WEBVTT

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ANNOUNCER: MAJOR FUNDING
FOR "HEMINGWAY"

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WAS PROVIDED BY
THE BETTER ANGELS SOCIETY

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AND BY ITS MEMBERS:

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THE ELIZABETH RUTH WALLACE
LIVING TRUST,

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JOHN AND LESLIE McQUOWN,

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JOHN AND CATHERINE DEBS,

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THE FULLERTON FAMILY
CHARITABLE TRUST,

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KISSICK FAMILY FOUNDATION,
GAIL ELDEN,

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GILCHRIST AND AMY BERG,

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ROBERT AND BEVERLY GRAPPONE,

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AND MAUREE JANE AND MARK PERRY.

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ADDITIONAL FUNDING WAS PROVIDED
BY THE ANNENBERG FOUNDATION,

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THE ARTHUR VINING DAVIS
FOUNDATIONS,

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THE CORPORATION
FOR PUBLIC BROADCASTING,

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AND BY CONTRIBUTIONS TO YOUR
PBS STATION

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FROM VIEWERS LIKE YOU.

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THANK YOU.

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[LOUIS ARMSTRONG
AND HIS HOT FIVE'S
"BASIN STREET BLUES" PLAYING]

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WOMAN AS DOROTHY PARKER: HE HAS
THE MOST PROFOUND BRAVERY

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THAT IT HAS EVER BEEN
MY PRIVILEGE TO SEE.

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HE HAS HAD ABOUT 8 TIMES

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THE NORMAL ALLOTMENT
OF RESPONSIBILITIES.

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IT TAKES COURAGE.

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HE REFERRED TO THE QUALITY
AS "GUTS."

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HE WEIGHS ABOUT 200 POUNDS,

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AND HE IS EVEN BETTER
THAN THOSE PHOTOGRAPHS.

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THE EFFECT UPON WOMEN
IS SUCH THAT THEY WANT TO

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GO RIGHT OUT AND GET HIM
AND BRING HIM HOME, STUFFED.

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DOROTHY PARKER.

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NARRATOR: BY THE TIME
"A FAREWELL TO ARMS"

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TOPPED THE BEST-SELLER LISTS
IN 1929,

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COLORFUL STORIES HAD ALREADY
BEGUN TO CIRCULATE

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ABOUT ERNEST HEMINGWAY,

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MANY OF THEM TOLD
BY THE WRITER HIMSELF.

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HE'D ONCE PLANNED TO BE

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A PROFESSIONAL BOXER,
HE CLAIMED.

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HE'D FOUGHT IN THE ITALIAN ARMY
DURING THE GREAT WAR,

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BEEN WOUNDED 7 SEPARATE TIMES,

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AND BEEN AWARDED
A CHEST-FULL OF MEDALS

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ABOUT WHICH HE SAID
HE WAS TOO MODEST TO SPEAK.

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AND HE'D NEARLY
STARVED TO DEATH IN PARIS

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WHILE LEARNING TO WRITE.

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NONE OF THESE STORIES WAS TRUE.

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EDNA O'BRIEN:
HE MYTHOLOGIZED HIMSELF.

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WHY DO PEOPLE MYTHOLOGIZE?

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TO WOO OTHER PEOPLE

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AND ALSO TO
KEEP THEM AT A DISTANCE.

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TO FEEL INADEQUATE, BUT TO
BOAST ABOUT BEING OVER-ADEQUATE.

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KATAKIS: HEMINGWAY CONSTRUCTED
HIS MYTH TO A LARGE DEGREE

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AND HE MADE THE MISTAKE
THAT ALL MYTH-MAKERS DO--

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HE THOUGHT THAT
HE COULD CONTROL IT.

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AND THERE COMES A TIME
THAT YOU CAN'T ANYMORE.

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IT'S TAKEN ON A LIFE OF ITS OWN.

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IT BECAME VERY EXHAUSTING
TO BE HEMINGWAY.

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THE HEMINGWAY THAT
THE PUBLIC THOUGHT.

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AND LET'S FACE IT,
WHEN HE WAS IN THE PUBLIC,

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HE WAS ALWAYS IN THE PUBLIC EYE

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AND THE PEOPLE EXPECTED
HEMINGWAY TO BE HEMINGWAY.

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[JOHNNY GANDELSMAN'S "THE GARDEN
OF EDEN MIX 3" PLAYING]

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NARRATOR: HIS ART AND THE GAUDY
MYTHS THAT GREW UP AROUND HIM

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WERE ALREADY BECOMING CONFUSED
IN THE PUBLIC MIND.

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AT FIRST, HE HIMSELF
WAS EMBARRASSED

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BY SOME OF THE TALL TALES
WHEN HE SAW THEM IN PRINT.

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BUT AS HIS FAME GREW
OVER THE COMING YEARS,

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IT BECAME HARDER AND HARDER
TO TELL THE REAL HEMINGWAY

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FROM THE ONE HE HAD CREATED.

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WOLFF: THERE'S A CHINESE
PROVERB BY THE SAGE ZHUANGZI

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AND HE HAS IT THIS WAY.
HE SAYS,

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GOOD FORTUNE IS
AS LIGHT AS A FEATHER

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AND FEW ARE STRONG
ENOUGH TO CARRY IT.

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WHEN YOU THINK OF THE WEIGHT

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THAT HIS FAME MUST HAVE
LAID ON HIM,

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EVEN WHEN HE WAS YOUNG,

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AND THE ANXIETY
THAT WOULD PRODUCE OF

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HOW CAN I LIVE UP TO THIS?

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HOW CAN THE NEXT BOOK BE BETTER?

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WHAT IS IN ME
TO MAKE THIS REAL?

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IT'S VERY HARD, I THINK,
TO BE A PUBLIC PERSON LIKE THAT.

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AND SO, I THINK
EVERY PUBLIC PERSON

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CREATES SOME KIND OF AVATAR,
IF YOU WILL, OF THEMSELVES,

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SOME HOLOGRAPH OF THEMSELVES
TO PRESENT PUBLICLY

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TO SAVE WHATEVER
IS PRIVATE IN THEM.

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THE PROBLEM IS THAT
EVENTUALLY YOUR AVATAR

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WILL CONSUME YOU.

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[FATS WALLER'S
"AIN'T MISBEHAVIN'" PLAYING]

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MAN AS HEMINGWAY:
WE HAVE A FINE HOUSE HERE

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AND THE KIDS ARE ALL WELL.

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ALSO 4 RACCOONS, A POSSUM,
18 GOLDFISH, 3 PEACOCKS,

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AND A YARD WITH FIG TREE
AND A LIME TREE.

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VERY FINE THE WAY
PAULINE HAS FIXED IT.

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WE HAVE BEEN, AND ARE,
DAMNED HAPPY.

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I COULD STAY HERE DAMNED NEAR
ALL THE TIME

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AND HAVE A FINE TIME
WATCHING THE THINGS GROW

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AND BE HAPPIER
THAN I UNDERSTAND.

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MAN: ♪ NO ONE TO TALK WITH,
ALL MY MYSELF ♪

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♪ NO ONE TO WALK WITH
BUT I'M HAPPY ON THE SHELF ♪

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♪ AIN'T MISBEHAVIN'... ♪

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NARRATOR: THE BIG
ANTEBELLUM HOUSE

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ON WHITEHEAD STREET
IN KEY WEST, FLORIDA

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WAS A GIFT FROM HIS SECOND WIFE
PAULINE PFEIFFER'S

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WEALTHY UNCLE GUS, WHO BELIEVED
DEEPLY IN HEMINGWAY'S WRITING

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AND WHO WOULD PROVIDE
FINANCIAL HELP TO MAINTAIN

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THEIR EXPENSIVE AND EXTRAVAGANT
WAY OF LIFE.

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DAY TO DAY COSTS WERE COVERED
BY PAULINE'S TRUST FUND.

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3 HEMINGWAY CHILDREN
WOULD SOON BE SEEN THERE:

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JACK, KNOWN AS "BUMBY,"

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THE OFFSPRING OF HEMINGWAY'S
FIRST MARRIAGE,

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SPENT MOST OF EACH YEAR
WITH HIS MOTHER HADLEY,

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WHO WOULD HAPPILY REMARRY
AND SETTLE NEAR CHICAGO.

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BUT HE SUMMERED IN FLORIDA
WITH HIS FATHER AND PAULINE.

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PATRICK, ERNEST AND PAULINE'S
FIRST-BORN,

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CALLED "MOUSE," WAS IN
PERMANENT RESIDENCE.

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SO WAS GREGORY, NICKNAMED
"GIGI," BORN IN 1931.

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MAN: ♪ AIN'T MISBEHAVIN',
SAVIN' ALL MY LOVE FOR YOU ♪

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NARRATOR: MOTHERHOOD WAS ALWAYS
LESS IMPORTANT TO PAULINE

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THAN WHAT SHE SAID
WAS HER FIRST DUTY--

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TO REMAIN ALWAYS
"A LOVELY, UNHARRIED WIFE."

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ERNEST LONGED FOR HER
WHEN EVEN BRIEFLY AWAY

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AND DELIGHTED IN HER WILLINGNESS
TO PLEASE HIM

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BY DYEING HER HAIR--

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LIKE HAVING "A NEW WIFE
EVERY DAY," HE TOLD A FRIEND.

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DEARBORN: HER NUMBER-ONE GOAL
IN LIFE

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IS MAKING HEMINGWAY HAPPY.

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SHE, SHE WANTS HIM
TO KEEP WRITING.

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SHE WAS THE REAL PROTECTOR
OF HIS TALENT.

07:25.866 --> 07:30.500 align:left position:15% line:83% size:75%
AND SHE WANTED TO FACILITATE
THAT IN ANY WAY SHE COULD.

07:30.500 --> 07:33.933 align:left position:17.5% line:83% size:72.5%
AND SHE SUBMERGED HERSELF,
HER IDENTITY.

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SHE LEFT HER INFANT CHILDREN,
ONE IS 3 MONTHS OLD

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AT ONE POINT, TO GO HUNTING
WITH HEMINGWAY.

07:40.233 --> 07:43.200 align:left position:17.5% line:83% size:72.5%
AND SHE'D SAY, "YOU'RE MORE
IMPORTANT THAN THEY ARE."

07:43.200 --> 07:45.166 align:left position:20% line:89% size:70%
AND HE WAS HER PRIORITY.

07:47.033 --> 07:48.800 align:left position:20% line:83% size:70%
NARRATOR: THE HOUSE ON
WHITEHEAD STREET WOULD BE

07:48.800 --> 07:52.566 align:left position:15% line:83% size:75%
HEMINGWAY'S COMFORTABLE HOME
FOR THE NEXT 8 YEARS.

07:52.566 --> 07:56.066 align:left position:20% line:83% size:70%
WHEN HE WAS NOT WRITING,
HE FISHED THE NEARBY GULF STREAM

07:56.066 --> 08:01.000 align:left position:22.5% line:83% size:67.5%
FOR TUNA AND SAILFISH,
MAKO SHARK AND BLUE MARLIN,

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REFEREED BOXING MATCHES
ON FRIDAY NIGHTS,

08:04.333 --> 08:06.800 align:left position:17.5% line:83% size:72.5%
AND HUNG OUT IN A FAVORITE
KEY WEST SALOON

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CALLED SLOPPY JOE'S.

08:12.100 --> 08:14.100 align:left position:12.5% line:89% size:77.5%
IN KEY WEST, HE ALSO MAINTAINED

08:14.100 --> 08:19.000 align:left position:12.5% line:83% size:77.5%
THE STRICT WRITER'S DISCIPLINE
HE HAD FOLLOWED SINCE PARIS.

08:19.000 --> 08:21.000 align:left position:20% line:77% size:70%
[JOHANN SEBASTIAN BACH'S
"CELLO SUITE NO. 1 IN G MAJOR,
BWV 1007: COURANTE" PLAYING]

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MAN AS HEMINGWAY:
I WRITE EVERY MORNING AS SOON

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AFTER FIRST LIGHT AS POSSIBLE.

08:26.800 --> 08:28.900 align:left position:12.5% line:89% size:77.5%
THERE IS NO ONE TO DISTURB YOU

08:28.900 --> 08:32.766 align:left position:20% line:83% size:70%
AND IT IS COOL OR COLD
AND YOU COME TO YOUR WORK

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AND WARM AS YOU WRITE.

08:36.633 --> 08:39.166 align:left position:10% line:89% size:80%
PATRICK: HE DIDN'T WORK ALL DAY.

08:39.166 --> 08:41.100 align:left position:22.5% line:5% size:67.5%
I THINK THAT'S THE MOST
ILLUMINATING THING

08:41.100 --> 08:43.666 align:left position:30% line:5% size:60%
ABOUT DESCRIBING
HIS WRITING HABITS.

08:45.166 --> 08:48.100 align:left position:10% line:5% size:80%
AFTER LUNCH, HE ENJOYED HIMSELF.

08:48.100 --> 08:50.933 align:left position:22.5% line:83% size:67.5%
AS A CHILD GROWING UP,
YOU JUST TAKE

08:50.933 --> 08:55.666 align:left position:25% line:83% size:65%
THE CIRCUMSTANCES OF
YOUR LIFE AS BEING NORMAL.

08:55.666 --> 08:59.733 align:left position:10% line:83% size:80%
AND SO...HE WAS A STRANGE PERSON
IN THE SENSE THAT

08:59.733 --> 09:02.400 align:left position:27.5% line:83% size:62.5%
HE WAS INACCESSIBLE
IN THE FIRST HALF OF THE DAY

09:02.400 --> 09:05.866 align:left position:27.5% line:83% size:62.5%
AND OVER-ACCESSIBLE
IN THE SECOND.

09:05.866 --> 09:08.200 align:left position:15% line:89% size:75%
BUT I REALLY ENJOYED THE FACT

09:08.200 --> 09:11.633 align:left position:17.5% line:83% size:72.5%
THAT HE WAS ALWAYS GAME FOR
SOMETHING IN THE AFTERNOON

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AND THAT WE WERE INCLUDED.

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UNLIKE SOME ARTISTS
THAT I'VE HEARD ABOUT,

09:19.833 --> 09:21.966 align:left position:12.5% line:89% size:77.5%
MY DAD WAS A VERY GOOD FATHER.

09:24.266 --> 09:28.566 align:left position:25% line:77% size:65%
MAN AS RALPH ELLISON:
I PRACTICED WRITING
AND STUDIED JOYCE, DOSTOYEVSKY,

09:28.566 --> 09:31.000 align:left position:25% line:89% size:65%
STEIN, AND HEMINGWAY.

09:31.000 --> 09:34.033 align:left position:25% line:83% size:65%
ESPECIALLY HEMINGWAY.
I READ HIM

09:34.033 --> 09:38.033 align:left position:12.5% line:83% size:77.5%
TO LEARN HIS SENTENCE STRUCTURE
AND HOW TO ORGANIZE A STORY.

09:38.033 --> 09:40.500 align:left position:17.5% line:83% size:72.5%
I GUESS MANY YOUNG WRITERS
WERE DOING THIS,

09:40.500 --> 09:42.433 align:left position:32.5% line:83% size:57.5%
BUT I ALSO USED
HIS DESCRIPTION OF HUNTING

09:42.433 --> 09:46.166 align:left position:17.5% line:83% size:72.5%
WHEN I WENT INTO THE FIELDS
THE NEXT DAY.

09:46.166 --> 09:47.700 align:left position:27.5% line:83% size:62.5%
I HAD BEEN HUNTING
SINCE I WAS 11,

09:47.700 --> 09:49.733 align:left position:32.5% line:83% size:57.5%
BUT NO ONE HAD
BROKEN DOWN THE PROCESS

09:49.733 --> 09:52.666 align:left position:20% line:83% size:70%
OF WING-SHOOTING FOR ME,
AND IT WAS

09:52.666 --> 09:56.533 align:left position:17.5% line:83% size:72.5%
FROM READING HEMINGWAY THAT
I LEARNED TO LEAD A BIRD.

09:59.000 --> 10:02.166 align:left position:17.5% line:83% size:72.5%
WHEN HE DESCRIBES SOMETHING
IN PRINT, BELIEVE HIM.

10:02.166 --> 10:04.533 align:left position:30% line:89% size:60%
HE'S BEEN THERE.

10:04.533 --> 10:06.166 align:left position:32.5% line:89% size:57.5%
RALPH ELLISON.

10:08.700 --> 10:10.400 align:left position:17.5% line:83% size:72.5%
NARRATOR: ERNEST HEMINGWAY
HAD TRANSFORMED

10:10.400 --> 10:12.333 align:left position:20% line:89% size:70%
THE AMERICAN SHORT STORY

10:12.333 --> 10:14.833 align:left position:12.5% line:89% size:77.5%
AND REMADE THE AMERICAN NOVEL,

10:14.833 --> 10:16.833 align:left position:20% line:89% size:70%
BUT HE WAS NOT SATISFIED.

10:16.833 --> 10:21.600 align:left position:10% line:83% size:80%
NOW HE WANTED TO DEMONSTRATE HIS
MASTERY OF NONFICTION AS WELL.

10:23.200 --> 10:25.366 align:left position:22.5% line:83% size:67.5%
RUNNING ALWAYS THROUGH
HEMINGWAY'S WRITING--

10:25.366 --> 10:28.900 align:left position:30% line:83% size:60%
AND HIS LIFE--WAS
A SINGLE DARK THREAD:

10:28.900 --> 10:31.933 align:left position:17.5% line:89% size:72.5%
HIS FASCINATION WITH DEATH.

10:31.933 --> 10:35.700 align:left position:20% line:83% size:70%
"ALL STORIES IF CONTINUED
FAR ENOUGH," HE WROTE,

10:35.700 --> 10:37.900 align:left position:32.5% line:89% size:57.5%
"END IN DEATH."

10:37.900 --> 10:40.100 align:left position:15% line:83% size:75%
VERGHESE: HOW CAN YOU NOT BE
OBSESSED ABOUT DEATH?

10:40.100 --> 10:43.500 align:left position:12.5% line:83% size:77.5%
AND I THINK IT DROVE EVERYTHING
THAT FOLLOWED IN HIS WRITING.

10:43.500 --> 10:46.233 align:left position:17.5% line:5% size:72.5%
YOU KNOW, IT WAS ALL FUELED
BY THE SENSE THAT

10:46.233 --> 10:47.733 align:left position:12.5% line:5% size:77.5%
WE'RE GOING TO DIE AND WHY NOT?

10:47.733 --> 10:49.633 align:left position:12.5% line:5% size:77.5%
ISN'T THAT THE REASON FOR US TO

10:49.633 --> 10:52.000 align:left position:12.5% line:5% size:77.5%
BRING OUR BEST TO THIS MOMENT?

10:52.000 --> 10:53.166 align:left position:20% line:83% size:70%
NARRATOR: "A GOOD WRITER
SHOULD KNOW

10:53.166 --> 10:55.133 align:left position:10% line:89% size:80%
NEAR TO EVERYTHING AS POSSIBLE,"

10:55.133 --> 10:56.666 align:left position:30% line:89% size:60%
HEMINGWAY WROTE.

10:56.666 --> 10:58.366 align:left position:20% line:89% size:70%
"NATURALLY HE WILL NOT,"

10:58.366 --> 11:01.600 align:left position:17.5% line:83% size:72.5%
BUT HE SHOULD BE CAPABLE OF
LEARNING SO FAST

11:01.600 --> 11:04.533 align:left position:22.5% line:83% size:67.5%
AND REMEMBERING SO MUCH
THAT HE SEEMS TO HAVE

11:04.533 --> 11:08.766 align:left position:20% line:83% size:70%
BEEN BORN WITH KNOWLEDGE
NONETHELESS.

11:08.766 --> 11:11.066 align:left position:15% line:89% size:75%
HE LIKED TO CALL HIMSELF PAPA

11:11.066 --> 11:13.733 align:left position:17.5% line:83% size:72.5%
AND HIS APPARENT EXPERTISE
IN EVERYTHING

11:13.733 --> 11:16.433 align:left position:25% line:83% size:65%
WAS PART OF HIS MAGIC
ON THE PRINTED PAGE,

11:16.433 --> 11:18.600 align:left position:25% line:83% size:65%
THOUGH IN REAL LIFE,
SOME OF HIS FRIENDS

11:18.600 --> 11:23.466 align:left position:12.5% line:83% size:77.5%
WEARIED OF WHAT ONE CALLED HIS
"TENDENCY TO BE AN ORACLE."

11:24.866 --> 11:28.666 align:left position:15% line:83% size:75%
HEMINGWAY SAW IT AS HIS DUTY
TO PASS ON TO THE WORLD

11:28.666 --> 11:30.400 align:left position:15% line:89% size:75%
AS MUCH OF WHAT HE'D LEARNED

11:30.400 --> 11:33.900 align:left position:27.5% line:83% size:62.5%
ABOUT THE RIGHT WAY
TO DO THINGS AS HE COULD--

11:33.900 --> 11:36.266 align:left position:10% line:89% size:80%
HOW TO ORDER A GOOD FRENCH MEAL,

11:36.266 --> 11:40.333 align:left position:10% line:89% size:80%
FIRE A MACHINE GUN, BAIT A HOOK,

11:40.333 --> 11:44.066 align:left position:22.5% line:89% size:67.5%
MAKE LOVE TO A WOMAN--

11:44.066 --> 11:46.233 align:left position:15% line:89% size:75%
OR APPRECIATE WHAT A MATADOR

11:46.233 --> 11:48.633 align:left position:17.5% line:89% size:72.5%
WAS DOING IN THE BULLRING.

11:49.800 --> 11:51.833 align:left position:25% line:83% size:65%
[JOHNNY GANDELSMAN'S
"EL TORITO MIX 3" PLAYING]

12:06.500 --> 12:08.000 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
THE BULLFIGHT IS NOT A SPORT

12:08.000 --> 12:10.466 align:left position:27.5% line:83% size:62.5%
IN THE ANGLO-SAXON
SENSE OF THE WORD.

12:12.100 --> 12:15.100 align:left position:27.5% line:83% size:62.5%
THAT IS, IT IS NOT
AN EQUAL CONTEST

12:15.100 --> 12:17.333 align:left position:30% line:83% size:60%
OR AN ATTEMPT AT
AN EQUAL CONTEST

12:17.333 --> 12:19.200 align:left position:20% line:89% size:70%
BETWEEN A BULL AND A MAN.

12:21.600 --> 12:27.233 align:left position:20% line:83% size:70%
RATHER, IT IS A TRAGEDY;
THE DEATH OF THE BULL,

12:27.233 --> 12:29.866 align:left position:15% line:83% size:75%
WHICH IS PLAYED, MORE OR LESS
WELL, BY THE BULL

12:29.866 --> 12:32.833 align:left position:25% line:89% size:65%
AND THE MAN INVOLVED

12:32.833 --> 12:35.566 align:left position:25% line:83% size:65%
AND IN WHICH THERE IS
DANGER FOR THE MAN

12:35.566 --> 12:37.866 align:left position:30% line:83% size:60%
BUT CERTAIN DEATH
FOR THE ANIMAL.

12:37.866 --> 12:39.900 align:left position:30% line:83% size:60%
[CROWD CHEERING]

12:44.966 --> 12:47.000 align:left position:12.5% line:5% size:77.5%
[VARGAS LLOSA SPEAKING SPANISH]

13:41.866 --> 13:43.766 align:left position:15% line:83% size:75%
NARRATOR: THE BOOK HEMINGWAY
WAS WORKING ON

13:43.766 --> 13:48.600 align:left position:15% line:83% size:75%
WHEN HE AND HIS FAMILY MOVED
INTO THEIR NEW HOUSE IN KEY WEST

13:48.600 --> 13:50.600 align:left position:15% line:89% size:75%
WAS "DEATH IN THE AFTERNOON."

13:50.600 --> 13:53.866 align:left position:10% line:89% size:80%
IT WAS A NEW KIND OF JOURNALISM,

13:53.866 --> 13:58.233 align:left position:17.5% line:83% size:72.5%
IN WHICH HE WAS THE CENTRAL
CHARACTER, "THE AUTHOR,"

13:58.233 --> 14:01.566 align:left position:32.5% line:83% size:57.5%
WHO EXPLAINS TO
A FICTIONAL "OLD LADY"

14:01.566 --> 14:04.133 align:left position:20% line:83% size:70%
EVERYTHING HE HAS LEARNED
OVER THE YEARS

14:04.133 --> 14:06.266 align:left position:30% line:83% size:60%
ABOUT THE RITUAL
OF BULLFIGHTING--

14:06.266 --> 14:10.433 align:left position:15% line:83% size:75%
AND ABOUT SPAIN, THE COUNTRY
HE'D COME TO LOVE

14:10.433 --> 14:12.233 align:left position:15% line:89% size:75%
AS MUCH AS HE LOVED HIS OWN.

14:12.233 --> 14:14.266 align:left position:32.5% line:83% size:57.5%
[DAVID CIERI'S
"QUE RICO" PLAYING]

14:17.633 --> 14:19.933 align:left position:17.5% line:83% size:72.5%
MANDEL: BACK WHEN HE FIRST
BECAME ATTACHED

14:19.933 --> 14:22.066 align:left position:12.5% line:89% size:77.5%
TO SCRIBNER'S PUBLISHING HOUSE,

14:22.066 --> 14:25.400 align:left position:25% line:83% size:65%
HIS VERY FIRST LETTER
TO HIS EDITOR WAS,

14:25.400 --> 14:27.766 align:left position:17.5% line:5% size:72.5%
"I WANT TO WRITE A BIG BOOK

14:27.766 --> 14:30.466 align:left position:25% line:5% size:65%
ABOUT THE BULLFIGHT,
WITH PICTURES."

14:30.466 --> 14:31.700 align:left position:30% line:83% size:60%
HE READ AND READ
AND READ AND READ

14:31.700 --> 14:33.266 align:left position:15% line:89% size:75%
AND READ ABOUT BULLFIGHTING,

14:33.266 --> 14:35.100 align:left position:17.5% line:89% size:72.5%
IN ENGLISH AND IN SPANISH.

14:35.100 --> 14:37.133 align:left position:10% line:89% size:80%
AND HE LEARNED TO READ THE BULL.

14:37.133 --> 14:39.200 align:left position:27.5% line:83% size:62.5%
THE BULL IS A TEXT.
YOU HAVE TO READ IT

14:39.200 --> 14:40.666 align:left position:27.5% line:83% size:62.5%
AND SAY, "THESE ARE
HIS STRENGTHS."

14:40.666 --> 14:42.533 align:left position:17.5% line:89% size:72.5%
"THESE ARE HIS WEAKNESSES."

14:42.533 --> 14:44.133 align:left position:15% line:89% size:75%
"THIS IS WHERE I CAN USE IT."

14:44.133 --> 14:46.966 align:left position:25% line:83% size:65%
"THIS IS WHERE I CAN
DOMINATE IT."

14:46.966 --> 14:49.733 align:left position:22.5% line:83% size:67.5%
"THIS IS WHAT I BETTER
STAY AWAY FROM."

14:51.800 --> 14:54.300 align:left position:12.5% line:83% size:77.5%
NARRATOR: HEMINGWAY UNDERSTOOD
THAT MANY AMERICANS

14:54.300 --> 14:56.766 align:left position:37.5% line:83% size:52.5%
WOULD FIND
BULLFIGHTING ABHORRENT,

14:56.766 --> 14:59.400 align:left position:20% line:89% size:70%
CONVINCED OF ITS CRUELTY.

14:59.400 --> 15:02.233 align:left position:20% line:83% size:70%
HE WANTED TO HELP THEM
GET BEYOND THAT, HE SAID,

15:02.233 --> 15:06.333 align:left position:15% line:83% size:75%
SO THAT THEY COULD EXPERIENCE
"TRULY WHAT YOU REALLY FELT

15:06.333 --> 15:09.266 align:left position:20% line:83% size:70%
RATHER THAN WHAT YOU WERE
SUPPOSED TO FEEL."

15:13.066 --> 15:15.466 align:left position:12.5% line:83% size:77.5%
MANDEL: THE BULLFIGHTER GETS
TO USE ALL OF HIS INTELLIGENCE

15:15.466 --> 15:18.833 align:left position:25% line:83% size:65%
AND ALL OF HIS CRAFT
ON THE BULL.

15:18.833 --> 15:21.066 align:left position:25% line:83% size:65%
AND, IF IT ALL WORKS
VERY, VERY WELL,

15:21.066 --> 15:24.000 align:left position:32.5% line:83% size:57.5%
IT MAKES A VERY
BEAUTIFUL BULLFIGHT

15:24.000 --> 15:28.333 align:left position:17.5% line:83% size:72.5%
WHERE THE MAN IS TRIUMPHANT
AND THE BULL GETS KILLED.

15:28.333 --> 15:31.233 align:left position:17.5% line:83% size:72.5%
THAT'S THE MAIN THING THAT
HAPPENS IN THE BULLFIGHT,

15:31.233 --> 15:33.300 align:left position:27.5% line:83% size:62.5%
IS THAT THE BULL
HAS TO GET KILLED.

15:35.033 --> 15:39.266 align:left position:27.5% line:83% size:62.5%
THAT'S PREDESTINED.
SO, YOU HAVE PREDESTINATION

15:39.266 --> 15:41.933 align:left position:15% line:83% size:75%
AND YOU HAVE A POWERFUL FORCE
THAT'S BROUGHT FROM

15:41.933 --> 15:44.333 align:left position:15% line:89% size:75%
A HIGH PLACE TO A LOW PLACE.

15:44.333 --> 15:46.000 align:left position:30% line:89% size:60%
YOU HAVE TRAGEDY.

15:46.000 --> 15:48.533 align:left position:12.5% line:83% size:77.5%
THAT'S THE CLASSICAL DEFINITION
OF TRAGEDY.

15:50.166 --> 15:52.200 align:left position:32.5% line:83% size:57.5%
[MANUEL PONCE'S
"FOLIES D'ESPAGNE" PLAYING]

15:53.600 --> 15:56.033 align:left position:15% line:83% size:75%
MAN AS HEMINGWAY: I KNOW ONLY
THAT WHAT IS MORAL

15:56.033 --> 15:59.100 align:left position:17.5% line:89% size:72.5%
IS WHAT YOU FEEL GOOD AFTER

15:59.100 --> 16:03.700 align:left position:22.5% line:83% size:67.5%
AND WHAT IS IMMORAL IS
WHAT YOU FEEL BAD AFTER

16:03.700 --> 16:06.566 align:left position:27.5% line:83% size:62.5%
AND JUDGED BY THESE
MORAL STANDARDS,

16:06.566 --> 16:09.600 align:left position:22.5% line:89% size:67.5%
WHICH I DO NOT DEFEND,

16:09.600 --> 16:12.266 align:left position:30% line:83% size:60%
THE BULLFIGHT IS
VERY MORAL TO ME

16:12.266 --> 16:15.433 align:left position:20% line:83% size:70%
BECAUSE I FEEL VERY FINE
WHILE IT IS GOING ON

16:15.433 --> 16:18.133 align:left position:27.5% line:83% size:62.5%
AND HAVE A FEELING
OF LIFE AND DEATH

16:18.133 --> 16:22.033 align:left position:12.5% line:89% size:77.5%
AND MORTALITY AND IMMORTALITY,

16:22.033 --> 16:29.066 align:left position:15% line:83% size:75%
AND AFTER IT IS OVER, I FEEL
VERY SAD BUT VERY FINE.

16:35.000 --> 16:37.666 align:left position:15% line:83% size:75%
NARRATOR: WRITING "DEATH IN
THE AFTERNOON" TOOK HEMINGWAY

16:37.666 --> 16:39.833 align:left position:15% line:89% size:75%
THE BETTER PART OF 5 YEARS--

16:39.833 --> 16:43.133 align:left position:22.5% line:83% size:67.5%
AND HE SAID HE'D WISHED
HE'D HAD 10.

16:43.133 --> 16:46.100 align:left position:27.5% line:83% size:62.5%
HE BELIEVED IT WAS
"MAYBE THE BEST BOOK YET,"

16:46.100 --> 16:50.100 align:left position:15% line:83% size:75%
HE TOLD A FRIEND, AND IT WAS
GENERALLY WELL-RECEIVED:

16:50.100 --> 16:51.333 align:left position:22.5% line:89% size:67.5%
H.L. MENCKEN CALLED IT

16:51.333 --> 16:53.400 align:left position:12.5% line:89% size:77.5%
"AN EXTRAORDINARILY FINE PIECE

16:53.400 --> 16:55.733 align:left position:20% line:89% size:70%
"OF EXPOSITORY WRITING...

16:55.733 --> 16:58.000 align:left position:22.5% line:83% size:67.5%
"FULL OF THE VIVIDNESS
OF SOMETHING REALLY

16:58.000 --> 17:01.500 align:left position:20% line:89% size:70%
SEEN, FELT, EXPERIENCED."

