 align:left position:20% line:83% size:70% THAT'S HIGHLY PROVOCATIVE FOR A 1926 TEXT. 01:17:17.200 --> 01:17:20.166 align:left position:20% line:5% size:70% NARRATOR: ANOTHER MEMBER OF THE PARTY HAROLD LOEB, 01:17:20.166 --> 01:17:24.733 align:left position:12.5% line:5% size:77.5% HANDSOME, ATHLETIC, AND JEWISH, BECAME ROBERT COHN, 01:17:24.733 --> 01:17:26.733 align:left position:27.5% line:5% size:62.5% WEAK AND OBNOXIOUS, 01:17:26.733 --> 01:17:31.666 align:left position:15% line:5% size:75% SCORNED BY SOME IN THE GROUP BECAUSE HE WAS A JEW. 01:17:31.666 --> 01:17:33.833 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: BILL LOOKED AROUND, HALF-SHAVED, 01:17:33.833 --> 01:17:35.466 align:left position:20% line:83% size:70% AND THEN WENT ON TALKING INTO THE MIRROR 01:17:35.466 --> 01:17:38.200 align:left position:17.5% line:89% size:72.5% WHILE HE LATHERED HIS FACE. 01:17:38.200 --> 01:17:39.833 align:left position:30% line:83% size:60% "HAVEN'T YOU GOT SOME MORE JEWISH FRIENDS 01:17:39.833 --> 01:17:42.000 align:left position:22.5% line:89% size:67.5% YOU COULD BRING ALONG?" 01:17:42.000 --> 01:17:44.533 align:left position:17.5% line:83% size:72.5% HE RUBBED HIS CHIN WITH HIS THUMB, LOOKED AT IT, 01:17:44.533 --> 01:17:47.200 align:left position:10% line:89% size:80% AND THEN STARTED SCRAPING AGAIN. 01:17:47.200 --> 01:17:50.033 align:left position:30% line:83% size:60% "YOU'VE GOT SOME FINE ONES YOURSELF." 01:17:50.033 --> 01:17:52.833 align:left position:40% line:83% size:50% "OH, YES. I'VE GOT SOME DARBS. 01:17:52.833 --> 01:17:55.700 align:left position:27.5% line:83% size:62.5% "BUT NOT ALONGSIDE OF THIS ROBERT COHN. 01:17:55.700 --> 01:17:58.166 align:left position:27.5% line:83% size:62.5% "THE FUNNY THING IS HE'S NICE, TOO. 01:17:58.166 --> 01:17:59.766 align:left position:35% line:89% size:55% "I LIKE HIM. 01:17:59.766 --> 01:18:02.566 align:left position:20% line:89% size:70% BUT HE'S JUST SO AWFUL." 01:18:02.566 --> 01:18:04.900 align:left position:20% line:89% size:70% "HE CAN BE DAMNED NICE." 01:18:04.900 --> 01:18:06.733 align:left position:37.5% line:89% size:52.5% "I KNOW IT. 01:18:06.733 --> 01:18:09.833 align:left position:17.5% line:89% size:72.5% THAT'S THE TERRIBLE PART." 01:18:09.833 --> 01:18:12.566 align:left position:30% line:83% size:60% DEARBORN: I LOVE "THE SUN ALSO RISES" 01:18:12.566 --> 01:18:15.566 align:left position:32.5% line:83% size:57.5% BUT IT'S TRAGIC THAT HE MAKES HAROLD LOEB 01:18:15.566 --> 01:18:18.933 align:left position:20% line:89% size:70% INTO THIS DESPICABLE JEW. 01:18:18.933 --> 01:18:23.566 align:left position:20% line:5% size:70% IT'S JUST, UM, STUNNING. 01:18:23.566 --> 01:18:26.066 align:left position:27.5% line:5% size:62.5% IT'S JUST STUNNING, 01:18:26.066 --> 01:18:29.000 align:left position:32.5% line:5% size:57.5% AND HAROLD LOEB COULD NOT BELIEVE IT. 01:18:29.000 --> 01:18:31.233 align:left position:25% line:5% size:65% YOU KNOW, HE THOUGHT THEY WERE SO CLOSE. 01:18:31.233 --> 01:18:32.966 align:left position:30% line:89% size:60% THEY WERE CLOSE, 01:18:32.966 --> 01:18:35.966 align:left position:17.5% line:83% size:72.5% AND HE JUST SAID, "I STILL DON'T UNDERSTAND HIM. 01:18:35.966 --> 01:18:38.300 align:left position:27.5% line:89% size:62.5% HE WAS MY FRIEND." 01:18:41.133 --> 01:18:43.966 align:left position:25% line:83% size:65% NARRATOR: HEMINGWAY'S PROTAGONIST JAKE BARNES 01:18:43.966 --> 01:18:46.966 align:left position:12.5% line:89% size:77.5% IS A JADED INSIDER AT PAMPLONA. 01:18:46.966 --> 01:18:49.266 align:left position:30% line:83% size:60% HE SEEMS TO KNOW EVERYTHING THERE IS TO KNOW 01:18:49.266 --> 01:18:51.800 align:left position:27.5% line:89% size:62.5% ABOUT BULLFIGHTING. 01:18:51.800 --> 01:18:56.066 align:left position:20% line:83% size:70% THE STAR OF THE FIESTA IS A MATADOR NAMED PEDRO ROMERO, 01:18:56.066 --> 01:18:59.966 align:left position:27.5% line:83% size:62.5% JUST 19, INNOCENT, AND UNSPOILED. 01:18:59.966 --> 01:19:03.933 align:left position:15% line:83% size:75% THE BULLFIGHTING WORLD HOPES TO KEEP HIM THAT WAY, 01:19:03.933 --> 01:19:06.000 align:left position:20% line:89% size:70% BUT JAKE BREAKS THE RULES 01:19:06.000 --> 01:19:08.833 align:left position:27.5% line:83% size:62.5% AND INTRODUCES HIM TO BRETT ASHLEY, 01:19:08.833 --> 01:19:13.800 align:left position:22.5% line:83% size:67.5% THE WOMAN HE CAN NEVER BE WITH HIMSELF. 01:19:13.800 --> 01:19:16.100 align:left position:27.5% line:83% size:62.5% MANDEL: JAKE BARNES SHOULDN'T HAVE DONE THAT. 01:19:16.100 --> 01:19:19.166 align:left position:25% line:83% size:65% SHE'S NOT A SERIOUS, COMMITTED PERSON. 01:19:19.166 --> 01:19:21.466 align:left position:27.5% line:5% size:62.5% SHE'S A FREE WOMAN. SHE'S A FREE WOMAN. 01:19:21.466 --> 01:19:23.533 align:left position:25% line:5% size:65% SHE INDULGES HERSELF, 01:19:23.533 --> 01:19:25.966 align:left position:10% line:5% size:80% AND SHE WANTS TO INDULGE HERSELF WITH THE BULLFIGHTER. 01:19:25.966 --> 01:19:28.100 align:left position:37.5% line:83% size:52.5% JAKE BARNES SHOULD HAVE PROTECTED 01:19:28.100 --> 01:19:32.266 align:left position:22.5% line:83% size:67.5% THIS YOUNG, VULNERABLE, ETHICAL FIGURE, 01:19:32.266 --> 01:19:35.466 align:left position:17.5% line:83% size:72.5% AND AFTER THAT, THE PEOPLE IN THE KNOW IN PAMPLONA 01:19:35.466 --> 01:19:37.633 align:left position:27.5% line:89% size:62.5% TURN AGAINST JAKE. 01:19:37.633 --> 01:19:40.666 align:left position:20% line:83% size:70% THEY BARELY TALK TO HIM. THEY AVOID HIM, 01:19:40.666 --> 01:19:44.533 align:left position:12.5% line:83% size:77.5% AND THAT'S A BIG TURNING POINT IN THIS CHARACTER. 01:19:44.533 --> 01:19:48.533 align:left position:37.5% line:83% size:52.5% OF COURSE, HE KNOWS WHAT HE DID. 01:19:48.533 --> 01:19:50.133 align:left position:25% line:83% size:65% NARRATOR: AT THE END OF THE NOVEL, 01:19:50.133 --> 01:19:54.066 align:left position:25% line:83% size:65% JAKE AND BRETT SHARE A TAXI IN MADRID. 01:19:56.366 --> 01:19:58.900 align:left position:15% line:83% size:75% MAN, AS HEMINGWAY: THE DRIVER STARTED UP THE STREET. 01:19:58.900 --> 01:20:00.466 align:left position:32.5% line:89% size:57.5% I SETTLED BACK. 01:20:00.466 --> 01:20:02.900 align:left position:20% line:89% size:70% BRETT MOVED CLOSE TO ME. 01:20:02.900 --> 01:20:05.566 align:left position:10% line:89% size:80% WE SAT CLOSE AGAINST EACH OTHER. 01:20:05.566 --> 01:20:07.200 align:left position:20% line:89% size:70% I PUT MY ARM AROUND HER, 01:20:07.200 --> 01:20:10.233 align:left position:32.5% line:83% size:57.5% AND SHE RESTED AGAINST ME COMFORTABLY. 01:20:10.233 --> 01:20:12.400 align:left position:17.5% line:89% size:72.5% IT WAS VERY HOT AND BRIGHT, 01:20:12.400 --> 01:20:15.566 align:left position:25% line:83% size:65% AND THE HOUSES LOOKED SHARPLY WHITE. 01:20:15.566 --> 01:20:18.833 align:left position:35% line:83% size:55% WE TURNED OUT ONTO THE GRAN VIA. 01:20:18.833 --> 01:20:20.966 align:left position:22.5% line:89% size:67.5% "OH, JAKE," BRETT SAID, 01:20:20.966 --> 01:20:24.833 align:left position:22.5% line:83% size:67.5% "WE COULD HAVE HAD SUCH A DAMNED GOOD TIME TOGETHER." 01:20:24.833 --> 01:20:29.466 align:left position:15% line:83% size:75% AHEAD WAS A MOUNTED POLICEMAN IN KHAKI DIRECTING TRAFFIC. 01:20:29.466 --> 01:20:31.533 align:left position:25% line:89% size:65% HE RAISED HIS BATON. 01:20:31.533 --> 01:20:35.733 align:left position:20% line:83% size:70% THE CAR SLOWED, SUDDENLY PRESSING BRETT AGAINST ME. 01:20:35.733 --> 01:20:38.500 align:left position:32.5% line:89% size:57.5% "YES," I SAID. 01:20:38.500 --> 01:20:41.833 align:left position:15% line:89% size:75% ISN'T IT PRETTY TO THINK SO?" 01:20:41.833 --> 01:20:44.500 align:left position:15% line:83% size:75% TIM O'BRIEN: "ISN'T IT PRETTY TO THINK SO?" 01:20:44.500 --> 01:20:48.233 align:left position:25% line:83% size:65% IT'S THE WISTFULNESS OF WHAT WE BOTH LOSE 01:20:48.233 --> 01:20:51.333 align:left position:32.5% line:5% size:57.5% AND NEVER HAD, A WISTFULNESS. 01:20:51.333 --> 01:20:53.500 align:left position:20% line:5% size:70% "ISN'T IT PRETTY TO THINK THAT MY DAD AND I 01:20:53.500 --> 01:20:57.733 align:left position:27.5% line:5% size:62.5% "COULD HAVE TALKED ABOUT VIRTUALLY ANYTHING? 01:20:57.733 --> 01:21:00.533 align:left position:20% line:89% size:70% IT'S PRETTY TO THINK SO," 01:21:00.533 --> 01:21:03.366 align:left position:25% line:83% size:65% BUT IT DIDN'T HAPPEN, AND IT WON'T HAPPEN, 01:21:03.366 --> 01:21:07.400 align:left position:12.5% line:83% size:77.5% AND SO THERE'S A SADNESS TO IT THAT FEELS TO ME FULLY HUMAN. 01:21:07.400 --> 01:21:10.166 align:left position:22.5% line:83% size:67.5% "ALL THAT WILL NOT BE," WHICH IS GOING TO BE TRUE 01:21:10.166 --> 01:21:12.866 align:left position:25% line:83% size:65% FOR EVERY HUMAN BEING IN SOME WAY OR ANOTHER 01:21:12.866 --> 01:21:15.833 align:left position:32.5% line:83% size:57.5% ON THIS PLANET, "ALL THAT WILL NEVER BE." 01:21:15.833 --> 01:21:18.733 align:left position:15% line:89% size:75% IT HAS A UNIVERSALITY TO IT. 01:21:18.733 --> 01:21:21.700 align:left position:12.5% line:89% size:77.5% "ISN'T IT PRETTY TO THINK SO?" 01:21:23.900 --> 01:21:26.500 align:left position:25% line:83% size:65% NARRATOR: THE WAR HAD OBLITERATED ANY ILLUSIONS 01:21:26.500 --> 01:21:29.433 align:left position:30% line:83% size:60% ABOUT THE FUTURE, BUT HEMINGWAY SEEMED 01:21:29.433 --> 01:21:33.500 align:left position:17.5% line:83% size:72.5% TO BE SUGGESTING THAT EVEN IN THE MOST DAMAGED LIVES, 01:21:33.500 --> 01:21:36.566 align:left position:22.5% line:83% size:67.5% DESPITE THE INDIGNITIES MEN AND WOMEN INFLICT 01:21:36.566 --> 01:21:42.733 align:left position:17.5% line:83% size:72.5% UPON EACH OTHER, SOME HOPE, SOME SWEETNESS COULD BE FOUND. 