17:02.766 --> 17:06.500 align:left position:30% line:83% size:60%
BUT OTHER CRITICS
WERE DISAPPOINTED.

17:06.500 --> 17:09.200 align:left position:12.5% line:83% size:77.5%
IN A DISMISSIVE "NEW REPUBLIC"
REVIEW TITLED

17:09.200 --> 17:11.200 align:left position:20% line:89% size:70%
"BULL IN THE AFTERNOON,"

17:11.200 --> 17:12.933 align:left position:22.5% line:89% size:67.5%
THE CRITIC MAX EASTMAN

17:12.933 --> 17:15.366 align:left position:22.5% line:83% size:67.5%
DISMISSED BULLFIGHTING
AS NOTHING MORE THAN

17:15.366 --> 17:17.933 align:left position:25% line:89% size:65%
RITUALIZED CRUELTY--

17:17.933 --> 17:19.933 align:left position:12.5% line:89% size:77.5%
AND SUGGESTED HEMINGWAY HIMSELF

17:19.933 --> 17:23.166 align:left position:15% line:83% size:75%
WAS INSECURE IN HIS MANHOOD,
GUILTY OF

17:23.166 --> 17:26.166 align:left position:27.5% line:83% size:62.5%
"WEARING FALSE HAIR
ON HIS CHEST."

17:28.166 --> 17:30.966 align:left position:25% line:83% size:65%
HEMINGWAY WAS LIVID.
4 YEARS LATER,

17:30.966 --> 17:34.733 align:left position:17.5% line:83% size:72.5%
HE WOULD CORNER EASTMAN,
TEARING OPEN HIS OWN SHIRT

17:34.733 --> 17:37.333 align:left position:25% line:83% size:65%
TO SHOW HOW MUCH HAIR
GREW ON HIS CHEST,

17:37.333 --> 17:41.533 align:left position:12.5% line:83% size:77.5%
AND SHOUTING, "WHAT DO YOU MEAN
ACCUSING ME OF IMPOTENCE?"

17:41.533 --> 17:44.833 align:left position:17.5% line:83% size:72.5%
BEFORE SLAPPING THE CRITIC
WITH A BOOK.

17:48.300 --> 17:50.333 align:left position:27.5% line:83% size:62.5%
[KOPÉ TIATIE CAC'S
"AKAMBA" PLAYING]

17:54.333 --> 17:55.400 align:left position:22.5% line:83% size:67.5%
MAN AS HEMINGWAY: IT IS
PLEASANT TO HUNT SOMETHING

17:55.400 --> 17:56.800 align:left position:22.5% line:89% size:67.5%
THAT YOU WANT VERY MUCH

17:56.800 --> 17:59.400 align:left position:17.5% line:89% size:72.5%
OVER A LONG PERIOD OF TIME,

17:59.400 --> 18:01.733 align:left position:12.5% line:89% size:77.5%
BEING OUTWITTED, OUTMANEUVERED,

18:01.733 --> 18:04.533 align:left position:22.5% line:83% size:67.5%
AND FAILING AT THE END
OF EACH DAY,

18:04.533 --> 18:06.500 align:left position:12.5% line:89% size:77.5%
BUT HAVING THE HUNT AND KNOWING

18:06.500 --> 18:10.566 align:left position:22.5% line:83% size:67.5%
EVERY TIME YOU ARE OUT
THAT, SOONER OR LATER,

18:10.566 --> 18:13.166 align:left position:25% line:83% size:65%
YOUR LUCK WILL CHANGE
AND THAT YOU WILL GET

18:13.166 --> 18:16.533 align:left position:10% line:89% size:80%
THE CHANCE THAT YOU ARE SEEKING.

18:16.533 --> 18:17.833 align:left position:40% line:89% size:50%
[GUNSHOT]

18:17.833 --> 18:19.066 align:left position:40% line:83% size:50%
NARRATOR:
EVER SINCE HE WAS A BOY,

18:19.066 --> 18:20.566 align:left position:20% line:89% size:70%
HEMINGWAY HAD HOPED TO GO

18:20.566 --> 18:23.233 align:left position:27.5% line:83% size:62.5%
ON A HUNTING SAFARI
IN EAST AFRICA,

18:23.233 --> 18:27.533 align:left position:30% line:83% size:60%
JUST AS HIS HERO
THEODORE ROOSEVELT HAD.

18:27.533 --> 18:31.833 align:left position:35% line:83% size:55%
IN LATE 1933,
PAULINE'S GENEROUS UNCLE GUS

18:31.833 --> 18:37.100 align:left position:15% line:83% size:75%
PROVIDED THE ENORMOUS SUM
WITH WHICH TO MAKE IT HAPPEN.

18:37.100 --> 18:39.200 align:left position:37.5% line:83% size:52.5%
TO SERVE AS
THE HEMINGWAYS' GUIDE,

18:39.200 --> 18:42.200 align:left position:17.5% line:83% size:72.5%
THEY HIRED PHILIP PERCIVAL,
WHO AS A YOUNG MAN

18:42.200 --> 18:45.233 align:left position:30% line:83% size:60%
HAD BEEN PART OF
THE ROOSEVELT EXPEDITION.

18:45.233 --> 18:48.133 align:left position:17.5% line:83% size:72.5%
CHARLES THOMPSON, A FRIEND
AND FISHING COMPANION

18:48.133 --> 18:51.100 align:left position:32.5% line:83% size:57.5%
FROM KEY WEST,
CAME ALONG AS WELL.

18:52.433 --> 18:55.566 align:left position:15% line:83% size:75%
DURING THE TWO-MONTH SAFARI,
THE HEMINGWAY PARTY

18:55.566 --> 18:58.966 align:left position:25% line:83% size:65%
WOULD SHOOT 5 LIONS,
4 CAPE BUFFALO,

18:58.966 --> 19:01.533 align:left position:20% line:89% size:70%
TWO RHINO, TWO LEOPARDS,

19:01.533 --> 19:05.633 align:left position:25% line:83% size:65%
5 CHEETAHS, A HOST OF
GAZELLES AND ANTELOPE

19:05.633 --> 19:06.966 align:left position:15% line:89% size:75%
WITH WHICH TO FEED THE CAMP,

19:06.966 --> 19:09.066 align:left position:22.5% line:89% size:67.5%
AND 44 HYENAS FOR WHAT

19:09.066 --> 19:11.666 align:left position:15% line:89% size:75%
HEMINGWAY CALLED "AMUSEMENT."

19:12.833 --> 19:15.233 align:left position:12.5% line:83% size:77.5%
DUDLEY: AFRICA, FOR HEMINGWAY,
PROVIDED THE PERFECT SPACE

19:15.233 --> 19:19.666 align:left position:12.5% line:83% size:77.5%
WITHIN WHICH HE COULD EXERCISE
HIS HYPER-MASCULINE MUSCLES;

19:19.666 --> 19:22.600 align:left position:15% line:5% size:75%
WHERE HE COULD BE THE "GREAT
WHITE CONQUERING HERO," UH,

19:22.600 --> 19:26.400 align:left position:30% line:5% size:60%
AT A TIME WHERE,
AT LEAST, IN SOME SENSE,

19:26.400 --> 19:28.933 align:left position:22.5% line:83% size:67.5%
THAT WHOLE PERSONA WAS
COMING UNDER FIRE HERE,

19:28.933 --> 19:31.400 align:left position:25% line:89% size:65%
BACK HERE IN AMERICA.

19:31.400 --> 19:36.266 align:left position:17.5% line:83% size:72.5%
WOLFF: I THINK IN SOME WAYS
HE ESCAPED INTO HUNTING.

19:36.266 --> 19:40.000 align:left position:17.5% line:83% size:72.5%
I THINK HE REALLY LOVED IT
FROM HIS EARLIEST DAYS

19:40.000 --> 19:44.166 align:left position:20% line:5% size:70%
AND I BE...BELIEVE THAT,
THAT PASSION WAS SINCERE

19:44.166 --> 19:46.666 align:left position:22.5% line:5% size:67.5%
AND NOT JUST A, A POSE.

19:46.666 --> 19:51.166 align:left position:30% line:5% size:60%
BUT I WILL ADMIT
THAT IT PUZZLES ME A BIT

19:51.166 --> 19:58.166 align:left position:17.5% line:83% size:72.5%
THAT HAVING SEEN SO MUCH
VIOLENCE, SO MUCH KILLING,

19:58.166 --> 20:01.033 align:left position:17.5% line:89% size:72.5%
NOT JUST DEATH BUT KILLING,

20:01.033 --> 20:05.133 align:left position:22.5% line:83% size:67.5%
THE PLEASURE IN KILLING
IS A MYSTERY TO ME.

20:05.133 --> 20:07.633 align:left position:27.5% line:83% size:62.5%
I DON'T--I, I DON'T
UNDERSTAND IT.

20:09.966 --> 20:13.066 align:left position:12.5% line:83% size:77.5%
MAN AS HEMINGWAY: I DID NOTHING
THAT HAD NOT BEEN DONE TO ME.

20:13.066 --> 20:17.333 align:left position:12.5% line:83% size:77.5%
I HAD BEEN SHOT AND I HAD BEEN
CRIPPLED AND GOTTEN AWAY.

20:17.333 --> 20:21.000 align:left position:10% line:83% size:80%
I EXPECTED, ALWAYS, TO BE KILLED
BY ONE THING OR ANOTHER

20:21.000 --> 20:24.500 align:left position:25% line:83% size:65%
AND I, TRULY, DID NOT
MIND THAT ANY MORE.

20:24.500 --> 20:28.166 align:left position:10% line:83% size:80%
SINCE I STILL LOVED TO HUNT, I
RESOLVED THAT I WOULD ONLY SHOOT

20:28.166 --> 20:30.800 align:left position:10% line:83% size:80%
AS LONG AS I COULD KILL CLEANLY,

20:30.800 --> 20:34.433 align:left position:17.5% line:83% size:72.5%
AND AS SOON AS I LOST THAT
ABILITY, I WOULD STOP.

20:37.300 --> 20:39.266 align:left position:20% line:83% size:70%
NARRATOR: THINGS DID NOT
ALWAYS GO WELL,

20:39.266 --> 20:43.466 align:left position:40% line:83% size:50%
[GUNSHOT]
AND HE OFTEN SHOT BADLY.

20:43.466 --> 20:47.033 align:left position:20% line:83% size:70%
HE SUFFERED AN ATTACK OF
AMOEBIC DYSENTERY SO SEVERE

20:47.033 --> 20:50.300 align:left position:22.5% line:83% size:67.5%
HE HAD TO BE AIRLIFTED
PAST THE SNOW-CAPPED PEAK

20:50.300 --> 20:53.100 align:left position:12.5% line:89% size:77.5%
OF MOUNT KILIMANJARO TO NAIROBI

20:53.100 --> 20:56.800 align:left position:20% line:83% size:70%
AND KEPT THERE FOR A WEEK
UNDER A DOCTOR'S CARE.

20:59.700 --> 21:01.000 align:left position:27.5% line:89% size:62.5%
BUT DESPITE IT ALL,

21:01.000 --> 21:02.533 align:left position:12.5% line:89% size:77.5%
EVERYTHING ABOUT THE CONTINENT

21:02.533 --> 21:04.000 align:left position:32.5% line:89% size:57.5%
ENTHRALLED HIM

21:04.000 --> 21:06.000 align:left position:17.5% line:89% size:72.5%
AND HE TOOK DETAILED NOTES,

21:06.000 --> 21:07.366 align:left position:17.5% line:89% size:72.5%
PLANNING TO TURN THEM INTO

21:07.366 --> 21:09.633 align:left position:17.5% line:89% size:72.5%
ANOTHER WORK OF NONFICTION.

21:10.833 --> 21:12.366 align:left position:27.5% line:83% size:62.5%
"I NEVER KNEW OF
A MORNING IN AFRICA

21:12.366 --> 21:13.733 align:left position:22.5% line:89% size:67.5%
"WHEN I WOKE THAT I WAS

21:13.733 --> 21:16.533 align:left position:17.5% line:89% size:72.5%
NOT HAPPY," HE WOULD WRITE.

21:16.533 --> 21:20.700 align:left position:22.5% line:83% size:67.5%
HE LOVED THE LANDSCAPE,
THE BLUE OVER-ARCHING SKY,

21:20.700 --> 21:24.200 align:left position:10% line:89% size:80%
THE TEEMING WILDLIFE--ABOVE ALL,

21:24.200 --> 21:29.000 align:left position:22.5% line:83% size:67.5%
THE ISOLATION HE CRAVED
BUT HAD RARELY FOUND AT HOME.

21:29.000 --> 21:31.366 align:left position:25% line:83% size:65%
[JOHNNY GANDELSMAN'S
"LA PLENTITUD MIX 2" PLAYING]

21:31.366 --> 21:32.466 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
ALL I WANTED TO DO NOW

21:32.466 --> 21:35.300 align:left position:22.5% line:89% size:67.5%
WAS GET BACK TO AFRICA.

21:35.300 --> 21:37.700 align:left position:22.5% line:89% size:67.5%
WE HAD NOT LEFT IT YET,

21:37.700 --> 21:39.333 align:left position:27.5% line:83% size:62.5%
BUT WHEN I WOULD
WAKE IN THE NIGHT,

21:39.333 --> 21:43.700 align:left position:22.5% line:83% size:67.5%
I WOULD LIE, LISTENING,
HOMESICK FOR IT ALREADY.

21:46.066 --> 21:47.666 align:left position:27.5% line:89% size:62.5%
I LOVED THE COUNTRY

21:47.666 --> 21:49.433 align:left position:22.5% line:83% size:67.5%
SO THAT I WAS AS HAPPY
AS YOU ARE

21:49.433 --> 21:52.433 align:left position:20% line:83% size:70%
AFTER YOU HAVE BEEN WITH
A WOMAN THAT YOU REALLY LOVE,

21:52.433 --> 21:56.466 align:left position:20% line:83% size:70%
WHEN, EMPTY, YOU FEEL IT
WELLING UP AGAIN...

21:58.733 --> 22:03.333 align:left position:17.5% line:83% size:72.5%
AND THERE IT IS AND YOU CAN
NEVER HAVE IT ALL

22:03.333 --> 22:07.166 align:left position:17.5% line:83% size:72.5%
AND YET WHAT THERE IS, NOW,
YOU CAN HAVE,

22:07.166 --> 22:10.466 align:left position:17.5% line:83% size:72.5%
AND YOU WANT MORE AND MORE,
TO HAVE,

22:10.466 --> 22:13.400 align:left position:25% line:89% size:65%
AND BE, AND LIVE IN,

22:13.400 --> 22:16.566 align:left position:10% line:89% size:80%
TO POSSESS NOW AGAIN FOR ALWAYS,

22:16.566 --> 22:20.500 align:left position:32.5% line:83% size:57.5%
FOR THAT LONG,
SUDDEN-ENDED ALWAYS.

22:22.366 --> 22:25.533 align:left position:10% line:89% size:80%
I HAD LOVED COUNTRY ALL MY LIFE;

22:25.533 --> 22:28.533 align:left position:22.5% line:83% size:67.5%
THE COUNTRY WAS ALWAYS
BETTER THAN THE PEOPLE.

22:28.533 --> 22:32.733 align:left position:12.5% line:83% size:77.5%
I COULD ONLY CARE ABOUT PEOPLE
A VERY FEW AT A TIME.

22:35.800 --> 22:37.833 align:left position:10% line:77% size:80%
[DUKE ELLINGTON & BUBBER MILEY'S
"THE NEW EAST ST. LOUIS
TOODLE-O" PLAYING]

22:43.900 --> 22:46.433 align:left position:15% line:83% size:75%
NARRATOR: WHEN THE HEMINGWAYS
RETURNED FROM AFRICA,

22:46.433 --> 22:48.333 align:left position:12.5% line:83% size:77.5%
THE UNITED STATES WAS ENTERING
THE FIFTH YEAR

22:48.333 --> 22:50.600 align:left position:20% line:89% size:70%
OF THE GREAT DEPRESSION.

22:50.600 --> 22:54.800 align:left position:15% line:83% size:75%
FEW REGIONS HAD SUFFERED MORE
THAN THE FLORIDA KEYS.

22:54.800 --> 22:58.166 align:left position:27.5% line:83% size:62.5%
KEY WEST ITSELF WAS
OFFICIALLY BANKRUPT.

22:58.166 --> 23:02.866 align:left position:42.5% line:83% size:47.5%
8 OF 10
LOCAL RESIDENTS WERE ON RELIEF.

23:02.866 --> 23:06.533 align:left position:12.5% line:83% size:77.5%
PRESIDENT FRANKLIN ROOSEVELT'S
EMERGENCY RELIEF ADMINISTRATION

23:06.533 --> 23:09.233 align:left position:25% line:83% size:65%
RESOLVED TO TRANSFORM
THE DYING TOWN

23:09.233 --> 23:11.966 align:left position:17.5% line:89% size:72.5%
INTO A TOURIST ATTRACTION--

23:11.966 --> 23:14.200 align:left position:20% line:89% size:70%
"THE BERMUDA OF FLORIDA."

23:15.466 --> 23:19.666 align:left position:17.5% line:83% size:72.5%
THE ONCE-SLEEPY STREETS
SOON BUSTLED WITH VISITORS,

23:19.666 --> 23:21.600 align:left position:27.5% line:89% size:62.5%
THOUSANDS OF THEM.

23:21.600 --> 23:23.933 align:left position:35% line:83% size:55%
THEY WANDERED
ONTO HEMINGWAY'S LAWN,

23:23.933 --> 23:27.333 align:left position:22.5% line:83% size:67.5%
PEERED IN THE WINDOWS,
KNOCKED AT THE DOOR.

23:27.333 --> 23:29.033 align:left position:30% line:83% size:60%
TO KEEP THEM OUT,
HE HAD A BRICK WALL

23:29.033 --> 23:31.966 align:left position:17.5% line:89% size:72.5%
BUILT AROUND HIS PROPERTY.

23:31.966 --> 23:33.466 align:left position:25% line:89% size:65%
[SHIP'S HORN BLOWING]

23:33.466 --> 23:35.533 align:left position:35% line:83% size:55%
TO GET AWAY--
AND GET IN MORE FISHING--

23:35.533 --> 23:38.166 align:left position:30% line:83% size:60%
HE SAILED OFTEN
TO HAVANA, CUBA--

23:38.166 --> 23:41.866 align:left position:20% line:83% size:70%
SOME 100 MILES ACROSS
THE STRAITS OF FLORIDA--

23:41.866 --> 23:43.866 align:left position:30% line:83% size:60%
WHERE HE HOLED UP
FOR WEEKS AT A TIME

23:43.866 --> 23:49.966 align:left position:15% line:83% size:75%
AT THE SEVILLA BILTMORE HOTEL
IN THE HEART OF THE OLD CITY,

23:49.966 --> 23:52.966 align:left position:17.5% line:83% size:72.5%
WRITING IN THE MORNING,
DRINKING IN THE AFTERNOONS

23:52.966 --> 23:56.266 align:left position:25% line:83% size:65%
AT HIS FAVORITE BAR,
LA FLORIDITA.

24:02.066 --> 24:04.700 align:left position:30% line:77% size:60%
MAN AS HEMINGWAY:
THE GULF STREAM AND THE OTHER
GREAT OCEAN CURRENTS

24:04.700 --> 24:07.500 align:left position:20% line:83% size:70%
ARE THE LAST WILD COUNTRY
THERE IS LEFT.

24:08.966 --> 24:11.866 align:left position:15% line:83% size:75%
ONCE YOU ARE OUT OF SIGHT OF
LAND AND OF THE OTHER BOATS,

24:11.866 --> 24:14.866 align:left position:22.5% line:83% size:67.5%
YOU ARE MORE ALONE THAN
YOU CAN EVER BE HUNTING

24:14.866 --> 24:18.200 align:left position:22.5% line:83% size:67.5%
AND THE SEA IS THE SAME
AS IT HAS BEEN

24:18.200 --> 24:20.033 align:left position:25% line:83% size:65%
SINCE BEFORE MEN EVER
WENT ON IT IN BOATS.

24:22.333 --> 24:23.900 align:left position:22.5% line:83% size:67.5%
NO ONE KNOWS WHAT FISH
LIVE IN IT,

24:23.900 --> 24:27.833 align:left position:15% line:83% size:75%
OR HOW GREAT SIZE THEY REACH
OR WHAT AGE.

24:27.833 --> 24:31.366 align:left position:22.5% line:83% size:67.5%
WHEN YOU ARE DRIFTING,
OUT OF SIGHT OF LAND,

24:31.366 --> 24:38.566 align:left position:17.5% line:83% size:72.5%
FISHING 4 LINES, 60, 80,
100, AND 150 FATHOMS DOWN,

24:38.566 --> 24:41.866 align:left position:30% line:83% size:60%
IN WATER THAT IS
700 FATHOMS DEEP,

24:41.866 --> 24:44.100 align:left position:27.5% line:83% size:62.5%
YOU NEVER KNOW WHAT
MAY TAKE THE SMALL TUNA

24:44.100 --> 24:46.666 align:left position:22.5% line:83% size:67.5%
THAT YOU USE FOR BAIT,
AND EVERY TIME

24:46.666 --> 24:49.400 align:left position:27.5% line:83% size:62.5%
THE LINE STARTS TO
RUN OFF THE REEL,

24:49.400 --> 24:52.900 align:left position:22.5% line:83% size:67.5%
SLOWLY FIRST, THEN WITH
A SCREAM OF THE CLICK

24:52.900 --> 24:55.866 align:left position:30% line:83% size:60%
AS THE ROD BENDS
AND YOU FEEL IT DOUBLE

24:55.866 --> 24:58.266 align:left position:20% line:83% size:70%
AND THE HUGE WEIGHT OF
THE FRICTION OF THE LINE

24:58.266 --> 25:00.200 align:left position:25% line:83% size:65%
RUSHING THROUGH THAT
DEPTH OF WATER

25:00.200 --> 25:06.633 align:left position:20% line:83% size:70%
WHILE YOU PUMP AND REEL,
PUMP AND REEL, PUMP AND REEL,

25:06.633 --> 25:08.633 align:left position:22.5% line:83% size:67.5%
TRYING TO GET THE BELLY
OUT OF THE LINE

25:08.633 --> 25:11.966 align:left position:22.5% line:89% size:67.5%
BEFORE THE FISH JUMPS,

25:11.966 --> 25:16.700 align:left position:10% line:83% size:80%
THERE IS ALWAYS A THRILL THAT
NEEDS NO DANGER TO MAKE IT REAL.

25:19.866 --> 25:22.400 align:left position:22.5% line:83% size:67.5%
NARRATOR: HEMINGWAY HAD
A 38-FOOT FISHING BOAT

25:22.400 --> 25:23.966 align:left position:17.5% line:89% size:72.5%
CUSTOM BUILT FOR HIMSELF--

25:23.966 --> 25:25.733 align:left position:17.5% line:89% size:72.5%
"A STURDY BOAT," HE WROTE,

25:25.733 --> 25:28.266 align:left position:17.5% line:89% size:72.5%
"SWEET IN ANY KIND OF SEA."

25:28.266 --> 25:32.566 align:left position:15% line:83% size:75%
HE NAMED HER "PILAR," ONE OF
HIS NICKNAMES FOR PAULINE,

25:32.566 --> 25:35.800 align:left position:17.5% line:83% size:72.5%
AND HE SPENT WEEKS SAILING
THE WATERS OFF KEY WEST

25:35.800 --> 25:37.766 align:left position:15% line:89% size:75%
AND THE GULF STREAM OFF CUBA

25:37.766 --> 25:40.233 align:left position:30% line:83% size:60%
AND AROUND BIMINI
IN THE BAHAMAS,

25:40.233 --> 25:43.766 align:left position:22.5% line:83% size:67.5%
IN SEARCH OF GOOD TIMES
AND GIANT FISH.

25:43.766 --> 25:45.800 align:left position:27.5% line:83% size:62.5%
[GERARDO MARTÍNEZ'S
"ROMÁNTICA MUJER" PLAYING]

25:58.633 --> 26:02.233 align:left position:30% line:83% size:60%
PATRICK: THAT WAS
SHEER HAPPINESS FOR HIM.

26:02.233 --> 26:06.533 align:left position:20% line:83% size:70%
I'VE ALWAYS THOUGHT THAT
SEEING THE FISH COME

26:06.533 --> 26:10.900 align:left position:12.5% line:83% size:77.5%
IS LIKE SEEING A HUGE ELEPHANT
OR A TIGER CERTAINLY

26:10.900 --> 26:13.266 align:left position:25% line:89% size:65%
EMERGE FROM THE SEA.

26:13.266 --> 26:14.866 align:left position:17.5% line:5% size:72.5%
YOU DON'T HAVE ANY WARNING.

26:14.866 --> 26:16.733 align:left position:15% line:5% size:75%
THEY'RE JUST SUDDENLY THERE,
YOU KNOW.

26:16.733 --> 26:18.933 align:left position:22.5% line:5% size:67.5%
AND THAT...THAT I THINK

26:18.933 --> 26:21.466 align:left position:30% line:83% size:60%
WAS A THRILL THAT
HE NEVER GOT ENOUGH OF.

26:24.833 --> 26:27.200 align:left position:10% line:83% size:80%
NARRATOR: MOST OF THE PASSENGERS
ABOARD THE "PILAR"

26:27.200 --> 26:30.966 align:left position:25% line:83% size:65%
WERE OLD FRIENDS LIKE
THE POET ARCHIBALD MACLEISH

26:30.966 --> 26:33.633 align:left position:10% line:89% size:80%
AND THE NOVELIST JOHN DOS PASSOS

26:33.633 --> 26:37.500 align:left position:20% line:83% size:70%
AND HEMINGWAY'S LONG-TIME
EDITOR MAXWELL PERKINS.

26:37.500 --> 26:40.533 align:left position:22.5% line:83% size:67.5%
BUT THERE WERE OFTEN
NEW PEOPLE ABOARD, TOO,

26:40.533 --> 26:43.000 align:left position:40% line:83% size:50%
YACHTSMEN
AND BIG-GAME FISHERMEN,

26:43.000 --> 26:46.300 align:left position:20% line:83% size:70%
RICH MEN AND THEIR WIVES
DRAWN TO AMERICA'S

26:46.300 --> 26:49.233 align:left position:22.5% line:83% size:67.5%
MOST CELEBRATED WRITER,
AS WELL AS

26:49.233 --> 26:54.533 align:left position:10% line:83% size:80%
ARNOLD GINGRICH, EDITOR OF A NEW
MEN'S MAGAZINE CALLED "ESQUIRE,"

26:54.533 --> 26:57.433 align:left position:15% line:83% size:75%
WHO PAID HEMINGWAY HANDSOMELY
FOR A NEW COLUMN

26:57.433 --> 27:00.366 align:left position:20% line:83% size:70%
ABOUT HUNTING AND FISHING
AND ANYTHING ELSE

27:00.366 --> 27:02.666 align:left position:10% line:89% size:80%
THAT HAPPENED TO CROSS HIS MIND.

27:06.333 --> 27:09.233 align:left position:30% line:83% size:60%
WHEREVER HE WAS,
WHATEVER HE WAS DOING,

27:09.233 --> 27:12.766 align:left position:17.5% line:89% size:72.5%
ALCOHOL FUELED EVERYTHING.

27:12.766 --> 27:14.766 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
I HAVE DRUNK SINCE I WAS 15

27:14.766 --> 27:18.400 align:left position:27.5% line:83% size:62.5%
AND FEW THINGS HAVE
GIVEN ME MORE PLEASURE.

27:18.400 --> 27:20.633 align:left position:17.5% line:83% size:72.5%
WHEN YOU WORK HARD ALL DAY
WITH YOUR HEAD

27:20.633 --> 27:23.233 align:left position:22.5% line:83% size:67.5%
AND KNOW YOU MUST WORK
AGAIN THE NEXT DAY,

27:23.233 --> 27:25.400 align:left position:12.5% line:83% size:77.5%
WHAT ELSE CAN CHANGE YOUR IDEAS
AND MAKE THEM

27:25.400 --> 27:28.300 align:left position:20% line:83% size:70%
RUN ON A DIFFERENT PLANE
LIKE WHISKY?

27:28.300 --> 27:30.966 align:left position:30% line:83% size:60%
[SIDNEY BECHET'S
"SOBBIN' AND CRYIN'" PLAYING]

27:30.966 --> 27:33.533 align:left position:20% line:83% size:70%
KARR: I BELIEVE THAT THE
TERRIBLE THING ABOUT ALCOHOL,

27:33.533 --> 27:36.733 align:left position:25% line:5% size:65%
FOR WRITERS, IS THAT
IT WORKS, AT FIRST.

27:36.733 --> 27:39.700 align:left position:25% line:5% size:65%
THAT IT WORKS GREAT.
YOU'RE ANXIOUS.

27:39.700 --> 27:41.433 align:left position:32.5% line:83% size:57.5%
YOU'RE WOUND UP
AT THE END OF THE DAY.

27:41.433 --> 27:43.433 align:left position:15% line:89% size:75%
YOU HAVE NO WAY TO CALM DOWN.

27:43.433 --> 27:45.900 align:left position:27.5% line:83% size:62.5%
YOU HAVE A FEW POPS
AND YOU FEEL BETTER.

27:47.200 --> 27:49.700 align:left position:20% line:83% size:70%
NARRATOR: ONCE ON BIMINI,
A WEALTHY YACHTSMAN,

27:49.700 --> 27:51.900 align:left position:22.5% line:83% size:67.5%
DRUNK AND BELLIGERENT,
CALLED HEMINGWAY

27:51.900 --> 27:54.633 align:left position:12.5% line:89% size:77.5%
A "PHONY" AND A "BIG FAT SLOB."

27:54.633 --> 27:58.933 align:left position:20% line:83% size:70%
HEMINGWAY, JUST AS DRUNK,
KNOCKED HIM COLD.

27:58.933 --> 28:01.833 align:left position:27.5% line:83% size:62.5%
WORD SPREAD FAST
ACROSS THE ISLAND.

28:01.833 --> 28:04.700 align:left position:17.5% line:83% size:72.5%
"WHEN ANYONE IS TIGHT HERE
OR FEELS DANGEROUS,"

28:04.700 --> 28:06.466 align:left position:20% line:89% size:70%
HEMINGWAY TOLD A FRIEND,

28:06.466 --> 28:09.800 align:left position:22.5% line:89% size:67.5%
"THEY ASK ME TO FIGHT."

28:09.800 --> 28:13.666 align:left position:20% line:83% size:70%
HEMINGWAY LET IT BE KNOWN
THAT HE WOULD PAY $250

28:13.666 --> 28:17.200 align:left position:15% line:83% size:75%
TO ANYONE WHO COULD STAY WITH
HIM FOR 3 ROUNDS.

28:17.200 --> 28:20.700 align:left position:12.5% line:89% size:77.5%
NO ONE EVER CLAIMED THE MONEY.

28:20.700 --> 28:25.500 align:left position:12.5% line:83% size:77.5%
KARR: I THINK THE MASCULINITY
MUST HAVE BEEN SO CONSTRICTING.

28:25.500 --> 28:27.633 align:left position:22.5% line:83% size:67.5%
HE'S DRAWN TO ALL THESE
BIG, BUTCH THINGS,

28:27.633 --> 28:32.133 align:left position:10% line:83% size:80%
HE COULD HIT SOMEBODY AND THEY'D
FEEL THE PUNCH, OR WHATEVER.

28:32.133 --> 28:34.500 align:left position:12.5% line:89% size:77.5%
IT DOES SEEM A LITTLE WEARYING.

28:36.333 --> 28:40.300 align:left position:12.5% line:83% size:77.5%
EDNA O'BRIEN: I THINK ORDINARY
LIFE WAS ANATHEMA TO HIM.

28:41.866 --> 28:45.200 align:left position:10% line:5% size:80%
IT HAD TO BE A LIFE OF ADVENTURE

28:45.200 --> 28:49.766 align:left position:12.5% line:5% size:77.5%
AND THAT ADVENTURE WAS IN LIEU,
IF THAT'S THE RIGHT WORD,

28:49.766 --> 28:54.666 align:left position:30% line:83% size:60%
OF A DEEP-SEATED
LONELINESS AND DEPRESSION.

28:57.166 --> 29:01.100 align:left position:27.5% line:83% size:62.5%
MAN: HE HAS BECOME
THE LEGENDARY HEMINGWAY.