01:21:42.733 --> 01:21:45.600 align:left position:25% line:83% size:65% EDNA O'BRIEN: I LOVE "THE SUN ALSO RISES." 01:21:45.600 --> 01:21:49.500 align:left position:22.5% line:5% size:67.5% THE PITH OF IT, FOR ME. 01:21:49.500 --> 01:21:53.000 align:left position:22.5% line:5% size:67.5% THERE'S ALL THE HOTELS AND THE DRINK 01:21:53.000 --> 01:21:55.266 align:left position:25% line:5% size:65% AND THE BULLFIGHTING AND THE FISHING 01:21:55.266 --> 01:21:57.666 align:left position:30% line:83% size:60% AND THE MOUNTAINS AND THEIR KNAPSACKS, 01:21:57.666 --> 01:21:59.500 align:left position:17.5% line:89% size:72.5% "THAT'S A DAMN FINE WINE," 01:21:59.500 --> 01:22:03.000 align:left position:15% line:89% size:75% AND THERE'S ALL THAT BLUSTER, 01:22:03.000 --> 01:22:05.700 align:left position:22.5% line:89% size:67.5% AND THERE'S IMPOTENCE. 01:22:05.700 --> 01:22:08.666 align:left position:27.5% line:83% size:62.5% WHAT IT DID FOR ME, WHEN I READ IT, 01:22:08.666 --> 01:22:16.600 align:left position:27.5% line:83% size:62.5% WAS TO INTRODUCE ME TO AN EXOTICA, A GLAMOUR, 01:22:16.600 --> 01:22:22.200 align:left position:27.5% line:83% size:62.5% A LIFE THAT, COMING FROM COUNTY CLARE IN IRELAND, 01:22:22.200 --> 01:22:23.666 align:left position:22.5% line:89% size:67.5% I COULDN'T BELIEVE IT. 01:22:23.666 --> 01:22:24.966 align:left position:25% line:89% size:65% I WAS SEDUCED BY IT. 01:22:24.966 --> 01:22:27.766 align:left position:30% line:83% size:60% THAT IS THE WORD I'M LOOKING FOR. 01:22:27.766 --> 01:22:31.133 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: AUGUST 23, 1925. 01:22:31.133 --> 01:22:33.466 align:left position:15% line:89% size:75% IT IS A HELL OF A FINE NOVEL. 01:22:33.466 --> 01:22:36.300 align:left position:15% line:83% size:75% WRITTEN VERY SIMPLY AND FULL OF THINGS HAPPENING 01:22:36.300 --> 01:22:39.133 align:left position:25% line:83% size:65% AND PEOPLE AND PLACES AND EXCITING AS HELL 01:22:39.133 --> 01:22:42.200 align:left position:22.5% line:83% size:67.5% AND NO AUTOBIOGRAPHICAL FIRST NOVEL STUFF. 01:22:42.200 --> 01:22:44.166 align:left position:15% line:89% size:75% I THINK IT WILL BE A KNOCKOUT 01:22:44.166 --> 01:22:46.033 align:left position:17.5% line:83% size:72.5% AND WILL LET THESE BASTARDS WHO SAY, 01:22:46.033 --> 01:22:48.333 align:left position:22.5% line:83% size:67.5% "YES, HE CAN WRITE VERY BEAUTIFUL LITTLE PARAGRAPHS KNOW 01:22:48.333 --> 01:22:50.633 align:left position:22.5% line:89% size:67.5% WHERE THEY GET OFF AT." 01:22:50.633 --> 01:22:52.466 align:left position:17.5% line:83% size:72.5% I'VE TRIED TO WRITE A HELL OF A GOOD STORY 01:22:52.466 --> 01:22:57.200 align:left position:15% line:83% size:75% ABOUT PEOPLE WITHOUT FAKING, PRECIOSITY, OR HORSE... 01:22:57.200 --> 01:22:59.933 align:left position:22.5% line:83% size:67.5% EVERYBODY KNOWS LIFE IS A TRAGIC SHOW, 01:22:59.933 --> 01:23:03.733 align:left position:17.5% line:89% size:72.5% I.E. BORN HERE, DIE THERE. 01:23:03.733 --> 01:23:07.666 align:left position:32.5% line:83% size:57.5% EVERYBODY DIES, EVERYBODY GETS BITCHED. 01:23:10.333 --> 01:23:13.000 align:left position:17.5% line:83% size:72.5% NARRATOR: ERNEST WAS HAPPY WITH HIS MANUSCRIPT 01:23:13.000 --> 01:23:17.166 align:left position:12.5% line:83% size:77.5% BUT UNHAPPY WITH HIS PUBLISHER HORACE LIVERIGHT. 01:23:17.166 --> 01:23:21.200 align:left position:17.5% line:83% size:72.5% HIS LAST BOOK "IN OUR TIME" HAD BEEN A CRITICAL SUCCESS, 01:23:21.200 --> 01:23:23.300 align:left position:27.5% line:89% size:62.5% BUT IT HADN'T SOLD. 01:23:23.300 --> 01:23:26.466 align:left position:17.5% line:83% size:72.5% BY CONTRACT, LIVERIGHT HAD THE RIGHT TO PUBLISH 01:23:26.466 --> 01:23:30.366 align:left position:17.5% line:83% size:72.5% HIS NEXT TWO BOOKS PROVIDED HE ACCEPTED THE FIRST ONE 01:23:30.366 --> 01:23:33.666 align:left position:32.5% line:83% size:57.5% WITHIN 60 DAYS OF ITS SUBMISSION. 01:23:33.666 --> 01:23:37.733 align:left position:15% line:83% size:75% BY THIS TIME, THE CELEBRATED NOVELIST F. SCOTT FITZGERALD 01:23:37.733 --> 01:23:41.133 align:left position:20% line:83% size:70% HAD BECOME A GOOD FRIEND AND HAD ALERTED HIS OWN EDITOR 01:23:41.133 --> 01:23:46.833 align:left position:12.5% line:83% size:77.5% MAXWELL PERKINS OF SCRIBNER'S, TO HEMINGWAY'S GREAT PROMISE. 01:23:46.833 --> 01:23:49.233 align:left position:27.5% line:83% size:62.5% MAN AS FITZGERALD: DEAR MAX, THIS IS TO TELL YOU 01:23:49.233 --> 01:23:51.866 align:left position:22.5% line:83% size:67.5% ABOUT A YOUNG MAN NAMED ERNEST HEMINGWAY, 01:23:51.866 --> 01:23:53.733 align:left position:27.5% line:89% size:62.5% WHO LIVES IN PARIS, 01:23:53.733 --> 01:23:57.133 align:left position:22.5% line:83% size:67.5% AN AMERICAN, WRITES FOR THE "TRANSATLANTIC REVIEW," 01:23:57.133 --> 01:23:59.666 align:left position:17.5% line:89% size:72.5% AND HAS A BRILLIANT FUTURE. 01:23:59.666 --> 01:24:01.400 align:left position:25% line:83% size:65% EZRA POUND PUBLISHED A COLLECTION 01:24:01.400 --> 01:24:03.133 align:left position:25% line:89% size:65% OF HIS SHORT PIECES. 01:24:03.133 --> 01:24:05.666 align:left position:22.5% line:83% size:67.5% I HAVEN'T IT HERE NOW, BUT IT'S REMARKABLE, 01:24:05.666 --> 01:24:07.766 align:left position:12.5% line:89% size:77.5% AND I'D LOOK HIM UP RIGHT AWAY. 01:24:07.766 --> 01:24:09.633 align:left position:25% line:89% size:65% HE'S THE REAL THING. 01:24:09.633 --> 01:24:11.466 align:left position:42.5% line:89% size:47.5% SCOTT. 01:24:11.466 --> 01:24:14.500 align:left position:17.5% line:83% size:72.5% NARRATOR: FITZGERALD WOULD EVENTUALLY PERSUADE ERNEST 01:24:14.500 --> 01:24:17.433 align:left position:37.5% line:83% size:52.5% TO JETTISON THE FIRST TWO CLUMSY CHAPTERS 01:24:17.433 --> 01:24:20.133 align:left position:20% line:83% size:70% OF "THE SUN ALSO RISES," THOUGH HEMINGWAY 01:24:20.133 --> 01:24:25.066 align:left position:25% line:83% size:65% WOULD LATER CLAIM IT HAD BEEN HIS IDEA ALL ALONG. 01:24:25.066 --> 01:24:28.133 align:left position:12.5% line:83% size:77.5% NOW, FITZGERALD SUGGESTED A WAY HEMINGWAY COULD GET 01:24:28.133 --> 01:24:30.833 align:left position:25% line:83% size:65% OUT OF HIS CONTRACT-- WRITE SOMETHING 01:24:30.833 --> 01:24:34.800 align:left position:30% line:83% size:60% HORACE LIVERIGHT WOULD HAVE TO REJECT. 01:24:36.933 --> 01:24:41.600 align:left position:12.5% line:83% size:77.5% IN JUST 10 DAYS, ERNEST BANGED OUT "THE TORRENTS OF SPRING," 01:24:41.600 --> 01:24:43.933 align:left position:15% line:89% size:75% A CRUEL LAMPOON OF HIS FRIEND 01:24:43.933 --> 01:24:45.500 align:left position:27.5% line:89% size:62.5% SHERWOOD ANDERSON, 01:24:45.500 --> 01:24:47.166 align:left position:15% line:89% size:75% WHO HAD BEEN ESPECIALLY KIND 01:24:47.166 --> 01:24:48.300 align:left position:35% line:89% size:55% TO HEMINGWAY 01:24:48.300 --> 01:24:49.666 align:left position:17.5% line:89% size:72.5% AND WAS ONE OF LIVERIGHT'S 01:24:49.666 --> 01:24:52.400 align:left position:25% line:89% size:65% BEST-SELLING AUTHORS. 01:24:52.400 --> 01:24:56.433 align:left position:20% line:83% size:70% HADLEY THOUGHT THE PARODY OF ANDERSON "DETESTABLE," 01:24:56.433 --> 01:24:59.333 align:left position:17.5% line:83% size:72.5% BUT ANOTHER WOMAN'S OPINION HAD BEGUN TO MATTER 01:24:59.333 --> 01:25:02.900 align:left position:17.5% line:89% size:72.5% MORE TO HIM THAN HADLEY'S. 01:25:02.900 --> 01:25:06.733 align:left position:20% line:83% size:70% PAULINE PFEIFFER THOUGHT THE MANUSCRIPT WAS HILARIOUS, 01:25:06.733 --> 01:25:10.166 align:left position:30% line:83% size:60% FURTHER EVIDENCE OF ERNEST'S GENIUS. 01:25:10.166 --> 01:25:13.866 align:left position:22.5% line:83% size:67.5% SHE WAS WITTY, WEALTHY, WELL-READ, 01:25:13.866 --> 01:25:16.833 align:left position:27.5% line:83% size:62.5% A REPORTER COVERING PARIS FASHION FOR "VOGUE," 01:25:16.833 --> 01:25:19.100 align:left position:17.5% line:89% size:72.5% AND A PRACTICING CATHOLIC. 01:25:19.100 --> 01:25:21.833 align:left position:32.5% line:83% size:57.5% SHE HAD BECOME HADLEY'S FRIEND FIRST, 01:25:21.833 --> 01:25:23.833 align:left position:27.5% line:83% size:62.5% A FREQUENT VISITOR AT THE APARTMENT 01:25:23.833 --> 01:25:26.533 align:left position:27.5% line:89% size:62.5% ABOVE THE SAWMILL. 01:25:26.533 --> 01:25:29.466 align:left position:12.5% line:83% size:77.5% ERNEST INVITED PAULINE TO JOIN HIM AND HADLEY 01:25:29.466 --> 01:25:32.000 align:left position:20% line:89% size:70% FOR CHRISTMAS IN AUSTRIA. 01:25:32.000 --> 01:25:34.533 align:left position:20% line:83% size:70% "PAULINE WAS NICE TO ME," HADLEY RECALLED. 01:25:34.533 --> 01:25:37.033 align:left position:17.5% line:89% size:72.5% "SHE WANTED TO BE FRIENDS." 01:25:37.033 --> 01:25:39.333 align:left position:22.5% line:83% size:67.5% THEY TOOK TURNS PLAYING WITH BUMBY, 01:25:39.333 --> 01:25:44.466 align:left position:17.5% line:83% size:72.5% SKIED AND DRANK AND PLAYED BRIDGE TOGETHER EVERY EVENING, 01:25:44.466 --> 01:25:48.133 align:left position:22.5% line:83% size:67.5% BUT IN THE AFTERNOONS, IT WAS PAULINE, NOT HADLEY, 01:25:48.133 --> 01:25:53.166 align:left position:12.5% line:83% size:77.5% WHOM ERNEST TOOK FOR LONG WALKS THROUGH THE SNOW. 01:25:53.166 --> 01:25:55.466 align:left position:22.5% line:83% size:67.5% "SHE DIDN'T GO STRAIGHT FOR MY HUSBAND," 01:25:55.466 --> 01:25:57.966 align:left position:15% line:89% size:75% HADLEY RECALLED YEARS LATER, 01:25:57.966 --> 01:26:01.500 align:left position:12.5% line:83% size:77.5% "BUT ONCE SHE MADE UP HER MIND THAT HE WAS WHAT SHE WANTED, 01:26:01.500 --> 01:26:04.333 align:left position:20% line:89% size:70% "SHE WAS VERY AGGRESSIVE. 01:26:04.333 --> 01:26:06.466 align:left position:17.5% line:89% size:72.5% HE COULDN'T HELP HIMSELF." 01:26:10.733 --> 01:26:14.100 align:left position:15% line:83% size:75% MAN, AS HEMINGWAY: TO REALLY LOVE TWO WOMEN AT THE SAME TIME, 01:26:14.100 --> 01:26:18.600 align:left position:15% line:5% size:75% TRULY LOVE THEM, IS THE MOST DESTRUCTIVE AND TERRIBLE THING 01:26:18.600 --> 01:26:21.200 align:left position:20% line:5% size:70% THAT CAN HAPPEN TO A MAN. 01:26:21.200 --> 01:26:23.566 align:left position:27.5% line:5% size:62.5% YOU DO THINGS THAT ARE IMPOSSIBLE, 01:26:23.566 --> 01:26:26.300 align:left position:17.5% line:83% size:72.5% AND WHEN YOU ARE WITH ONE, YOU LOVE HER, 01:26:26.300 --> 01:26:29.266 align:left position:27.5% line:77% size:62.5% AND WITH THE OTHER, YOU LOVE HER, 01:26:29.266 --> 01:26:32.233 align:left position:35% line:83% size:55% AND TOGETHER, YOU LOVE THEM BOTH. 01:26:32.233 --> 01:26:35.566 align:left position:22.5% line:83% size:67.5% YOU BREAK ALL PROMISES, AND YOU DO EVERYTHING YOU KNEW 01:26:35.566 --> 01:26:39.366 align:left position:22.5% line:83% size:67.5% THAT YOU COULD NEVER DO NOR WOULD WANT TO DO. 01:26:39.366 --> 01:26:43.533 align:left position:25% line:83% size:65% YOU LIE AND HATE IT, AND IT DESTROYS YOU, 01:26:43.533 --> 01:26:46.366 align:left position:10% line:89% size:80% AND EVERY DAY IS MORE DANGEROUS. 01:26:46.366 --> 01:26:48.866 align:left position:27.5% line:83% size:62.5% EVERYTHING IS SPLIT INSIDE OF YOU, 01:26:48.866 --> 01:26:52.766 align:left position:17.5% line:83% size:72.5% AND YOU LOVE TWO PEOPLE NOW INSTEAD OF ONE, 01:26:52.766 --> 01:26:56.633 align:left position:22.5% line:83% size:67.5% AND THE STRANGE PART IS THAT YOU ARE HAPPY. 01:26:58.433 --> 01:27:00.033 align:left position:20% line:83% size:70% NARRATOR: WHEN HEMINGWAY SUBMITTED 01:27:00.033 --> 01:27:02.700 align:left position:20% line:83% size:70% "THE TORRENTS OF SPRING" TO HORACE LIVERIGHT, 01:27:02.700 --> 01:27:08.300 align:left position:12.5% line:83% size:77.5% THE PUBLISHER REJECTED IT RIGHT AWAY JUST AS ERNEST HAD HOPED. 01:27:08.300 --> 01:27:12.033 align:left position:17.5% line:83% size:72.5% HE WAS NOW FREE TO BRING IT AND "THE SUN ALSO RISES" 01:27:12.033 --> 01:27:13.966 align:left position:32.5% line:89% size:57.5% TO SCRIBNER'S. 01:27:13.966 --> 01:27:19.433 align:left position:15% line:83% size:75% IN JANUARY 1926, ERNEST MADE A 3-WEEK TRIP TO NEW YORK 01:27:19.433 --> 01:27:23.933 align:left position:17.5% line:83% size:72.5% TO MEET WITH HIS NEW EDITOR MAX PERKINS. 01:27:23.933 --> 01:27:27.166 align:left position:17.5% line:83% size:72.5% HADLEY AND BUMBY STAYED ON IN AUSTRIA. 01:27:27.166 --> 01:27:29.733 align:left position:22.5% line:83% size:67.5% AS SOON AS HER HUSBAND RETURNED TO FRANCE, 01:27:29.733 --> 01:27:32.633 align:left position:27.5% line:83% size:62.5% HADLEY EXPECTED HIM TO BOARD THE TRAIN 01:27:32.633 --> 01:27:35.000 align:left position:15% line:89% size:75% AND COME TO HER IN THE ALPS. 01:27:35.000 --> 01:27:38.766 align:left position:17.5% line:83% size:72.5% INSTEAD, HE WENT TO PARIS, TO PAULINE'S APARTMENT, 01:27:38.766 --> 01:27:42.300 align:left position:25% line:83% size:65% A DECISION THAT WOULD ONE DAY COME TO HAUNT HIM. 01:27:46.800 --> 01:27:48.566 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: THE GIRL I WAS IN LOVE WITH 01:27:48.566 --> 01:27:50.833 align:left position:30% line:5% size:60% WAS IN PARIS NOW, AND I DID NOT TAKE 01:27:50.833 --> 01:27:54.733 align:left position:32.5% line:5% size:57.5% THE FIRST TRAIN OR THE SECOND OR THE THIRD, 01:27:54.733 --> 01:27:57.300 align:left position:30% line:5% size:60% AND WHERE WE WENT AND WHAT WE DID 01:27:57.300 --> 01:28:01.700 align:left position:12.5% line:83% size:77.5% AND THE UNBELIEVABLE WRENCHING, KICKING HAPPINESS, 01:28:01.700 --> 01:28:05.166 align:left position:15% line:83% size:75% THE SELFISHNESS AND TREACHERY OF EVERYTHING WE DID, 01:28:05.166 --> 01:28:07.033 align:left position:22.5% line:89% size:67.5% GAVE ME SUCH HAPPINESS 01:28:07.033 --> 01:28:11.866 align:left position:22.5% line:83% size:67.5% AND UNKILLABLE DREADFUL HAPPINESS 01:28:11.866 --> 01:28:14.200 align:left position:12.5% line:89% size:77.5% SO THAT THE BLACK REMORSE CAME 01:28:14.200 --> 01:28:17.333 align:left position:25% line:83% size:65% AND HATRED OF THE SIN AND NO CONTRITION, 01:28:17.333 --> 01:28:21.033 align:left position:20% line:89% size:70% ONLY A TERRIBLE REMORSE. 01:28:21.033 --> 01:28:26.200 align:left position:17.5% line:83% size:72.5% NARRATOR: HE DID NOT GET TO HADLEY FOR 3 DAYS. 01:28:26.200 --> 01:28:27.900 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: WHEN I SAW MY WIFE AGAIN 01:28:27.900 --> 01:28:30.566 align:left position:22.5% line:83% size:67.5% STANDING BY THE TRACKS AS THE TRAIN CAME IN 01:28:30.566 --> 01:28:32.933 align:left position:30% line:83% size:60% BY THE PILED LOGS AT THE STATION, 01:28:32.933 --> 01:28:35.200 align:left position:27.5% line:83% size:62.5% I WISHED I HAD DIED BEFORE I EVER LOVED 01:28:35.200 --> 01:28:37.200 align:left position:32.5% line:89% size:57.5% ANYONE BUT HER. 01:28:37.200 --> 01:28:40.333 align:left position:30% line:83% size:60% SHE WAS SMILING, THE SUN ON HER LOVELY FACE 01:28:40.333 --> 01:28:44.900 align:left position:17.5% line:83% size:72.5% TANNED BY THE SNOW AND SUN, BEAUTIFULLY BUILT, 01:28:44.900 --> 01:28:47.333 align:left position:15% line:89% size:75% HER HAIR RED GOLD IN THE SUN 01:28:47.333 --> 01:28:50.766 align:left position:10% line:83% size:80% AND MR. BUMBY STANDING WITH HER, BLONDE AND CHUNKY 01:28:50.766 --> 01:28:54.100 align:left position:22.5% line:89% size:67.5% AND WITH WINTER CHEEKS. 01:28:54.100 --> 01:28:57.366 align:left position:35% line:83% size:55% I LOVED HER, AND I LOVED NO ONE ELSE, 01:28:57.366 --> 01:29:01.066 align:left position:12.5% line:83% size:77.5% AND WE HAD A LOVELY MAGIC TIME WHILE WE WERE ALONE. 01:29:01.066 --> 01:29:05.100 align:left position:32.5% line:83% size:57.5% I WORKED WELL, AND WE MADE GREAT TRIPS, 01:29:05.100 --> 01:29:08.466 align:left position:12.5% line:83% size:77.5% AND IT WASN'T UNTIL WE WERE OUT OF THE MOUNTAINS IN LATE SPRING, 01:29:08.466 --> 01:29:12.633 align:left position:22.5% line:83% size:67.5% AND BACK IN PARIS THAT THE OTHER THING STARTED AGAIN. 01:29:15.400 --> 01:29:17.700 align:left position:22.5% line:83% size:67.5% NARRATOR: ERNEST HOPED THAT THINGS COULD SOMEHOW 01:29:17.700 --> 01:29:21.033 align:left position:32.5% line:83% size:57.5% GO ON THAT WAY, STILL MARRIED TO HADLEY 01:29:21.033 --> 01:29:24.400 align:left position:25% line:83% size:65% BUT WITH HIS MISTRESS CONVENIENTLY AT HAND, 01:29:24.400 --> 01:29:28.200 align:left position:17.5% line:83% size:72.5% BUT PAULINE WAS NOT CONTENT TO REMAIN HIS MISTRESS. 01:29:28.200 --> 01:29:31.400 align:left position:27.5% line:83% size:62.5% SHE WAS DETERMINED TO BECOME HIS WIFE. 01:29:32.766 --> 01:29:35.300 align:left position:12.5% line:89% size:77.5% HADLEY CONFRONTED HER HUSBAND. 01:29:35.300 --> 01:29:37.900 align:left position:17.5% line:83% size:72.5% "WE HAD A TERRIFIC SCENE," SHE RECALLED. 01:29:37.900 --> 01:29:40.800 align:left position:20% line:89% size:70% ERNEST LASHED OUT AT HER. 01:29:40.800 --> 01:29:44.466 align:left position:15% line:83% size:75% IF ONLY SHE HADN'T BROUGHT UP HIS INFIDELITY, HE SAID, 01:29:44.466 --> 01:29:47.266 align:left position:17.5% line:83% size:72.5% THINGS COULD HAVE CONTINUED AS THEY WERE, 01:29:47.266 --> 01:29:49.466 align:left position:17.5% line:83% size:72.5% BUT NOW THAT SHE HAD BROKEN THE SPELL 01:29:49.466 --> 01:29:52.466 align:left position:12.5% line:89% size:77.5% THEIR LOVE WAS NO LONGER SAFE. 01:29:52.466 --> 01:29:56.100 align:left position:12.5% line:83% size:77.5% "IF I'D HAD ANY SENSE AT ALL," HADLEY REMEMBERED YEARS LATER, 01:29:56.100 --> 01:29:58.033 align:left position:25% line:83% size:65% "I'D HAVE LET HIM GO WITH PAULINE 01:29:58.033 --> 01:29:59.700 align:left position:22.5% line:89% size:67.5% "AND BURN HIMSELF OUT, 01:29:59.700 --> 01:30:02.866 align:left position:22.5% line:83% size:67.5% AND THEN WE COULD HAVE BEGUN AGAIN." 01:30:02.866 --> 01:30:05.900 align:left position:22.5% line:83% size:67.5% INSTEAD, IN SEPTEMBER, SHE SCRIBBLED OUT 01:30:05.900 --> 01:30:08.433 align:left position:15% line:89% size:75% A SORT OF CONTRACT IN PENCIL. 01:30:08.433 --> 01:30:13.133 align:left position:20% line:83% size:70% ERNEST AND PAULINE WOULD HAVE TO SPEND 100 DAYS APART, 01:30:13.133 --> 01:30:16.566 align:left position:15% line:83% size:75% AND AFTERWARDS IF THEY STILL WANTED ONE ANOTHER, 01:30:16.566 --> 01:30:19.600 align:left position:12.5% line:89% size:77.5% SHE WOULD GRANT HIM A DIVORCE. 01:30:19.600 --> 01:30:24.166 align:left position:20% line:83% size:70% ERNEST AND PAULINE AGREED TO ABIDE BY HER TERMS. 