29:01.100 --> 29:03.800 align:left position:27.5% line:83% size:62.5%
HE APPEARS TO HAVE
TURNED INTO A COMPOSITE

29:03.800 --> 29:05.933 align:left position:17.5% line:89% size:72.5%
OF ALL THOSE PHOTOGRAPHS--

29:05.933 --> 29:08.900 align:left position:12.5% line:89% size:77.5%
SUNBURNED FROM SNOWS, ON SKIS;

29:08.900 --> 29:12.866 align:left position:12.5% line:83% size:77.5%
IN FISHING GET-UP, BURNED DARK
FROM THE HOT CARIBBEAN;

29:12.866 --> 29:15.800 align:left position:15% line:83% size:75%
THE HANDSOME, STALWART HUNTER
CROUCHED SMILING

29:15.800 --> 29:19.400 align:left position:27.5% line:83% size:62.5%
OVER THE CARCASS OF
SOME DEAD BEAST.

29:19.400 --> 29:22.966 align:left position:20% line:83% size:70%
SUCH A MAN COULD NOT HAVE
WRITTEN HEMINGWAY'S EARLY BOOKS.

29:22.966 --> 29:26.266 align:left position:20% line:83% size:70%
IT IS HARD NOT TO WONDER
WHETHER HE HAS NOT, HUNTING,

29:26.266 --> 29:28.900 align:left position:25% line:83% size:65%
BROUGHT DOWN AN EVEN
GREATER VICTIM.

29:30.133 --> 29:31.233 align:left position:27.5% line:89% size:62.5%
"THE NEW REPUBLIC."

29:37.266 --> 29:39.933 align:left position:30% line:77% size:60%
MAN AS HEMINGWAY:
NARRATIVE THAT IS EXCITING
AND STILL IS LITERATURE

29:39.933 --> 29:42.266 align:left position:35% line:89% size:55%
IS VERY RARE.

29:42.266 --> 29:46.266 align:left position:15% line:83% size:75%
YOU HAVE TO MAKE THE COUNTRY,
NOT DESCRIBE IT.

29:46.266 --> 29:49.533 align:left position:27.5% line:83% size:62.5%
IT IS AS HARD TO DO
AS PAINT A CEZANNE--

29:49.533 --> 29:52.066 align:left position:20% line:83% size:70%
AND I'M THE ONLY BASTARD
RIGHT NOW WHO CAN DO IT.

29:54.400 --> 29:56.866 align:left position:27.5% line:83% size:62.5%
NARRATOR: IN 1935,
HEMINGWAY PUBLISHED

29:56.866 --> 29:59.166 align:left position:20% line:89% size:70%
"GREEN HILLS OF AFRICA,"

29:59.166 --> 30:01.566 align:left position:25% line:83% size:65%
A NONFICTION ACCOUNT
OF HIS SAFARI,

30:01.566 --> 30:05.600 align:left position:25% line:83% size:65%
IN WHICH HE WAS AGAIN
THE CENTRAL CHARACTER.

30:05.600 --> 30:07.533 align:left position:37.5% line:83% size:52.5%
THE BOOK IS
THE SUSPENSEFUL STORY

30:07.533 --> 30:11.133 align:left position:15% line:83% size:75%
OF HIS MONTH-LONG COMPETITION
WITH HIS HUNTING COMPANION

30:11.133 --> 30:15.266 align:left position:20% line:83% size:70%
TO KILL THE GREATER KUDU
WITH THE LONGEST HORNS.

30:15.266 --> 30:17.366 align:left position:42.5% line:71% size:47.5%
[BACH'S
"PARTITIA FOR SOLO VIOLIN NO.1
IN B MINOR V SARABANDE
VARIATION 1" PLAYING]

30:17.366 --> 30:18.933 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
I LOOKED AT HIM,

30:18.933 --> 30:20.966 align:left position:30% line:83% size:60%
BIG, LONG-LEGGED,

30:20.966 --> 30:23.066 align:left position:27.5% line:83% size:62.5%
A SMOOTH GRAY WITH
THE WHITE STRIPES

30:23.066 --> 30:25.800 align:left position:22.5% line:83% size:67.5%
AND THE GREAT, CURLING,
SWEEPING HORNS,

30:25.800 --> 30:29.866 align:left position:22.5% line:83% size:67.5%
BROWN AS WALNUT MEATS,
AND IVORY POINTED,

30:29.866 --> 30:34.000 align:left position:12.5% line:83% size:77.5%
AT THE BIG EARS AND THE GREAT,
LOVELY, HEAVY-MANED NECK,

30:34.000 --> 30:36.366 align:left position:30% line:83% size:60%
THE WHITE CHEVRON
BETWEEN HIS EYES

30:36.366 --> 30:38.933 align:left position:15% line:89% size:75%
AND THE WHITE OF HIS MUZZLE,

30:38.933 --> 30:40.833 align:left position:27.5% line:83% size:62.5%
AND I STOOPED OVER
AND TOUCHED HIM

30:40.833 --> 30:42.533 align:left position:25% line:89% size:65%
TO TRY TO BELIEVE IT.

30:42.533 --> 30:44.333 align:left position:32.5% line:83% size:57.5%
[DAVID CIERI'S
"DUST RISING" PLAYING]

30:44.333 --> 30:46.400 align:left position:22.5% line:83% size:67.5%
NARRATOR: IN THE BOOK,
HE PORTRAYED HIMSELF AS BOTH

30:46.400 --> 30:51.000 align:left position:22.5% line:83% size:67.5%
AN EXPERT ON EVERYTHING
AND A BAD LOSER.

30:51.000 --> 30:53.933 align:left position:17.5% line:83% size:72.5%
HE COMPLAINED ABOUT WHAT
HEEDLESS AMERICANS HAD DONE

30:53.933 --> 30:56.733 align:left position:15% line:89% size:75%
TO SPOIL THEIR OWN LANDSCAPE

30:56.733 --> 30:59.100 align:left position:27.5% line:83% size:62.5%
AND WAS ALSO GIVEN
TO PONTIFICATING

30:59.100 --> 31:02.533 align:left position:20% line:83% size:70%
ON WHICH AMERICAN WRITERS
WERE WORTH READING.

31:04.166 --> 31:07.000 align:left position:25% line:83% size:65%
"ALL MODERN AMERICAN
LITERATURE," HE DECLARED,

31:07.000 --> 31:09.833 align:left position:25% line:83% size:65%
"COMES FROM ONE BOOK
BY MARK TWAIN

31:09.833 --> 31:12.133 align:left position:17.5% line:89% size:72.5%
CALLED "HUCKLEBERRY FINN.""

31:14.200 --> 31:17.133 align:left position:20% line:83% size:70%
HEMINGWAY WAS ESPECIALLY
PROUD OF HIS NEW BOOK.

31:17.133 --> 31:19.600 align:left position:10% line:89% size:80%
BUT IN IT, HE HAD CALLED CRITICS

31:19.600 --> 31:23.133 align:left position:27.5% line:83% size:62.5%
"THE LICE WHO CRAWL
ON LITERATURE."

31:23.133 --> 31:25.533 align:left position:27.5% line:89% size:62.5%
THE LICE BIT BACK.

31:25.533 --> 31:28.800 align:left position:17.5% line:83% size:72.5%
JOHN CHAMBERLAIN DISMISSED
THE BOOK IN "THE NEW YORK TIMES"

31:28.800 --> 31:32.833 align:left position:30% line:83% size:60%
AS "ALL ATTITUDE,
ALL BYRONIC POSTURING."

31:32.833 --> 31:34.633 align:left position:20% line:89% size:70%
BERNARD DE VOTO CALLED IT

31:34.633 --> 31:38.166 align:left position:25% line:83% size:65%
"A PRETTY SMALL BOOK
FOR A BIG MAN TO WRITE."

31:40.166 --> 31:41.500 align:left position:15% line:89% size:75%
THE MOST DISAPPOINTING REVIEW

31:41.500 --> 31:42.733 align:left position:27.5% line:89% size:62.5%
CAME FROM AMERICA'S

31:42.733 --> 31:44.433 align:left position:25% line:89% size:65%
MOST ADMIRED CRITIC,

31:44.433 --> 31:45.900 align:left position:32.5% line:89% size:57.5%
EDMUND WILSON,

31:45.900 --> 31:48.333 align:left position:30% line:83% size:60%
AN EARLY CHAMPION
OF HEMINGWAY'S WORK,

31:48.333 --> 31:52.133 align:left position:12.5% line:83% size:77.5%
WHO WROTE, "SOMETHING FRIGHTFUL
SEEMS TO HAPPEN TO HEMINGWAY

31:52.133 --> 31:55.633 align:left position:12.5% line:83% size:77.5%
"AS SOON AS HE BEGINS TO WRITE
IN THE FIRST PERSON.

31:55.633 --> 31:59.433 align:left position:17.5% line:83% size:72.5%
"HE SEEMS TO LOSE ALL HIS
CAPACITY FOR SELF-CRITICISM

31:59.433 --> 32:02.000 align:left position:35% line:83% size:55%
AND HAS A WAY
OF SOUNDING SILLY."

32:03.566 --> 32:06.433 align:left position:22.5% line:89% size:67.5%
HEMINGWAY TOOK IT HARD.

32:06.433 --> 32:07.833 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
TOOK TO GETTING UP ABOUT

32:07.833 --> 32:10.233 align:left position:20% line:89% size:70%
TWO OR SO IN THE MORNING

32:10.233 --> 32:12.700 align:left position:30% line:83% size:60%
AND GOING OUT TO
THE LITTLE HOUSE TO WORK.

32:14.266 --> 32:17.533 align:left position:17.5% line:83% size:72.5%
HAD NEVER HAD THE REAL OLD
MELANCHOLIA BEFORE

32:17.533 --> 32:22.533 align:left position:15% line:83% size:75%
AND AM GLAD TO HAVE HAD IT SO
I KNOW WHAT PEOPLE GO THROUGH.

32:22.533 --> 32:26.633 align:left position:15% line:83% size:75%
IT MAKES ME MORE TOLERANT OF
WHAT HAPPENED TO MY FATHER.

32:28.200 --> 32:32.066 align:left position:12.5% line:83% size:77.5%
NARRATOR: ERNEST AND PAULINE
HAD BEEN MOST HAPPY IN AFRICA,

32:32.066 --> 32:37.200 align:left position:15% line:83% size:75%
BUT BACK HOME HE WAS GROWING
INCREASINGLY DISSATISFIED.

32:37.200 --> 32:40.700 align:left position:27.5% line:83% size:62.5%
HE WAS GRATEFUL FOR
THE PFEIFFER FAMILY'S GENEROSITY

32:40.700 --> 32:44.833 align:left position:12.5% line:83% size:77.5%
BUT HE ALSO FOUND HIS FREQUENT
RELIANCE ON IT DEMEANING.

32:46.100 --> 32:50.066 align:left position:20% line:83% size:70%
AND HE HAD SECRETLY BEGUN
TO WEARY OF PAULINE, TOO.

32:52.566 --> 32:54.033 align:left position:22.5% line:83% size:67.5%
"GREEN HILLS OF AFRICA"
MAY NOT HAVE BEEN

32:54.033 --> 32:57.033 align:left position:35% line:83% size:55%
A CRITICAL OR
COMMERCIAL SUCCESS,

32:57.033 --> 33:00.066 align:left position:22.5% line:83% size:67.5%
BUT HIS TIME IN AFRICA
WOULD ALSO INSPIRE

33:00.066 --> 33:03.133 align:left position:37.5% line:83% size:52.5%
TWO OF HIS
BEST-REMEMBERED SHORT STORIES,

33:03.133 --> 33:07.333 align:left position:20% line:83% size:70%
EACH OF WHICH CHARTS THE
DISINTEGRATION OF A MARRIAGE.

33:10.300 --> 33:13.400 align:left position:30% line:83% size:60%
THE FIRST STORY,
PUBLISHED IN "COSMOPOLITAN,"

33:13.400 --> 33:17.466 align:left position:20% line:83% size:70%
WAS "THE SHORT HAPPY LIFE
OF FRANCIS MACOMBER."

33:17.466 --> 33:22.433 align:left position:17.5% line:83% size:72.5%
FRANCIS AND MARGOT MACOMBER
ARE WEALTHY AMERICANS ON SAFARI.

33:22.433 --> 33:27.000 align:left position:17.5% line:83% size:72.5%
"THEY HAD A SOUND BASIS OF
UNION," HEMINGWAY WROTE.

33:27.000 --> 33:30.466 align:left position:20% line:83% size:70%
"MARGOT WAS TOO BEAUTIFUL
FOR MACOMBER TO DIVORCE

33:30.466 --> 33:35.300 align:left position:12.5% line:83% size:77.5%
AND MACOMBER HAD TOO MUCH MONEY
FOR MARGOT EVER TO LEAVE HIM."

33:35.300 --> 33:39.466 align:left position:12.5% line:83% size:77.5%
BUT HER HUSBAND'S MONEY HAD NOT
KEPT HER FAITHFUL TO HIM

33:39.466 --> 33:43.133 align:left position:15% line:83% size:75%
AND WHEN HE PANICS WHEN FACED
WITH A CHARGING LION,

33:43.133 --> 33:45.400 align:left position:12.5% line:89% size:77.5%
SHE DENOUNCES HIM AS A COWARD--

33:45.400 --> 33:47.133 align:left position:15% line:89% size:75%
AND SLEEPS WITH THEIR GUIDE,

33:47.133 --> 33:49.833 align:left position:12.5% line:89% size:77.5%
THE WHITE HUNTER ROBERT WILSON.

33:52.900 --> 33:54.300 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
HE REALIZED THAT HIS WIFE

33:54.300 --> 33:56.900 align:left position:20% line:83% size:70%
WAS NOT IN THE OTHER COT
IN THE TENT.

33:56.900 --> 33:59.733 align:left position:20% line:83% size:70%
HE LAY AWAKE WITH THAT
KNOWLEDGE FOR TWO HOURS.

34:01.366 --> 34:04.200 align:left position:20% line:83% size:70%
AT THE END OF THAT TIME,
HIS WIFE CAME INTO THE TENT,

34:04.200 --> 34:08.133 align:left position:15% line:83% size:75%
LIFTED HER MOSQUITO BAR,
AND CRAWLED COZILY INTO BED.

34:09.433 --> 34:13.066 align:left position:22.5% line:83% size:67.5%
"WHERE HAVE YOU BEEN?"
MACOMBER ASKED IN THE DARKNESS.

34:13.066 --> 34:17.133 align:left position:27.5% line:83% size:62.5%
"HELLO," SHE SAID.
"ARE YOU AWAKE?"

34:17.133 --> 34:18.666 align:left position:22.5% line:89% size:67.5%
"WHERE HAVE YOU BEEN?"

34:20.233 --> 34:22.733 align:left position:30% line:83% size:60%
"I JUST WENT OUT
TO GET A BREATH OF AIR."

34:22.733 --> 34:24.366 align:left position:25% line:89% size:65%
"YOU DID, LIKE HELL."

34:26.033 --> 34:28.700 align:left position:25% line:83% size:65%
"WHAT DO YOU WANT ME
TO SAY, DARLING?"

34:28.700 --> 34:30.200 align:left position:22.5% line:89% size:67.5%
"WHERE HAVE YOU BEEN?"

34:32.000 --> 34:33.700 align:left position:15% line:89% size:75%
"OUT TO GET A BREATH OF AIR."

34:35.633 --> 34:39.600 align:left position:17.5% line:83% size:72.5%
"THAT'S A NEW NAME FOR IT.
YOU ARE A BITCH."

34:41.133 --> 34:42.733 align:left position:20% line:89% size:70%
"WELL, YOU'RE A COWARD."

34:47.300 --> 34:49.000 align:left position:15% line:83% size:75%
VERGHESE: THE MAN STARTS OFF
AS BEING PORTRAYED

34:49.000 --> 34:52.666 align:left position:25% line:83% size:65%
AS A SHAMELESS COWARD
BUT FRANKLY,

34:52.666 --> 34:54.666 align:left position:25% line:5% size:65%
WHICH OF US WOULDN'T
TAKE OFF RUNNING

34:54.666 --> 34:57.266 align:left position:15% line:5% size:75%
WHEN YOU SEE A LION [LAUGHS]
COMING CHARGING AT YOU?

34:57.266 --> 34:58.866 align:left position:25% line:5% size:65%
I MEAN, EVEN IF I HAD
A GUN IN MY HAND,

34:58.866 --> 35:01.000 align:left position:12.5% line:89% size:77.5%
I THINK I WOULD, IT WOULD TAKE

35:01.000 --> 35:02.933 align:left position:15% line:89% size:75%
AN EXTRAORDINARY ACT OF WILL

35:02.933 --> 35:05.333 align:left position:32.5% line:83% size:57.5%
TO STAND THERE
AND SHOOT THIS LION.

35:05.333 --> 35:08.600 align:left position:20% line:83% size:70%
AND YET HE'S PORTRAYED
AS THIS SHAMELESS COWARD

35:08.600 --> 35:10.200 align:left position:27.5% line:83% size:62.5%
AND YOU WONDER HOW
THE STORY'S GOING TO END

35:10.200 --> 35:13.533 align:left position:12.5% line:89% size:77.5%
AND YOU ACTUALLY FEEL FOR HIM,

35:13.533 --> 35:16.433 align:left position:27.5% line:83% size:62.5%
AND THEN HE'S ALSO
BEING BETRAYED BY HIS WIFE.

35:18.133 --> 35:20.733 align:left position:15% line:83% size:75%
EDNA O'BRIEN: AND, CERTAINLY,
THE WOMAN IN THAT STORY

35:20.733 --> 35:22.400 align:left position:22.5% line:89% size:67.5%
COMES OUT AS A MONSTER.

35:23.900 --> 35:25.700 align:left position:25% line:83% size:65%
HEMINGWAY KNEW A LOT
OF WOMEN LIKE THAT;

35:25.700 --> 35:27.600 align:left position:27.5% line:83% size:62.5%
THERE ARE A LOT OF
WOMEN LIKE THAT.

35:27.600 --> 35:30.066 align:left position:30% line:83% size:60%
THERE ARE A LOT
OF MEN LIKE THAT.

35:30.066 --> 35:32.466 align:left position:12.5% line:83% size:77.5%
THERE'S NOTHING I WOULD CHANGE
IN THAT STORY

35:32.466 --> 35:34.733 align:left position:32.5% line:83% size:57.5%
BECAUSE HE KNEW
WHEN TO PULL BACK.

35:34.733 --> 35:37.233 align:left position:30% line:83% size:60%
HE KNEW HOW MUCH
OF HER FALSENESS,

35:37.233 --> 35:41.166 align:left position:22.5% line:83% size:67.5%
HOW MUCH OF HER ACIDITY
TO PUT ON THE PAGE.

35:42.466 --> 35:44.100 align:left position:20% line:89% size:70%
IT'S A VERY BITTER STORY.

35:45.666 --> 35:47.400 align:left position:20% line:83% size:70%
VERGHESE: BUT AT THE END
OF THE STORY, HE FINDS

35:47.400 --> 35:50.333 align:left position:15% line:89% size:75%
A DIFFERENT KIND OF COURAGE.

35:50.333 --> 35:53.066 align:left position:30% line:83% size:60%
IT HAS TO DO WITH
STANDING UP TO HIS WIFE.

35:53.066 --> 35:56.000 align:left position:25% line:89% size:65%
AND IT TERRIFIES HER.

35:56.000 --> 36:00.100 align:left position:12.5% line:83% size:77.5%
NARRATOR: THE NEXT DAY, WHEN
A WOUNDED BUFFALO CHARGES HIM,

36:00.100 --> 36:02.833 align:left position:17.5% line:89% size:72.5%
MACOMBER STANDS HIS GROUND.

36:04.300 --> 36:05.833 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
WILSON, WHO WAS AHEAD,

36:05.833 --> 36:07.833 align:left position:22.5% line:89% size:67.5%
WAS KNEELING SHOOTING,

36:07.833 --> 36:09.800 align:left position:17.5% line:89% size:72.5%
AND MACOMBER, AS HE FIRED,

36:09.800 --> 36:13.266 align:left position:25% line:83% size:65%
UNHEARING HIS SHOT IN
THE ROARING OF WILSON'S GUN,

36:13.266 --> 36:18.500 align:left position:10% line:83% size:80%
SAW FRAGMENTS LIKE SLATE BURST
FROM THE HUGE BOSS OF THE HORNS,

36:18.500 --> 36:22.500 align:left position:15% line:83% size:75%
AND THE HEAD JERKED, HE SHOT
AGAIN AT THE WIDE NOSTRILS

36:22.500 --> 36:26.700 align:left position:15% line:83% size:75%
AND SAW THE HORNS JOLT AGAIN
AND FRAGMENTS FLY,

36:26.700 --> 36:30.300 align:left position:15% line:83% size:75%
AND HE DID NOT SEE WILSON NOW
AND, AIMING CAREFULLY,

36:30.300 --> 36:33.533 align:left position:15% line:83% size:75%
SHOT AGAIN WITH THE BUFFALO'S
HUGE BULK ALMOST ON HIM

36:33.533 --> 36:39.133 align:left position:12.5% line:83% size:77.5%
AND HIS RIFLE ALMOST LEVEL WITH
THE ON-COMING HEAD, NOSE OUT,

36:39.133 --> 36:41.166 align:left position:30% line:83% size:60%
AND HE COULD SEE
THE LITTLE WICKED EYES

36:41.166 --> 36:46.033 align:left position:12.5% line:83% size:77.5%
AND THE HEAD STARTED TO LOWER
AND HE FELT A SUDDEN WHITE-HOT,

36:46.033 --> 36:49.933 align:left position:22.5% line:83% size:67.5%
BLINDING FLASH EXPLODE
INSIDE HIS HEAD...

36:52.333 --> 36:54.200 align:left position:12.5% line:89% size:77.5%
AND THAT WAS ALL HE EVER FELT.

36:56.900 --> 36:58.900 align:left position:10% line:89% size:80%
NARRATOR: HIS WIFE HAS SHOT HIM.

36:58.900 --> 37:01.033 align:left position:15% line:89% size:75%
SHE SAID IT WAS AN ACCIDENT.

37:02.366 --> 37:05.000 align:left position:15% line:83% size:75%
VERGHESE: I'M A BIG BELIEVER
THAT, YOU KNOW,

37:05.000 --> 37:07.200 align:left position:12.5% line:83% size:77.5%
THE PROCESS OF READING FICTION
AS THE WRITER

37:07.200 --> 37:09.566 align:left position:12.5% line:89% size:77.5%
PROVIDES YOU SOME OF THE WORDS,

37:09.566 --> 37:11.366 align:left position:30% line:83% size:60%
BUT YOU PROVIDE
YOUR IMAGINATION.

37:11.366 --> 37:14.200 align:left position:12.5% line:83% size:77.5%
AND THE GREAT PLEASURE IS THAT
YOU'RE MAKING THIS MOVIE

37:14.200 --> 37:17.166 align:left position:12.5% line:83% size:77.5%
AND...AH...IT'S ALWAYS STRIKING
HOW DIFFERENT

37:17.166 --> 37:19.766 align:left position:32.5% line:83% size:57.5%
OUR MOVIES ARE
AS READERS...AH...SO,

37:19.766 --> 37:21.766 align:left position:12.5% line:89% size:77.5%
IN MY MIND, THERE'S NO QUESTION

37:21.766 --> 37:23.500 align:left position:17.5% line:89% size:72.5%
THAT SHE BLEW HIS HEAD OFF.

37:23.500 --> 37:25.533 align:left position:17.5% line:89% size:72.5%
I HAVE NO DOUBT ABOUT THAT.

37:28.866 --> 37:31.066 align:left position:22.5% line:83% size:67.5%
NARRATOR: THE SECOND OF
HIS AFRICAN SHORT STORIES,

37:31.066 --> 37:35.033 align:left position:22.5% line:83% size:67.5%
PUBLISHED IN "ESQUIRE,"
WAS A MASTERPIECE.

37:35.033 --> 37:37.900 align:left position:30% line:83% size:60%
IN "THE SNOWS OF
KILIMANJARO," THE ROLES OF

37:37.900 --> 37:40.766 align:left position:12.5% line:89% size:77.5%
HUSBAND AND WIFE ARE REVERSED.

37:42.200 --> 37:46.400 align:left position:10% line:83% size:80%
THE PROTAGONIST IS HARRY WALDEN,
A WRITER ON SAFARI,

37:46.400 --> 37:50.033 align:left position:12.5% line:89% size:77.5%
DYING OF GANGRENE IN HIS TENT.

37:50.033 --> 37:52.466 align:left position:22.5% line:83% size:67.5%
AS HE DRIFTS IN AND OUT
OF CONSCIOUSNESS,

37:52.466 --> 37:54.800 align:left position:12.5% line:89% size:77.5%
HE TALKS WITH HIS WEALTHY WIFE,

37:54.800 --> 37:58.000 align:left position:17.5% line:83% size:72.5%
WHOSE FORTUNE SUPPORTS THEM
AND WHO LOVES HIM,

37:58.000 --> 38:01.533 align:left position:25% line:83% size:65%
BUT WHOM HE SECRETLY
NO LONGER LOVES.

38:01.533 --> 38:04.366 align:left position:20% line:83% size:70%
HE MUSES ABOUT THE EVENTS
HE HAS LIVED THROUGH

38:04.366 --> 38:07.100 align:left position:17.5% line:89% size:72.5%
BUT FAILED TO WRITE ABOUT,

38:07.100 --> 38:11.266 align:left position:22.5% line:83% size:67.5%
AND NOW, WILL NOT LIVE
TO TURN INTO FICTION.

38:11.266 --> 38:14.100 align:left position:15% line:89% size:75%
AT FIRST, HE BLAMES HIS WIFE.

38:15.733 --> 38:17.233 align:left position:17.5% line:89% size:72.5%
MAN AS HEMINGWAY: NONSENSE.

38:17.233 --> 38:19.933 align:left position:27.5% line:83% size:62.5%
HE HAD DESTROYED
HIS TALENT HIMSELF.

38:19.933 --> 38:23.633 align:left position:12.5% line:83% size:77.5%
WHY SHOULD HE BLAME THIS WOMAN
BECAUSE SHE KEPT HIM WELL?

38:23.633 --> 38:26.833 align:left position:17.5% line:83% size:72.5%
HE HAD DESTROYED HIS TALENT
BY NOT USING IT,

38:26.833 --> 38:31.433 align:left position:22.5% line:83% size:67.5%
BY BETRAYALS OF HIMSELF
AND WHAT HE BELIEVED IN,

38:31.433 --> 38:33.300 align:left position:27.5% line:83% size:62.5%
BY DRINKING SO MUCH
THAT HE BLUNTED

38:33.300 --> 38:37.833 align:left position:15% line:83% size:75%
THE EDGE OF HIS PERCEPTIONS,
BY LAZINESS,

38:37.833 --> 38:40.533 align:left position:17.5% line:89% size:72.5%
BY SLOTH, AND BY SNOBBERY.

38:42.166 --> 38:45.066 align:left position:15% line:89% size:75%
HE HAD SEEN THE WORLD CHANGE.

38:45.066 --> 38:47.400 align:left position:30% line:83% size:60%
HE HAD BEEN IN IT
AND HE HAD WATCHED IT

38:47.400 --> 38:50.300 align:left position:27.5% line:83% size:62.5%
AND IT WAS HIS DUTY
TO WRITE OF IT;

38:50.300 --> 38:52.100 align:left position:22.5% line:89% size:67.5%
BUT NOW HE NEVER WOULD.

38:55.200 --> 38:57.533 align:left position:22.5% line:83% size:67.5%
TIM O'BRIEN: "THE SNOWS
OF KILIMANJARO" IS AMONG

38:57.533 --> 39:00.766 align:left position:22.5% line:83% size:67.5%
MY FAVORITE STORIES OF
HEMINGWAY, MAYBE MY FAVORITE.

39:00.766 --> 39:03.800 align:left position:15% line:83% size:75%
IT DEALS WITH WHAT WE'RE ALL
GOING TO HAVE TO DEAL WITH,

39:03.800 --> 39:07.100 align:left position:20% line:83% size:70%
WHICH IS OUR OWN DEATHS.
AND, THROUGHOUT IT,

39:07.100 --> 39:10.800 align:left position:20% line:83% size:70%
HE'S REVIEWING HIS LIFE.

39:10.800 --> 39:13.800 align:left position:15% line:5% size:75%
MUCH AS I NOW, IN MY OLD AGE,

39:13.800 --> 39:15.666 align:left position:35% line:5% size:55%
MORE AND MORE
AT TWO IN THE MORNING,

39:15.666 --> 39:17.800 align:left position:27.5% line:5% size:62.5%
REVIEW MY OWN LIFE.

39:17.800 --> 39:19.933 align:left position:12.5% line:89% size:77.5%
SOMETIMES, FULL OF SELF-HATRED

39:19.933 --> 39:22.133 align:left position:17.5% line:89% size:72.5%
AND SOMETIMES, FULL OF JOY.

39:23.833 --> 39:28.533 align:left position:22.5% line:83% size:67.5%
MOST OFTEN, FILLED WITH
DOUBT OF, UH,

39:28.533 --> 39:31.666 align:left position:27.5% line:83% size:62.5%
WHAT, WHAT COULD I
HAVE DONE DIFFERENTLY?

39:31.666 --> 39:33.633 align:left position:25% line:83% size:65%
[JOHNNY GANDELSMAN'S
"LA DESPEDIDA MIX 1" PLAYING]

39:33.633 --> 39:35.666 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
JUST THEN, DEATH HAD COME

39:35.666 --> 39:38.366 align:left position:22.5% line:83% size:67.5%
AND RESTED ITS HEAD
ON THE FOOT OF THE COT

39:38.366 --> 39:40.166 align:left position:12.5% line:89% size:77.5%
AND HE COULD SMELL ITS BREATH.

39:41.800 --> 39:43.700 align:left position:12.5% line:89% size:77.5%
IT MOVED UP CLOSER TO HIM STILL

39:43.700 --> 39:46.400 align:left position:25% line:83% size:65%
AND NOW HE COULD NOT
SPEAK TO IT,

39:46.400 --> 39:50.733 align:left position:12.5% line:83% size:77.5%
AND WHEN IT SAW HE COULD NOT
SPEAK IT CAME A LITTLE CLOSER,

39:50.733 --> 39:53.933 align:left position:17.5% line:83% size:72.5%
AND NOW HE TRIED TO SEND IT
AWAY WITHOUT SPEAKING,

39:53.933 --> 39:59.333 align:left position:15% line:83% size:75%
BUT IT MOVED IN ON HIM SO ITS
WEIGHT WAS ALL UPON HIS CHEST,

39:59.333 --> 40:03.833 align:left position:17.5% line:83% size:72.5%
AND WHILE IT CROUCHED THERE
AND HE COULD NOT MOVE, OR SPEAK,

40:03.833 --> 40:08.166 align:left position:22.5% line:83% size:67.5%
HE HEARD THE WOMAN SAY,
"BWANA IS ASLEEP NOW.

40:08.166 --> 40:11.900 align:left position:17.5% line:83% size:72.5%
TAKE THE COT UP VERY GENTLY
AND CARRY IT INTO THE TENT."

40:13.600 --> 40:16.700 align:left position:12.5% line:83% size:77.5%
HE COULD NOT SPEAK TO TELL HER
TO MAKE IT GO AWAY

40:16.700 --> 40:21.333 align:left position:15% line:83% size:75%
AND IT CROUCHED NOW, HEAVIER,
SO HE COULD NOT BREATHE.

40:23.433 --> 40:26.466 align:left position:32.5% line:83% size:57.5%
AND THEN, WHILE
THEY LIFTED THE COT,

40:26.466 --> 40:28.333 align:left position:20% line:89% size:70%
SUDDENLY IT WAS ALL RIGHT

40:28.333 --> 40:30.766 align:left position:27.5% line:83% size:62.5%
AND THE WEIGHT WENT
FROM HIS CHEST.

40:34.800 --> 40:36.833 align:left position:20% line:83% size:70%
[WOODY GUTHRIE'S "I AIN'T
GOT NO HOME" PLAYING]

40:38.400 --> 40:40.033 align:left position:12.5% line:5% size:77.5%
♪ MY BROTHERS AND MY SISTERS ♪

40:40.033 --> 40:42.133 align:left position:15% line:5% size:75%
♪ ARE STRANDED ON THIS ROAD ♪

40:42.133 --> 40:47.366 align:left position:17.5% line:5% size:72.5%
♪ A HOT AND DUSTY ROAD THAT
A MILLION FEET HAVE TROD ♪

40:47.366 --> 40:51.066 align:left position:22.5% line:83% size:67.5%
♪ RICH MAN TOOK MY HOME
AND DROVE ME FROM MY DOOR ♪

40:51.066 --> 40:57.766 align:left position:20% line:83% size:70%
♪ AND I AIN'T GOT NO HOME
IN THIS WORLD ANYMORE ♪

40:57.766 --> 41:00.300 align:left position:20% line:83% size:70%
NARRATOR: THE DEPRESSION
HAD CONTINUED TO DEEPEN

41:00.300 --> 41:03.000 align:left position:25% line:83% size:65%
AND A NEW GENERATION
OF SOCIALLY CONSCIOUS

41:03.000 --> 41:07.533 align:left position:17.5% line:83% size:72.5%
LEFTIST WRITERS AND CRITICS
NOW DENOUNCED HEMINGWAY.