01:30:24.166 --> 01:30:27.500 align:left position:40% line:83% size:50% HE MOVED TO A FRIEND'S APARTMENT. 01:30:27.500 --> 01:30:30.833 align:left position:20% line:89% size:70% PAULINE SAILED FOR HOME. 01:30:30.833 --> 01:30:33.500 align:left position:32.5% line:83% size:57.5% HER MOTHER WAS INITIALLY APPALLED. 01:30:33.500 --> 01:30:36.633 align:left position:17.5% line:83% size:72.5% HER DAUGHTER HAD BROKEN UP HEMINGWAY'S MARRIAGE. 01:30:36.633 --> 01:30:38.766 align:left position:17.5% line:89% size:72.5% ERNEST WAS NOT A CATHOLIC. 01:30:38.766 --> 01:30:42.433 align:left position:25% line:89% size:65% A CHILD WAS INVOLVED. 01:30:42.433 --> 01:30:46.600 align:left position:17.5% line:83% size:72.5% ALONE IN PARIS, DEPRESSION AGAIN GRIPPED HEMINGWAY, 01:30:46.600 --> 01:30:48.633 align:left position:17.5% line:89% size:72.5% THIS TIME TINGED WITH GUILT 01:30:48.633 --> 01:30:51.833 align:left position:22.5% line:83% size:67.5% ABOUT WHAT HE WAS DOING TO HADLEY. 01:30:51.833 --> 01:30:55.600 align:left position:27.5% line:83% size:62.5% HE DRANK TOO MUCH, PICKED FIGHTS, COULDN'T SLEEP, 01:30:55.600 --> 01:30:59.600 align:left position:20% line:83% size:70% SOMEHOW CONVINCED HIMSELF THAT HE WAS THE VICTIM. 01:31:02.400 --> 01:31:06.866 align:left position:22.5% line:83% size:67.5% ONLY TWO MONTHS LATER, ON NOVEMBER 16, 1926, 01:31:06.866 --> 01:31:09.633 align:left position:20% line:83% size:70% HADLEY WROTE ERNEST THAT IF HE AND PAULINE 01:31:09.633 --> 01:31:11.900 align:left position:15% line:89% size:75% REALLY WANTED TO BE TOGETHER 01:31:11.900 --> 01:31:15.533 align:left position:27.5% line:83% size:62.5% SHE WOULD NO LONGER STAND IN THE WAY. 01:31:15.533 --> 01:31:17.933 align:left position:20% line:89% size:70% THEY WERE FREE TO MARRY. 01:31:21.533 --> 01:31:22.966 align:left position:25% line:83% size:65% WOMAN, AS RICHARDSON: THE ENTIRE PROBLEM BELONGS 01:31:22.966 --> 01:31:25.466 align:left position:37.5% line:89% size:52.5% TO YOU TWO. 01:31:25.466 --> 01:31:29.666 align:left position:25% line:83% size:65% I AM NOT RESPONSIBLE FOR YOUR FUTURE WELFARE. 01:31:29.666 --> 01:31:32.466 align:left position:25% line:83% size:65% I TOOK YOU ORIGINALLY FOR BETTER, FOR WORSE 01:31:32.466 --> 01:31:36.200 align:left position:35% line:89% size:55% AND MEANT IT! 01:31:36.200 --> 01:31:39.500 align:left position:22.5% line:83% size:67.5% BUT IN THE CASE OF YOUR MARRYING SOMEONE ELSE, 01:31:39.500 --> 01:31:43.666 align:left position:17.5% line:83% size:72.5% I CAN STAND BY MY VOW ONLY AS AN OUTSIDE FRIEND. 01:31:46.700 --> 01:31:49.933 align:left position:30% line:83% size:60% COME TO SEE BUMBY AS MUCH AS YOU WANT-- 01:31:49.933 --> 01:31:52.766 align:left position:15% line:89% size:75% HE IS YOURS AS MUCH AS MINE-- 01:31:52.766 --> 01:31:54.700 align:left position:17.5% line:83% size:72.5% AND TAKE HIM OUT SOMETIMES IF YOU FEEL LIKE 01:31:54.700 --> 01:31:56.500 align:left position:25% line:89% size:65% THAT KIND OF THING-- 01:31:56.500 --> 01:31:59.700 align:left position:25% line:83% size:65% SO THAT HE WILL KNOW YOU ARE HIS REAL PAPA. 01:32:02.766 --> 01:32:07.166 align:left position:12.5% line:83% size:77.5% NARRATOR: HADLEY AND BUMBY SOON SAILED FOR THE UNITED STATES. 01:32:07.166 --> 01:32:13.933 align:left position:22.5% line:83% size:67.5% ERNEST STAYED IN PARIS. PAULINE JOINED HIM. 01:32:13.933 --> 01:32:16.566 align:left position:20% line:83% size:70% MEANWHILE, SCRIBNER'S HAD FINALLY PUBLISHED 01:32:16.566 --> 01:32:18.933 align:left position:25% line:89% size:65% "THE SUN ALSO RISES." 01:32:18.933 --> 01:32:21.933 align:left position:20% line:83% size:70% EDMUND WILSON DECLARED IT THE BEST NOVEL WRITTEN 01:32:21.933 --> 01:32:24.933 align:left position:40% line:83% size:50% BY ANYONE OF HEMINGWAY'S GENERATION. 01:32:24.933 --> 01:32:28.133 align:left position:15% line:83% size:75% A REVIEWER FOR "THE ATLANTIC" SAID THAT HEMINGWAY 01:32:28.133 --> 01:32:31.866 align:left position:17.5% line:83% size:72.5% "WRITES AS IF HE HAD NEVER READ ANYBODY'S WRITING, 01:32:31.866 --> 01:32:35.900 align:left position:22.5% line:83% size:67.5% AS IF HE HAD FASHIONED THE ART OF WRITING HIMSELF." 01:32:35.900 --> 01:32:38.600 align:left position:27.5% line:89% size:62.5% THE BOOK SOLD WELL. 01:32:38.600 --> 01:32:45.566 align:left position:15% line:83% size:75% ITS AUTHOR INSISTED THAT ALL THE ROYALTIES GO TO HADLEY. 01:32:45.566 --> 01:32:48.966 align:left position:30% line:83% size:60% ON MAY 10, 1927, ERNEST HEMINGWAY 01:32:48.966 --> 01:32:52.966 align:left position:25% line:83% size:65% AND PAULINE PFEIFFER WERE MARRIED IN PARIS. 01:32:52.966 --> 01:32:56.900 align:left position:17.5% line:83% size:72.5% THERE WERE TWO CEREMONIES, ONE AT THE MAYOR'S OFFICE 01:32:56.900 --> 01:33:00.266 align:left position:35% line:83% size:55% AND A SECOND AT A CATHOLIC CHURCH. 01:33:00.266 --> 01:33:03.300 align:left position:15% line:83% size:75% THE PFEIFFER FAMILY HAD COME AROUND TO APPROVING PAULINE'S 01:33:03.300 --> 01:33:05.766 align:left position:15% line:89% size:75% DECISION TO MARRY HEMINGWAY. 01:33:05.766 --> 01:33:09.433 align:left position:15% line:83% size:75% HE NOW CLAIMED HE'D SECRETLY ALWAYS BEEN A CATHOLIC 01:33:09.433 --> 01:33:12.500 align:left position:12.5% line:83% size:77.5% BECAUSE A PRIEST HAD GIVEN HIM EXTREME UNCTION 01:33:12.500 --> 01:33:14.766 align:left position:25% line:89% size:65% AFTER HE WAS WOUNDED. 01:33:14.766 --> 01:33:18.833 align:left position:15% line:83% size:75% SINCE HIS FIRST MARRIAGE HAD TAKEN PLACE OUTSIDE THE CHURCH, 01:33:18.833 --> 01:33:21.633 align:left position:10% line:89% size:80% THE CHURCH DID NOT RECOGNIZE IT. 01:33:21.633 --> 01:33:24.633 align:left position:22.5% line:83% size:67.5% HADLEY HAD NEVER REALLY BEEN HIS WIFE, 01:33:24.633 --> 01:33:29.033 align:left position:27.5% line:83% size:62.5% AND, BY EXTENSION, BUMBY WAS ILLEGITIMATE. 01:33:31.166 --> 01:33:33.666 align:left position:15% line:83% size:75% NARRATOR: HEMINGWAY HOPED TO LIVE THE SAME KIND OF LIFE 01:33:33.666 --> 01:33:36.833 align:left position:30% line:83% size:60% WITH PAULINE THAT HE HAD LED WITH HADLEY-- 01:33:36.833 --> 01:33:40.333 align:left position:35% line:83% size:55% PARIS CAFÉS, BULLFIGHTS, SKIING-- 01:33:40.333 --> 01:33:44.833 align:left position:20% line:83% size:70% AND DREAMED OF HAVING ONE LITERARY SUCCESS AFTER ANOTHER, 01:33:44.833 --> 01:33:49.266 align:left position:25% line:83% size:65% BUT THINGS DIDN'T GO QUITE AS PLANNED. 01:33:49.266 --> 01:33:52.333 align:left position:27.5% line:83% size:62.5% HE STARTED A NOVEL ABOUT A FATHER AND SON, 01:33:52.333 --> 01:33:55.000 align:left position:27.5% line:89% size:62.5% ONLY TO ABANDON IT. 01:33:55.000 --> 01:33:59.100 align:left position:12.5% line:83% size:77.5% A NEW BOOK OF 14 SHORT STORIES, "MEN WITHOUT WOMEN," 01:33:59.100 --> 01:34:01.466 align:left position:35% line:83% size:55% DID NOT SELL AS WELL AS HE LIKED, 01:34:01.466 --> 01:34:03.900 align:left position:15% line:89% size:75% AND THERE WERE MIXED REVIEWS. 01:34:03.900 --> 01:34:06.966 align:left position:20% line:83% size:70% SOME READERS WERE PUT OFF BY ITS THEMES, 01:34:06.966 --> 01:34:12.666 align:left position:20% line:83% size:70% INCLUDING HOMOSEXUALITY, INFIDELITY, AND DIVORCE. 01:34:12.666 --> 01:34:15.366 align:left position:15% line:83% size:75% AS ALWAYS, HEMINGWAY TRIED TO MAKE HIS CHARACTERS 01:34:15.366 --> 01:34:19.000 align:left position:32.5% line:83% size:57.5% SPEAK PRECISELY AS HIS CONTEMPORARIES SPOKE, 01:34:19.000 --> 01:34:22.366 align:left position:15% line:83% size:75% INCLUDING THEIR USE OF RACIAL EPITHETS. 01:34:24.633 --> 01:34:27.266 align:left position:32.5% line:83% size:57.5% DUDLEY: WHY USE THE N-WORD MULTIPLE TIMES? 01:34:30.000 --> 01:34:32.000 align:left position:25% line:83% size:65% HEMINGWAY KNOWS THAT IT'S PROBABLY ONE 01:34:32.000 --> 01:34:33.933 align:left position:17.5% line:83% size:72.5% OF THE MOST OFFENSIVE WORDS HE COULD HAVE USED, 01:34:33.933 --> 01:34:36.200 align:left position:27.5% line:89% size:62.5% EVEN AT THIS TIME. 01:34:36.200 --> 01:34:37.933 align:left position:25% line:83% size:65% COULD YOU MAKE A CASE FOR HEMINGWAY 01:34:37.933 --> 01:34:41.600 align:left position:12.5% line:83% size:77.5% BEING PREJUDICIAL IN HIS LIFE, IN HIS WRITING? 01:34:41.600 --> 01:34:44.400 align:left position:22.5% line:5% size:67.5% ABSOLUTELY, YOU COULD, BUT, AT THE SAME TIME, 01:34:44.400 --> 01:34:46.600 align:left position:12.5% line:5% size:77.5% YOU COULD PEEL BACK THE LAYERS, AND YOU CAN GET A SENSE 01:34:46.600 --> 01:34:51.766 align:left position:20% line:5% size:70% OF A MAN TRYING TO CONVEY A SENSE OF HIS TIME. 01:34:51.766 --> 01:34:54.533 align:left position:27.5% line:83% size:62.5% CUSHMAN: THAT'S NOT AN EXCUSE FOR HIM. 01:34:54.533 --> 01:34:58.433 align:left position:25% line:5% size:65% I DON'T THINK YOU CAN DRY CLEAN HEMINGWAY 01:34:58.433 --> 01:35:03.333 align:left position:22.5% line:5% size:67.5% INTO SOMEBODY WHO FITS INTO WHAT WE NOW CONSIDER 01:35:03.333 --> 01:35:07.300 align:left position:20% line:83% size:70% SOCIALLY AND POLITICALLY ACCEPTABLE MUCH OF THE TIME. 01:35:07.300 --> 01:35:10.233 align:left position:15% line:83% size:75% NARRATOR: "MEN WITHOUT WOMEN" ALSO INCLUDED A STORY 01:35:10.233 --> 01:35:16.433 align:left position:12.5% line:83% size:77.5% THAT IS AMONG HIS MASTERPIECES "HILLS LIKE WHITE ELEPHANTS." 01:35:16.433 --> 01:35:20.466 align:left position:17.5% line:83% size:72.5% IN IT, A COUPLE WAITING IN A SMALL SPANISH TRAIN STATION 01:35:20.466 --> 01:35:24.433 align:left position:10% line:83% size:80% DISCUSS WHETHER OR NOT THE WOMAN WILL HAVE AN ABORTION 01:35:24.433 --> 01:35:27.833 align:left position:22.5% line:83% size:67.5% WITHOUT EVER MENTIONING THE WORD. 01:35:27.833 --> 01:35:30.733 align:left position:15% line:83% size:75% EDNA O'BRIEN: WHAT'S NOT SAID IS SO WONDERFUL. 01:35:30.733 --> 01:35:35.900 align:left position:10% line:5% size:80% SOMEHOW, THE WHOLE RELATIONSHIP, WHICH WILL BE FOREVER SHADOWED, 01:35:35.900 --> 01:35:38.733 align:left position:20% line:5% size:70% IF NOT TO SAY DESTROYED, BY THIS, 01:35:38.733 --> 01:35:42.300 align:left position:22.5% line:5% size:67.5% YOU GET A PICTURE OF IT 01:35:42.300 --> 01:35:46.033 align:left position:20% line:83% size:70% WITHOUT HIM SPELLING OUT THE WORDS. 01:35:46.033 --> 01:35:47.900 align:left position:15% line:89% size:75% YOU SEE, THAT'S WHAT HE DID. 01:35:47.900 --> 01:35:50.933 align:left position:15% line:89% size:75% THAT EVASION THAT HE MASTERED 01:35:50.933 --> 01:35:54.766 align:left position:20% line:83% size:70% AND THAT CONTROL THAT HE MASTERED 01:35:54.766 --> 01:36:00.266 align:left position:35% line:83% size:55% IS ONE OF HIS SIGNATURE STROKES OF GENIUS. 01:36:00.266 --> 01:36:01.933 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: "IT'S REALLY AN AWFULLY 01:36:01.933 --> 01:36:04.866 align:left position:22.5% line:83% size:67.5% SIMPLE OPERATION, JIG," THE MAN SAID. 01:36:04.866 --> 01:36:07.700 align:left position:30% line:83% size:60% "IT'S NOT REALLY AN OPERATION AT ALL." 01:36:07.700 --> 01:36:11.933 align:left position:15% line:83% size:75% THE GIRL LOOKED AT THE GROUND THE TABLE LEGS RESTED ON. 01:36:11.933 --> 01:36:14.266 align:left position:25% line:83% size:65% "I KNOW YOU WOULDN'T MIND IT, JIG. 01:36:14.266 --> 01:36:16.100 align:left position:17.5% line:89% size:72.5% "IT'S REALLY NOT ANYTHING. 01:36:16.100 --> 01:36:19.333 align:left position:15% line:89% size:75% IT'S JUST TO LET THE AIR IN." 01:36:19.333 --> 01:36:21.466 align:left position:12.5% line:89% size:77.5% THE GIRL DID NOT SAY ANYTHING. 01:36:21.466 --> 01:36:23.500 align:left position:27.5% line:83% size:62.5% "I'LL GO WITH YOU, AND I'LL STAY WITH YOU 01:36:23.500 --> 01:36:25.000 align:left position:32.5% line:89% size:57.5% "ALL THE TIME. 01:36:25.000 --> 01:36:26.533 align:left position:17.5% line:89% size:72.5% "THEY JUST LET THE AIR IN, 01:36:26.533 --> 01:36:28.833 align:left position:30% line:83% size:60% AND THEN IT'S ALL PERFECTLY NATURAL." 01:36:28.833 --> 01:36:31.633 align:left position:25% line:83% size:65% "THEN WHAT WILL WE DO AFTERWARD?" 01:36:31.633 --> 01:36:33.133 align:left position:20% line:89% size:70% "WE'LL BE FINE AFTERWARD. 01:36:33.133 --> 01:36:35.300 align:left position:17.5% line:89% size:72.5% JUST LIKE WE WERE BEFORE." 01:36:35.300 --> 01:36:37.833 align:left position:17.5% line:89% size:72.5% "WHAT MAKES YOU THINK SO?" 01:36:37.833 --> 01:36:40.900 align:left position:22.5% line:5% size:67.5% "THAT'S THE ONLY THING THAT BOTHERS US. 01:36:40.900 --> 01:36:44.166 align:left position:17.5% line:5% size:72.5% IT'S THE ONLY THING THAT'S MADE US UNHAPPY." 01:36:46.366 --> 01:36:49.333 align:left position:12.5% line:89% size:77.5% MANDEL: HE KNOWS WHAT HE WANTS. 01:36:49.333 --> 01:36:52.000 align:left position:27.5% line:83% size:62.5% HE WANTS ONE THING, IT'S "GET RID OF THIS THING," 01:36:52.000 --> 01:36:53.733 align:left position:17.5% line:5% size:72.5% BUT HE CAN'T TELL HER THAT. 01:36:53.733 --> 01:36:57.866 align:left position:20% line:5% size:70% SO HE SAYS, "I ONLY WANT WHAT YOU WANT." 01:36:57.866 --> 01:37:00.366 align:left position:30% line:83% size:60% HE SAYS, "I'LL DO WHATEVER YOU SAY. 01:37:00.366 --> 01:37:02.633 align:left position:22.5% line:83% size:67.5% DON'T DO ANYTHING THAT YOU DON'T WANT TO DO," 01:37:02.633 --> 01:37:06.800 align:left position:15% line:83% size:75% BUT HE'S PUSHING AND PUSHING AND PUSHING AND PUSHING. 01:37:06.800 --> 01:37:10.133 align:left position:22.5% line:83% size:67.5% IT IS PAINFUL TO WATCH THIS GOING ON. 01:37:10.133 --> 01:37:13.700 align:left position:27.5% line:83% size:62.5% IT IS RECOGNIZABLE FOR MOST WOMEN 01:37:13.700 --> 01:37:16.200 align:left position:25% line:83% size:65% TO--EVEN IF IT'S NOT THE SITUATION-- 01:37:16.200 --> 01:37:22.133 align:left position:15% line:83% size:75% THE PUSHING, THE INSISTENCE, THE MASCULINE ASSERTION, 01:37:22.133 --> 01:37:26.566 align:left position:15% line:83% size:75% AND THEN, SHE FINALLY SAYS-- AND THIS IS, I THINK, 01:37:26.566 --> 01:37:30.433 align:left position:35% line:83% size:55% ONE OF GREAT UNDERSTATED SENTENCES-- 01:37:30.433 --> 01:37:39.433 align:left position:17.5% line:83% size:72.5% SHE SAYS TO HIM, "WOULD YOU PLEASE PLEASE PLEASE PLEASE 01:37:39.433 --> 01:37:45.900 align:left position:25% line:83% size:65% PLEASE PLEASE PLEASE STOP TALKING?" 01:37:47.566 --> 01:37:50.700 align:left position:27.5% line:83% size:62.5% WE DON'T KNOW WHAT SHE'S GOING TO DECIDE. 01:37:50.700 --> 01:37:53.900 align:left position:25% line:83% size:65% SHE'S--MAYBE TO KEEP THE RELATIONSHIP, 01:37:53.900 --> 01:37:55.900 align:left position:20% line:89% size:70% SHE WILL DO WHAT HE SAYS, 01:37:55.900 --> 01:37:59.100 align:left position:25% line:83% size:65% BUT IF SHE DOES THAT, THE RELATIONSHIP IS OVER. 01:37:59.100 --> 01:38:04.466 align:left position:12.5% line:83% size:77.5% MAYBE SHE WILL KEEP IT AND JUST BE WITH HERSELF AND THE BABY. 01:38:04.466 --> 01:38:06.766 align:left position:22.5% line:83% size:67.5% MAYBE SHE WILL GET RID OF THE BABY 01:38:06.766 --> 01:38:08.500 align:left position:22.5% line:89% size:67.5% AND CARRY ON HER LIFE. 01:38:08.500 --> 01:38:12.166 align:left position:27.5% line:83% size:62.5% WHATEVER SHE DOES, HER LIFE WILL BE DIFFERENT. 01:38:12.166 --> 01:38:14.066 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: HE DRANK AN ANIS AT THE BAR 01:38:14.066 --> 01:38:16.466 align:left position:20% line:89% size:70% AND LOOKED AT THE PEOPLE. 01:38:16.466 --> 01:38:19.633 align:left position:25% line:83% size:65% THEY WERE ALL WAITING REASONABLY FOR THE TRAIN. 01:38:22.233 --> 01:38:25.433 align:left position:37.5% line:83% size:52.5% HE WENT OUT THROUGH THE BEAD CURTAIN. 01:38:25.433 --> 01:38:29.300 align:left position:15% line:83% size:75% SHE WAS SITTING AT THE TABLE AND SMILED AT HIM. 01:38:29.300 --> 01:38:32.433 align:left position:12.5% line:89% size:77.5% "DO YOU FEEL BETTER?" HE ASKED. 01:38:32.433 --> 01:38:34.466 align:left position:20% line:89% size:70% "I FEEL FINE," SHE SAID. 01:38:34.466 --> 01:38:36.633 align:left position:12.5% line:89% size:77.5% "THERE'S NOTHING WRONG WITH ME. 01:38:36.633 --> 01:38:38.700 align:left position:35% line:89% size:55% I FEEL FINE." 01:38:45.433 --> 01:38:47.200 align:left position:17.5% line:89% size:72.5% NARRATOR: IN MARCH OF 1928, 01:38:47.200 --> 01:38:50.933 align:left position:25% line:83% size:65% HEMINGWAY AND PAULINE LEFT FRANCE. 01:38:50.933 --> 01:38:53.300 align:left position:25% line:83% size:65% SHE WAS PREGNANT NOW, AND THEY WANTED TO HAVE 01:38:53.300 --> 01:38:55.933 align:left position:10% line:89% size:80% THEIR BABY IN THE UNITED STATES. 01:38:55.933 --> 01:38:57.500 align:left position:20% line:89% size:70% HEMINGWAY WAS RECOVERING 01:38:57.500 --> 01:39:00.500 align:left position:25% line:83% size:65% FROM A SECOND SERIOUS HEAD INJURY CAUSED 01:39:00.500 --> 01:39:04.100 align:left position:17.5% line:83% size:72.5% WHEN HE ACCIDENTALLY PULLED A SKYLIGHT DOWN ON HIS HEAD, 01:39:04.100 --> 01:39:06.933 align:left position:20% line:89% size:70% LEAVING A PERMANENT SCAR, 01:39:06.933 --> 01:39:08.933 align:left position:15% line:89% size:75% BUT HE HAD BEGUN A NEW NOVEL, 01:39:08.933 --> 01:39:12.333 align:left position:12.5% line:83% size:77.5% A STORY ABOUT A WOUNDED SOLDIER WHO FALLS IN LOVE 01:39:12.333 --> 01:39:15.500 align:left position:32.5% line:83% size:57.5% WITH THE NURSE WHO CARES FOR HIM. 01:39:15.500 --> 01:39:19.000 align:left position:15% line:83% size:75% THE HEMINGWAYS RENTED A HOUSE IN KEY WEST, FLORIDA, 01:39:19.000 --> 01:39:21.166 align:left position:25% line:83% size:65% WHERE ERNEST ENJOYED OCEAN FISHING 01:39:21.166 --> 01:39:23.033 align:left position:27.5% line:89% size:62.5% FOR THE FIRST TIME. 01:39:25.433 --> 01:39:27.600 align:left position:32.5% line:83% size:57.5% THEY THEN MOVED TO PAULINE'S PARENTS' HOME 01:39:27.600 --> 01:39:31.333 align:left position:25% line:83% size:65% IN PIGGOTT, ARKANSAS, AS THE BABY'S ARRIVAL NEARED, 01:39:31.333 --> 01:39:37.000 align:left position:10% line:83% size:80% AND SPENT A MONTH IN KANSAS CITY WHERE, ON JUNE 28, 1928, 01:39:37.000 --> 01:39:40.466 align:left position:17.5% line:83% size:72.5% PATRICK HEMINGWAY WAS BORN BY CAESARIAN SECTION 01:39:40.466 --> 01:39:43.233 align:left position:20% line:89% size:70% AFTER A DIFFICULT LABOR. 