41:08.833 --> 41:11.166 align:left position:20% line:83% size:70%
RATHER THAN FRITTER AWAY
HIS TIME WRITING ABOUT

41:11.166 --> 41:12.900 align:left position:27.5% line:89% size:62.5%
DRUNKEN EXPATRIATES

41:12.900 --> 41:15.833 align:left position:17.5% line:83% size:72.5%
AND DISILLUSIONED SURVIVORS
OF THE GREAT WAR,

41:15.833 --> 41:18.333 align:left position:30% line:83% size:60%
ABOUT BULLFIGHTS
AND BIG-GAME HUNTING

41:18.333 --> 41:20.266 align:left position:25% line:89% size:65%
AND DEEP-SEA FISHING,

41:20.266 --> 41:23.033 align:left position:25% line:83% size:65%
THEY INSISTED IT WAS
HIS DUTY AS AN ARTIST

41:23.033 --> 41:26.633 align:left position:20% line:83% size:70%
TO DECLARE HIS SOLIDARITY
WITH THE WORKING CLASS.

41:27.966 --> 41:30.133 align:left position:30% line:83% size:60%
GRANVILLE HICKS,
EDITOR OF THE COMMUNIST

41:30.133 --> 41:32.766 align:left position:22.5% line:83% size:67.5%
"NEW MASSES" MAGAZINE,"
DECLARED,

41:32.766 --> 41:35.933 align:left position:12.5% line:83% size:77.5%
"IN 6 YEARS, HEMINGWAY HAS NOT
PRODUCED A BOOK

41:35.933 --> 41:39.000 align:left position:25% line:83% size:65%
EVEN REMOTELY WORTHY
OF HIS TALENTS."

41:40.266 --> 41:42.033 align:left position:22.5% line:89% size:67.5%
HEMINGWAY WAS UNMOVED.

41:42.033 --> 41:45.466 align:left position:17.5% line:83% size:72.5%
"THERE IS NO LEFT OR RIGHT
IN WRITING," HE SAID.

41:45.466 --> 41:48.766 align:left position:32.5% line:83% size:57.5%
"THERE IS ONLY
GOOD AND BAD WRITING."

41:50.266 --> 41:52.266 align:left position:17.5% line:83% size:72.5%
MAN AS HEMINGWAY: EVERYONE
TRIES TO FRIGHTEN YOU NOW

41:52.266 --> 41:55.766 align:left position:12.5% line:83% size:77.5%
BY SAYING OR WRITING THAT IF
ONE DOES NOT BECOME A COMMUNIST

41:55.766 --> 41:57.933 align:left position:15% line:89% size:75%
OR HAVE A MARXIAN VIEWPOINT,

41:57.933 --> 42:01.400 align:left position:20% line:83% size:70%
ONE WILL HAVE NO FRIENDS
AND WILL BE ALONE.

42:01.400 --> 42:04.933 align:left position:15% line:83% size:75%
THEY SEEM TO THINK THAT TO BE
ALONE IS SOMETHING DREADFUL;

42:04.933 --> 42:08.266 align:left position:17.5% line:83% size:72.5%
OR THAT TO NOT HAVE FRIENDS
IS TO BE FEARED.

42:08.266 --> 42:10.600 align:left position:27.5% line:83% size:62.5%
I WOULD RATHER HAVE
ONE HONEST ENEMY

42:10.600 --> 42:13.633 align:left position:20% line:83% size:70%
THAN MOST OF THE FRIENDS
THAT I HAVE KNOWN.

42:13.633 --> 42:15.300 align:left position:17.5% line:89% size:72.5%
I CANNOT BE A COMMUNIST NOW

42:15.300 --> 42:19.266 align:left position:30% line:83% size:60%
BECAUSE I BELIEVE
IN ONLY ONE THING: LIBERTY.

42:19.266 --> 42:22.666 align:left position:12.5% line:83% size:77.5%
FIRST I WOULD LOOK AFTER MYSELF
AND DO MY WORK.

42:22.666 --> 42:25.100 align:left position:30% line:83% size:60%
THEN I WOULD CARE
FOR MY FAMILY.

42:25.100 --> 42:27.566 align:left position:12.5% line:89% size:77.5%
THEN I WOULD HELP MY NEIGHBOR.

42:27.566 --> 42:30.266 align:left position:25% line:83% size:65%
BUT THE STATE I CARE
NOTHING FOR.

42:30.266 --> 42:34.700 align:left position:15% line:83% size:75%
ALL THE STATE HAS EVER MEANT
TO ME IS UNJUST TAXATION.

42:34.700 --> 42:38.233 align:left position:20% line:83% size:70%
I BELIEVE IN THE ABSOLUTE
MINIMUM OF GOVERNMENT.

42:41.366 --> 42:45.133 align:left position:15% line:83% size:75%
NARRATOR: ON LABOR DAY 1935,
ONE OF THE MOST INTENSE

42:45.133 --> 42:49.133 align:left position:12.5% line:83% size:77.5%
HURRICANES IN AMERICAN HISTORY
HIT FLORIDA

42:49.133 --> 42:54.466 align:left position:10% line:83% size:80%
WITH WINDS SAID TO HAVE GUSTED
AT MORE THAN 185 MILES PER HOUR.

42:54.466 --> 42:59.633 align:left position:12.5% line:83% size:77.5%
AN 18-FOOT STORM SURGE DROWNED
ISLAND AFTER ISLAND.

43:03.000 --> 43:05.300 align:left position:17.5% line:89% size:72.5%
MORE THAN 400 PEOPLE DIED--

43:05.300 --> 43:10.133 align:left position:20% line:83% size:70%
AMONG THEM 259 HOMELESS
VETERANS OF THE GREAT WAR

43:10.133 --> 43:13.300 align:left position:15% line:83% size:75%
WHO HAD BEEN SENT SOUTH BY
THE ROOSEVELT ADMINISTRATION

43:13.300 --> 43:17.166 align:left position:20% line:83% size:70%
TO BUILD HIGHWAY BRIDGES
TO BRING STILL MORE VISITORS

43:17.166 --> 43:19.066 align:left position:25% line:89% size:65%
TO THE FLORIDA KEYS.

43:20.500 --> 43:22.300 align:left position:25% line:83% size:65%
SOME OF THEM HAD BEEN
DRINKING BUDDIES WITH WHOM

43:22.300 --> 43:27.033 align:left position:25% line:83% size:65%
HEMINGWAY HAD SWAPPED
WAR STORIES AT SLOPPY JOE'S.

43:27.033 --> 43:31.400 align:left position:12.5% line:83% size:77.5%
TWO DAYS LATER, HE SAILED NORTH
TO WHAT WAS LEFT OF THEIR CAMP

43:31.400 --> 43:36.433 align:left position:12.5% line:83% size:77.5%
AND JOINED SOME 200 VOLUNTEERS
GATHERING UP THE DEAD.

43:36.433 --> 43:38.400 align:left position:25% line:89% size:65%
HE BROUGHT A CAMERA.

43:38.400 --> 43:40.266 align:left position:20% line:89% size:70%
[CAMERA'S SHUTTER CLICKS]

43:40.266 --> 43:42.000 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
YOU COULD FIND THEM FACE DOWN

43:42.000 --> 43:45.366 align:left position:15% line:89% size:75%
AND FACE UP IN THE MANGROVES.

43:45.366 --> 43:47.766 align:left position:15% line:5% size:75%
THE BIGGEST BUNCH OF THE DEAD
WERE IN THE TANGLED,

43:47.766 --> 43:50.266 align:left position:30% line:5% size:60%
ALWAYS GREEN BUT
NOW BROWN, MANGROVES

43:50.266 --> 43:52.933 align:left position:25% line:5% size:65%
BEHIND THE TANK CARS
AND THE WATER TOWERS.

43:54.100 --> 43:57.866 align:left position:20% line:5% size:70%
[CAMERA'S SHUTTER CLICKS]
THEY HUNG ON THERE, IN SHELTER,

43:57.866 --> 44:02.000 align:left position:15% line:5% size:75%
UNTIL THE WIND AND THE RISING
WATER CARRIED THEM AWAY.

44:02.000 --> 44:04.433 align:left position:20% line:83% size:70%
[CAMERA'S SHUTTER CLICKS]
THEY DIDN'T ALL LET GO AT ONCE

44:04.433 --> 44:07.633 align:left position:20% line:83% size:70%
BUT ONLY WHEN THEY COULD
HOLD ON NO LONGER.

44:07.633 --> 44:09.933 align:left position:20% line:83% size:70%
[CAMERA'S SHUTTER CLICKS]
THEN FURTHER ON, YOU FOUND THEM

44:09.933 --> 44:13.400 align:left position:20% line:83% size:70%
HIGH IN THE TREES WHERE
THE WATER HAD SWEPT THEM.

44:13.400 --> 44:17.566 align:left position:20% line:5% size:70%
[CAMERA'S SHUTTER CLICKS]
YOU FOUND THEM EVERYWHERE
AND IN THE SUN,

44:17.566 --> 44:19.066 align:left position:10% line:89% size:80%
ALL OF THEM WERE BEGINNING TO BE

44:19.066 --> 44:21.766 align:left position:30% line:83% size:60%
TOO BIG FOR THEIR
BLUE JEANS AND JACKETS

44:21.766 --> 44:24.566 align:left position:17.5% line:83% size:72.5%
THAT THEY COULD NEVER FILL
WHEN THEY WERE

44:24.566 --> 44:26.400 align:left position:22.5% line:89% size:67.5%
ON THE BUM AND HUNGRY.

44:29.066 --> 44:31.733 align:left position:22.5% line:83% size:67.5%
NARRATOR: HEMINGWAY WAS
SO ANGERED AT WHAT HE'D SEEN

44:31.733 --> 44:33.466 align:left position:22.5% line:89% size:67.5%
THAT DESPITE THE SCORN

44:33.466 --> 44:35.833 align:left position:22.5% line:83% size:67.5%
"NEW MASSES" HAD SHOWN
TOWARD HIM,

44:35.833 --> 44:38.233 align:left position:20% line:83% size:70%
WHEN ITS EDITOR ASKED HIM
TO WRITE ABOUT IT,

44:38.233 --> 44:40.566 align:left position:27.5% line:89% size:62.5%
HE AGREED TO DO IT.

44:40.566 --> 44:44.466 align:left position:25% line:83% size:65%
HE HELD THE ROOSEVELT
ADMINISTRATION RESPONSIBLE.

44:46.100 --> 44:48.800 align:left position:12.5% line:83% size:77.5%
MAN AS HEMINGWAY: I WOULD LIKE
TO MAKE WHOEVER SENT THEM THERE

44:48.800 --> 44:51.566 align:left position:27.5% line:83% size:62.5%
CARRY JUST ONE OUT
THROUGH THE MANGROVES,

44:51.566 --> 44:55.433 align:left position:20% line:83% size:70%
OR TURN ONE OVER THAT LAY
IN THE SUN ALONG THE FILL,

44:55.433 --> 44:58.633 align:left position:30% line:83% size:60%
OR TIE 5 TOGETHER
SO THEY WON'T FLOAT OUT,

44:58.633 --> 45:00.166 align:left position:12.5% line:89% size:77.5%
OR SMELL THAT SMELL YOU THOUGHT

45:00.166 --> 45:03.433 align:left position:20% line:83% size:70%
YOU'D NEVER SMELL AGAIN,
WITH LUCK.

45:05.233 --> 45:07.600 align:left position:20% line:83% size:70%
NARRATOR: LEFTIST WRITERS
NOW PRAISED HEMINGWAY'S

45:07.600 --> 45:10.766 align:left position:30% line:83% size:60%
NEW-FOUND EMPATHY
FOR THE PROLETARIAT:

45:10.766 --> 45:14.500 align:left position:12.5% line:83% size:77.5%
LINCOLN STEFFENS CONGRATULATED
HIM FOR AT LAST CHOOSING

45:14.500 --> 45:18.866 align:left position:15% line:83% size:75%
TO WRITE FOR "THE REAL PEOPLE
OF THE REAL PUBLICATIONS."

45:18.866 --> 45:20.900 align:left position:10% line:77% size:80%
[DUKE ELLINGTON & BUBBER MILEY'S
"THE NEW EAST ST. LOUIS
TOODLE-O" PLAYING]

45:47.000 --> 45:48.566 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
SOME MADE THE LONG DROP

45:48.566 --> 45:50.700 align:left position:27.5% line:83% size:62.5%
FROM THE APARTMENT
OR THE OFFICE WINDOW;

45:52.166 --> 45:54.666 align:left position:25% line:83% size:65%
SOME TOOK IT QUIETLY
IN TWO-CAR GARAGES

45:54.666 --> 45:55.866 align:left position:22.5% line:89% size:67.5%
WITH THE MOTOR RUNNING;

45:58.466 --> 45:59.700 align:left position:12.5% line:5% size:77.5%
SOME USED THE NATIVE TRADITION

45:59.700 --> 46:03.033 align:left position:10% line:5% size:80%
OF THE COLT OR SMITH AND WESSON;

46:03.033 --> 46:06.800 align:left position:22.5% line:83% size:67.5%
THOSE WELL-CONSTRUCTED
IMPLEMENTS THAT END INSOMNIA,

46:06.800 --> 46:12.366 align:left position:12.5% line:83% size:77.5%
TERMINATE REMORSE, CURE CANCER,
AVOID BANKRUPTCY,

46:12.366 --> 46:15.266 align:left position:22.5% line:83% size:67.5%
AND BLAST AN EXIT FROM
INTOLERABLE POSITIONS

46:15.266 --> 46:17.100 align:left position:15% line:89% size:75%
BY THE PRESSURE OF A FINGER;

46:19.566 --> 46:21.866 align:left position:32.5% line:83% size:57.5%
THOSE ADMIRABLE
AMERICAN INSTRUMENTS

46:21.866 --> 46:26.733 align:left position:27.5% line:83% size:62.5%
SO EASILY CARRIED,
SO SURE OF EFFECT,

46:26.733 --> 46:29.266 align:left position:22.5% line:83% size:67.5%
SO WELL DESIGNED TO END
THE AMERICAN DREAM

46:29.266 --> 46:32.566 align:left position:15% line:89% size:75%
WHEN IT BECOMES A NIGHTMARE,

46:32.566 --> 46:36.200 align:left position:27.5% line:83% size:62.5%
THEIR ONLY DRAWBACK
THE MESS THEY LEAVE

46:36.200 --> 46:38.266 align:left position:17.5% line:89% size:72.5%
FOR RELATIVES TO CLEAN UP.

46:41.266 --> 46:43.433 align:left position:12.5% line:83% size:77.5%
NARRATOR: FEELING THE PRESSURE
TO COME UP WITH SOMETHING

46:43.433 --> 46:47.733 align:left position:15% line:83% size:75%
AFTER THE COMMERCIAL FAILURE
OF HIS NONFICTION,

46:47.733 --> 46:49.933 align:left position:27.5% line:83% size:62.5%
HEMINGWAY TRIED TO
COBBLE TOGETHER A NOVEL

46:49.933 --> 46:53.766 align:left position:20% line:83% size:70%
OUT OF TWO SHORT STORIES
AND SOME NEW MATERIAL.

46:53.766 --> 46:56.533 align:left position:32.5% line:83% size:57.5%
THE RESULT WAS
A TANGLED MELODRAMA ABOUT

46:56.533 --> 46:58.633 align:left position:12.5% line:89% size:77.5%
DOWN-ON-THEIR-LUCK AMERICANS--

46:58.633 --> 47:01.200 align:left position:32.5% line:83% size:57.5%
HIS VERSION OF
A PROLETARIAN NOVEL,

47:01.200 --> 47:04.466 align:left position:12.5% line:89% size:77.5%
CALLED "TO HAVE AND HAVE NOT."

47:06.200 --> 47:07.966 align:left position:17.5% line:89% size:72.5%
THE CRITICS DIDN'T LIKE IT.

47:07.966 --> 47:09.833 align:left position:20% line:89% size:70%
AND IN THE END, HEMINGWAY

47:09.833 --> 47:11.833 align:left position:17.5% line:89% size:72.5%
DIDN'T MUCH LIKE IT EITHER.

47:13.133 --> 47:15.166 align:left position:30% line:5% size:60%
[LEONARDO PADURA
SPEAKING SPANISH]

47:43.600 --> 47:45.033 align:left position:25% line:77% size:65%
[JOHNNY GANDELSMAN'S
"THE GARDEN OF EDEN MIX 3
BASS STEM" PLAYING]

47:45.033 --> 47:47.066 align:left position:12.5% line:89% size:77.5%
[PEOPLE CHANTING INDISTINCTLY]

47:50.166 --> 47:52.200 align:left position:12.5% line:89% size:77.5%
[ADOLF HITLER SPEAKING GERMAN]

48:00.366 --> 48:03.900 align:left position:17.5% line:77% size:72.5%
NARRATOR: ERNEST HEMINGWAY
UNDERSTOOD THE DANGERS
OF FASCISM

48:03.900 --> 48:06.766 align:left position:20% line:83% size:70%
AND BELIEVED ADOLF HITLER
WOULD ONE DAY LAUNCH

48:06.766 --> 48:09.733 align:left position:17.5% line:89% size:72.5%
A EUROPEAN WAR OF CONQUEST.

48:09.733 --> 48:12.366 align:left position:12.5% line:83% size:77.5%
BUT, AS A DISENCHANTED SURVIVOR
OF THE WAR

48:12.366 --> 48:14.833 align:left position:22.5% line:83% size:67.5%
THAT HAD BEEN SUPPOSED
TO END ALL WARS,

48:14.833 --> 48:16.866 align:left position:17.5% line:89% size:72.5%
HE TOLD "ESQUIRE" READERS,

48:16.866 --> 48:18.566 align:left position:25% line:83% size:65%
AMERICANS SHOULD TAKE
NO PART IN IT.

48:21.233 --> 48:24.033 align:left position:17.5% line:83% size:72.5%
"OF THE HELL-BROTH THAT IS
BREWING IN EUROPE

48:24.033 --> 48:26.466 align:left position:32.5% line:83% size:57.5%
WE HAVE NO NEED
TO DRINK," HE WROTE.

48:26.466 --> 48:29.800 align:left position:12.5% line:83% size:77.5%
"WE WERE FOOLS TO BE SUCKED IN
ONCE ON A EUROPEAN WAR

48:29.800 --> 48:33.633 align:left position:27.5% line:83% size:62.5%
AND WE SHOULD NEVER
BE SUCKED IN AGAIN."

48:33.633 --> 48:35.666 align:left position:20% line:89% size:70%
[EXPLOSIONS AND GUNFIRE]

48:39.633 --> 48:42.033 align:left position:22.5% line:83% size:67.5%
BUT WHAT WAS HAPPENING
IN HIS BELOVED SPAIN

48:42.033 --> 48:44.466 align:left position:30% line:83% size:60%
WAS BEGINNING TO
CHANGE HIS MIND.

48:45.900 --> 48:49.700 align:left position:17.5% line:83% size:72.5%
IT WAS NOW BEING TORN APART
BY A CIVIL WAR.

48:52.366 --> 48:56.833 align:left position:17.5% line:83% size:72.5%
EARLY IN 1936, REACTIONARY
ELEMENTS OF THE ARMY,

48:56.833 --> 49:01.300 align:left position:12.5% line:83% size:77.5%
EVENTUALLY LED BY A FASCIST
GENERAL NAMED FRANCISCO FRANCO

49:01.300 --> 49:03.933 align:left position:30% line:83% size:60%
AND SUPPORTED BY
WEALTHY INDUSTRIALISTS,

49:03.933 --> 49:07.000 align:left position:30% line:83% size:60%
GREAT LANDOWNERS,
AND THE CATHOLIC CHURCH,

49:07.000 --> 49:09.600 align:left position:25% line:83% size:65%
JOINED FORCES TO TRY
TO OVERTHROW

49:09.600 --> 49:13.100 align:left position:30% line:83% size:60%
THE DULY ELECTED
SOCIALIST GOVERNMENT.

49:14.933 --> 49:17.266 align:left position:32.5% line:83% size:57.5%
HITLER PROVIDED
FRANCO AND HIS REBELS

49:17.266 --> 49:19.200 align:left position:12.5% line:89% size:77.5%
WITH BOMBERS AND FIGHTER PLANES

49:19.200 --> 49:22.700 align:left position:12.5% line:89% size:77.5%
AND GERMAN PILOTS TO FLY THEM.

49:22.700 --> 49:26.000 align:left position:17.5% line:83% size:72.5%
THEIR GOAL WAS TO TERRORIZE
THE CIVILIAN POPULATION.

49:27.433 --> 49:29.966 align:left position:25% line:83% size:65%
THE ITALIAN DICTATOR,
BENITO MUSSOLINI,

49:29.966 --> 49:35.200 align:left position:30% line:83% size:60%
DISPATCHED TANKS
AND NEARLY 80,000 TROOPS.

49:35.200 --> 49:39.866 align:left position:15% line:83% size:75%
WITHIN WEEKS, FRANCO'S FORCES
HAD SEIZED 1/3 OF THE COUNTRY

49:39.866 --> 49:44.500 align:left position:22.5% line:83% size:67.5%
FROM THOSE FAITHFUL TO
THE GOVERNMENT--THE LOYALISTS.

49:45.966 --> 49:50.766 align:left position:15% line:83% size:75%
THE LOYALISTS' ONLY ALLY WAS
SOVIET PREMIER JOSEF STALIN,

49:50.766 --> 49:55.500 align:left position:17.5% line:83% size:72.5%
WHO WAS EAGER TO BE SEEN AS
THE LEADER OF THE EUROPEAN LEFT.

49:55.500 --> 49:58.466 align:left position:20% line:83% size:70%
HE CALLED UPON COMMUNISTS
FROM AROUND THE WORLD

49:58.466 --> 50:01.566 align:left position:15% line:89% size:75%
TO RALLY VOLUNTEER BRIGADES.

50:01.566 --> 50:05.566 align:left position:15% line:83% size:75%
BETWEEN 30,000 AND 40,000 MEN
FROM MORE THAN 50 COUNTRIES

50:05.566 --> 50:10.633 align:left position:10% line:83% size:80%
WOULD ANSWER THE CALL--INCLUDING
SOME 2,800 AMERICANS

50:10.633 --> 50:14.800 align:left position:22.5% line:83% size:67.5%
WHO CALLED THEIR OUTFIT
THE ABRAHAM LINCOLN BRIGADE.

50:17.600 --> 50:20.700 align:left position:25% line:83% size:65%
HEMINGWAY WAS CERTAIN
THAT SPAIN WAS THE PLACE

50:20.700 --> 50:23.633 align:left position:10% line:89% size:80%
WHERE FASCISM HAD TO BE STOPPED.

50:26.200 --> 50:28.533 align:left position:17.5% line:83% size:72.5%
VAILL: HE SAID TO A FRIEND
IN KEY WEST,

50:28.533 --> 50:30.766 align:left position:17.5% line:83% size:72.5%
"I'VE GOT THIS GREAT HOUSE,
I'VE GOT THIS BOAT,

50:30.766 --> 50:33.200 align:left position:20% line:83% size:70%
"BUT THEY ALL REALLY COME
FROM PAULINE.

50:33.200 --> 50:36.733 align:left position:30% line:83% size:60%
"EXCEPT FOR THAT,
I REALLY DON'T HAVE ANYTHING."

50:36.733 --> 50:39.533 align:left position:25% line:5% size:65%
SO, IN ORDER TO HAVE
SOMETHING NEW TO WRITE,

50:39.533 --> 50:41.100 align:left position:32.5% line:5% size:57.5%
HE HAD TO HAVE
SOMETHING NEW TO LIVE.

50:42.900 --> 50:44.366 align:left position:15% line:89% size:75%
AT THIS JUNCTION IN HIS LIFE,

50:44.366 --> 50:45.466 align:left position:10% line:89% size:80%
HEMINGWAY IS LOOKING DESPERATELY

50:45.466 --> 50:47.266 align:left position:25% line:89% size:65%
FOR THIS FRESH START.

50:47.266 --> 50:51.100 align:left position:25% line:83% size:65%
AND HE THINKS HE WILL
FIND IT IN SPAIN.

50:53.333 --> 50:55.500 align:left position:15% line:83% size:75%
NARRATOR: "FOR A LONG TIME,"
HEMINGWAY WROTE,

50:55.500 --> 51:00.533 align:left position:12.5% line:83% size:77.5%
"ME AND MY CONSCIENCE BOTH HAVE
KNOWN I HAVE TO GO TO SPAIN."

51:05.166 --> 51:08.233 align:left position:20% line:83% size:70%
WOMAN AS MARTHA GELLHORN:
JANUARY 8, 1937.

51:08.233 --> 51:09.733 align:left position:25% line:89% size:65%
DEAR MRS. ROOSEVELT,

51:09.733 --> 51:11.433 align:left position:30% line:89% size:60%
I'M IN KEY WEST.

51:12.900 --> 51:15.733 align:left position:17.5% line:83% size:72.5%
TO DATE IT'S THE BEST THING
I'VE FOUND IN AMERICA.

51:15.733 --> 51:20.666 align:left position:12.5% line:83% size:77.5%
IT'S HOT AND FALLING TO PIECES
AND PEOPLE SEEM HAPPY.

51:22.366 --> 51:25.600 align:left position:25% line:83% size:65%
I SEE HEMINGWAY HERE,
WHO KNOWS MORE ABOUT

51:25.600 --> 51:28.500 align:left position:17.5% line:83% size:72.5%
WRITING DIALOGUE, I THINK,
THAN ANYONE WRITING IN ENGLISH.

51:29.933 --> 51:34.366 align:left position:30% line:83% size:60%
HE'S AN ODD BIRD,
VERY LOVABLE AND FULL OF FIRE

51:34.366 --> 51:37.000 align:left position:15% line:89% size:75%
AND A MARVELOUS STORY TELLER.

51:37.000 --> 51:39.333 align:left position:10% line:89% size:80%
IN A WRITER THIS IS IMAGINATION,

51:39.333 --> 51:41.633 align:left position:17.5% line:89% size:72.5%
IN ANYONE ELSE IT'S LYING.

51:41.633 --> 51:44.033 align:left position:15% line:89% size:75%
THAT'S WHERE GENIUS COMES IN.

51:44.033 --> 51:46.066 align:left position:17.5% line:83% size:72.5%
[GEORGE AND IRA GERSHWIN'S
"OH, LADY BE GOOD" PLAYING]

51:48.600 --> 51:50.833 align:left position:20% line:83% size:70%
NARRATOR: WHEN THE WRITER
MARTHA GELLHORN,

51:50.833 --> 51:53.566 align:left position:27.5% line:83% size:62.5%
A FAMILY FRIEND OF
ELEANOR ROOSEVELT,

51:53.566 --> 51:55.300 align:left position:27.5% line:83% size:62.5%
INTRODUCED HERSELF
TO ERNEST HEMINGWAY

51:55.300 --> 52:00.366 align:left position:17.5% line:83% size:72.5%
AT THE BAR IN SLOPPY JOE'S
IN DECEMBER OF 1936,

52:00.366 --> 52:04.600 align:left position:25% line:83% size:65%
SHE WAS 28 YEARS OLD,
9 YEARS YOUNGER THAN HE.

52:06.033 --> 52:08.233 align:left position:12.5% line:5% size:77.5%
VERNA KALE: SHE HAS LONG LEGS.
SHE LOOKS VERY BEAUTIFUL.

52:08.233 --> 52:12.933 align:left position:30% line:5% size:60%
AND SHE, TOO, HAS
A CHARISMATIC PERSONALITY.

52:12.933 --> 52:15.100 align:left position:17.5% line:83% size:72.5%
HE WAS INTERESTED IN PEOPLE
WHO WERE INTERESTED IN HIM

52:15.100 --> 52:18.700 align:left position:20% line:89% size:70%
AND THEY JUST HIT IT OFF.

52:18.700 --> 52:22.366 align:left position:22.5% line:83% size:67.5%
DEARBORN: MARTHA WAS
A REALLY TOUGH COOKIE.

52:22.366 --> 52:25.000 align:left position:27.5% line:5% size:62.5%
AND MARTHA, UM, WAS
A VERY GOOD WRITER

52:25.000 --> 52:26.700 align:left position:20% line:5% size:70%
AND SHE KNEW, UM, SHE HAD

52:26.700 --> 52:29.000 align:left position:25% line:5% size:65%
VERY GOOD CONNECTIONS
AND SO FORTH.

52:29.000 --> 52:31.566 align:left position:15% line:89% size:75%
AND SHE WENT TO SLOPPY JOE'S,

52:31.566 --> 52:34.400 align:left position:25% line:83% size:65%
WHICH SHE KNOWS THAT
HEMINGWAY HANGS OUT AT.

52:34.400 --> 52:36.266 align:left position:22.5% line:89% size:67.5%
IT'S A DISGUSTING BAR.

52:36.266 --> 52:38.533 align:left position:10% line:83% size:80%
YOU WOULDN'T TAKE YOUR MOTHER
AND YOUR BROTHER [LAUGHS] THERE,

52:38.533 --> 52:40.533 align:left position:35% line:89% size:55%
BUT SHE DOES.

52:40.533 --> 52:43.033 align:left position:32.5% line:83% size:57.5%
AND, MEANWHILE,
SHE'S WEARING A BLACK DRESS.

52:43.033 --> 52:45.233 align:left position:32.5% line:89% size:57.5%
SHE'S A BLOND.

52:45.233 --> 52:48.400 align:left position:30% line:83% size:60%
AND THE MARRIAGE
DIDN'T HAVE A CHANCE.

52:50.100 --> 52:51.666 align:left position:27.5% line:83% size:62.5%
NARRATOR: GELLHORN
HAD ADMIRED HEMINGWAY

52:51.666 --> 52:54.766 align:left position:22.5% line:83% size:67.5%
SINCE HER COLLEGE DAYS
AT BRYN MAWR,

52:54.766 --> 52:56.233 align:left position:12.5% line:89% size:77.5%
WHEN SHE'D HUNG HIS PHOTOGRAPH

52:56.233 --> 52:59.733 align:left position:32.5% line:83% size:57.5%
ON THE WALL OF
HER DORMITORY ROOM.

52:59.733 --> 53:03.033 align:left position:15% line:83% size:75%
SHE'D PUBLISHED A BOOK OF
SHORT STORIES ABOUT THE POOR

53:03.033 --> 53:07.033 align:left position:12.5% line:83% size:77.5%
BASED ON INTERVIEWS SHE'D DONE
FOR A NEW DEAL AGENCY,

53:07.033 --> 53:09.266 align:left position:35% line:89% size:55%
AND A NOVEL.

53:09.266 --> 53:12.866 align:left position:25% line:83% size:65%
SHE HAD HAD AT LEAST
TWO MARRIED LOVERS.

53:12.866 --> 53:14.366 align:left position:22.5% line:83% size:67.5%
VAILL: MARTHA GELLHORN
HAD WRITTEN A NOVEL

53:14.366 --> 53:16.266 align:left position:32.5% line:83% size:57.5%
WHICH HAD BEEN
QUITE WELL RECEIVED...

53:16.266 --> 53:18.700 align:left position:22.5% line:83% size:67.5%
AH...ABOUT YOUNG WOMEN
COMING OF AGE

53:18.700 --> 53:21.600 align:left position:30% line:83% size:60%
SEXUALLY AS WELL
AS PROFESSIONALLY.

53:21.600 --> 53:24.300 align:left position:42.5% line:83% size:47.5%
ALL OF
THE REVIEWERS ACKNOWLEDGED

53:24.300 --> 53:28.466 align:left position:12.5% line:83% size:77.5%
THAT SHE HAD A DEBT, SORT OF
A STYLISTIC DEBT TO HEMINGWAY.

53:28.466 --> 53:33.700 align:left position:15% line:83% size:75%
SO, SHE HAD ALREADY A KIND OF
LITERARY CRUSH ON HIM.

53:35.166 --> 53:38.066 align:left position:20% line:83% size:70%
NARRATOR: GELLHORN SPENT
TWO WEEKS IN KEY WEST,

53:38.066 --> 53:41.466 align:left position:25% line:83% size:65%
MUCH OF THAT TIME IN
THE HEMINGWAYS' COMPANY.