01:39:43.233 --> 01:39:48.133 align:left position:35% line:83% size:55% THEY RETURNED TO ARKANSAS TOGETHER, 01:39:48.133 --> 01:39:51.466 align:left position:27.5% line:83% size:62.5% BUT THEN HEMINGWAY HEADED WEST ALONE, 01:39:51.466 --> 01:39:54.866 align:left position:27.5% line:83% size:62.5% WRITING AS HE WENT, WORKING AND REWORKING 01:39:54.866 --> 01:39:57.833 align:left position:12.5% line:89% size:77.5% THE BOOK THAT NOW CONSUMED HIM. 01:39:57.833 --> 01:40:01.766 align:left position:27.5% line:83% size:62.5% IT WOULD BE CALLED "A FAREWELL TO ARMS." 01:40:03.900 --> 01:40:06.066 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: I REMEMBER LIVING IN THE BOOK 01:40:06.066 --> 01:40:09.666 align:left position:17.5% line:83% size:72.5% AND MAKING UP WHAT HAPPENED IN IT EVERY DAY. 01:40:09.666 --> 01:40:11.400 align:left position:27.5% line:83% size:62.5% MAKING THE COUNTRY AND THE PEOPLE 01:40:11.400 --> 01:40:13.866 align:left position:15% line:89% size:75% AND THE THINGS THAT HAPPENED, 01:40:13.866 --> 01:40:17.566 align:left position:35% line:83% size:55% I WAS HAPPIER THAN I HAD EVER BEEN. 01:40:17.566 --> 01:40:20.466 align:left position:10% line:83% size:80% EACH DAY I READ THE BOOK THROUGH FROM THE BEGINNING 01:40:20.466 --> 01:40:23.300 align:left position:35% line:83% size:55% TO THE POINT WHERE I WENT ON WRITING, 01:40:23.300 --> 01:40:26.833 align:left position:22.5% line:83% size:67.5% AND EACH DAY I STOPPED WHEN I WAS STILL GOING GOOD 01:40:26.833 --> 01:40:29.166 align:left position:32.5% line:83% size:57.5% AND WHEN I KNEW WHAT WOULD HAPPEN NEXT. 01:40:33.700 --> 01:40:36.733 align:left position:10% line:83% size:80% IN THE LATE SUMMER OF THAT YEAR, WE LIVED IN A HOUSE 01:40:36.733 --> 01:40:39.133 align:left position:20% line:83% size:70% IN A VILLAGE THAT LOOKED ACROSS THE RIVER 01:40:39.133 --> 01:40:42.466 align:left position:12.5% line:89% size:77.5% AND THE PLAIN TO THE MOUNTAINS. 01:40:42.466 --> 01:40:45.866 align:left position:20% line:83% size:70% IN THE BED OF THE RIVER, THERE WERE PEBBLES AND BOULDERS, 01:40:45.866 --> 01:40:48.233 align:left position:20% line:83% size:70% DRY AND WHITE IN THE SUN, 01:40:48.233 --> 01:40:50.733 align:left position:22.5% line:83% size:67.5% AND THE WATER WAS CLEAR AND SWIFTLY MOVING 01:40:50.733 --> 01:40:53.600 align:left position:20% line:89% size:70% AND BLUE IN THE CHANNELS. 01:40:53.600 --> 01:40:56.766 align:left position:20% line:83% size:70% TROOPS WENT BY THE HOUSE AND DOWN THE ROAD... 01:40:56.766 --> 01:40:58.433 align:left position:25% line:83% size:65% MAN AND EDNA O'BRIEN: AND THE DUST THEY RAISED 01:40:58.433 --> 01:41:00.933 align:left position:27.5% line:83% size:62.5% POWDERED THE LEAVES OF THE TREES. 01:41:00.933 --> 01:41:02.666 align:left position:12.5% line:89% size:77.5% THE TRUNKS OF THE TREES, TOO... 01:41:02.666 --> 01:41:04.433 align:left position:17.5% line:89% size:72.5% EDNA O'BRIEN: "WERE DUSTY, 01:41:04.433 --> 01:41:07.066 align:left position:17.5% line:83% size:72.5% "AND THE LEAVES FELL EARLY THAT YEAR, 01:41:07.066 --> 01:41:10.133 align:left position:12.5% line:83% size:77.5% "AND WE SAW THE TROOPS MARCHING ALONG THE ROAD 01:41:10.133 --> 01:41:13.166 align:left position:25% line:83% size:65% "AND THE DUST RISING AND LEAVES, 01:41:13.166 --> 01:41:15.566 align:left position:12.5% line:89% size:77.5% "STIRRED BY THE BREEZE, FALLING 01:41:15.566 --> 01:41:16.966 align:left position:17.5% line:89% size:72.5% "AND THE SOLDIERS MARCHING 01:41:16.966 --> 01:41:21.233 align:left position:15% line:89% size:75% "AND AFTERWARDS THE ROAD BARE 01:41:21.233 --> 01:41:27.433 align:left position:30% line:5% size:60% AND WHITE EXCEPT FOR THE LEAVES." 01:41:27.433 --> 01:41:30.133 align:left position:12.5% line:5% size:77.5% CUSHMAN: I READ THAT PARAGRAPH, AND I WANT TO CRY. 01:41:30.133 --> 01:41:33.000 align:left position:17.5% line:89% size:72.5% IT'S INCREDIBLY BEAUTIFUL. 01:41:33.000 --> 01:41:37.766 align:left position:25% line:83% size:65% HE BROKE EVERY RULE, ALL THE REPETITION. 01:41:37.766 --> 01:41:43.166 align:left position:32.5% line:83% size:57.5% IN 4 SENTENCES, THE WORD "AND" 15 TIMES. 01:41:43.166 --> 01:41:48.366 align:left position:22.5% line:83% size:67.5% WHAT'S GOING ON IS JUST AN UNFORGETTABLE DISPLAY 01:41:48.366 --> 01:41:51.533 align:left position:25% line:89% size:65% OF RHYTHMIC MASTERY. 01:41:51.533 --> 01:41:56.533 align:left position:15% line:83% size:75% THERE'S A KIND--ALMOST A KIND OF HYPNOSIS, AN INCANTATION 01:41:56.533 --> 01:41:59.733 align:left position:32.5% line:83% size:57.5% THAT I THINK IS ABOUT THE FRAME OF MIND 01:41:59.733 --> 01:42:02.366 align:left position:30% line:83% size:60% THAT YOU'RE GOING INTO THE WAR WITH. 01:42:02.366 --> 01:42:06.300 align:left position:17.5% line:83% size:72.5% [BACH'S "CELLO SUITE NO. 4, PRELUDE" PLAYING] 01:42:09.433 --> 01:42:12.266 align:left position:35% line:83% size:55% EDNA O'BRIEN: BY RELISTENING TO BACH 01:42:12.266 --> 01:42:14.766 align:left position:27.5% line:83% size:62.5% AND BY RECOGNIZING THE REPETITION 01:42:14.766 --> 01:42:18.600 align:left position:15% line:89% size:75% OF PARTICULAR NOTES IN BACH, 01:42:18.600 --> 01:42:23.633 align:left position:15% line:83% size:75% THAT THAT WAS INSPIRATION FOR WRITING "A FAREWELL TO ARMS." 01:42:25.700 --> 01:42:29.333 align:left position:30% line:83% size:60% NARRATOR: UNLIKE "THE SUN ALSO RISES," 01:42:29.333 --> 01:42:33.100 align:left position:20% line:83% size:70% "A FAREWELL TO ARMS" WAS EXPLICITLY ABOUT THE GREAT WAR. 01:42:33.100 --> 01:42:36.100 align:left position:32.5% line:83% size:57.5% ITS PROTAGONIST LIEUTENANT FREDERIC HENRY 01:42:36.100 --> 01:42:40.633 align:left position:12.5% line:83% size:77.5% IS AN AMERICAN AMBULANCE DRIVER ATTACHED TO THE ITALIAN ARMY, 01:42:40.633 --> 01:42:43.666 align:left position:20% line:83% size:70% WHO IS WOUNDED AND FALLS IN LOVE WITH A NURSE 01:42:43.666 --> 01:42:46.966 align:left position:20% line:83% size:70% NAMED CATHERINE BARKLEY, WHO IS MOURNING A LOVER 01:42:46.966 --> 01:42:50.333 align:left position:27.5% line:89% size:62.5% KILLED IN THE WAR. 01:42:50.333 --> 01:42:53.900 align:left position:12.5% line:83% size:77.5% DRAWN FROM HIS OWN EXPERIENCES, THE STORIES HE HEARD, 01:42:53.900 --> 01:42:57.366 align:left position:15% line:83% size:75% AND HIS OWN DOGGED RESEARCH, THE BOOK'S DISILLUSIONMENT 01:42:57.366 --> 01:43:00.933 align:left position:15% line:83% size:75% WITH THE WAR WOULD SPEAK TO-- AND FOR-- 01:43:00.933 --> 01:43:03.100 align:left position:12.5% line:89% size:77.5% THOSE WHO HAD LIVED THROUGH IT. 01:43:07.866 --> 01:43:09.566 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: I WAS ALWAYS EMBARRASSED 01:43:09.566 --> 01:43:14.266 align:left position:12.5% line:83% size:77.5% BY THE WORDS SACRED, GLORIOUS, AND SACRIFICE 01:43:14.266 --> 01:43:17.000 align:left position:17.5% line:89% size:72.5% AND THE EXPRESSION IN VAIN. 01:43:19.366 --> 01:43:21.700 align:left position:27.5% line:83% size:62.5% WE HAD HEARD THEM, SOMETIMES STANDING 01:43:21.700 --> 01:43:23.866 align:left position:27.5% line:83% size:62.5% IN THE RAIN ALMOST OUT OF EARSHOT, 01:43:23.866 --> 01:43:26.866 align:left position:12.5% line:83% size:77.5% SO THAT ONLY THE SHOUTED WORDS CAME THROUGH, 01:43:26.866 --> 01:43:29.200 align:left position:30% line:83% size:60% AND HAD READ THEM ON PROCLAMATIONS 01:43:29.200 --> 01:43:31.066 align:left position:25% line:83% size:65% THAT WERE SLAPPED UP BY BILLPOSTERS 01:43:31.066 --> 01:43:35.133 align:left position:20% line:83% size:70% OVER OTHER PROCLAMATIONS, NOW FOR A LONG TIME... 01:43:37.266 --> 01:43:39.533 align:left position:12.5% line:89% size:77.5% AND I HAD SEEN NOTHING SACRED, 01:43:39.533 --> 01:43:42.933 align:left position:20% line:83% size:70% AND THE THINGS THAT WERE GLORIOUS HAD NO GLORY, 01:43:42.933 --> 01:43:45.533 align:left position:27.5% line:83% size:62.5% AND THE SACRIFICES WERE LIKE THE STOCKYARDS 01:43:45.533 --> 01:43:47.933 align:left position:37.5% line:83% size:52.5% AT CHICAGO IF NOTHING WAS DONE 01:43:47.933 --> 01:43:50.900 align:left position:35% line:83% size:55% WITH THE MEAT EXCEPT TO BURY IT. 01:43:50.900 --> 01:43:54.566 align:left position:17.5% line:83% size:72.5% THERE WERE MANY WORDS THAT YOU COULD NOT STAND TO HEAR, 01:43:54.566 --> 01:43:58.466 align:left position:17.5% line:83% size:72.5% AND FINALLY ONLY THE NAMES OF PLACES HAD DIGNITY. 01:44:00.266 --> 01:44:04.233 align:left position:25% line:83% size:65% CERTAIN NUMBERS WERE THE SAME WAY AND CERTAIN DATES, 01:44:04.233 --> 01:44:07.133 align:left position:20% line:83% size:70% AND THESE WITH THE NAMES OF THE PLACES WERE 01:44:07.133 --> 01:44:11.100 align:left position:30% line:83% size:60% ALL YOU COULD SAY AND HAVE THEM MEAN ANYTHING. 01:44:13.433 --> 01:44:16.833 align:left position:15% line:83% size:75% WOLFF: I DON'T KNOW OF ANYONE UP TO THAT POINT 01:44:16.833 --> 01:44:20.833 align:left position:17.5% line:89% size:72.5% WHO HAD SAID THAT THAT WELL 01:44:20.833 --> 01:44:25.966 align:left position:15% line:83% size:75% BECAUSE WE CAN'T SEEM TO STOP USING THAT KIND OF LANGUAGE 01:44:25.966 --> 01:44:27.933 align:left position:37.5% line:89% size:52.5% ABOUT WAR, 01:44:27.933 --> 01:44:32.966 align:left position:27.5% line:83% size:62.5% AND IT IS OUR DUTY ALWAYS TO PUNCTURE IT, 01:44:32.966 --> 01:44:37.766 align:left position:17.5% line:83% size:72.5% BUT NO ONE HAS EVER DONE IT THIS ELOQUENTLY. 01:44:37.766 --> 01:44:42.000 align:left position:22.5% line:83% size:67.5% THE ACCUMULATING WEIGHT OF THOSE SENTENCES 01:44:42.000 --> 01:44:45.633 align:left position:15% line:5% size:75% AND THE EMOTION, THE DISGUST, 01:44:45.633 --> 01:44:50.333 align:left position:17.5% line:5% size:72.5% AND ALSO THE REVERENCE FOR WHAT HAS BEEN, IN FACT, DONE, 01:44:50.333 --> 01:44:52.300 align:left position:17.5% line:5% size:72.5% THE DIGNITY OF THOSE PLACES 01:44:52.300 --> 01:44:55.166 align:left position:12.5% line:83% size:77.5% THAT GATHER IN THOSE SENTENCES AS THEY GO ON, 01:44:55.166 --> 01:44:59.000 align:left position:25% line:89% size:65% IT'S JUST BEAUTIFUL. 