53:43.766 --> 53:46.500 align:left position:27.5% line:83% size:62.5%
VAILL: SHE BECAME,
AS SHE LATER PUT IT,

53:46.500 --> 53:48.833 align:left position:17.5% line:89% size:72.5%
A FIXTURE LIKE A KUDU HEAD

53:48.833 --> 53:52.833 align:left position:32.5% line:83% size:57.5%
ON THE WALLS OF
THE HEMINGWAY HOUSE.

53:52.833 --> 53:54.466 align:left position:15% line:89% size:75%
SHE HUNG AROUND A WHOLE LOT.

53:54.466 --> 53:58.466 align:left position:22.5% line:83% size:67.5%
AND THE TWO OF THEM HAD
DEEP TALKS ABOUT FICTION

53:58.466 --> 54:01.933 align:left position:30% line:83% size:60%
AND HOW YOU WROTE
AND ABOUT SPAIN,

54:01.933 --> 54:04.066 align:left position:20% line:83% size:70%
WHICH SHE SEEMED TO KNOW
A GOOD DEAL ABOUT

54:04.066 --> 54:06.533 align:left position:30% line:83% size:60%
AND WHICH SHE WAS
VERY PASSIONATE ABOUT.

54:06.533 --> 54:10.233 align:left position:20% line:83% size:70%
AND THEY WERE IMMEDIATELY
ATTRACTED TO EACH OTHER

54:10.233 --> 54:15.600 align:left position:15% line:83% size:75%
AND HATCHED A PLOT TO GO OFF
AND COVER THE WAR TOGETHER.

54:15.600 --> 54:17.933 align:left position:12.5% line:83% size:77.5%
NARRATOR: HEMINGWAY HAD ALREADY
SIGNED UP AS A REPORTER

54:17.933 --> 54:20.666 align:left position:22.5% line:83% size:67.5%
FOR THE NORTH AMERICAN
NEWSPAPER ALLIANCE,

54:20.666 --> 54:23.933 align:left position:22.5% line:89% size:67.5%
SERVING 60 U.S. PAPERS.

54:23.933 --> 54:28.633 align:left position:15% line:83% size:75%
HE WAS TO BE PAID $1,000 FOR
EVERY FEATURE STORY WRITTEN

54:28.633 --> 54:32.300 align:left position:30% line:83% size:60%
AND $500 FOR EACH
CABLED DISPATCH--

54:32.300 --> 54:34.566 align:left position:35% line:83% size:55%
MORE THAN ANY
FOREIGN CORRESPONDENT

54:34.566 --> 54:37.333 align:left position:17.5% line:89% size:72.5%
HAD EVER BEEN PAID BEFORE.

54:37.333 --> 54:39.700 align:left position:17.5% line:89% size:72.5%
PAULINE OPPOSED HIS GOING.

54:39.700 --> 54:44.066 align:left position:12.5% line:83% size:77.5%
IT WAS SURE TO BE DANGEROUS;
SHE WAS AFRAID SHE'D LOSE HIM.

54:44.066 --> 54:47.700 align:left position:12.5% line:83% size:77.5%
HE WAS SORRY, HE SAID, "BUT YOU
CAN'T PRESERVE YOUR HAPPINESS

54:47.700 --> 54:51.633 align:left position:27.5% line:83% size:62.5%
BY PUTTING IT AWAY
IN MOTHBALLS."

54:51.633 --> 54:55.733 align:left position:27.5% line:77% size:62.5%
HE WAS MORE CANDID
WITH A FRIEND IN KEY WEST
THAT NOVEMBER:

54:55.733 --> 54:58.100 align:left position:30% line:83% size:60%
"NOTHING'S REALLY
HAPPENING TO ME HERE.

54:58.100 --> 55:01.466 align:left position:25% line:83% size:65%
"I'VE GOT TO GET OUT.
IN SPAIN MAYBE IT'S

55:01.466 --> 55:04.366 align:left position:12.5% line:89% size:77.5%
THE BIG PARADE STARTING AGAIN."

55:05.900 --> 55:08.433 align:left position:22.5% line:83% size:67.5%
VAILL: THEY DID NOT GO
ON THE SAME BOAT.

55:08.433 --> 55:11.500 align:left position:27.5% line:83% size:62.5%
THEY PRETENDED NOT
TO KNOW EACH OTHER.

55:11.500 --> 55:15.000 align:left position:27.5% line:83% size:62.5%
THEY TRAVELED UNDER
SEPARATE ITINERARIES,

55:15.000 --> 55:18.566 align:left position:17.5% line:83% size:72.5%
BUT THEY BOTH GOT TO MADRID
AND COMMENCED AN AFFAIR

55:18.566 --> 55:20.933 align:left position:27.5% line:83% size:62.5%
THAT WENT ON FOR
THE ENTIRE 3 YEARS

55:20.933 --> 55:22.766 align:left position:20% line:89% size:70%
OF THE SPANISH CIVIL WAR.

55:22.766 --> 55:25.400 align:left position:20% line:83% size:70%
[JOHNNY GANDELSMAN'S "THE
GARDEN OF EDEN MIX 3" PLAYING]

55:25.400 --> 55:27.566 align:left position:17.5% line:83% size:72.5%
NARRATOR: WHEN THEY MET UP
IN MADRID,

55:27.566 --> 55:29.133 align:left position:15% line:89% size:75%
THE CITY HAD BEEN UNDER SIEGE

55:29.133 --> 55:33.266 align:left position:17.5% line:83% size:72.5%
BY FRANCO'S FASCIST FORCES
FOR 6 MONTHS.

55:35.400 --> 55:38.533 align:left position:30% line:77% size:60%
MAN AS HEMINGWAY:
IN THE MORNING, BEFORE
YOUR CALL COMES FROM THE DESK,

55:38.533 --> 55:43.533 align:left position:17.5% line:83% size:72.5%
THE ROARING BURST OF A HIGH
EXPLOSIVE SHELL WAKES YOU

55:43.533 --> 55:46.300 align:left position:17.5% line:83% size:72.5%
AND YOU GO TO THE WINDOW
AND LOOK OUT TO SEE A MAN,

55:46.300 --> 55:49.733 align:left position:32.5% line:83% size:57.5%
HIS HEAD DOWN,
HIS COAT COLLAR UP,

55:49.733 --> 55:53.200 align:left position:15% line:83% size:75%
SPRINTING DESPERATELY ACROSS
THE PAVED SQUARE.

55:53.200 --> 55:55.466 align:left position:20% line:83% size:70%
THERE IS THE ACRID SMELL
OF HIGH EXPLOSIVE

55:55.466 --> 55:58.433 align:left position:25% line:83% size:65%
YOU HOPED YOU'D NEVER
SMELL AGAIN,

55:58.433 --> 56:01.166 align:left position:27.5% line:83% size:62.5%
AND, IN A BATHROBE
AND BEDROOM SLIPPERS,

56:01.166 --> 56:03.400 align:left position:10% line:83% size:80%
YOU HURRY DOWN THE MARBLE STAIRS
AND ALMOST INTO

56:03.400 --> 56:06.900 align:left position:25% line:83% size:65%
A MIDDLE-AGED WOMAN,
WOUNDED IN THE ABDOMEN,

56:06.900 --> 56:08.800 align:left position:27.5% line:83% size:62.5%
WHO IS BEING HELPED
INTO THE HOTEL ENTRANCE

56:08.800 --> 56:11.400 align:left position:35% line:83% size:55%
BY TWO MEN IN
BLUE WORKMEN'S SMOCKS.

56:13.533 --> 56:14.833 align:left position:25% line:83% size:65%
SHE HAS HER TWO HANDS
CROSSED BELOW

56:14.833 --> 56:18.166 align:left position:10% line:89% size:80%
HER BIG, OLD-STYLE SPANISH BOSOM

56:18.166 --> 56:19.833 align:left position:15% line:89% size:75%
AND FROM BETWEEN HER FINGERS

56:19.833 --> 56:22.500 align:left position:25% line:83% size:65%
THE BLOOD IS SPURTING
IN A THIN STREAM.

56:24.700 --> 56:29.200 align:left position:15% line:83% size:75%
ON THE CORNER, 20 YARDS AWAY,
IS A HEAP OF RUBBLE,

56:29.200 --> 56:32.366 align:left position:32.5% line:83% size:57.5%
SMASHED CEMENT
AND THROWN-UP DIRT,

56:32.366 --> 56:36.700 align:left position:27.5% line:83% size:62.5%
A SINGLE DEAD MAN,
HIS TORN CLOTHES DUSTY,

56:36.700 --> 56:38.766 align:left position:30% line:83% size:60%
AND A GREAT HOLE
IN THE SIDEWALK FROM WHICH

56:38.766 --> 56:42.333 align:left position:17.5% line:83% size:72.5%
THE GAS FROM A BROKEN MAIN
IS RISING,

56:42.333 --> 56:46.566 align:left position:17.5% line:83% size:72.5%
LOOKING LIKE A HEAT MIRAGE
IN THE COLD MORNING AIR.

56:50.600 --> 56:52.533 align:left position:20% line:83% size:70%
NARRATOR: THE NEW LOVERS
OCCUPIED A SUITE

56:52.533 --> 56:55.700 align:left position:25% line:83% size:65%
ON THE THIRD FLOOR
OF THE HOTEL FLORIDA.

56:57.500 --> 57:00.766 align:left position:22.5% line:83% size:67.5%
THE HOTEL WAS SOMETIMES
HIT BY ENEMY SHELLS

57:00.766 --> 57:05.800 align:left position:25% line:83% size:65%
INTENDED FOR A NEARBY
LOYALIST COMMUNICATIONS CENTER,

57:05.800 --> 57:08.300 align:left position:15% line:83% size:75%
BUT IT REMAINED HEADQUARTERS
FOR A HOST OF

57:08.300 --> 57:12.400 align:left position:12.5% line:83% size:77.5%
CORRESPONDENTS AND CELEBRITIES
EAGER FOR A FIRST-HAND LOOK

57:12.400 --> 57:14.366 align:left position:30% line:89% size:60%
AT THE FIGHTING--

57:14.366 --> 57:18.366 align:left position:35% line:83% size:55%
ANDRE MALRAUX
AND ANTOINE DE SAINT-EXUPERY,

57:18.366 --> 57:21.600 align:left position:25% line:83% size:65%
HERBERT L. MATHEWS OF
"THE NEW YORK TIMES,"

57:21.600 --> 57:24.533 align:left position:15% line:89% size:75%
THE PHOTOGRAPHER ROBERT CAPA,

57:24.533 --> 57:28.933 align:left position:17.5% line:83% size:72.5%
THE WRITERS LANGSTON HUGHES
AND JOHN DOS PASSOS,

57:28.933 --> 57:31.766 align:left position:12.5% line:89% size:77.5%
AND THE MOVIE STAR ERROL FLYNN.

57:33.433 --> 57:35.733 align:left position:25% line:83% size:65%
HEMINGWAY--"CRACKLING
WITH GENEROSITY,"

57:35.733 --> 57:39.033 align:left position:20% line:83% size:70%
ONE REPORTER REMEMBERED,
AND "BURSTING WITH VIGOR"--

57:39.033 --> 57:41.566 align:left position:15% line:89% size:75%
WAS AT THE CENTER OF THINGS.

57:41.566 --> 57:45.500 align:left position:12.5% line:83% size:77.5%
A HIGH-SPIRITED CROWD GATHERED
AROUND HIM EACH EVENING--

57:45.500 --> 57:49.933 align:left position:15% line:83% size:75%
OFTEN WEARING WINTER COATS
SINCE THE HOTEL HAD NO HEAT--

57:49.933 --> 57:53.233 align:left position:15% line:83% size:75%
TO DINE ON BEER AND WHISKEY,
CANNED HAM,

57:53.233 --> 57:55.900 align:left position:25% line:83% size:65%
AND PATÉ HE IMPORTED
FROM FRANCE--

57:55.900 --> 57:59.066 align:left position:17.5% line:83% size:72.5%
SOMETIMES SUPPLEMENTED WITH
PARTRIDGES HE HAD SHOT

57:59.066 --> 58:01.933 align:left position:15% line:83% size:75%
IN THE FIELDS BEYOND THE CITY
THAT MORNING

58:01.933 --> 58:06.400 align:left position:10% line:83% size:80%
AND HAD COOKED UP ON A HOT PLATE
FOR HIMSELF AND HIS GUESTS.

58:08.200 --> 58:11.866 align:left position:12.5% line:83% size:77.5%
EDNA O'BRIEN: HE DID IDENTIFY,
MOST UTTERLY,

58:11.866 --> 58:14.566 align:left position:20% line:89% size:70%
WITH EXTREME SITUATIONS.

58:17.266 --> 58:21.366 align:left position:20% line:83% size:70%
IT'S LIKE IN "KING LEAR,"
IT'S WANTING TO KNOW THE WORST

58:21.366 --> 58:23.400 align:left position:12.5% line:89% size:77.5%
AND TO KNOW IF ONE CAN BEAR IT.

58:24.666 --> 58:28.233 align:left position:35% line:5% size:55%
IT'S A TEST.
AND IT'S ALSO A TERROR.

58:29.933 --> 58:33.133 align:left position:15% line:83% size:75%
AND THEY, THEY COME TOGETHER
IN ONE.

58:34.766 --> 58:36.733 align:left position:17.5% line:83% size:72.5%
NARRATOR: MARTHA GELLHORN,
REPORTING ON THE WAR

58:36.733 --> 58:37.966 align:left position:30% line:89% size:60%
FOR "COLLIER'S,"

58:37.966 --> 58:39.500 align:left position:20% line:89% size:70%
WAS INTRODUCED BY ERNEST

58:39.500 --> 58:42.300 align:left position:12.5% line:89% size:77.5%
TO EVERYONE AS HIS GIRLFRIEND.

58:42.300 --> 58:44.566 align:left position:10% line:89% size:80%
SHE WORE SHORT SKIRTS, AND OFTEN

58:44.566 --> 58:47.400 align:left position:27.5% line:83% size:62.5%
"SAT ON THE TABLE,"
ONE WOMAN RECALLED,

58:47.400 --> 58:52.233 align:left position:15% line:83% size:75%
"SWINGING HER LONG, SLIM LEGS
IN A PROVOCATIVE MANNER."

58:52.233 --> 58:54.333 align:left position:25% line:83% size:65%
BUT SHE COVERED THE
FIGHTING EVERY BIT AS

58:54.333 --> 58:56.966 align:left position:15% line:89% size:75%
FEARLESSLY AS HEMINGWAY DID.

58:58.800 --> 59:00.600 align:left position:25% line:83% size:65%
GELLHORN: WE'D EITHER
HEAR WITH OUR EARS

59:00.600 --> 59:03.066 align:left position:15% line:83% size:75%
THAT SOMETHING WAS GOING ON,
OR WE'D HEAR BY RUMOR

59:03.066 --> 59:05.500 align:left position:25% line:83% size:65%
THAT THERE WAS A PUSH
OR A BATTLE OR SOMETHING,

59:05.500 --> 59:07.733 align:left position:15% line:89% size:75%
THEN WE'D JUST GO OFF TO IT.

59:07.733 --> 59:12.566 align:left position:25% line:5% size:65%
IT WAS A VERY SMALL,
VERY MUCH DO-IT-YOURSELF WAR.

59:12.566 --> 59:15.533 align:left position:32.5% line:83% size:57.5%
IT WAS, IT WAS
THE SIDE OF THE POOR

59:15.533 --> 59:20.600 align:left position:30% line:83% size:60%
AND, UM, AND THAT
WAS HOW IT WORKED,

59:20.600 --> 59:23.366 align:left position:20% line:83% size:70%
AND THOSE OF US WHO CARED
ABOUT IT, CARED ABOUT IT,

59:23.366 --> 59:27.200 align:left position:25% line:83% size:65%
I SUPPOSE, MORE THAN
ANYTHING BEFORE OR SINCE.

59:27.200 --> 59:29.233 align:left position:20% line:83% size:70%
[JOHNNY GANDELSMAN'S "THE
GARDEN OF EDEN MIX 3" PLAYING]

59:32.666 --> 59:35.066 align:left position:25% line:83% size:65%
NARRATOR: BUT BEHIND
THE SCENES, JOSEF STALIN

59:35.066 --> 59:37.766 align:left position:15% line:83% size:75%
WAS EXACTING A FEARFUL PRICE
FOR THE AID

59:37.766 --> 59:40.833 align:left position:12.5% line:89% size:77.5%
HE PROVIDED TO LOYALIST SPAIN.

59:40.833 --> 59:42.733 align:left position:22.5% line:83% size:67.5%
HIS AGENTS WERE ORDERED
TO TAKE OVER

59:42.733 --> 59:45.633 align:left position:20% line:83% size:70%
AS MUCH OF THE GOVERNMENT
AS THEY COULD

59:45.633 --> 59:49.666 align:left position:12.5% line:83% size:77.5%
AND SUPPRESS WHAT STALIN CALLED
"UNTRUSTWORTHY ELEMENTS"

59:49.666 --> 59:54.300 align:left position:25% line:83% size:65%
WITHIN ITS COALITION,
ANYONE HE COULD NOT CONTROL--

59:54.300 --> 59:58.333 align:left position:22.5% line:83% size:67.5%
ANARCHISTS, SOCIALISTS,
TROTSKYITES.

59:58.333 --> 01:00:01.866 align:left position:35% line:83% size:55%
SUSPECTS WERE
SPIRITED AWAY, TORTURED,

01:00:01.866 --> 01:00:05.600 align:left position:27.5% line:83% size:62.5%
EXECUTED IN SECRET
AND WITHOUT TRIAL.

01:00:07.066 --> 01:00:11.000 align:left position:15% line:83% size:75%
HEMINGWAY AND GELLHORN DINED
OFTEN WITH SOVIET COMMISSARS

01:00:11.000 --> 01:00:13.333 align:left position:20% line:83% size:70%
AND HEMINGWAY INTERVIEWED
THE MAN RESPONSIBLE

01:00:13.333 --> 01:00:16.700 align:left position:17.5% line:89% size:72.5%
FOR MOST OF THE EXECUTIONS.

01:00:16.700 --> 01:00:19.366 align:left position:15% line:89% size:75%
BUT THEY REPORTED NONE OF IT.

01:00:19.366 --> 01:00:21.433 align:left position:12.5% line:89% size:77.5%
TO EXPOSE THEM, THEY BELIEVED,

01:00:21.433 --> 01:00:25.533 align:left position:32.5% line:83% size:57.5%
WOULD HAVE HURT
THE ANTI-FASCIST CAUSE.

01:00:25.533 --> 01:00:28.333 align:left position:20% line:83% size:70%
BESIDES, HEMINGWAY WANTED
TO USE THE MATERIAL

01:00:28.333 --> 01:00:30.133 align:left position:27.5% line:89% size:62.5%
IN HIS NEXT NOVEL.

01:00:31.566 --> 01:00:33.366 align:left position:30% line:83% size:60%
WHEN THE SOVIETS
ORDERED THE EXECUTION

01:00:33.366 --> 01:00:36.833 align:left position:17.5% line:83% size:72.5%
OF A CLOSE LOYALIST FRIEND
OF JOHN DOS PASSOS,

01:00:36.833 --> 01:00:41.333 align:left position:20% line:83% size:70%
HEMINGWAY TOLD DOS PASSOS
TO KEEP QUIET ABOUT IT.

01:00:41.333 --> 01:00:43.000 align:left position:15% line:89% size:75%
WHEN HIS OLD FRIEND INSISTED

01:00:43.000 --> 01:00:45.866 align:left position:27.5% line:83% size:62.5%
HE HAD TO GO PUBLIC
WITH WHAT HAD HAPPENED,

01:00:45.866 --> 01:00:49.000 align:left position:22.5% line:83% size:67.5%
HEMINGWAY SAID IT WOULD
END HIS CAREER--

01:00:49.000 --> 01:00:51.366 align:left position:35% line:83% size:55%
THE LEFT-WING
LITERARY WORLD IN NEW YORK

01:00:51.366 --> 01:00:53.233 align:left position:20% line:89% size:70%
WOULD NEVER FORGIVE HIM.

01:00:55.033 --> 01:00:57.833 align:left position:32.5% line:83% size:57.5%
"WHY, ERNEST,"
DOS PASSOS' WIFE SAID,

01:00:57.833 --> 01:01:03.233 align:left position:17.5% line:77% size:72.5%
"I'VE NEVER HEARD ANYTHING
SO DESPICABLY OPPORTUNISTIC
IN MY LIFE."

01:01:03.233 --> 01:01:06.400 align:left position:30% line:83% size:60%
THEIR FRIENDSHIP
NEVER FULLY RECOVERED.

01:01:09.433 --> 01:01:10.933 align:left position:32.5% line:83% size:57.5%
THROUGH IT ALL,
HEMINGWAY AND GELLHORN

01:01:10.933 --> 01:01:12.900 align:left position:25% line:89% size:65%
GREW STEADILY CLOSER.

01:01:12.900 --> 01:01:15.800 align:left position:17.5% line:83% size:72.5%
AT ONE POINT, HE ASKED HER
TO MARRY HIM.

01:01:15.800 --> 01:01:19.733 align:left position:27.5% line:83% size:62.5%
SHE WAS AMBIVALENT,
RESPONDING ONLY IN HER DIARY,

01:01:19.733 --> 01:01:23.833 align:left position:22.5% line:83% size:67.5%
"NOTE TO H.: I LOVE YOU
VERY MUCH INDEED."

01:01:25.300 --> 01:01:27.933 align:left position:17.5% line:83% size:72.5%
WOMAN AS GELLHORN: I CAN DO
VERY WELL WITHOUT MARRIAGE.

01:01:27.933 --> 01:01:31.433 align:left position:17.5% line:83% size:72.5%
I'D RATHER SIN RESPECTABLY,
ANY DAY OF THE WEEK.

01:01:31.433 --> 01:01:33.666 align:left position:20% line:83% size:70%
ERNEST THINKS, OF COURSE,
THAT MARRIAGE

01:01:33.666 --> 01:01:37.500 align:left position:17.5% line:83% size:72.5%
SAVES YOU A LOT OF TROUBLE
AND HE IS ALL FOR IT.

01:01:37.500 --> 01:01:42.133 align:left position:17.5% line:83% size:72.5%
I LIKE IT BETTER CLEAN:
I THINK SIN IS VERY CLEAN.

01:01:42.133 --> 01:01:44.766 align:left position:25% line:83% size:65%
THERE ARE NO STRINGS
ATTACHED TO IT.

01:01:44.766 --> 01:01:46.733 align:left position:20% line:89% size:70%
[FILM PROJECTOR WHIRRING]

01:01:46.733 --> 01:01:49.266 align:left position:17.5% line:89% size:72.5%
[MEN SINGING INDISTINCTLY]

01:01:49.266 --> 01:01:52.533 align:left position:15% line:83% size:75%
HEMINGWAY: BEFORE, DEATH CAME
WHEN YOU WERE OLD OR SICK.

01:01:52.533 --> 01:01:55.100 align:left position:30% line:83% size:60%
BUT NOW IT COMES
TO ALL THIS VILLAGE.

01:01:55.100 --> 01:01:58.300 align:left position:30% line:83% size:60%
HIGH IN THE SKY,
AND SHINING SILVER...

01:01:58.300 --> 01:02:00.033 align:left position:17.5% line:83% size:72.5%
NARRATOR: AFTER TWO MONTHS
IN SPAIN,

01:02:00.033 --> 01:02:02.300 align:left position:30% line:83% size:60%
THEY RETURNED TO
THE UNITED STATES,

01:02:02.300 --> 01:02:03.866 align:left position:15% line:89% size:75%
WHERE GELLHORN PREVAILED UPON

01:02:03.866 --> 01:02:06.033 align:left position:27.5% line:83% size:62.5%
HER FRIENDSHIP WITH
THE FIRST LADY

01:02:06.033 --> 01:02:09.800 align:left position:12.5% line:83% size:77.5%
TO SCREEN "THE SPANISH EARTH,"
A DOCUMENTARY FILM BY

01:02:09.800 --> 01:02:13.366 align:left position:25% line:83% size:65%
A COMMUNIST FILMMAKER
NAMED JORIS IVENS

01:02:13.366 --> 01:02:17.133 align:left position:27.5% line:83% size:62.5%
THAT HEMINGWAY HAD
WRITTEN AND NARRATED.

01:02:17.133 --> 01:02:19.400 align:left position:15% line:83% size:75%
HEMINGWAY: THE SMELL OF DEATH
IS ACRID

01:02:19.400 --> 01:02:21.300 align:left position:25% line:89% size:65%
HIGH EXPLOSIVE SMOKE

01:02:21.300 --> 01:02:23.466 align:left position:25% line:89% size:65%
AND BLASTED GRANITE.

01:02:23.466 --> 01:02:26.033 align:left position:30% line:83% size:60%
WHY DO THEY STAY?
THEY STAY BECAUSE

01:02:26.033 --> 01:02:29.733 align:left position:22.5% line:83% size:67.5%
THIS IS THEIR CITY,
THESE ARE THEIR HOMES.

01:02:29.733 --> 01:02:33.166 align:left position:27.5% line:83% size:62.5%
HERE IS THEIR WORK,
THIS IS THEIR FIGHT.

01:02:33.166 --> 01:02:35.866 align:left position:22.5% line:83% size:67.5%
THE FIGHT TO BE ALLOWED
TO LIVE AS HUMAN BEINGS.

01:02:35.866 --> 01:02:37.700 align:left position:25% line:83% size:65%
[JOHNNY GANDELSMAN'S
"LA DESPEDIDA MIX 1" PLAYING]

01:02:37.700 --> 01:02:39.400 align:left position:15% line:83% size:75%
NARRATOR: "IT WAS DAMNED NICE
OF THE ROOSEVELTS

01:02:39.400 --> 01:02:41.966 align:left position:35% line:83% size:55%
TO HAVE US,"
HEMINGWAY LATER WROTE,

01:02:41.966 --> 01:02:44.466 align:left position:27.5% line:83% size:62.5%
BUT THE PRESIDENT,
WHILE SYMPATHETIC,

01:02:44.466 --> 01:02:48.500 align:left position:20% line:83% size:70%
FELT HE COULD DO NOTHING
TO HELP THE LOYALIST CAUSE.

01:02:48.500 --> 01:02:52.066 align:left position:20% line:83% size:70%
THE UNITED STATES WAS
STILL A NEUTRAL COUNTRY.

01:02:53.466 --> 01:02:55.200 align:left position:12.5% line:89% size:77.5%
HEMINGWAY WOULD RETURN TO SPAIN

01:02:55.200 --> 01:02:59.200 align:left position:30% line:83% size:60%
3 MORE TIMES OVER
THE NEXT 17 MONTHS

01:02:59.200 --> 01:03:04.400 align:left position:22.5% line:83% size:67.5%
AS THE FASCISTS SLOWLY,
STEADILY ADVANCED.

01:03:04.400 --> 01:03:07.866 align:left position:12.5% line:83% size:77.5%
THOUGH HE HAD PRIVATELY COME
TO BELIEVE THE WAR HAD DEVOLVED

01:03:07.866 --> 01:03:10.066 align:left position:27.5% line:83% size:62.5%
INTO WHAT HE CALLED
"A CARNIVAL OF

01:03:10.066 --> 01:03:13.900 align:left position:20% line:83% size:70%
TREACHERY AND ROTTENNESS
ON BOTH SIDES,"

01:03:13.900 --> 01:03:16.900 align:left position:22.5% line:83% size:67.5%
HIS DISPATCHES REMAINED
OPTIMISTIC EVEN AS

01:03:16.900 --> 01:03:20.333 align:left position:15% line:83% size:75%
HOPES FOR A LOYALIST VICTORY
BEGAN TO FADE.

01:03:21.800 --> 01:03:23.833 align:left position:20% line:89% size:70%
[EXPLOSIONS AND GUNFIRE]

01:03:41.100 --> 01:03:43.200 align:left position:15% line:89% size:75%
AND WHEN ALL WAS FINALLY LOST

01:03:43.200 --> 01:03:45.100 align:left position:25% line:83% size:65%
AND LOYALIST FRIENDS
OF HEMINGWAY'S

01:03:45.100 --> 01:03:48.566 align:left position:30% line:83% size:60%
WERE FORCED INTO
EXILE IN FRANCE,

01:03:48.566 --> 01:03:52.000 align:left position:27.5% line:83% size:62.5%
WITHOUT A CAUSE OR
A COUNTRY ANYMORE,

01:03:52.000 --> 01:03:54.466 align:left position:20% line:89% size:70%
MARTHA FOUND HIM WEEPING.

01:03:56.000 --> 01:03:59.566 align:left position:10% line:83% size:80%
"I REALLY DID LOVE ERNEST THEN,"
SHE WOULD REMEMBER.

01:04:04.833 --> 01:04:07.066 align:left position:20% line:83% size:70%
[DAVID CIERI'S "I USED TO
LOVE YOU VARIATION 2" PLAYING]

01:04:07.066 --> 01:04:09.433 align:left position:17.5% line:83% size:72.5%
WOMAN AS PAULINE HEMINGWAY:
OH, PAPA DARLING,

01:04:09.433 --> 01:04:11.300 align:left position:15% line:89% size:75%
WHAT IS THE MATTER WITH YOU?

01:04:11.300 --> 01:04:13.433 align:left position:15% line:83% size:75%
IF YOU ARE NO LONGER THE MAN
I USED TO KNOW,

01:04:13.433 --> 01:04:16.400 align:left position:30% line:89% size:60%
GET THE HELL OUT,

01:04:16.400 --> 01:04:19.866 align:left position:32.5% line:83% size:57.5%
BUT IF YOU ARE,
STOP BEING SO STUPID.

01:04:23.133 --> 01:04:25.533 align:left position:20% line:83% size:70%
NARRATOR: FROM THE FIRST,
PAULINE HAD RESENTED

01:04:25.533 --> 01:04:29.600 align:left position:35% line:83% size:55%
HER HUSBAND'S
LONG ABSENCES OVERSEAS.

01:04:29.600 --> 01:04:31.800 align:left position:15% line:89% size:75%
THEN, SOMEHOW, SHE LEARNED OF

01:04:31.800 --> 01:04:34.700 align:left position:25% line:83% size:65%
HIS RELATIONSHIP WITH
MARTHA GELLHORN.

01:04:34.700 --> 01:04:36.500 align:left position:27.5% line:83% size:62.5%
SHE DID EVERYTHING
SHE COULD THINK OF

01:04:36.500 --> 01:04:39.433 align:left position:15% line:89% size:75%
TO KEEP HER MARRIAGE INTACT--

01:04:39.433 --> 01:04:42.966 align:left position:30% line:83% size:60%
REUNIONS WITH HER
HUSBAND IN PARIS,

01:04:42.966 --> 01:04:46.366 align:left position:22.5% line:83% size:67.5%
WYOMING VACATIONS WITH
HIM AND THE BOYS,

01:04:46.366 --> 01:04:49.666 align:left position:25% line:83% size:65%
FAMILY FISHING TRIPS
OFF FLORIDA.

01:04:49.666 --> 01:04:51.933 align:left position:22.5% line:89% size:67.5%
NOTHING SEEMED TO WORK.

01:04:51.933 --> 01:04:53.433 align:left position:15% line:89% size:75%
WHENEVER THEY WERE TOGETHER,

01:04:53.433 --> 01:04:56.600 align:left position:20% line:83% size:70%
BOTH SHE AND HER HUSBAND
WERE MISERABLE.

01:04:58.666 --> 01:05:00.066 align:left position:17.5% line:83% size:72.5%
WOMAN AS PAULINE HEMINGWAY:
LIFE HERE IS GOING ON

01:05:00.066 --> 01:05:02.166 align:left position:30% line:83% size:60%
JUST THE SAME AS
WHEN YOU WERE HERE

01:05:02.166 --> 01:05:05.366 align:left position:17.5% line:83% size:72.5%
AND IT WAS SO UNATTRACTIVE
TO YOU,

01:05:05.366 --> 01:05:08.200 align:left position:27.5% line:83% size:62.5%
AND IT WON'T BE ANY
DIFFERENT WHEN YOU GET BACK,

01:05:08.200 --> 01:05:09.966 align:left position:10% line:89% size:80%
SO, IF YOU ARE HAPPY OVER THERE,

01:05:09.966 --> 01:05:12.566 align:left position:25% line:83% size:65%
DON'T COME BACK HERE
TO BE UNHAPPY...

01:05:13.800 --> 01:05:18.433 align:left position:15% line:83% size:75%
BUT I HOPE YOU CAN COME BACK
AND WE CAN BOTH BE HAPPY.

01:05:20.133 --> 01:05:22.133 align:left position:27.5% line:83% size:62.5%
[GERARDO MARTÍNEZ'S
"ROMÁNTICA MUJER" PLAYING]

01:05:33.166 --> 01:05:35.733 align:left position:15% line:83% size:75%
NARRATOR: IN THE EARLY SPRING
OF 1939,

01:05:35.733 --> 01:05:38.000 align:left position:15% line:89% size:75%
HEMINGWAY WAS IN CUBA AGAIN,

01:05:38.000 --> 01:05:42.433 align:left position:15% line:83% size:75%
WORKING ON A NEW NOVEL SET
DURING THE SPANISH CIVIL WAR,

01:05:42.433 --> 01:05:46.366 align:left position:35% line:83% size:55%
TO BE CALLED
"FOR WHOM THE BELL TOLLS."

01:05:46.366 --> 01:05:49.100 align:left position:22.5% line:83% size:67.5%
HE HAD INVITED GELLHORN
TO JOIN HIM.

01:05:51.066 --> 01:05:53.500 align:left position:17.5% line:83% size:72.5%
WOMAN AS GELLHORN: IT IS
EXACTLY AS IF HE WERE DEAD

01:05:53.500 --> 01:05:55.966 align:left position:20% line:89% size:70%
OR VISITING ON THE MOON.

01:05:55.966 --> 01:05:57.566 align:left position:10% line:89% size:80%
HE WRITES AND WHEN HE IS THROUGH

01:05:57.566 --> 01:05:59.566 align:left position:22.5% line:89% size:67.5%
HE GOES INTO A SILENCE.

01:06:01.566 --> 01:06:04.200 align:left position:20% line:83% size:70%
HE PROTECTS HIMSELF FROM
ANYTHING AND EVERYTHING,

01:06:04.200 --> 01:06:06.533 align:left position:15% line:89% size:75%
TAKES NO PART IN THIS WORLD,

01:06:06.533 --> 01:06:09.866 align:left position:27.5% line:83% size:62.5%
CARES ABOUT NOTHING
EXCEPT WHAT HE IS WRITING.

01:06:09.866 --> 01:06:12.733 align:left position:22.5% line:83% size:67.5%
HE'S ABOUT AS MUCH USE
AS A STUFFED SQUIRREL,

01:06:12.733 --> 01:06:16.300 align:left position:25% line:83% size:65%
BUT HE IS TURNING OUT
A BEAUTIFUL STORY.

01:06:16.300 --> 01:06:19.633 align:left position:15% line:83% size:75%
AND NOTHING ON EARTH BESIDES
MATTERS TO HIM.

01:06:19.633 --> 01:06:21.966 align:left position:12.5% line:89% size:77.5%
YOU SEE, THAT'S THE WAY TO BE.

01:06:21.966 --> 01:06:24.800 align:left position:12.5% line:89% size:77.5%
THAT WAY YOU GET WRITING DONE.

01:06:24.800 --> 01:06:27.733 align:left position:22.5% line:83% size:67.5%
HE LIKEWISE BELIEVES IN
HIMSELF AND HIS WRITING

01:06:27.733 --> 01:06:31.500 align:left position:15% line:83% size:75%
AS IF IT WERE THE TABLETS OF
STONE OR THE TRUE GOD,

01:06:31.500 --> 01:06:33.866 align:left position:15% line:89% size:75%
AND THAT'S ANOTHER ESSENTIAL.

01:06:36.633 --> 01:06:38.133 align:left position:27.5% line:83% size:62.5%
NARRATOR: NO MATTER
HOW MUCH GELLHORN

01:06:38.133 --> 01:06:40.333 align:left position:25% line:83% size:65%
BELIEVED IN HEMINGWAY
AND HIS WORK,

01:06:40.333 --> 01:06:44.800 align:left position:15% line:83% size:75%
LIVING COOPED UP IN A HAVANA
HOTEL WITH HIM DAY AFTER DAY,

01:06:44.800 --> 01:06:46.566 align:left position:15% line:89% size:75%
TRYING TO DO HER OWN WRITING

01:06:46.566 --> 01:06:49.066 align:left position:25% line:83% size:65%
WHILE HE LABORED OVER
HIS TYPEWRITER,

01:06:49.066 --> 01:06:51.933 align:left position:20% line:89% size:70%
DID NOT APPEAL FOR LONG,

01:06:51.933 --> 01:06:55.866 align:left position:17.5% line:83% size:72.5%
SO, SHE RENTED A RUN-DOWN,
10-ACRE, HILL-TOP PROPERTY,

01:06:55.866 --> 01:07:00.566 align:left position:17.5% line:83% size:72.5%
12 MILES OUTSIDE THE CITY,
CALLED FINCA VIGÍA--

01:07:00.566 --> 01:07:03.466 align:left position:17.5% line:89% size:72.5%
SPANISH FOR "LOOKOUT FARM."

01:07:07.266 --> 01:07:08.600 align:left position:27.5% line:83% size:62.5%
WOMAN AS GELLHORN:
I WOKE TO LOOK OUT MY WINDOW

01:07:08.600 --> 01:07:10.700 align:left position:15% line:89% size:75%
AT A CEIBA TREE, SO BEAUTIFUL

01:07:10.700 --> 01:07:13.033 align:left position:17.5% line:89% size:72.5%
THAT YOU CAN'T BELIEVE IT,

01:07:13.033 --> 01:07:17.200 align:left position:17.5% line:83% size:72.5%
AND HEAR THE PALMS RATTLING
IN THE MORNING WIND,

01:07:17.200 --> 01:07:21.600 align:left position:25% line:83% size:65%
AND THE SUN STREAKING
OVER THE TILED FLOORS,

01:07:21.600 --> 01:07:27.366 align:left position:15% line:83% size:75%
AND THE HOUSE ITSELF, WIDE
AND BARE AND CLEAN AND EMPTY,

01:07:27.366 --> 01:07:30.066 align:left position:17.5% line:89% size:72.5%
LYING QUIET ALL AROUND ME.

01:07:30.066 --> 01:07:33.300 align:left position:27.5% line:89% size:62.5%
AND I AM DELIGHTED.

01:07:33.300 --> 01:07:35.033 align:left position:22.5% line:83% size:67.5%
NARRATOR: HEMINGWAY WAS
DELIGHTED, TOO,

01:07:35.033 --> 01:07:38.300 align:left position:25% line:83% size:65%
AND WOULD EVENTUALLY
BUY THE PLACE OUTRIGHT.

01:07:38.300 --> 01:07:42.366 align:left position:17.5% line:83% size:72.5%
THE FINCA WOULD BE HIS HOME
FOR THE NEXT TWO DECADES.

01:07:44.466 --> 01:07:46.500 align:left position:20% line:5% size:70%
[PADURA SPEAKING SPANISH]

01:08:26.933 --> 01:08:29.300 align:left position:20% line:83% size:70%
MAN AS HEMINGWAY: PEOPLE
ASK YOU WHY YOU LIVE IN CUBA

01:08:29.300 --> 01:08:32.633 align:left position:25% line:83% size:65%
AND YOU SAY IT IS
BECAUSE YOU LIKE IT.

01:08:32.633 --> 01:08:34.566 align:left position:25% line:83% size:65%
IT IS TOO COMPLICATED
TO EXPLAIN ABOUT

01:08:34.566 --> 01:08:38.066 align:left position:30% line:83% size:60%
THE EARLY MORNING
IN THE HILLS ABOVE HAVANA

01:08:38.066 --> 01:08:40.300 align:left position:27.5% line:83% size:62.5%
WHERE EVERY MORNING
IS COOL AND FRESH

01:08:40.300 --> 01:08:42.866 align:left position:15% line:89% size:75%
ON THE HOTTEST DAY IN SUMMER.

01:08:42.866 --> 01:08:44.633 align:left position:25% line:83% size:65%
YOU COULD TELL THEM
THAT YOU LIVE IN CUBA

01:08:44.633 --> 01:08:46.733 align:left position:25% line:83% size:65%
BECAUSE YOU ONLY HAVE
TO PUT SHOES ON

01:08:46.733 --> 01:08:48.900 align:left position:20% line:89% size:70%
WHEN YOU COME INTO TOWN,

01:08:48.900 --> 01:08:52.533 align:left position:12.5% line:83% size:77.5%
AND THAT YOU WORK AS WELL THERE
IN THOSE COOL EARLY MORNINGS

01:08:52.533 --> 01:08:55.433 align:left position:22.5% line:83% size:67.5%
AS YOU EVER HAVE WORKED
ANYWHERE IN THE WORLD.

01:08:57.266 --> 01:08:59.433 align:left position:35% line:83% size:55%
BUT THOSE ARE
PROFESSIONAL SECRETS.

01:09:03.500 --> 01:09:06.133 align:left position:25% line:83% size:65%
PATRICK: I THINK WHAT
HE LIKED ABOUT CUBA AND...

01:09:06.133 --> 01:09:09.133 align:left position:25% line:83% size:65%
AND WHY IT WAS SO BAD
WHEN IT WENT SOUR

01:09:09.133 --> 01:09:14.266 align:left position:12.5% line:83% size:77.5%
WAS HE COULD REALLY INSULATE
HIMSELF FROM BEING AN AMERICAN;

01:09:14.266 --> 01:09:17.466 align:left position:20% line:83% size:70%
HE COULD JUST COMPLETELY
LEAVE THAT BEHIND,

01:09:17.466 --> 01:09:20.966 align:left position:27.5% line:83% size:62.5%
ENTER A WORLD WHERE
HE HAD NO LOYALTIES,

01:09:20.966 --> 01:09:23.266 align:left position:17.5% line:89% size:72.5%
HE HAD NO REGRETS, NOTHING.

01:09:23.266 --> 01:09:26.633 align:left position:30% line:83% size:60%
IT WAS A SORT OF
NEUTRAL CORNER FOR HIM.

01:09:26.633 --> 01:09:28.600 align:left position:10% line:89% size:80%
MUCH HAS BEEN MADE BY THE CUBANS

01:09:28.600 --> 01:09:30.800 align:left position:10% line:5% size:80%
OF HIS LOVE OF THE CUBAN PEOPLE.

01:09:30.800 --> 01:09:33.133 align:left position:25% line:5% size:65%
I DON'T THINK HE HAD
MUCH FEELING [CHUCKLES]

01:09:33.133 --> 01:09:34.866 align:left position:15% line:89% size:75%
FOR THE CUBAN PEOPLE AT ALL.

01:09:34.866 --> 01:09:41.166 align:left position:15% line:83% size:75%
BUT...AH...HE...HE...AH...HE
COULDN'T BE IN SPAIN

01:09:41.166 --> 01:09:44.166 align:left position:15% line:83% size:75%
AND THIS WAS THE SECOND BEST,
YOU KNOW.

01:09:44.166 --> 01:09:46.200 align:left position:10% line:77% size:80%
[TURNER LAYTON & HENRY CREAMER'S
"AFTER YOU'VE GONE
(INSTRUMENTAL)" PLAYING]

01:09:46.200 --> 01:09:48.833 align:left position:17.5% line:83% size:72.5%
WOMAN AS GELLHORN: I AM NOW
SUDDENLY A MOTHER OF 3

01:09:48.833 --> 01:09:51.133 align:left position:20% line:89% size:70%
AND I MUST SAY I LOVE IT.

01:09:51.133 --> 01:09:54.366 align:left position:15% line:83% size:75%
IT'S CERTAINLY A LOT MORE FUN
TO BE A MOTHER OF 3

01:09:54.366 --> 01:09:57.300 align:left position:27.5% line:83% size:62.5%
WITHOUT EVER HAVING
TO LOSE YOUR SHAPE

01:09:57.300 --> 01:10:00.266 align:left position:17.5% line:83% size:72.5%
THAN BEING A MOTHER OF ONE,
YOUR OWN,

01:10:00.266 --> 01:10:03.266 align:left position:27.5% line:83% size:62.5%
AND NOT KNOWING HOW
THE BRAT WILL TURN OUT.

01:10:04.833 --> 01:10:06.900 align:left position:17.5% line:83% size:72.5%
NARRATOR: HEMINGWAY'S SONS
WOULD COME TO VISIT--

01:10:06.900 --> 01:10:09.166 align:left position:20% line:83% size:70%
AND BEGIN TO GET TO KNOW
THE WOMAN WITH WHOM

01:10:09.166 --> 01:10:12.600 align:left position:30% line:83% size:60%
THEIR FATHER WAS
NOW OPENLY LIVING.

01:10:12.600 --> 01:10:14.833 align:left position:27.5% line:83% size:62.5%
PATRICK: SHE WAS
WONDERFUL WITH US.

01:10:14.833 --> 01:10:16.266 align:left position:22.5% line:89% size:67.5%
I...I REALLY LOVED HER

01:10:16.266 --> 01:10:19.100 align:left position:12.5% line:89% size:77.5%
AND SHE WAS A WONDERFUL PERSON.

01:10:19.100 --> 01:10:22.433 align:left position:15% line:83% size:75%
NARRATOR: GREGORY REMEMBERED
HOW BEAUTIFUL MARTHA SEEMED

01:10:22.433 --> 01:10:26.500 align:left position:10% line:83% size:80%
AND HER WILLINGNESS TO LISTEN
TO THE OPINIONS OF A 9-YEAR-OLD,

01:10:26.500 --> 01:10:29.266 align:left position:25% line:83% size:65%
"AND AT LEAST PRETEND
TO GIVE THEM WEIGHT."

01:10:30.500 --> 01:10:32.466 align:left position:25% line:83% size:65%
BUMBY LIKED HER, TOO,
HE REMEMBERED.

01:10:32.466 --> 01:10:35.300 align:left position:22.5% line:83% size:67.5%
"I WAS OVERWHELMED BY
THIS MARVELOUS CREATURE

01:10:35.300 --> 01:10:37.833 align:left position:17.5% line:83% size:72.5%
"WHO COULD SAY THE "F" WORD
SO NATURALLY

01:10:37.833 --> 01:10:40.333 align:left position:15% line:89% size:75%
"THAT IT DIDN'T SOUND DIRTY.

01:10:40.333 --> 01:10:42.633 align:left position:15% line:89% size:75%
I WAS HER IMMEDIATE CAPTIVE."

01:10:44.033 --> 01:10:45.700 align:left position:27.5% line:83% size:62.5%
WOMAN AS GELLHORN:
THEY ALL THINK I AM A SORT OF

01:10:45.700 --> 01:10:48.666 align:left position:20% line:83% size:70%
COLOSSAL JOKE AND ONE OF
THE BOYS

01:10:48.666 --> 01:10:50.833 align:left position:12.5% line:89% size:77.5%
AND REFER TO ME AS "THE MARTY,"

01:10:50.833 --> 01:10:53.100 align:left position:27.5% line:83% size:62.5%
AND I THINK IT ALL
GOES VERY FINE.

01:10:53.100 --> 01:10:57.033 align:left position:17.5% line:83% size:72.5%
ANYHOW I AM NUTS FOR THEM,
WHICH IS A GRAND THING.

01:11:01.333 --> 01:11:04.966 align:left position:20% line:83% size:70%
NARRATOR: ERNEST RETURNED
FROM TIME TO TIME TO KEY WEST

01:11:04.966 --> 01:11:07.533 align:left position:27.5% line:83% size:62.5%
TO SEE HIS CHILDREN
DURING THE SCHOOL YEAR--

01:11:07.533 --> 01:11:11.233 align:left position:15% line:83% size:75%
AND TO SEE IF HE AND PAULINE
COULD SOMEHOW MAKE IT WORK.

01:11:13.466 --> 01:11:17.966 align:left position:12.5% line:83% size:77.5%
OVER THEIR 15 YEARS TOGETHER--
13 AS A MARRIED COUPLE--

01:11:17.966 --> 01:11:20.400 align:left position:27.5% line:83% size:62.5%
HEMINGWAY HAD RISEN
TO A KIND OF FAME

01:11:20.400 --> 01:11:24.733 align:left position:20% line:83% size:70%
NO AMERICAN WRITER SINCE
MARK TWAIN HAD ENJOYED.

01:11:24.733 --> 01:11:26.633 align:left position:17.5% line:89% size:72.5%
ALL THAT TIME, PAULINE HAD

01:11:26.633 --> 01:11:29.466 align:left position:27.5% line:83% size:62.5%
DEVOTED HERSELF
TO HIS WELL-BEING,

01:11:29.466 --> 01:11:33.633 align:left position:17.5% line:83% size:72.5%
OFTEN ACTED AS HIS EDITOR,
AND SHE AND HER FAMILY

01:11:33.633 --> 01:11:38.366 align:left position:12.5% line:83% size:77.5%
HAD PROVIDED FINANCIAL SUPPORT
BETWEEN BOOKS.

01:11:38.366 --> 01:11:42.933 align:left position:15% line:83% size:75%
BUT IN THE END, NONE OF IT
WOULD SEEM TO MATTER TO HIM.

01:11:45.233 --> 01:11:47.566 align:left position:32.5% line:83% size:57.5%
EDNA: O'BRIEN:
WHEN PEOPLE WANT TO GO AWAY,

01:11:47.566 --> 01:11:49.366 align:left position:25% line:83% size:65%
THERE ARE TWO THINGS
ATTACHED TO IT.

01:11:49.366 --> 01:11:53.100 align:left position:10% line:89% size:80%
ONE IS ADVENTURE AND NEW THINGS,

01:11:53.100 --> 01:11:54.666 align:left position:22.5% line:89% size:67.5%
NEW SIGHTS, NEW SCENES,

01:11:54.666 --> 01:11:56.666 align:left position:30% line:89% size:60%
DANGER, WHATEVER.

01:11:56.666 --> 01:11:59.400 align:left position:12.5% line:89% size:77.5%
BUT THE OTHER, WHICH I BELIEVE,

01:11:59.400 --> 01:12:03.633 align:left position:17.5% line:89% size:72.5%
AGAIN, IT IS ONLY MY HUNCH,

01:12:03.633 --> 01:12:05.766 align:left position:15% line:89% size:75%
IS TO ESCAPE HIS OWN FAMILY.

01:12:07.300 --> 01:12:09.500 align:left position:37.5% line:83% size:52.5%
WRITERS DO.
THEY HAVE TO.

01:12:11.266 --> 01:12:13.600 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
MEN WANT SOMEONE NEW,

01:12:13.600 --> 01:12:15.300 align:left position:27.5% line:89% size:62.5%
OR SOMEONE YOUNGER,

01:12:15.300 --> 01:12:17.800 align:left position:32.5% line:83% size:57.5%
OR SOMEONE THAT
THEY SHOULDN'T HAVE,

01:12:17.800 --> 01:12:21.533 align:left position:25% line:5% size:65%
OR SOMEONE THAT LOOKS
LIKE SOMEONE ELSE.

01:12:21.533 --> 01:12:23.433 align:left position:17.5% line:5% size:72.5%
THE BETTER YOU TREAT A MAN

01:12:23.433 --> 01:12:26.266 align:left position:20% line:5% size:70%
AND THE MORE YOU SHOW HIM
YOU LOVE HIM,

01:12:26.266 --> 01:12:30.066 align:left position:27.5% line:83% size:62.5%
THE QUICKER HE GETS
TIRED OF YOU.

01:12:30.066 --> 01:12:32.900 align:left position:15% line:83% size:75%
DEARBORN: HE SAYS TO PAULINE,
"YOU TOOK ME FROM HADLEY

01:12:32.900 --> 01:12:35.566 align:left position:27.5% line:83% size:62.5%
"AND NOW MARTHA IS
TAKING ME FROM YOU.

01:12:35.566 --> 01:12:37.900 align:left position:10% line:89% size:80%
"WHAT GOES AROUND, COMES AROUND.

01:12:37.900 --> 01:12:40.266 align:left position:27.5% line:83% size:62.5%
LIVE BY THE SWORD,
DIE BY THE SWORD."

01:12:40.266 --> 01:12:44.333 align:left position:15% line:83% size:75%
AND I THINK THAT WAS A REALLY
ROTTEN THING TO TELL PAULINE.

01:12:44.333 --> 01:12:48.066 align:left position:15% line:5% size:75%
I MEAN, PAULINE MADE POSSIBLE
SOME OF HIS BEST WORK.

01:12:48.066 --> 01:12:50.433 align:left position:17.5% line:5% size:72.5%
AND SHE'S HIS BEST READER.

01:12:50.433 --> 01:12:52.733 align:left position:20% line:83% size:70%
NARRATOR: AS A CATHOLIC,
PAULINE WAS RELUCTANT

01:12:52.733 --> 01:12:55.600 align:left position:15% line:89% size:75%
TO GRANT HEMINGWAY A DIVORCE.

01:12:55.600 --> 01:12:59.466 align:left position:15% line:83% size:75%
THERE WERE ANGRY ACCUSATIONS
FROM BOTH SIDES.

01:12:59.466 --> 01:13:02.966 align:left position:27.5% line:83% size:62.5%
GREGORY REMEMBERED
"SHOUTING IN OTHER ROOMS,

01:13:02.966 --> 01:13:05.700 align:left position:30% line:83% size:60%
"DOORS SLAMMING,
MOTHER SCURRYING

01:13:05.700 --> 01:13:08.366 align:left position:15% line:89% size:75%
OUT OF THEIR BEDROOM CRYING."

01:13:09.666 --> 01:13:11.633 align:left position:27.5% line:83% size:62.5%
PATRICK: YOU KNOW,
BY 1939 IT WAS,

01:13:11.633 --> 01:13:13.900 align:left position:30% line:83% size:60%
OH, IT WAS JUST
COMING TO AN END.

01:13:15.166 --> 01:13:19.266 align:left position:20% line:83% size:70%
THE PATTERN IN OUR FAMILY
WAS TO DRIVE OUT FROM FLORIDA

01:13:19.266 --> 01:13:21.133 align:left position:30% line:89% size:60%
TO, TO THE WEST.

01:13:21.133 --> 01:13:23.333 align:left position:17.5% line:89% size:72.5%
AND IT TOOK QUITE A WHILE.

01:13:23.333 --> 01:13:26.800 align:left position:22.5% line:83% size:67.5%
AND THEY HAD TREMENDOUS
ARGUMENTS, I REMEMBER.

01:13:26.800 --> 01:13:29.466 align:left position:22.5% line:83% size:67.5%
AND DRIVING, YOU KNOW,
WHICH ROAD TO TAKE

01:13:29.466 --> 01:13:33.066 align:left position:22.5% line:83% size:67.5%
AND, JUST ON EACH OTHER
ALL SUMMER LONG.

01:13:34.466 --> 01:13:38.033 align:left position:20% line:83% size:70%
THEY WERE STILL NOMINALLY
TOGETHER, YOU KNOW,

01:13:38.033 --> 01:13:42.033 align:left position:12.5% line:89% size:77.5%
BUT HE WAS REALLY PULLING OUT.

01:13:42.033 --> 01:13:45.066 align:left position:10% line:89% size:80%
NARRATOR: ON SEPTEMBER 3, 1939--

01:13:45.066 --> 01:13:48.566 align:left position:32.5% line:83% size:57.5%
TWO DAYS AFTER
HITLER'S FORCES INVADED POLAND,

01:13:48.566 --> 01:13:51.000 align:left position:12.5% line:89% size:77.5%
STARTING THE SECOND WORLD WAR--

01:13:51.000 --> 01:13:55.166 align:left position:12.5% line:83% size:77.5%
HEMINGWAY FINALLY TOLD PAULINE
HE WAS LEAVING FOR GOOD.

01:13:59.333 --> 01:14:02.366 align:left position:25% line:77% size:65%
[JOHNNY GANDELSMAN'S
"THE GARDEN OF EDEN MIX 3
GUITAR STEM" PLAYING]

01:14:02.366 --> 01:14:04.233 align:left position:10% line:89% size:80%
JOHN McCAIN: I WAS 12 YEARS OLD.

01:14:04.233 --> 01:14:08.633 align:left position:17.5% line:83% size:72.5%
I FOUND A FOUR-LEAF CLOVER
AND I BROUGHT IT IN,

01:14:08.633 --> 01:14:13.100 align:left position:22.5% line:83% size:67.5%
TO PRESS IT IN A BOOK
SO I COULD PRESERVE IT.

01:14:13.100 --> 01:14:16.600 align:left position:27.5% line:83% size:62.5%
THAT HAPPENED TO BE
"FOR WHOM THE BELL TOLLS,"

01:14:16.600 --> 01:14:18.900 align:left position:12.5% line:5% size:77.5%
STILL THE GREAT AMERICAN NOVEL.

01:14:18.900 --> 01:14:22.800 align:left position:17.5% line:5% size:72.5%
AND I STARTED READING AND I
COULDN'T STOP UNTIL I FINISHED.

01:14:25.066 --> 01:14:26.433 align:left position:32.5% line:83% size:57.5%
NARRATOR: WHEN
"FOR WHOM THE BELL TOLLS"

01:14:26.433 --> 01:14:29.600 align:left position:30% line:83% size:60%
WAS PUBLISHED IN
OCTOBER OF 1940,

01:14:29.600 --> 01:14:32.666 align:left position:25% line:83% size:65%
EUROPE AND ASIA WERE
ENGULFED IN A WORLD WAR

01:14:32.666 --> 01:14:35.066 align:left position:25% line:83% size:65%
FAR MORE CATACLYSMIC
THAN THE ONE

01:14:35.066 --> 01:14:37.266 align:left position:27.5% line:83% size:62.5%
IN WHICH HEMINGWAY
HAD BEEN WOUNDED.

01:14:37.266 --> 01:14:39.300 align:left position:25% line:77% size:65%
[JOHNNY GANDELSMAN'S
"THE GARDEN OF EDEN MIX 3
BASS STEM" PLAYING]

01:14:52.066 --> 01:14:54.100 align:left position:25% line:77% size:65%
[JOHNNY GANDELSMAN'S
"THE GARDEN OF EDEN MIX 3
PERC STEM" PLAYING]

01:15:00.700 --> 01:15:02.300 align:left position:27.5% line:83% size:62.5%
VAILL: BY THE TIME
"FOR WHOM THE BELL TOLLS"

01:15:02.300 --> 01:15:05.033 align:left position:30% line:89% size:60%
CAME OUT IN 1940,

01:15:05.033 --> 01:15:08.766 align:left position:15% line:89% size:75%
WAR IN EUROPE WAS A REALITY.

01:15:08.766 --> 01:15:13.766 align:left position:27.5% line:83% size:62.5%
FRANCE HAD FALLEN.
IT WAS DO OR DIE TIME.

01:15:13.766 --> 01:15:17.766 align:left position:15% line:83% size:75%
THE QUESTIONS THAT HEMINGWAY
RAISES IN THAT NOVEL

01:15:17.766 --> 01:15:20.166 align:left position:22.5% line:89% size:67.5%
WERE INCREDIBLY URGENT.

01:15:20.166 --> 01:15:24.166 align:left position:25% line:5% size:65%
AND IT WAS CLEAR THAT
THE BELL WAS TOLLING

01:15:24.166 --> 01:15:27.000 align:left position:12.5% line:5% size:77.5%
FOR EVERYBODY IN THIS COUNTRY,
NOT JUST FOR THE PEOPLE

01:15:27.000 --> 01:15:29.566 align:left position:30% line:83% size:60%
IN FRANCE AND IN
ENGLAND OR SPAIN.

01:15:29.566 --> 01:15:31.200 align:left position:17.5% line:77% size:72.5%
[BACH'S "PARTITIA FOR SOLO
VIOLIN NO.1 IN B MINOR V
SARABANDE VARIATION 5" PLAYING]

01:15:32.466 --> 01:15:35.266 align:left position:27.5% line:83% size:62.5%
NARRATOR: THE STORY
IS SET IN 1937,

01:15:35.266 --> 01:15:37.500 align:left position:27.5% line:83% size:62.5%
WHEN THE DEFEAT OF
FRANCO'S FORCES

01:15:37.500 --> 01:15:39.666 align:left position:17.5% line:89% size:72.5%
HAD STILL SEEMED POSSIBLE.

01:15:41.133 --> 01:15:44.766 align:left position:12.5% line:83% size:77.5%
ITS HERO IS AN IDEALISTIC YOUNG
AMERICAN COLLEGE INSTRUCTOR

01:15:44.766 --> 01:15:48.933 align:left position:12.5% line:83% size:77.5%
NAMED ROBERT JORDAN, WITH SOME
KNOWLEDGE OF EXPLOSIVES

01:15:48.933 --> 01:15:53.633 align:left position:15% line:83% size:75%
AND NO POLITICAL AFFILIATION
OTHER THAN HATRED OF FASCISM,

01:15:53.633 --> 01:15:57.333 align:left position:20% line:83% size:70%
WHO FINDS HIMSELF PART OF
A GUERILLA BAND THAT UNDERTAKES

01:15:57.333 --> 01:16:00.933 align:left position:30% line:83% size:60%
A DOOMED MISSION
TO DYNAMITE A BRIDGE.

01:16:02.566 --> 01:16:04.866 align:left position:30% line:83% size:60%
McCAIN: MY HERO
IS ROBERT JORDAN.

01:16:04.866 --> 01:16:08.166 align:left position:30% line:83% size:60%
ROBERT JORDAN IS
AS REAL TO ME AS YOU ARE.

01:16:08.166 --> 01:16:11.833 align:left position:15% line:83% size:75%
HE WAS WORKING AS A PROFESSOR
IN THE UNIVERSITY OF MONTANA.

01:16:11.833 --> 01:16:13.266 align:left position:27.5% line:83% size:62.5%
BUT HE HEARD ABOUT
THIS STRUGGLE.

01:16:13.266 --> 01:16:15.233 align:left position:22.5% line:83% size:67.5%
HE KNEW ABOUT FASCISM.
HE KNEW WHAT

01:16:15.233 --> 01:16:18.233 align:left position:10% line:89% size:80%
HITLER AND MUSSOLINI WERE DOING.

01:16:18.233 --> 01:16:20.800 align:left position:12.5% line:89% size:77.5%
AND HE DECIDED TO GO AND FIGHT

01:16:20.800 --> 01:16:23.400 align:left position:27.5% line:83% size:62.5%
ON BEHALF OF PEOPLE
HE HAD NEVER MET

01:16:23.400 --> 01:16:26.000 align:left position:25% line:89% size:65%
AND HE DID NOT KNOW.

01:16:26.000 --> 01:16:30.700 align:left position:15% line:83% size:75%
EVEN KNOWING THAT THAT CAUSE
WAS A FLAWED CAUSE.

01:16:32.633 --> 01:16:35.466 align:left position:27.5% line:83% size:62.5%
BUT HE WAS WILLING
TO FIGHT AND DO

01:16:35.466 --> 01:16:37.966 align:left position:15% line:89% size:75%
WHATEVER HE THOUGHT HE COULD

01:16:37.966 --> 01:16:41.300 align:left position:30% line:83% size:60%
FOR THE CAUSE OF
JUSTICE AND FREEDOM.

01:16:41.300 --> 01:16:43.866 align:left position:25% line:83% size:65%
I ALWAYS WANTED TO BE
ROBERT JORDAN.

01:16:46.566 --> 01:16:50.100 align:left position:15% line:83% size:75%
NARRATOR: ROBERT JORDAN IS
WILLING TO KILL--AND TO DIE--

01:16:50.100 --> 01:16:53.733 align:left position:22.5% line:83% size:67.5%
TO CARRY OUT THE ORDERS
OF A SOVIET GENERAL,

01:16:53.733 --> 01:16:56.533 align:left position:25% line:83% size:65%
BUT HE CANNOT ESCAPE
HIS GROWING BELIEF

01:16:56.533 --> 01:17:00.500 align:left position:22.5% line:83% size:67.5%
THAT THE WAR HAS BECOME
"AN IDIOCY WITHOUT BOUNDS."

01:17:01.900 --> 01:17:03.400 align:left position:22.5% line:83% size:67.5%
VAILL: IT'S A MUCH MORE
3-DIMENSIONAL

01:17:03.400 --> 01:17:05.333 align:left position:20% line:89% size:70%
PORTRAYAL OF THE STRUGGLE

01:17:05.333 --> 01:17:08.066 align:left position:27.5% line:83% size:62.5%
THAN HE HAD ALLOWED
HIMSELF TO GIVE

01:17:08.066 --> 01:17:11.466 align:left position:12.5% line:83% size:77.5%
WHEN HE WAS OSTENSIBLY WRITING
JOURNALISM ABOUT IT.

01:17:11.466 --> 01:17:13.266 align:left position:22.5% line:83% size:67.5%
IT'S PRETTY INTERESTING
THAT THE NOVEL IS

01:17:13.266 --> 01:17:15.100 align:left position:27.5% line:83% size:62.5%
MORE TRUTHFUL THAN
THE JOURNALISM.