01:44:59.000 --> 01:45:01.933 align:left position:22.5% line:83% size:67.5% NARRATOR: IN THE NOVEL, LIEUTENANT HENRY DESERTS 01:45:01.933 --> 01:45:06.100 align:left position:10% line:83% size:80% AND FLEES TO NEUTRAL SWITZERLAND WITH CATHERINE BARKLEY. 01:45:06.100 --> 01:45:08.366 align:left position:15% line:83% size:75% THEY HOPE TO MARRY AND BUILD A LIFE TOGETHER 01:45:08.366 --> 01:45:10.900 align:left position:25% line:89% size:65% ONCE THE WAR IS OVER. 01:45:10.900 --> 01:45:14.366 align:left position:30% line:83% size:60% SHE IS PREGNANT, BUT SOMETHING GOES 01:45:14.366 --> 01:45:17.500 align:left position:32.5% line:83% size:57.5% TERRIBLY WRONG IN THE DELIVERY ROOM. 01:45:17.500 --> 01:45:20.166 align:left position:15% line:89% size:75% DOCTORS PERFORM A CAESARIAN. 01:45:20.166 --> 01:45:22.866 align:left position:22.5% line:89% size:67.5% THE BABY IS STILLBORN. 01:45:22.866 --> 01:45:26.133 align:left position:17.5% line:89% size:72.5% CATHERINE'S LIFE EBBS AWAY. 01:45:28.500 --> 01:45:31.200 align:left position:27.5% line:83% size:62.5% HEMINGWAY AGONIZED OVER THE ENDING, 01:45:31.200 --> 01:45:34.600 align:left position:27.5% line:83% size:62.5% WRITING 47 VERSIONS OF THE FINAL PAGES 01:45:34.600 --> 01:45:37.366 align:left position:20% line:89% size:70% BEFORE HE WAS SATISFIED. 01:45:37.366 --> 01:45:57.966 align:left position:50% line:89% size:40% ♪ 01:45:57.966 --> 01:46:00.900 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: I WENT TO THE DOOR OF THE ROOM. 01:46:00.900 --> 01:46:04.366 align:left position:15% line:83% size:75% "YOU CAN'T COME IN NOW," ONE OF THE NURSES SAID. 01:46:04.366 --> 01:46:07.300 align:left position:25% line:89% size:65% "YES I CAN," I SAID. 01:46:07.300 --> 01:46:10.033 align:left position:20% line:89% size:70% "YOU CAN'T COME IN YET." 01:46:10.033 --> 01:46:11.566 align:left position:22.5% line:89% size:67.5% "YOU GET OUT," I SAID. 01:46:11.566 --> 01:46:15.600 align:left position:25% line:89% size:65% "THE OTHER ONE TOO." 01:46:15.600 --> 01:46:18.400 align:left position:15% line:83% size:75% BUT AFTER I HAD GOT THEM OUT AND SHUT THE DOOR 01:46:18.400 --> 01:46:23.100 align:left position:20% line:83% size:70% AND TURNED OFF THE LIGHT, IT WASN'T ANY GOOD. 01:46:23.100 --> 01:46:26.133 align:left position:17.5% line:83% size:72.5% IT WAS LIKE SAYING GOODBYE TO A STATUE. 01:46:26.133 --> 01:46:28.900 align:left position:22.5% line:89% size:67.5% [RAIN FALLING, THUNDER] 01:46:28.900 --> 01:46:33.200 align:left position:20% line:83% size:70% AFTER A WHILE, I WENT OUT AND LEFT THE HOSPITAL 01:46:33.200 --> 01:46:36.800 align:left position:32.5% line:83% size:57.5% AND WALKED BACK TO THE HOTEL IN THE RAIN. 01:46:40.700 --> 01:46:42.933 align:left position:27.5% line:83% size:62.5% EDNA O'BRIEN: PARTS OF "A FAREWELL TO ARMS" 01:46:42.933 --> 01:46:45.733 align:left position:22.5% line:83% size:67.5% COULD HAVE BEEN WRITTEN BY A WOMAN. 01:46:45.733 --> 01:46:48.600 align:left position:27.5% line:83% size:62.5% NOW, I REGARD THAT AS A COMPLIMENT. 01:46:48.600 --> 01:46:51.233 align:left position:20% line:83% size:70% HEMINGWAY MIGHT REGARD IT AS AN INSULT, 01:46:51.233 --> 01:46:56.800 align:left position:20% line:5% size:70% BUT I DON'T BECAUSE IT IS THE ANDROGYNY 01:46:56.800 --> 01:47:01.800 align:left position:12.5% line:5% size:77.5% IN A MAN OR A WOMAN THAT ALLOWS THEM, EVEN IF BRIEFLY, 01:47:01.800 --> 01:47:04.533 align:left position:22.5% line:5% size:67.5% NOT UTTERLY, TO BE ABLE TO PUT THEMSELVES 01:47:04.533 --> 01:47:08.400 align:left position:32.5% line:83% size:57.5% INSIDE THE SKIN OF THE OPPOSITE THING. 01:47:08.400 --> 01:47:11.666 align:left position:17.5% line:83% size:72.5% IN MANY WAYS, I THINK IT'S HIS GREATEST NOVEL. 01:47:11.666 --> 01:47:15.033 align:left position:45% line:83% size:45% I DO. IT'S THE TRUEST. 01:47:15.033 --> 01:47:17.866 align:left position:20% line:89% size:70% IT'S ALSO HEARTBREAKING. 01:47:17.866 --> 01:47:22.333 align:left position:30% line:83% size:60% I REMEMBER CRYING AND CRYING AND CRYING. 01:47:22.333 --> 01:47:26.466 align:left position:30% line:83% size:60% HE GETS THE--ALL THE--THE "BOY" STUFF, 01:47:26.466 --> 01:47:27.833 align:left position:30% line:83% size:60% THE "MAN" STUFF. 01:47:27.833 --> 01:47:29.900 align:left position:12.5% line:89% size:77.5% HE GETS THE HORROR OF THE WAR, 01:47:29.900 --> 01:47:33.000 align:left position:32.5% line:83% size:57.5% BUT WHEN PEOPLE PUT THAT BOOK DOWN, 01:47:33.000 --> 01:47:35.166 align:left position:22.5% line:89% size:67.5% WHAT DO THEY REMEMBER? 01:47:35.166 --> 01:47:38.500 align:left position:17.5% line:83% size:72.5% THEY REMEMBER A WOMAN DYING IN CHILDBIRTH. 01:47:40.400 --> 01:47:42.366 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: IF PEOPLE BRING SO MUCH COURAGE 01:47:42.366 --> 01:47:45.333 align:left position:32.5% line:83% size:57.5% TO THIS WORLD, THE WORLD HAS TO KILL THEM 01:47:45.333 --> 01:47:47.066 align:left position:32.5% line:89% size:57.5% TO BREAK THEM, 01:47:47.066 --> 01:47:51.333 align:left position:17.5% line:89% size:72.5% SO OF COURSE IT KILLS THEM. 01:47:51.333 --> 01:47:54.200 align:left position:17.5% line:83% size:72.5% THE WORLD BREAKS EVERYONE, AND AFTERWARD, 01:47:54.200 --> 01:47:58.533 align:left position:32.5% line:83% size:57.5% MANY ARE STRONG AT THE BROKEN PLACES, 01:47:58.533 --> 01:48:02.833 align:left position:15% line:83% size:75% BUT THOSE THAT WILL NOT BREAK IT KILLS. 01:48:02.833 --> 01:48:05.600 align:left position:22.5% line:83% size:67.5% IT KILLS THE VERY GOOD AND THE VERY GENTLE 01:48:05.600 --> 01:48:09.666 align:left position:12.5% line:89% size:77.5% AND THE VERY BRAVE IMPARTIALLY. 01:48:09.666 --> 01:48:12.066 align:left position:20% line:83% size:70% IF YOU ARE NONE OF THESE, YOU CAN BE SURE 01:48:12.066 --> 01:48:14.266 align:left position:22.5% line:89% size:67.5% IT WILL KILL YOU, TOO, 01:48:14.266 --> 01:48:16.800 align:left position:30% line:83% size:60% BUT THERE WILL BE NO SPECIAL HURRY. 01:48:23.333 --> 01:48:25.833 align:left position:17.5% line:83% size:72.5% NARRATOR: IN THE LATE FALL OF 1928, 01:48:25.833 --> 01:48:30.400 align:left position:15% line:83% size:75% HEMINGWAY'S FATHER'S LIFE WAS SPIRALING SLOWLY DOWNWARD. 01:48:30.400 --> 01:48:34.866 align:left position:17.5% line:83% size:72.5% THE ANXIETY THAT HAD ALWAYS HAUNTED HIM INTENSIFIED. 01:48:34.866 --> 01:48:37.766 align:left position:37.5% line:83% size:52.5% HIS PERIODS OF DEPRESSION LENGTHENED. 01:48:37.766 --> 01:48:40.733 align:left position:25% line:83% size:65% HE SEEMED SUSPICIOUS OF EVERYONE AROUND HIM 01:48:40.733 --> 01:48:43.900 align:left position:27.5% line:83% size:62.5% AND UNABLE TO SHAKE A SENSE OF DREAD. 01:48:46.366 --> 01:48:50.166 align:left position:17.5% line:83% size:72.5% ON DECEMBER 6, ED HEMINGWAY CAME HOME AT NOON, 01:48:50.166 --> 01:48:53.000 align:left position:17.5% line:83% size:72.5% BURNED SOME PERSONAL PAPERS IN THE BASEMENT, 01:48:53.000 --> 01:48:56.400 align:left position:15% line:83% size:75% TOLD HIS WIFE HE THOUGHT HE'D LIE DOWN BEFORE LUNCH, 01:48:56.400 --> 01:49:00.500 align:left position:22.5% line:83% size:67.5% AND CLIMBED THE STAIRS TO HIS BEDROOM. 01:49:00.500 --> 01:49:06.533 align:left position:15% line:83% size:75% THEN HE SHOT HIMSELF WITH HIS FATHER'S CIVIL WAR REVOLVER. 01:49:08.466 --> 01:49:10.666 align:left position:27.5% line:5% size:62.5% MAN, AS HEMINGWAY: MY FATHER WAS A COWARD. 01:49:10.666 --> 01:49:13.700 align:left position:32.5% line:5% size:57.5% HE SHOT HIMSELF WITHOUT NECESSITY. 01:49:13.700 --> 01:49:16.000 align:left position:22.5% line:5% size:67.5% AT LEAST I THOUGHT SO. 01:49:16.000 --> 01:49:20.366 align:left position:15% line:83% size:75% I HAD GONE THROUGH IT MYSELF UNTIL I FIGURED IT IN MY HEAD. 01:49:20.366 --> 01:49:22.766 align:left position:20% line:83% size:70% I KNEW WHAT IT WAS TO BE A COWARD 01:49:22.766 --> 01:49:26.200 align:left position:20% line:83% size:70% AND WHAT IT WAS TO CEASE BEING A COWARD. 01:49:28.300 --> 01:49:31.766 align:left position:10% line:83% size:80% NARRATOR: ERNEST PROMISED TO PAY HIS MOTHER A MONTHLY STIPEND, 01:49:31.766 --> 01:49:33.666 align:left position:10% line:83% size:80% BUT HE WOULD PRIVATELY BLAME HER 01:49:33.666 --> 01:49:37.866 align:left position:22.5% line:83% size:67.5% FOR DRIVING HIS FATHER TO SUICIDE. 01:49:37.866 --> 01:49:39.266 align:left position:27.5% line:83% size:62.5% MAN, AS HEMINGWAY: I HATED MY MOTHER 01:49:39.266 --> 01:49:41.133 align:left position:17.5% line:89% size:72.5% AS SOON AS I KNEW THE SCORE 01:49:41.133 --> 01:49:43.200 align:left position:27.5% line:83% size:62.5% AND LOVED MY FATHER UNTIL HE EMBARRASSED ME 01:49:43.200 --> 01:49:45.366 align:left position:27.5% line:89% size:62.5% WITH HIS COWARDICE. 01:49:45.366 --> 01:49:49.166 align:left position:20% line:83% size:70% MY MOTHER IS AN ALL-TIME, ALL-AMERICAN BITCH, 01:49:49.166 --> 01:49:51.700 align:left position:27.5% line:83% size:62.5% AND SHE WOULD MAKE A PACK MULE SHOOT HIMSELF, 01:49:51.700 --> 01:49:55.300 align:left position:15% line:89% size:75% LET ALONE POOR BLOODY FATHER. 