01:17:15.100 --> 01:17:17.633 align:left position:10% line:83% size:80%
[JOHNNY GANDELSMAN'S "THE GARDEN
OF EDEN MIX 3" PLAYING]

01:17:17.633 --> 01:17:21.133 align:left position:12.5% line:83% size:77.5%
NARRATOR: THERE ARE ATROCITIES
COMMITTED BY BOTH SIDES,

01:17:21.133 --> 01:17:23.400 align:left position:20% line:83% size:70%
INCLUDING THE LOYALISTS'
SLAUGHTER OF

01:17:23.400 --> 01:17:26.033 align:left position:12.5% line:89% size:77.5%
CIVILIAN FASCIST SYMPATHIZERS,

01:17:26.033 --> 01:17:28.300 align:left position:25% line:83% size:65%
WHO ARE FORCED TO RUN
A BRUTAL GAUNTLET,

01:17:28.300 --> 01:17:32.266 align:left position:17.5% line:83% size:72.5%
THEN HURLED FROM THE CLIFFS
IN AN ANDALUSIAN TOWN.

01:17:34.200 --> 01:17:36.266 align:left position:12.5% line:83% size:77.5%
MAN AS HEMINGWAY: THEY CLUBBED
HIM TO DEATH VERY QUICKLY,

01:17:36.266 --> 01:17:40.266 align:left position:20% line:83% size:70%
BEATING HIM AS SOON AS HE
REACHED THE FIRST OF THE MEN,

01:17:40.266 --> 01:17:43.400 align:left position:22.5% line:83% size:67.5%
BEATING HIM AS HE TRIED
TO WALK WITH HIS HEAD UP,

01:17:43.400 --> 01:17:46.566 align:left position:20% line:83% size:70%
BEATING HIM UNTIL HE FELL
AND CHOPPING AT HIM

01:17:46.566 --> 01:17:49.633 align:left position:27.5% line:83% size:62.5%
WITH REAPING HOOKS
AND THE SICKLES,

01:17:49.633 --> 01:17:51.800 align:left position:25% line:83% size:65%
AND MANY MEN BORE HIM
TO THE EDGE OF THE CLIFF

01:17:51.800 --> 01:17:54.100 align:left position:30% line:83% size:60%
TO THROW HIM OVER
AND THERE WAS BLOOD NOW

01:17:54.100 --> 01:17:57.233 align:left position:25% line:83% size:65%
ON THEIR HANDS AND ON
THEIR CLOTHING,

01:17:57.233 --> 01:17:58.900 align:left position:27.5% line:83% size:62.5%
AND NOW BEGAN TO BE
THE FEELING THAT

01:17:58.900 --> 01:18:02.666 align:left position:27.5% line:83% size:62.5%
THESE WHO CAME OUT
WERE TRULY ENEMIES

01:18:02.666 --> 01:18:04.100 align:left position:25% line:89% size:65%
AND SHOULD BE KILLED.

01:18:07.800 --> 01:18:10.666 align:left position:22.5% line:83% size:67.5%
NARRATOR: ROBERT JORDAN
MANAGES TO BLOW UP THE BRIDGE

01:18:10.666 --> 01:18:13.033 align:left position:25% line:89% size:65%
BUT IS BADLY WOUNDED.

01:18:13.033 --> 01:18:17.666 align:left position:22.5% line:83% size:67.5%
AT THE NOVEL'S CLIMAX,
HE LIES ALONE, IMMOBILIZED,

01:18:17.666 --> 01:18:21.000 align:left position:27.5% line:83% size:62.5%
ON A WOODED SLOPE,
WAITING WITH HIS RIFLE

01:18:21.000 --> 01:18:23.866 align:left position:27.5% line:83% size:62.5%
AS A FASCIST PATROL
COMES CLOSER.

01:18:25.233 --> 01:18:27.733 align:left position:15% line:83% size:75%
VAILL: THE END OF THAT NOVEL
IS AS GOOD AS

01:18:27.733 --> 01:18:31.066 align:left position:25% line:83% size:65%
ANYTHING HEMINGWAY
EVER WROTE, I THINK.

01:18:31.066 --> 01:18:34.533 align:left position:22.5% line:83% size:67.5%
HEMINGWAY ALL HIS LIFE
IS WRESTLING WITH

01:18:34.533 --> 01:18:38.366 align:left position:12.5% line:83% size:77.5%
QUESTIONS OF DEATH AND SUICIDE
AND WHETHER IT

01:18:38.366 --> 01:18:40.166 align:left position:12.5% line:89% size:77.5%
HURTS VERY MUCH TO DIE, DADDY,

01:18:40.166 --> 01:18:43.000 align:left position:12.5% line:89% size:77.5%
OR IT DOESN'T, WHETHER THAT IS

01:18:43.000 --> 01:18:45.566 align:left position:22.5% line:83% size:67.5%
THE BRAVE THING TO DO,
THE RIGHT THING TO DO,

01:18:45.566 --> 01:18:47.800 align:left position:32.5% line:83% size:57.5%
OR WHETHER IT'S
THE COWARD'S WAY OUT.

01:18:47.800 --> 01:18:50.400 align:left position:20% line:83% size:70%
HE'S WRESTLING WITH THAT
ALL HIS LIFE.

01:18:53.033 --> 01:18:55.300 align:left position:17.5% line:83% size:72.5%
NARRATOR: JORDAN'S FATHER,
THE READER LEARNS,

01:18:55.300 --> 01:18:58.366 align:left position:30% line:83% size:60%
LIKE HEMINGWAY'S,
HAD KILLED HIMSELF.

01:19:00.166 --> 01:19:03.000 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
OH, LET THEM COME, HE SAID.

01:19:03.000 --> 01:19:05.600 align:left position:10% line:83% size:80%
I DON'T WANT TO DO THAT BUSINESS
THAT MY FATHER DID.

01:19:08.000 --> 01:19:11.033 align:left position:17.5% line:83% size:72.5%
I WILL DO IT ALL RIGHT BUT
I'D MUCH PREFER NOT TO HAVE TO.

01:19:11.033 --> 01:19:15.100 align:left position:30% line:83% size:60%
I'M AGAINST THAT.
DON'T THINK ABOUT THAT.

01:19:15.100 --> 01:19:16.700 align:left position:27.5% line:89% size:62.5%
DON'T THINK AT ALL.

01:19:18.366 --> 01:19:20.866 align:left position:27.5% line:83% size:62.5%
I WISH THE BASTARDS
WOULD COME, HE SAID.

01:19:20.866 --> 01:19:23.200 align:left position:10% line:89% size:80%
I WISH SO VERY MUCH THEY'D COME.

01:19:25.166 --> 01:19:27.566 align:left position:22.5% line:83% size:67.5%
I GUESS I'M NOT AWFULLY
GOOD AT PAIN.

01:19:27.566 --> 01:19:29.100 align:left position:20% line:89% size:70%
LISTEN, IF I DO THAT NOW

01:19:29.100 --> 01:19:32.333 align:left position:17.5% line:83% size:72.5%
YOU WOULDN'T MISUNDERSTAND,
WOULD YOU?

01:19:32.333 --> 01:19:36.766 align:left position:22.5% line:83% size:67.5%
WHO ARE YOU TALKING TO?
NOBODY, HE SAID.

01:19:36.766 --> 01:19:41.433 align:left position:25% line:83% size:65%
GRANDFATHER, I GUESS.
NO. NOBODY.

01:19:44.166 --> 01:19:47.200 align:left position:25% line:5% size:65%
THINK ABOUT MONTANA.
I CAN'T.

01:19:47.200 --> 01:19:50.766 align:left position:27.5% line:5% size:62.5%
THINK ABOUT MADRID.
I CAN'T.

01:19:50.766 --> 01:19:53.600 align:left position:37.5% line:5% size:52.5%
THINK ABOUT
A COOL DRINK OF WATER.

01:19:53.600 --> 01:19:57.600 align:left position:37.5% line:5% size:52.5%
ALL RIGHT.
THAT'S WHAT IT WILL BE LIKE.

01:19:57.600 --> 01:19:59.733 align:left position:17.5% line:89% size:72.5%
LIKE A COOL DRINK OF WATER.

01:20:01.300 --> 01:20:05.766 align:left position:32.5% line:5% size:57.5%
YOU'RE A LIAR.
IT WILL JUST BE NOTHING.

01:20:05.766 --> 01:20:09.200 align:left position:22.5% line:5% size:67.5%
THAT'S ALL IT WILL BE.
JUST NOTHING.

01:20:09.200 --> 01:20:15.800 align:left position:37.5% line:5% size:52.5%
THEN DO IT.
DO IT.
DO IT NOW.

01:20:15.800 --> 01:20:18.733 align:left position:15% line:5% size:75%
IT'S ALL RIGHT TO DO IT NOW.

01:20:18.733 --> 01:20:24.900 align:left position:25% line:83% size:65%
GO ON AND DO IT NOW.
NO, YOU HAVE TO WAIT.

01:20:24.900 --> 01:20:29.966 align:left position:40% line:77% size:50%
WHAT FOR?
YOU KNOW ALL RIGHT.
THEN WAIT.

01:20:35.466 --> 01:20:38.033 align:left position:20% line:83% size:70%
NARRATOR: WHEN "FOR WHOM
THE BELL TOLLS" WAS PUBLISHED,

01:20:38.033 --> 01:20:40.300 align:left position:32.5% line:83% size:57.5%
MARXIST CRITICS
ATTACKED THE NOVEL

01:20:40.300 --> 01:20:42.200 align:left position:15% line:89% size:75%
AS A BETRAYAL OF THEIR CAUSE

01:20:42.200 --> 01:20:47.633 align:left position:10% line:83% size:80%
BECAUSE IT SHOWED SYMPATHY FOR
THE WAR'S VICTIMS ON BOTH SIDES.

01:20:47.633 --> 01:20:51.633 align:left position:10% line:83% size:80%
OTHERS FOUND THE LOVE AFFAIR
BETWEEN ROBERT JORDAN AND MARIA,

01:20:51.633 --> 01:20:55.400 align:left position:37.5% line:83% size:52.5%
A LOYALIST
GUERILLA FIGHTER, CLOYING.

01:20:55.400 --> 01:20:57.433 align:left position:12.5% line:5% size:77.5%
[VARGAS LLOSA SPEAKING SPANISH]

01:21:25.066 --> 01:21:27.500 align:left position:40% line:5% size:50%
[LAUGHS]

01:21:27.500 --> 01:21:30.000 align:left position:22.5% line:83% size:67.5%
NARRATOR: DESPITE SOME
NEGATIVE REVIEWS,

01:21:30.000 --> 01:21:33.600 align:left position:32.5% line:83% size:57.5%
THE NOVEL SOLD
"LIKE FROZEN DAIQUIRIS IN HELL,"

01:21:33.600 --> 01:21:37.333 align:left position:22.5% line:83% size:67.5%
HEMINGWAY BOASTED TO
HIS FIRST WIFE HADLEY;

01:21:37.333 --> 01:21:41.133 align:left position:15% line:83% size:75%
NEARLY HALF A MILLION COPIES
IN LESS THAN 6 MONTHS.

01:21:41.133 --> 01:21:45.300 align:left position:20% line:83% size:70%
ONLY "GONE WITH THE WIND"
HAD SOLD FASTER.

01:21:45.300 --> 01:21:49.466 align:left position:12.5% line:83% size:77.5%
"HEMINGWAY THE ARTIST IS WITH
US AGAIN," EDMUND WILSON WROTE,

01:21:49.466 --> 01:21:53.066 align:left position:22.5% line:83% size:67.5%
"AND IT IS LIKE HAVING
AN OLD FRIEND BACK."

01:21:53.066 --> 01:21:55.633 align:left position:30% line:83% size:60%
PARAMOUNT BOUGHT
THE MOVIE RIGHTS.

01:21:55.633 --> 01:21:57.233 align:left position:10% line:89% size:80%
"THE NEW YORK TIMES" DECLARED IT

01:21:57.233 --> 01:21:59.766 align:left position:32.5% line:83% size:57.5%
THE FINEST BOOK
HEMINGWAY HAD WRITTEN--

01:21:59.766 --> 01:22:04.333 align:left position:35% line:83% size:55%
"THE FULLEST,
THE DEEPEST, THE TRUEST."

01:22:04.333 --> 01:22:06.066 align:left position:17.5% line:5% size:72.5%
KATAKIS: I LOVE THAT BOOK.
I MEAN,

01:22:06.066 --> 01:22:09.433 align:left position:25% line:5% size:65%
IT'S THE "RAIDERS OF
THE LOST ARK" OF ITS TIME...

01:22:09.433 --> 01:22:12.666 align:left position:32.5% line:5% size:57.5%
AH...ONLY WITH
MORE DEPTH AND MEANING.

01:22:12.666 --> 01:22:15.500 align:left position:32.5% line:83% size:57.5%
SOMEONE WHO IS
SACRIFICING HIMSELF

01:22:15.500 --> 01:22:19.100 align:left position:15% line:89% size:75%
FOR SOMETHING HE BELIEVES IN.

01:22:19.100 --> 01:22:23.166 align:left position:27.5% line:83% size:62.5%
McCAIN: FRIENDSHIP,
SACRIFICE, ROMANCE,

01:22:23.166 --> 01:22:26.533 align:left position:20% line:83% size:70%
THAT NOTHING IS ROMANTIC
AS THAT, UH,

01:22:26.533 --> 01:22:29.233 align:left position:12.5% line:83% size:77.5%
BETWEEN ROBERT JORDAN AND MARIA
IN THAT, UH,

01:22:29.233 --> 01:22:31.733 align:left position:27.5% line:89% size:62.5%
IN THAT, UH, BOOK,

01:22:31.733 --> 01:22:36.100 align:left position:15% line:83% size:75%
AND, I THINK, SERVING A CAUSE
GREATER THAN YOURSELF.

01:22:36.100 --> 01:22:37.766 align:left position:15% line:89% size:75%
I THINK THE IMPORTANT LESSON

01:22:37.766 --> 01:22:41.600 align:left position:27.5% line:83% size:62.5%
THAT HEMINGWAY WAS
TRYING TO IMPART TO US

01:22:41.600 --> 01:22:44.666 align:left position:20% line:83% size:70%
THAT NO MAN IS AN ISLAND
WITHIN HIMSELF.

01:22:44.666 --> 01:22:46.566 align:left position:10% line:89% size:80%
ASK NOT FOR WHOM THE BELL TOLLS.

01:22:48.200 --> 01:22:53.566 align:left position:25% line:83% size:65%
WE DO IN LIFE WHAT WE
ARE RESPONSIBLE FOR.

01:22:53.566 --> 01:22:56.566 align:left position:30% line:83% size:60%
WE, IN OUR LIVES,
MAKE CERTAIN CHOICES.

01:22:58.166 --> 01:22:59.600 align:left position:22.5% line:83% size:67.5%
"I HAVE FOUGHT HARD
FOR WHAT I BELIEVED IN

01:22:59.600 --> 01:23:01.366 align:left position:30% line:89% size:60%
"FOR A YEAR NOW.

01:23:01.366 --> 01:23:04.800 align:left position:32.5% line:83% size:57.5%
"IF WE WIN HERE
WE WILL WIN EVERYWHERE.

01:23:04.800 --> 01:23:08.800 align:left position:17.5% line:83% size:72.5%
"THE WORLD IS A FINE PLACE
AND WORTH THE FIGHTING FOR

01:23:08.800 --> 01:23:11.733 align:left position:25% line:83% size:65%
AND I HATE VERY MUCH
TO LEAVE IT."

01:23:16.400 --> 01:23:18.433 align:left position:25% line:77% size:65%
[J. GREEN, E. HEYMAN,
R. SOUR, F. EYTON'S
"BODY AND SOUL" PLAYING]

01:23:20.966 --> 01:23:22.066 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
IF YOU HAVE DECIDED THAT YOU

01:23:22.066 --> 01:23:23.533 align:left position:22.5% line:89% size:67.5%
DON'T WANT TO MARRY ME,

01:23:23.533 --> 01:23:25.566 align:left position:15% line:89% size:75%
WILL YOU PLEASE TELL ME NOW.

01:23:30.133 --> 01:23:32.800 align:left position:12.5% line:89% size:77.5%
IF YOU DO, I WILL BORE YOU LESS

01:23:32.800 --> 01:23:34.233 align:left position:27.5% line:89% size:62.5%
AND AMUSE YOU MORE

01:23:34.233 --> 01:23:37.033 align:left position:30% line:83% size:60%
THAN ANYONE ELSE
YOU'LL EVER MARRY

01:23:37.033 --> 01:23:39.233 align:left position:17.5% line:83% size:72.5%
AND YOU HAVE NEVER SEEN ME
WITH A BIG SUCCESS

01:23:39.233 --> 01:23:41.433 align:left position:22.5% line:83% size:67.5%
BUT I HAVE BEEN AROUND
WHEN THAT HAPPENED BEFORE

01:23:41.433 --> 01:23:43.800 align:left position:17.5% line:83% size:72.5%
AND I CAN PROMISE YOU TRULY
THAT YOU WILL SEE

01:23:43.800 --> 01:23:48.733 align:left position:15% line:83% size:75%
THE MODESTEST SON OF A BITCH
YOU EVER SAW TRULY.

01:23:48.733 --> 01:23:51.633 align:left position:10% line:89% size:80%
I ONLY BRAG WHEN I AM ON MY ASS.

01:23:53.100 --> 01:23:56.133 align:left position:17.5% line:83% size:72.5%
WOMAN AS GELLHORN: THERE IS
MUCH DIVORCE TALK GOING ON,

01:23:56.133 --> 01:23:59.566 align:left position:15% line:83% size:75%
AND PROBABLY IT WILL ACTUALLY
MATERIALIZE IN DUE COURSE

01:23:59.566 --> 01:24:01.866 align:left position:27.5% line:83% size:62.5%
AND I WILL BE MADE
AN HONEST WOMAN.

01:24:01.866 --> 01:24:04.066 align:left position:25% line:83% size:65%
THEY OUGHT TO PUT IT
IN THE YEARBOOK:

01:24:04.066 --> 01:24:07.700 align:left position:27.5% line:83% size:62.5%
GELLHORN, THE FIRST
OF HER CLASS TO SIN,

01:24:07.700 --> 01:24:10.366 align:left position:25% line:89% size:65%
THE LAST TO LEGALIZE.

01:24:11.900 --> 01:24:13.566 align:left position:15% line:83% size:75%
NARRATOR: HEMINGWAY'S DIVORCE
FROM PAULINE

01:24:13.566 --> 01:24:17.900 align:left position:32.5% line:83% size:57.5%
BECAME FINAL ON
NOVEMBER 4, 1940.

01:24:17.900 --> 01:24:21.200 align:left position:12.5% line:89% size:77.5%
17 DAYS LATER, ON NOVEMBER 21,

01:24:21.200 --> 01:24:23.166 align:left position:30% line:83% size:60%
ERNEST HEMINGWAY
AND MARTHA GELLHORN

01:24:23.166 --> 01:24:26.666 align:left position:35% line:83% size:55%
WERE MARRIED
IN CHEYENNE, WYOMING.

01:24:26.666 --> 01:24:30.866 align:left position:37.5% line:83% size:52.5%
SHE WAS 32.
HE WAS 41.

01:24:30.866 --> 01:24:33.466 align:left position:25% line:83% size:65%
"ERNEST AND I BELONG
TIGHTLY TO EACH OTHER,"

01:24:33.466 --> 01:24:36.533 align:left position:32.5% line:83% size:57.5%
MARTHA ASSURED
ELEANOR ROOSEVELT.

01:24:36.533 --> 01:24:38.500 align:left position:12.5% line:89% size:77.5%
"WE ARE A GOOD PAIR AND WE ARE

01:24:38.500 --> 01:24:41.833 align:left position:10% line:89% size:80%
BOTH CRAZY ABOUT BEING MARRIED."

01:24:41.833 --> 01:24:45.266 align:left position:30% line:83% size:60%
NOW BOTH OF THEM
WERE IN THE SPOTLIGHT.

01:24:47.633 --> 01:24:50.300 align:left position:22.5% line:83% size:67.5%
HEDDA HOPPER: NO FANCY
HOLLYWOOD BOOTS THESE.

01:24:50.300 --> 01:24:52.566 align:left position:22.5% line:83% size:67.5%
THEY'VE TRAMPED THROUGH
THE DUST AND DEATH

01:24:52.566 --> 01:24:54.733 align:left position:20% line:89% size:70%
OF THE SPANISH CIVIL WAR.

01:24:54.733 --> 01:24:55.966 align:left position:10% line:89% size:80%
THEY BELONG TO ERNEST HEMINGWAY,

01:24:55.966 --> 01:24:57.500 align:left position:15% line:89% size:75%
FAMOUS AUTHOR AND ADVENTURER,

01:24:57.500 --> 01:24:59.066 align:left position:12.5% line:89% size:77.5%
NOW ON A HUNTING TRIP IN IDAHO

01:24:59.066 --> 01:25:01.066 align:left position:20% line:89% size:70%
WITH HIS PAL GARY COOPER,

01:25:01.066 --> 01:25:04.233 align:left position:15% line:83% size:75%
TO WHOM THE GREAT OPEN SPACES
AREN'T JUST A MOVIE LOCATION.

01:25:04.233 --> 01:25:06.733 align:left position:42.5% line:83% size:47.5%
NO SIR.
GARY'S IDEA OF A VACATION

01:25:06.733 --> 01:25:10.333 align:left position:17.5% line:83% size:72.5%
IS TO GET AS FAR AWAY FROM
HOLLYWOOD BOULEVARD AS POSSIBLE,

01:25:10.333 --> 01:25:13.266 align:left position:22.5% line:83% size:67.5%
WHERE GAME DOESN'T MEAN
GIN RUMMY.

01:25:15.266 --> 01:25:16.533 align:left position:37.5% line:89% size:52.5%
[GUNSHOTS]

01:25:18.033 --> 01:25:19.900 align:left position:10% line:89% size:80%
HER PEN NAME IS MARTHA GELLHORN,

01:25:19.900 --> 01:25:22.933 align:left position:27.5% line:83% size:62.5%
BUT IN PRIVATE LIFE
SHE'S MRS. ERNEST HEMINGWAY.

01:25:22.933 --> 01:25:24.400 align:left position:40% line:89% size:50%
[GUNSHOT]

01:25:24.400 --> 01:25:27.366 align:left position:32.5% line:83% size:57.5%
MRS. HEMINGWAY
IS AN EXPERT MARKSWOMAN.

01:25:28.766 --> 01:25:30.366 align:left position:20% line:83% size:70%
THE HEMINGWAYS FIRST MET
IN SPAIN,

01:25:30.366 --> 01:25:32.600 align:left position:20% line:83% size:70%
WHERE MRS. HEMINGWAY WAS
A WAR CORRESPONDENT

01:25:32.600 --> 01:25:34.333 align:left position:32.5% line:83% size:57.5%
AND ERNEST WAS
GATHERING MATERIAL

01:25:34.333 --> 01:25:36.633 align:left position:35% line:83% size:55%
FOR HIS NOVEL
"FOR WHOM THE BELL TOLLS."

01:25:39.533 --> 01:25:42.333 align:left position:27.5% line:83% size:62.5%
NARRATOR: IN 1941,
THE NEWLYWED HEMINGWAYS

01:25:42.333 --> 01:25:46.500 align:left position:22.5% line:83% size:67.5%
EMBARKED ON A PECULIAR
SORT OF EXTENDED HONEYMOON,

01:25:46.500 --> 01:25:49.333 align:left position:40% line:83% size:50%
A 4-MONTH
REPORTING TRIP TO CHINA,

01:25:49.333 --> 01:25:53.833 align:left position:25% line:83% size:65%
WHERE WAR WITH JAPAN
HAD BEEN RAGING FOR 5 YEARS.

01:25:53.833 --> 01:25:56.766 align:left position:20% line:83% size:70%
ON THE WAY, THE COUPLE
HAD STOPPED IN HONOLULU,

01:25:56.766 --> 01:26:00.900 align:left position:17.5% line:83% size:72.5%
WHERE THEY TOURED THE VAST
NAVAL BASE AT PEARL HARBOR.

01:26:00.900 --> 01:26:04.466 align:left position:15% line:83% size:75%
HEMINGWAY WORRIED ALOUD THAT
SO MANY WARSHIPS AND PLANES

01:26:04.466 --> 01:26:09.366 align:left position:17.5% line:83% size:72.5%
LINED UP IN TIDY ROWS WOULD
INVITE A JAPANESE ATTACK.

01:26:11.466 --> 01:26:14.633 align:left position:22.5% line:83% size:67.5%
HEMINGWAY HAD AGREED TO
REPORT SECRETLY TO WASHINGTON

01:26:14.633 --> 01:26:18.766 align:left position:20% line:83% size:70%
ON HOW HE THOUGHT THE WAR
IN CHINA WAS GOING.

01:26:18.766 --> 01:26:22.033 align:left position:25% line:83% size:65%
HE ALSO AGREED TO ACT
AS A SECRET OPERATIVE

01:26:22.033 --> 01:26:25.000 align:left position:25% line:83% size:65%
FOR THE SOVIET UNION,
THOUGH IN THE END

01:26:25.000 --> 01:26:29.766 align:left position:32.5% line:83% size:57.5%
HE WOULD SUPPLY
NO INFORMATION TO MOSCOW.

01:26:29.766 --> 01:26:31.133 align:left position:30% line:89% size:60%
[PLANE WHOOSHING]

01:26:36.433 --> 01:26:38.466 align:left position:20% line:89% size:70%
[AIR RAID SIREN BLARING]

01:26:40.266 --> 01:26:43.000 align:left position:22.5% line:83% size:67.5%
NARRATOR: THE WORLD WAR
HEMINGWAY HAD WARNED AGAINST,

01:26:43.000 --> 01:26:46.766 align:left position:20% line:83% size:70%
AND HAD HOPED HIS COUNTRY
COULD AVOID, HAD COME HOME.

01:26:46.766 --> 01:26:50.966 align:left position:17.5% line:83% size:72.5%
4 DAYS AFTER PEARL HARBOR,
NAZI GERMANY AND FASCIST ITALY

01:26:50.966 --> 01:26:53.800 align:left position:32.5% line:83% size:57.5%
DECLARED WAR ON
THE UNITED STATES.

01:26:54.966 --> 01:26:58.100 align:left position:20% line:83% size:70%
DURING THE NEXT 8 MONTHS,
GERMAN U-BOATS SANK

01:26:58.100 --> 01:27:04.200 align:left position:17.5% line:83% size:72.5%
360 MERCHANT VESSELS IN THE
GULF OF MEXICO, THE CARIBBEAN,

01:27:04.200 --> 01:27:07.266 align:left position:20% line:83% size:70%
AND OFF THE EASTERN COAST
OF THE UNITED STATES.

01:27:09.533 --> 01:27:14.233 align:left position:10% line:83% size:80%
WASHINGTON CALLED UPON CIVILIANS
TO HELP PATROL THOSE WATERS.

01:27:14.233 --> 01:27:18.500 align:left position:12.5% line:83% size:77.5%
THE SHIPPING LANES AROUND CUBA
WERE OF SPECIAL CONCERN.

01:27:21.033 --> 01:27:23.400 align:left position:15% line:89% size:75%
HEMINGWAY VOLUNTEERED TO HELP

01:27:23.400 --> 01:27:25.366 align:left position:12.5% line:89% size:77.5%
AND GATHERED ABOARD THE "PILAR"

01:27:25.366 --> 01:27:27.966 align:left position:27.5% line:83% size:62.5%
WHAT HE CALLED HIS
"HOOLIGAN NAVY"--

01:27:27.966 --> 01:27:31.700 align:left position:27.5% line:83% size:62.5%
A MARINE SERGEANT,
TWO MILLIONAIRE YACHTSMEN,

01:27:31.700 --> 01:27:34.400 align:left position:40% line:83% size:50%
A VETERAN
OF THE SPANISH CIVIL WAR,

01:27:34.400 --> 01:27:37.866 align:left position:27.5% line:83% size:62.5%
AND SEVERAL ACTIVE
JAI-ALAI PLAYERS--

01:27:37.866 --> 01:27:42.733 align:left position:30% line:77% size:60%
AND THEN PROPOSED
A SPECTACULARLY
FAR-FETCHED SCHEME.

01:27:42.733 --> 01:27:46.700 align:left position:30% line:83% size:60%
HE HOPED TO LURE
ENEMY U-BOATS TO THE SURFACE,

01:27:46.700 --> 01:27:49.033 align:left position:20% line:89% size:70%
CLOSE TO WITHIN 20 YARDS,

01:27:49.033 --> 01:27:50.800 align:left position:15% line:89% size:75%
MACHINE-GUN EVERYONE ON DECK

01:27:50.800 --> 01:27:52.566 align:left position:15% line:89% size:75%
SO THAT THE JAI-ALAI PLAYERS

01:27:52.566 --> 01:27:56.333 align:left position:25% line:83% size:65%
COULD LOB EXPLOSIVES
DOWN THE HATCH.

01:27:56.333 --> 01:27:59.800 align:left position:15% line:83% size:75%
HOW THE "PILAR" WAS TO AVOID
BEING BLOWN TO SPLINTERS

01:27:59.800 --> 01:28:03.033 align:left position:20% line:83% size:70%
BY THE GERMANS' DECK GUN
WAS NEVER CLEAR,

01:28:03.033 --> 01:28:05.233 align:left position:22.5% line:83% size:67.5%
BUT THE U.S. GOVERNMENT
SUPPLIED HEMINGWAY

01:28:05.233 --> 01:28:08.066 align:left position:25% line:83% size:65%
WITH ALL THE WEAPONRY
AND COMMUNICATIONS EQUIPMENT

01:28:08.066 --> 01:28:10.966 align:left position:15% line:89% size:75%
HE ASKED FOR--AND LIMITLESS,

01:28:10.966 --> 01:28:15.566 align:left position:17.5% line:83% size:72.5%
OTHERWISE STRICTLY-RATIONED
GASOLINE.

01:28:15.566 --> 01:28:18.633 align:left position:25% line:83% size:65%
PATRICK: HE HAD US ON
HIS BOAT, THE "PILAR,"

01:28:18.633 --> 01:28:22.666 align:left position:12.5% line:83% size:77.5%
OFF THE CUBAN COAST IN A PLACE
CALLED CAYO CONFITES.

01:28:22.666 --> 01:28:25.733 align:left position:17.5% line:83% size:72.5%
THERE WERE TWO BUNKS THERE,
ONE ON EACH SIDE

01:28:25.733 --> 01:28:28.900 align:left position:22.5% line:83% size:67.5%
AND A LITTLE HATCH THAT
YOU COULD GET OUT OF.

01:28:28.900 --> 01:28:32.233 align:left position:12.5% line:89% size:77.5%
AND THEY LEFT US ON THE ISLAND.

01:28:32.233 --> 01:28:33.666 align:left position:30% line:83% size:60%
WHAT DO THEY CALL
THE PEOPLE THAT

01:28:33.666 --> 01:28:35.400 align:left position:22.5% line:83% size:67.5%
LOOK AFTER THE WELFARE
OF CHILDREN?

01:28:35.400 --> 01:28:36.800 align:left position:15% line:5% size:75%
THEY WOULD HAVE TAKEN US AWAY

01:28:36.800 --> 01:28:40.900 align:left position:15% line:5% size:75%
FROM OUR FATHER IMMEDIATELY.
[LAUGHS]

01:28:40.900 --> 01:28:43.300 align:left position:17.5% line:83% size:72.5%
NARRATOR: HEMINGWAY AND HIS
CREW DID KEEP WATCH

01:28:43.300 --> 01:28:48.500 align:left position:10% line:83% size:80%
ON THE COUNTLESS BAYS AND INLETS
AND ISLANDS ALONG CUBA'S COAST.

01:28:48.500 --> 01:28:51.266 align:left position:17.5% line:83% size:72.5%
ONLY ONCE IN ALL THAT TIME
DID THE "PILAR"

01:28:51.266 --> 01:28:54.300 align:left position:35% line:83% size:55%
ACTUALLY SPOT
AN ENEMY SUBMARINE,

01:28:54.300 --> 01:28:59.266 align:left position:17.5% line:83% size:72.5%
BUT IT PROVED FAR TOO FAST
AND FAR AWAY TO CATCH.

01:28:59.266 --> 01:29:02.700 align:left position:22.5% line:83% size:67.5%
HEMINGWAY HIMSELF WOULD
REMEMBER HIS SUBMARINE-CHASING

01:29:02.700 --> 01:29:07.500 align:left position:12.5% line:83% size:77.5%
AS THAT "SEA-BORNE COMIC STRIP
WE OPERATED IN THE CARIBBEAN."