01:49:55.300 --> 01:49:58.500 align:left position:12.5% line:83% size:77.5% HENDRICKSON: I THINK HEMINGWAY, AMONG HIS MANY, MANY FEARS, 01:49:58.500 --> 01:50:02.033 align:left position:35% line:83% size:55% WAS TERRIFIED "WILL THAT HAPPEN TO ME? 01:50:02.033 --> 01:50:05.066 align:left position:20% line:89% size:70% WILL I BECOME MY FATHER?" 01:50:05.066 --> 01:50:11.633 align:left position:12.5% line:5% size:77.5% IN THIS CHRISTIAN, MIDWESTERN, SUBURBAN ILLINOIS FAMILY 01:50:11.633 --> 01:50:16.133 align:left position:32.5% line:5% size:57.5% OF A UNIT OF 8, OF 2 PARENTS 01:50:16.133 --> 01:50:18.633 align:left position:30% line:89% size:60% AND 6 CHILDREN-- 01:50:18.633 --> 01:50:24.233 align:left position:22.5% line:83% size:67.5% 4, AT LEAST 4 DESTROYED THEMSELVES BY THEIR OWN HAND, 01:50:24.233 --> 01:50:26.366 align:left position:32.5% line:89% size:57.5% 4 OUT OF THE 8. 01:50:31.233 --> 01:50:35.100 align:left position:12.5% line:83% size:77.5% NARRATOR: IN SEPTEMBER OF 1929, "A FAREWELL TO ARMS" 01:50:35.100 --> 01:50:37.433 align:left position:32.5% line:89% size:57.5% WAS PUBLISHED. 01:50:37.433 --> 01:50:42.233 align:left position:17.5% line:83% size:72.5% THE REACTION WAS EVERYTHING HEMINGWAY HAD HOPED FOR. 01:50:42.233 --> 01:50:47.000 align:left position:12.5% line:5% size:77.5% "SCRIBNER'S" MAGAZINE HAD PAID $16,000 TO SERIALIZE IT-- 01:50:47.000 --> 01:50:51.100 align:left position:17.5% line:83% size:72.5% MORE THAN IT HAD EVER PAID ANYONE BEFORE-- 01:50:51.100 --> 01:50:53.966 align:left position:17.5% line:83% size:72.5% AND WHEN THE JUNE ISSUE WAS BANNED IN BOSTON 01:50:53.966 --> 01:50:57.800 align:left position:17.5% line:83% size:72.5% BECAUSE SOME PASSAGES WERE THOUGHT TOO "SALACIOUS," 01:50:57.800 --> 01:51:00.933 align:left position:22.5% line:89% size:67.5% IT ONLY BOOSTED SALES. 01:51:00.933 --> 01:51:04.966 align:left position:15% line:83% size:75% "A FAREWELL TO ARMS" CLIMBED ONTO THE BEST-SELLER LISTS 01:51:04.966 --> 01:51:08.733 align:left position:30% line:83% size:60% AND STAYED THERE WEEK AFTER WEEK. 01:51:08.733 --> 01:51:15.100 align:left position:12.5% line:5% size:77.5% PARAMOUNT PICTURES PAID ANOTHER $24,000 FOR THE MOVIE RIGHTS. 01:51:15.100 --> 01:51:17.833 align:left position:30% line:83% size:60% BY THE AGE OF 30, ERNEST HEMINGWAY 01:51:17.833 --> 01:51:21.533 align:left position:15% line:83% size:75% HAD SURVIVED HIS WAR WOUNDS, HAD MARRIED TWO WOMEN, 01:51:21.533 --> 01:51:23.900 align:left position:22.5% line:89% size:67.5% AND FATHERED TWO SONS, 01:51:23.900 --> 01:51:27.533 align:left position:22.5% line:83% size:67.5% HAD BURIED HIS FATHER, PUBLISHED 5 BOOKS 01:51:27.533 --> 01:51:33.233 align:left position:17.5% line:83% size:72.5% AND WAS NOW THE MOST FAMOUS WRITER IN THE UNITED STATES. 01:51:33.233 --> 01:51:36.200 align:left position:20% line:83% size:70% HIS FRIEND, THE NOVELIST JOHN DOS PASSOS, 01:51:36.200 --> 01:51:38.333 align:left position:17.5% line:89% size:72.5% WROTE TO CONGRATULATE HIM. 01:51:38.333 --> 01:51:41.066 align:left position:25% line:83% size:65% "DEAR HEM," HE SAID, "DO YOU REALIZE THAT 01:51:41.066 --> 01:51:44.966 align:left position:27.5% line:83% size:62.5% YOU'RE NOW THE KING OF THE FICTION RACKET?" 01:51:48.900 --> 01:51:51.666 align:left position:15% line:83% size:75% MAN, AS HEMINGWAY: I AM VERY PREJUDICED AGAINST SUICIDE 01:51:51.666 --> 01:51:54.900 align:left position:10% line:83% size:80% BECAUSE SOMEHOW I WOULD NOT LIKE TO EVEN RUN A CHANCE 01:51:54.900 --> 01:51:56.933 align:left position:17.5% line:83% size:72.5% OF HAVING TO SPEND THE REST OF THE TIME 01:51:56.933 --> 01:52:00.433 align:left position:22.5% line:83% size:67.5% WITH A LOT OF THE SORT OF PEOPLE WHO COMMIT SUICIDE. 01:52:00.433 --> 01:52:02.600 align:left position:27.5% line:83% size:62.5% ALTHOUGH OF COURSE THAT DOESN'T HOLD TRUE 01:52:02.600 --> 01:52:05.000 align:left position:30% line:83% size:60% BECAUSE THERE ARE SOME SWELL ONES. 01:52:06.833 --> 01:52:09.266 align:left position:22.5% line:83% size:67.5% THE REAL REASON FOR NOT COMMITTING SUICIDE 01:52:09.266 --> 01:52:12.100 align:left position:17.5% line:83% size:72.5% IS BECAUSE YOU ALWAYS KNOW HOW SWELL LIFE GETS AGAIN 01:52:12.100 --> 01:52:14.200 align:left position:22.5% line:89% size:67.5% AFTER THE HELL IS OVER. 01:52:14.200 --> 01:52:18.400 align:left position:22.5% line:83% size:67.5% SO YOU HAVE TO RESOLVE IN ADVANCE TO LAST OUT THE TIME 01:52:18.400 --> 01:52:20.900 align:left position:15% line:89% size:75% WHEN YOU DON'T BELIEVE THAT. 01:52:20.900 --> 01:52:24.300 align:left position:50% line:89% size:40% ♪ 01:52:27.566 --> 01:52:32.966 align:left position:50% line:89% size:40% ♪ 01:52:55.700 --> 01:53:04.133 align:left position:50% line:89% size:40% ♪ 01:53:24.566 --> 01:53:29.666 align:left position:50% line:89% size:40% ♪ 01:53:33.500 --> 01:53:35.900 align:left position:37.5% line:83% size:52.5% ANNOUNCER: NEXT TIME ON "HEMINGWAY"... 01:53:35.900 --> 01:53:37.666 align:left position:12.5% line:83% size:77.5% AMANDA VAILL: IN ORDER TO HAVE SOMETHING NEW TO WRITE, 01:53:37.666 --> 01:53:39.500 align:left position:20% line:83% size:70% HE HAD TO HAVE SOMETHING NEW TO LIVE. 01:53:39.500 --> 01:53:41.100 align:left position:32.5% line:83% size:57.5% ANNOUNCER: ATOP THE LITERARY WORLD, 01:53:41.100 --> 01:53:43.433 align:left position:32.5% line:83% size:57.5% HEMINGWAY SEEKS NEW CHALLENGES... 01:53:43.433 --> 01:53:45.533 align:left position:25% line:83% size:65% EDNA O'BRIEN: I THINK ORDINARY LIFE 01:53:45.533 --> 01:53:47.466 align:left position:25% line:89% size:65% WAS ANATHEMA TO HIM. 01:53:47.466 --> 01:53:49.766 align:left position:22.5% line:83% size:67.5% ANNOUNCER: REPORTS FROM THE FRONT LINES IN SPAIN... 01:53:49.766 --> 01:53:51.500 align:left position:25% line:83% size:65% MAN, AS HEMINGWAY: IN THE MORNING, THE ROARING BURST 01:53:51.500 --> 01:53:53.933 align:left position:27.5% line:83% size:62.5% OF A HIGH EXPLOSIVE SHELL WAKES YOU. 01:53:53.933 --> 01:53:56.566 align:left position:15% line:83% size:75% ANNOUNCER: AND FALLS IN LOVE WITH MARTHA GELLHORN. 01:53:56.566 --> 01:53:59.700 align:left position:10% line:83% size:80% SUSAN BEEGEL: MARTHA WAS A WOMAN WHO WOULD NOT BACK DOWN. 01:53:59.700 --> 01:54:03.000 align:left position:17.5% line:83% size:72.5% ANNOUNCER: WHEN "HEMINGWAY" CONTINUES NEXT TIME. 01:54:03.800 --> 01:54:05.666 align:left position:22.5% line:5% size:67.5% ANNOUNCER: DIVE DEEPER INTO THIS FILM 01:54:05.666 --> 01:54:07.800 align:left position:15% line:5% size:75% BY VISITING PBS.ORG/HEMINGWAY 01:54:07.800 --> 01:54:09.933 align:left position:22.5% line:5% size:67.5% AND THE PBS VIDEO APP. 01:54:09.933 --> 01:54:14.066 align:left position:17.5% line:5% size:72.5% JOIN THE CONVERSATION WITH HASHTAG #HEMINGWAYPBS. 01:54:14.066 --> 01:54:17.066 align:left position:17.5% line:5% size:72.5% TO ORDER "HEMINGWAY" ON DVD OR BLU-RAY 01:54:17.066 --> 01:54:19.100 align:left position:37.5% line:5% size:52.5% OR THE BOOK "THE HEMINGWAY STORIES," 01:54:19.100 --> 01:54:23.500 align:left position:22.5% line:5% size:67.5% VISIT SHOP PBS OR CALL 1-800-PLAY-PBS. 01:54:23.500 --> 01:54:25.733 align:left position:20% line:5% size:70% THE CD IS ALSO AVAILABLE. 01:54:25.733 --> 01:54:29.233 align:left position:15% line:5% size:75% "HEMINGWAY" IS ALSO AVAILABLE WITH PBS PASSPORT 01:54:29.233 --> 01:54:32.633 align:left position:17.5% line:5% size:72.5% AND ON AMAZON PRIME VIDEO. 01:54:45.900 --> 01:54:51.866 align:left position:50% line:89% size:40% ♪ 01:55:09.766 --> 01:55:12.266 align:left position:50% line:89% size:40% ♪ 01:55:13.666 --> 01:55:15.333 align:left position:20% line:5% size:70% ANNOUNCER: MAJOR FUNDING FOR "HEMINGWAY" 01:55:15.333 --> 01:55:18.033 align:left position:32.5% line:5% size:57.5% WAS PROVIDED BY THE BETTER ANGELS SOCIETY 01:55:18.033 --> 01:55:19.800 align:left position:27.5% line:89% size:62.5% AND BY ITS MEMBERS: 01:55:19.800 --> 01:55:22.266 align:left position:17.5% line:83% size:72.5% THE ELIZABETH RUTH WALLACE LIVING TRUST, 01:55:22.266 --> 01:55:24.200 align:left position:20% line:89% size:70% JOHN AND LESLIE McQUOWN, 01:55:24.200 --> 01:55:25.900 align:left position:20% line:89% size:70% JOHN AND CATHERINE DEBS, 01:55:25.900 --> 01:55:28.633 align:left position:25% line:83% size:65% THE FULLERTON FAMILY CHARITABLE TRUST, 01:55:28.633 --> 01:55:31.633 align:left position:17.5% line:83% size:72.5% KISSICK FAMILY FOUNDATION, GAIL ELDEN, 01:55:31.633 --> 01:55:33.233 align:left position:22.5% line:89% size:67.5% GILCHRIST AND AMY BERG, 01:55:33.233 --> 01:55:34.833 align:left position:15% line:89% size:75% ROBERT AND BEVERLY GRAPPONE, 01:55:34.833 --> 01:55:37.300 align:left position:12.5% line:89% size:77.5% AND MAUREE JANE AND MARK PERRY. 01:55:37.300 --> 01:55:41.700 align:left position:12.5% line:83% size:77.5% ADDITIONAL FUNDING WAS PROVIDED BY THE ANNENBERG FOUNDATION, 01:55:41.700 --> 01:55:44.266 align:left position:22.5% line:83% size:67.5% THE ARTHUR VINING DAVIS FOUNDATIONS, 01:55:44.266 --> 01:55:46.800 align:left position:32.5% line:83% size:57.5% THE CORPORATION FOR PUBLIC BROADCASTING, 01:55:46.800 --> 01:55:50.066 align:left position:15% line:83% size:75% AND BY CONTRIBUTIONS TO YOUR PBS STATION 01:55:50.066 --> 01:55:52.133 align:left position:22.5% line:89% size:67.5% FROM VIEWERS LIKE YOU. 01:55:52.133 --> 01:55:54.666 align:left position:37.5% line:89% size:52.5% THANK YOU.