01:29:11.333 --> 01:29:13.366 align:left position:15% line:83% size:75%
[DAVID CIERI'S "FOR CATHERINE
(NIAGARA FALLS)" PLAYING]

01:29:22.100 --> 01:29:23.100 align:left position:35% line:83% size:55%
EDNA O'BRIEN:
I BET WHEN HEMINGWAY WAS

01:29:23.100 --> 01:29:24.133 align:left position:27.5% line:89% size:62.5%
FIRST IN LOVE WITH

01:29:24.133 --> 01:29:25.666 align:left position:22.5% line:89% size:67.5%
EACH PARTICULAR WOMAN,

01:29:25.666 --> 01:29:27.833 align:left position:12.5% line:89% size:77.5%
I BET HE BECAME THE BOY AGAIN.

01:29:29.100 --> 01:29:33.266 align:left position:27.5% line:83% size:62.5%
BUT HE WAS A BIT OF
A CONTROLLER IN LIFE

01:29:33.266 --> 01:29:35.766 align:left position:15% line:89% size:75%
AND A BIT OF A BULLY AS WELL.

01:29:35.766 --> 01:29:41.133 align:left position:17.5% line:83% size:72.5%
SO THAT EVERYDAY LIFE WITH
HEMINGWAY WOULD BE INTOLERABLE.

01:29:41.133 --> 01:29:46.100 align:left position:20% line:5% size:70%
IT WAS, I THINK, HE LOVED
AS A TRUTHFUL PERSON AT FIRST

01:29:46.100 --> 01:29:52.666 align:left position:10% line:5% size:80%
AND THEN BECAME THE MYTHOLOGIZED
MAN IN EVERYDAY LIFE.

01:29:52.666 --> 01:29:56.333 align:left position:27.5% line:77% size:62.5%
WOMAN AS GELLHORN:
THE ONLY SERIOUS COMPLAINT
I HAVE ABOUT MATRIMONY

01:29:56.333 --> 01:29:59.933 align:left position:25% line:83% size:65%
IS THAT IT BRINGS OUT
THE FAINT GOODNESS IN ME,

01:29:59.933 --> 01:30:03.600 align:left position:27.5% line:83% size:62.5%
AND HAS A TENDENCY
TO SOFTEN AND QUIET

01:30:03.600 --> 01:30:05.866 align:left position:17.5% line:89% size:72.5%
THE HELL ON WHEELS ASPECT,

01:30:05.866 --> 01:30:08.933 align:left position:25% line:83% size:65%
AND FINALLY I BECOME
BORED WITH MYSELF.

01:30:08.933 --> 01:30:13.100 align:left position:40% line:77% size:50%
[GUNSHOT]
MY MAN IS ANOTHER
HELL ON WHEELS CHARACTER,

01:30:13.100 --> 01:30:15.766 align:left position:17.5% line:83% size:72.5%
AND WHAT IS SO CHRISTED ODD
IS THAT

01:30:15.766 --> 01:30:17.866 align:left position:10% line:89% size:80%
TWO PEOPLE CANNOT LIVE TOGETHER,

01:30:17.866 --> 01:30:19.700 align:left position:20% line:89% size:70%
WITH ANY ORDER OR HEALTH,

01:30:19.700 --> 01:30:23.200 align:left position:10% line:89% size:80%
IF THEY ARE BOTH HELL ON WHEELS,

01:30:23.200 --> 01:30:27.966 align:left position:20% line:83% size:70%
SO, FOR THE MUTUAL GOOD,
THEY MUST BOTH CALM THEMSELVES.

01:30:27.966 --> 01:30:31.666 align:left position:27.5% line:83% size:62.5%
AND THAT IS A LOSS,
BUT I HAVE NOT YET FOUND OUT

01:30:31.666 --> 01:30:34.066 align:left position:25% line:89% size:65%
WHAT TO DO ABOUT IT.

01:30:34.066 --> 01:30:39.133 align:left position:22.5% line:83% size:67.5%
ERNEST AND I REALLY ARE
AFRAID OF EACH OTHER,

01:30:39.133 --> 01:30:40.700 align:left position:12.5% line:89% size:77.5%
EACH ONE KNOWING THAT THE OTHER

01:30:40.700 --> 01:30:44.000 align:left position:17.5% line:83% size:72.5%
IS THE MOST VIOLENT PERSON
EITHER ONE KNOWS,

01:30:44.000 --> 01:30:47.066 align:left position:17.5% line:83% size:72.5%
AND KNOWING SOMETHING ABOUT
VIOLENCE WE ARE ALWAYS

01:30:47.066 --> 01:30:51.633 align:left position:22.5% line:83% size:67.5%
MUTUALLY ALARMED AT THE
POTENTIALITIES OF THE OTHER.

01:30:51.633 --> 01:30:56.033 align:left position:20% line:83% size:70%
SO, WHEN WE ARE TOGETHER,
WE TAKE IT FAIRLY EASY,

01:30:56.033 --> 01:31:00.933 align:left position:17.5% line:83% size:72.5%
SO AS NOT TO SEE THE OTHER
BURST INTO LOUD, FURIOUS FLAME.

01:31:03.733 --> 01:31:06.600 align:left position:15% line:83% size:75%
NARRATOR: MARTHA GELLHORN HAD
NO INTENTION OF STAYING HOME

01:31:06.600 --> 01:31:09.466 align:left position:10% line:89% size:80%
WITH HER HUSBAND AS PAULINE HAD.

01:31:09.466 --> 01:31:12.466 align:left position:35% line:83% size:55%
AND AT FIRST,
HE ENCOURAGED HER WORK.

01:31:14.033 --> 01:31:16.700 align:left position:20% line:77% size:70%
MAN AS HEMINGWAY: I CAN'T
REALLY WRITE AT ALL
THE WAY YOU CAN

01:31:16.700 --> 01:31:19.866 align:left position:20% line:77% size:70%
WELL AND EASILY AND GOOD.

01:31:19.866 --> 01:31:22.533 align:left position:17.5% line:83% size:72.5%
I JUST NAIL WORDS TOGETHER
LIKE A BLOODY CARPENTER

01:31:22.533 --> 01:31:24.700 align:left position:20% line:89% size:70%
AND IT IS SO TOUGH TO DO.

01:31:26.200 --> 01:31:29.233 align:left position:32.5% line:83% size:57.5%
YOU ARE MY HERO
AND ALWAYS WILL BE

01:31:29.233 --> 01:31:32.066 align:left position:17.5% line:83% size:72.5%
AND I WILL BE GOOD AND TRY
TO LIVE UP TO MY HERO.

01:31:33.500 --> 01:31:37.066 align:left position:22.5% line:83% size:67.5%
THANK YOU VERY MUCH FOR
HAVING COME TO KEY WEST

01:31:37.066 --> 01:31:38.966 align:left position:17.5% line:89% size:72.5%
AND FOR HAVING MARRIED ME.

01:31:40.500 --> 01:31:43.066 align:left position:20% line:83% size:70%
NARRATOR: GELLHORN'S VIEW
OF HERSELF AND HER TALENT

01:31:43.066 --> 01:31:45.700 align:left position:20% line:83% size:70%
WAS EVERY BIT AS EXALTED
AS HER HUSBAND'S VIEW

01:31:45.700 --> 01:31:48.033 align:left position:27.5% line:89% size:62.5%
OF HIMSELF AND HIS.

01:31:48.033 --> 01:31:50.866 align:left position:17.5% line:83% size:72.5%
"WE TWO ARE GREAT PEOPLE,"
SHE ONCE TOLD HIM.

01:31:50.866 --> 01:31:53.866 align:left position:20% line:89% size:70%
"WE CAN SHAKE THE WORLD."

01:31:53.866 --> 01:31:55.933 align:left position:22.5% line:83% size:67.5%
BUT THE COUPLE FOUND IT
HARD TO KEEP

01:31:55.933 --> 01:31:58.900 align:left position:30% line:83% size:60%
THEIR VOLATILITY
SMOTHERED FOR LONG.

01:31:58.900 --> 01:32:02.266 align:left position:27.5% line:83% size:62.5%
SHE BEGAN TO TRAVEL
MORE AND MORE ON ASSIGNMENT

01:32:02.266 --> 01:32:05.666 align:left position:17.5% line:89% size:72.5%
AND HE BEGAN TO RESENT IT.

01:32:05.666 --> 01:32:10.066 align:left position:17.5% line:83% size:72.5%
BEEGEL: MARTHA WAS A WOMAN
WHO WOULD NOT BACK DOWN.

01:32:10.066 --> 01:32:11.466 align:left position:15% line:89% size:75%
MARTHA WAS A WOMAN WHO COULD

01:32:11.466 --> 01:32:14.400 align:left position:35% line:83% size:55%
GIVE AS GOOD
AS SHE GOT VERBALLY.

01:32:14.400 --> 01:32:17.766 align:left position:10% line:5% size:80%
MARTHA WAS A WOMAN WHO HAD HER
OWN LIFE THAT SHE WANTED TO LIVE

01:32:17.766 --> 01:32:19.900 align:left position:12.5% line:5% size:77.5%
AND CAREER SHE WANTED TO PURSUE

01:32:19.900 --> 01:32:24.466 align:left position:32.5% line:5% size:57.5%
AND NOBODY WAS
TAKING THAT AWAY FROM HER.

01:32:24.466 --> 01:32:26.466 align:left position:25% line:83% size:65%
KALE: THEY WERE GREAT
IN THE SPANISH CIVIL WAR

01:32:26.466 --> 01:32:30.966 align:left position:12.5% line:83% size:77.5%
WHERE THERE'S BULLETS AND, AND
SHELLS FLYING EVERY WHICH WAY.

01:32:30.966 --> 01:32:35.333 align:left position:12.5% line:5% size:77.5%
BUT PUT 'EM TOGETHER IN A HOUSE
AND IT WAS JUST A DISASTER.

01:32:35.333 --> 01:32:37.366 align:left position:32.5% line:83% size:57.5%
[DAVID CIERI'S
"DUST RISING" PLAYING]

01:32:38.866 --> 01:32:40.433 align:left position:20% line:83% size:70%
NARRATOR: AFTER GELLHORN
RETURNED TO CUBA

01:32:40.433 --> 01:32:42.600 align:left position:12.5% line:89% size:77.5%
FROM A LENGTHY REPORTING TRIP,

01:32:42.600 --> 01:32:45.100 align:left position:22.5% line:83% size:67.5%
SHE WAS CONVINCED THAT
HEMINGWAY'S ADVENTURING

01:32:45.100 --> 01:32:48.033 align:left position:27.5% line:83% size:62.5%
ABOARD THE "PILAR"
WAS POINTLESS,

01:32:48.033 --> 01:32:51.333 align:left position:10% line:83% size:80%
JUST AN EXCUSE TO FISH AND DRINK
WITH HIS FRIENDS

01:32:51.333 --> 01:32:53.933 align:left position:17.5% line:83% size:72.5%
WHILE THE REST OF THE WORLD
WAS AT WAR,

01:32:53.933 --> 01:32:57.333 align:left position:20% line:83% size:70%
AND SHE DID NOT HESITATE
TO SAY SO.

01:32:57.333 --> 01:32:59.933 align:left position:30% line:83% size:60%
HE WAS, IN FACT,
NOT WRITING AT ALL

01:32:59.933 --> 01:33:02.666 align:left position:30% line:83% size:60%
AND WAS DRINKING
MORE AND MORE HEAVILY,

01:33:02.666 --> 01:33:06.100 align:left position:10% line:83% size:80%
BEGINNING WITH A SCOTCH-AND-SODA
AT 10 IN THE MORNING

01:33:06.100 --> 01:33:08.300 align:left position:17.5% line:89% size:72.5%
AND KEEPING AT IT ALL DAY.

01:33:10.333 --> 01:33:12.166 align:left position:12.5% line:89% size:77.5%
HE WAS ANGERED BY HER CRITICISM

01:33:12.166 --> 01:33:16.266 align:left position:30% line:83% size:60%
AND NOW SOMETIMES
DISMISSIVE OF HER WRITING.

01:33:16.266 --> 01:33:18.833 align:left position:32.5% line:83% size:57.5%
"I'LL SHOW YOU,
YOU CONCEITED BITCH,"

01:33:18.833 --> 01:33:22.033 align:left position:32.5% line:83% size:57.5%
ONE OF HIS SONS
REMEMBERED HEARING HIM SHOUT.

01:33:22.033 --> 01:33:24.166 align:left position:15% line:83% size:75%
"THEY'LL BE READING MY STUFF
LONG AFTER

01:33:24.166 --> 01:33:26.700 align:left position:32.5% line:83% size:57.5%
THE WORMS HAVE
FINISHED WITH YOU."

01:33:29.133 --> 01:33:31.133 align:left position:15% line:83% size:75%
BEEGEL: OF ALL OF HIS WIVES,
HE HAD THE LEAST POWER

01:33:31.133 --> 01:33:33.133 align:left position:25% line:83% size:65%
AND THE LEAST CONTROL
OVER MARTHA,

01:33:33.133 --> 01:33:34.200 align:left position:20% line:89% size:70%
SO, THAT WOULD, I THINK,

01:33:34.200 --> 01:33:35.866 align:left position:27.5% line:89% size:62.5%
TEND TO SEND THINGS

01:33:35.866 --> 01:33:38.566 align:left position:35% line:89% size:55%
OVER THE TOP.

01:33:38.566 --> 01:33:47.366 align:left position:12.5% line:83% size:77.5%
VERBAL ABUSE STARTS WITH MARTHA
AND HORRIBLE SLANGING MATCHES.

01:33:47.366 --> 01:33:49.233 align:left position:22.5% line:83% size:67.5%
NARRATOR: THEY HAD BEEN
TOGETHER OFF AND ON

01:33:49.233 --> 01:33:51.000 align:left position:35% line:89% size:55%
FOR 7 YEARS,

01:33:51.000 --> 01:33:54.400 align:left position:30% line:83% size:60%
NEARLY 3 OF THEM
AS HUSBAND AND WIFE.

01:33:54.400 --> 01:33:56.966 align:left position:20% line:83% size:70%
WHEN APART, THEIR LETTERS
WERE STILL FULL OF

01:33:56.966 --> 01:34:00.500 align:left position:12.5% line:83% size:77.5%
FOND NICKNAMES AND DECLARATIONS
OF LOVE.

01:34:00.500 --> 01:34:01.933 align:left position:15% line:89% size:75%
BUT WHEN THEY WERE TOGETHER,

01:34:01.933 --> 01:34:04.666 align:left position:12.5% line:89% size:77.5%
THINGS WENT FROM BAD TO WORSE.

01:34:06.700 --> 01:34:09.700 align:left position:20% line:83% size:70%
WHEN GELLHORN INSISTED ON
DRIVING HOME FROM HAVANA

01:34:09.700 --> 01:34:12.866 align:left position:30% line:83% size:60%
AT THE END OF ONE
ESPECIALLY DRUNKEN EVENING,

01:34:12.866 --> 01:34:14.900 align:left position:22.5% line:89% size:67.5%
HEMINGWAY SLAPPED HER.

01:34:14.900 --> 01:34:18.033 align:left position:12.5% line:83% size:77.5%
SHE DELIBERATELY DROVE HIS CAR
INTO A DITCH

01:34:18.033 --> 01:34:22.500 align:left position:12.5% line:83% size:77.5%
AND LEFT HIM THERE WHILE SHE
WALKED BACK TO THE FINCA ALONE.

01:34:51.733 --> 01:34:53.966 align:left position:22.5% line:89% size:67.5%
BY THE SUMMER OF 1943,

01:34:53.966 --> 01:34:57.800 align:left position:20% line:83% size:70%
THE TIDE OF WAR IN EUROPE
HAD BEGUN TO TURN.

01:34:57.800 --> 01:34:59.333 align:left position:20% line:83% size:70%
THE GERMANS AND ITALIANS

01:34:59.333 --> 01:35:02.700 align:left position:32.5% line:83% size:57.5%
HAD BEEN DRIVEN
FROM NORTH AFRICA.

01:35:02.700 --> 01:35:06.700 align:left position:35% line:83% size:55%
ALLIED TROOPS
HAD LANDED IN ITALY.

01:35:06.700 --> 01:35:08.733 align:left position:10% line:89% size:80%
THE SOVIET ARMY WAS MOVING WEST,

01:35:08.733 --> 01:35:11.600 align:left position:20% line:83% size:70%
DRIVING THE NAZI INVADERS
BEFORE THEM.

01:35:13.866 --> 01:35:16.033 align:left position:25% line:83% size:65%
GELLHORN LONGED TO BE
PART OF IT--

01:35:16.033 --> 01:35:18.366 align:left position:20% line:83% size:70%
AND COULD NOT UNDERSTAND
HOW HEMINGWAY

01:35:18.366 --> 01:35:20.966 align:left position:17.5% line:89% size:72.5%
DID NOT FEEL THE SAME WAY.

01:35:20.966 --> 01:35:23.233 align:left position:22.5% line:83% size:67.5%
SHE TOLD HIM SHE WANTED
TO FEEL AGAIN

01:35:23.233 --> 01:35:26.300 align:left position:27.5% line:83% size:62.5%
ALL "THE BLINDNESS
AND FERVOR AND RECKLESSNESS"

01:35:26.300 --> 01:35:28.233 align:left position:17.5% line:89% size:72.5%
SHE HAD ONCE FELT WITH HIM.

01:35:30.266 --> 01:35:33.266 align:left position:22.5% line:83% size:67.5%
IN SEPTEMBER, SHE LEFT
FOR ENGLAND WITHOUT HIM,

01:35:33.266 --> 01:35:35.500 align:left position:17.5% line:89% size:72.5%
TO REPORT FOR "COLLIER'S."

01:35:35.500 --> 01:35:40.033 align:left position:25% line:83% size:65%
HEMINGWAY WAS ANGRY,
MOROSE, BEREFT.

01:35:40.033 --> 01:35:42.500 align:left position:25% line:77% size:65%
[JOHNNY GANDELSMAN'S
"FLOR DE LA NOCHE MIRANDO
A LAS ESTRELLAS MIX 2" PLAYING]

01:35:42.500 --> 01:35:44.266 align:left position:15% line:83% size:75%
WOMAN AS GELLHORN: THE LETTER
WHERE YOU SAY THAT THESE ARE

01:35:44.266 --> 01:35:46.966 align:left position:10% line:89% size:80%
THE WORST TWO WEEKS OF YOUR LIFE

01:35:46.966 --> 01:35:52.500 align:left position:12.5% line:83% size:77.5%
AND THAT YOU FEEL YOU ARE GOING
TO DIE OF SADNESS IS TOO AWFUL.

01:35:52.500 --> 01:35:56.333 align:left position:25% line:83% size:65%
YOU MATTER MORE THAN
ANYTHING IN THE WORLD TO ME.

01:35:56.333 --> 01:35:58.500 align:left position:30% line:83% size:60%
I CAN'T HAVE YOU
DYING OF SADNESS.

01:35:58.500 --> 01:36:01.233 align:left position:12.5% line:89% size:77.5%
I JUST CAN'T BE PARTY TO THAT.

01:36:01.233 --> 01:36:04.500 align:left position:20% line:83% size:70%
IF YOU SEE THAT YOU TRULY
CANNOT BEAR IT,

01:36:04.500 --> 01:36:06.433 align:left position:32.5% line:89% size:57.5%
I'LL COME HOME.

01:36:09.100 --> 01:36:11.366 align:left position:20% line:83% size:70%
NARRATOR: BUT SHE DIDN'T
COME HOME.

01:36:11.366 --> 01:36:13.733 align:left position:17.5% line:83% size:72.5%
WHEN "COLLIER'S" PUBLISHED
MARTHA'S DISPATCHES

01:36:13.733 --> 01:36:15.566 align:left position:22.5% line:89% size:67.5%
FROM THE ITALIAN FRONT,

01:36:15.566 --> 01:36:18.000 align:left position:10% line:89% size:80%
HEMINGWAY PUBLICLY PRAISED THEM.

01:36:18.000 --> 01:36:20.733 align:left position:22.5% line:83% size:67.5%
"YOU FEEL IT AS THOUGH
IT WERE YOU," HE SAID,

01:36:20.733 --> 01:36:22.366 align:left position:25% line:89% size:65%
"AND YOU WERE THERE."

01:36:23.900 --> 01:36:26.100 align:left position:27.5% line:83% size:62.5%
BUT SHE REMEMBERED
RECEIVING AN ANGRY CABLE

01:36:26.100 --> 01:36:28.200 align:left position:20% line:89% size:70%
FROM HER HUSBAND IN CUBA:

01:36:28.200 --> 01:36:32.066 align:left position:15% line:83% size:75%
"ARE YOU A WAR CORRESPONDENT
OR WIFE IN MY BED?"

01:36:33.566 --> 01:36:37.100 align:left position:22.5% line:83% size:67.5%
MARTHA HOPED SHE COULD
SOMEHOW STILL BE BOTH.

01:36:37.100 --> 01:36:39.300 align:left position:27.5% line:83% size:62.5%
"IT IS QUITE A JOB
BEING A WOMAN, ISN'T IT?"

01:36:39.300 --> 01:36:41.566 align:left position:15% line:89% size:75%
SHE WROTE TO MRS. ROOSEVELT.

01:36:41.566 --> 01:36:43.966 align:left position:20% line:83% size:70%
"YOU CANNOT DO YOUR WORK
AND SIMPLY GET ON WITH IT

01:36:43.966 --> 01:36:45.566 align:left position:20% line:83% size:70%
"BECAUSE THAT IS SELFISH.

01:36:45.566 --> 01:36:47.966 align:left position:32.5% line:83% size:57.5%
YOU HAVE TO BE
TWO THINGS AT ONCE."

01:36:50.266 --> 01:36:54.100 align:left position:17.5% line:83% size:72.5%
AGAIN AND AGAIN, HEMINGWAY
BEGGED HER TO RETURN TO CUBA.

01:36:54.100 --> 01:36:59.933 align:left position:12.5% line:83% size:77.5%
AGAIN AND AGAIN, SHE URGED HIM
TO JOIN HER IN LONDON INSTEAD.

01:36:59.933 --> 01:37:04.300 align:left position:25% line:83% size:65%
HE REFUSED TO DO IT.
FINALLY, SHE GAVE UP TRYING.

01:37:06.533 --> 01:37:08.600 align:left position:27.5% line:83% size:62.5%
WOMAN AS GELLHORN:
I LOVE YOU DEARLY.

01:37:08.600 --> 01:37:11.533 align:left position:30% line:83% size:60%
I WON'T URGE YOU
ANY MORE TO COME,

01:37:11.533 --> 01:37:13.700 align:left position:30% line:83% size:60%
THOUGH I DO THINK
YOU WILL REGRET IT

01:37:13.700 --> 01:37:16.266 align:left position:22.5% line:83% size:67.5%
AND I THINK IT WOULD BE
A GREAT GENERAL LOSS

01:37:16.266 --> 01:37:17.866 align:left position:12.5% line:89% size:77.5%
FOR FUTURE TIME, FOR ALL PEOPLE

01:37:17.866 --> 01:37:21.033 align:left position:17.5% line:89% size:72.5%
WHO NEED AND LOVE TO READ.

01:37:21.033 --> 01:37:24.366 align:left position:30% line:83% size:60%
I KNOW IT IS HELL
FOR YOU THERE ALONE

01:37:24.366 --> 01:37:26.933 align:left position:25% line:83% size:65%
BUT I HAVE TO ASK YOU
TO BE PATIENT.

01:37:26.933 --> 01:37:30.833 align:left position:15% line:83% size:75%
YOU HAVE A LIFE THERE BECAUSE
YOU HAVE USEFUL WORK;

01:37:30.833 --> 01:37:34.600 align:left position:17.5% line:83% size:72.5%
IT IS WHAT YOU BELIEVE IN
AND FEEL RIGHT ABOUT DOING.

01:37:36.300 --> 01:37:39.100 align:left position:30% line:83% size:60%
BUT I BELIEVE IN
WHAT I AM DOING, TOO.

01:37:39.100 --> 01:37:41.600 align:left position:25% line:83% size:65%
I HAVE TO LIVE MY WAY
AS WELL AS YOURS,

01:37:41.600 --> 01:37:45.333 align:left position:25% line:83% size:65%
OR THERE WOULDN'T BE
ANY ME TO LOVE YOU WITH.

01:37:45.333 --> 01:37:48.833 align:left position:12.5% line:83% size:77.5%
YOU WOULDN'T REALLY WANT ME IF
I BUILT A FINE BIG STONE WALL

01:37:48.833 --> 01:37:51.333 align:left position:27.5% line:83% size:62.5%
AROUND THE FINCA
AND SAT INSIDE IT.

01:37:53.966 --> 01:37:57.333 align:left position:17.5% line:83% size:72.5%
NARRATOR: THAT WAS EXACTLY
WHAT HE DID WANT HER TO DO.

01:37:57.333 --> 01:38:01.333 align:left position:20% line:83% size:70%
DEPRESSION GRIPPED HIM--
HE CALLED IT "BLACK ASS."

01:38:01.333 --> 01:38:03.833 align:left position:27.5% line:83% size:62.5%
FEELING ABANDONED,
WITH NO WRITING PROJECT

01:38:03.833 --> 01:38:06.000 align:left position:20% line:89% size:70%
IN WHICH TO LOSE HIMSELF,

01:38:06.000 --> 01:38:08.400 align:left position:17.5% line:83% size:72.5%
THE DREAD OF SLEEPING ALONE
THAT HAD PLAGUED HIM

01:38:08.400 --> 01:38:12.900 align:left position:25% line:83% size:65%
SINCE HIS RETURN FROM
THE GREAT WAR DEEPENED.

01:38:12.900 --> 01:38:15.500 align:left position:35% line:83% size:55%
HE NOW HAD TO
DRINK HIMSELF TO SLEEP--

01:38:15.500 --> 01:38:18.366 align:left position:10% line:89% size:80%
AND WAS CONSUMED WITH SELF-PITY.

01:38:20.066 --> 01:38:22.566 align:left position:22.5% line:83% size:67.5%
MAN AS HEMINGWAY: I AM
SICK-LONELY WITH MARTY AWAY.

01:38:24.033 --> 01:38:26.733 align:left position:27.5% line:83% size:62.5%
LIKE SOMEBODY WITH
THEIR HEART CUT OUT.

01:38:26.733 --> 01:38:29.366 align:left position:27.5% line:83% size:62.5%
LOVED MARTY SO MUCH
AND TO THE EXCLUSION OF

01:38:29.366 --> 01:38:32.466 align:left position:12.5% line:89% size:77.5%
EVERYTHING AND ALL ELSE SO THAT

01:38:32.466 --> 01:38:36.066 align:left position:27.5% line:83% size:62.5%
EVERYBODY WHO USED
TO LOVE ME QUIT.

01:38:36.066 --> 01:38:40.600 align:left position:22.5% line:83% size:67.5%
SO, NOW I HAVE NO MARTY
AND NOBODY ELSE.

01:38:42.366 --> 01:38:45.866 align:left position:20% line:83% size:70%
NARRATOR: IN EARLY 1944,
MARTHA RETURNED TO CUBA,

01:38:45.866 --> 01:38:48.600 align:left position:32.5% line:83% size:57.5%
HOPING SOMEHOW
TO REASSURE HER HUSBAND

01:38:48.600 --> 01:38:51.066 align:left position:17.5% line:89% size:72.5%
AND REBUILD THEIR MARRIAGE.

01:38:51.066 --> 01:38:52.533 align:left position:32.5% line:89% size:57.5%
IT DIDN'T WORK.

01:38:54.366 --> 01:38:57.900 align:left position:15% line:83% size:75%
WOMAN AS GELLHORN: HE WOKE ME
WHEN I WAS TRYING TO SLEEP

01:38:57.900 --> 01:39:01.266 align:left position:22.5% line:89% size:67.5%
TO BULLY, SNARL, MOCK.

01:39:01.266 --> 01:39:05.500 align:left position:17.5% line:83% size:72.5%
MY CRIME REALLY WAS TO HAVE
BEEN AT WAR WHEN HE HAD NOT,

01:39:05.500 --> 01:39:08.100 align:left position:12.5% line:89% size:77.5%
BUT THAT WAS NOT HOW HE PUT IT.

01:39:08.100 --> 01:39:13.066 align:left position:12.5% line:83% size:77.5%
I WAS SUPPOSEDLY INSANE, I HAD
NO RESPONSIBILITY TO ANYONE,

01:39:13.066 --> 01:39:16.133 align:left position:15% line:89% size:75%
I WAS SELFISH BEYOND BELIEF.

01:39:18.300 --> 01:39:20.633 align:left position:17.5% line:83% size:72.5%
NARRATOR: SHE ASSAILED HIM
AGAIN FOR HIS DRINKING,

01:39:20.633 --> 01:39:23.066 align:left position:10% line:89% size:80%
RIDICULED HIS SUBMARINE HUNTING,

01:39:23.066 --> 01:39:27.500 align:left position:17.5% line:83% size:72.5%
ACCUSED HIM OF COWARDICE IN
STAYING AWAY FROM THE REAL WAR.

01:39:28.900 --> 01:39:30.633 align:left position:10% line:89% size:80%
THE LONG-PLANNED ALLIED INVASION

01:39:30.633 --> 01:39:33.633 align:left position:22.5% line:83% size:67.5%
OF NAZI-OCCUPIED FRANCE
WAS COMING.

01:39:33.633 --> 01:39:36.100 align:left position:22.5% line:83% size:67.5%
HE OWED IT TO HIMSELF,
SHE INSISTED--

01:39:36.100 --> 01:39:40.466 align:left position:15% line:83% size:75%
HE OWED IT TO HISTORY--TO BE
IN AT THE DEATH OF FASCISM.

01:39:41.966 --> 01:39:43.866 align:left position:17.5% line:83% size:72.5%
HISTORY DIDN'T CONCERN HIM,
HE SAID.

01:39:43.866 --> 01:39:47.566 align:left position:15% line:83% size:75%
HE'D BEEN WOUNDED IN ONE WAR
AND UNDER FIRE IN TWO.

01:39:47.566 --> 01:39:50.866 align:left position:22.5% line:83% size:67.5%
HIS LUCK WAS LIKELY
TO RUN OUT IN A THIRD.

01:39:50.866 --> 01:39:54.233 align:left position:20% line:83% size:70%
IF HE WERE TO BE KILLED,
SHE WOULD BEAR THE BLAME.

01:39:55.433 --> 01:39:57.233 align:left position:17.5% line:89% size:72.5%
FINALLY, GELLHORN TOLD HIM

01:39:57.233 --> 01:39:59.100 align:left position:15% line:89% size:75%
SHE "WAS GOING BACK TO LONDON

01:39:59.100 --> 01:40:01.633 align:left position:20% line:89% size:70%
WHETHER HE CAME OR NOT."

01:40:04.166 --> 01:40:07.700 align:left position:17.5% line:83% size:72.5%
THEN, SUDDENLY, HE CHANGED
HIS MIND AND AGREED TO GO.

01:40:07.700 --> 01:40:11.766 align:left position:22.5% line:83% size:67.5%
HE TOLD HER, "JUST FEEL
LIKE OLD HORSE."

01:40:13.233 --> 01:40:16.933 align:left position:30% line:83% size:60%
MAN AS HEMINGWAY:
GOOD, SOUND, BUT OLD,

01:40:16.933 --> 01:40:19.300 align:left position:27.5% line:83% size:62.5%
BEING SADDLED AGAIN
TO RACE OVER THE JUMPS

01:40:19.300 --> 01:40:22.233 align:left position:12.5% line:89% size:77.5%
BECAUSE OF UNSCRUPULOUS OWNER.

01:40:22.233 --> 01:40:24.700 align:left position:12.5% line:89% size:77.5%
WILL MAKE SAME RACE AS ALWAYS,

01:40:24.700 --> 01:40:27.233 align:left position:27.5% line:83% size:62.5%
BEST THAT CAN MAKE,
BUT AM NEITHER

01:40:27.233 --> 01:40:31.300 align:left position:12.5% line:89% size:77.5%
HAPPY, EXCITED, NOR INTERESTED.

01:40:31.300 --> 01:40:33.566 align:left position:20% line:83% size:70%
[DAVID CIERI'S "I USED TO
LOVE YOU VARIATION 2" PLAYING]

01:40:33.566 --> 01:40:35.866 align:left position:22.5% line:83% size:67.5%
NARRATOR: HE SIGNED ON
WITH "COLLIER'S"--

01:40:35.866 --> 01:40:38.033 align:left position:27.5% line:83% size:62.5%
THUS ENSURING THAT
GELLHORN WOULD BE

01:40:38.033 --> 01:40:43.066 align:left position:12.5% line:83% size:77.5%
OVERSHADOWED AT THE MAGAZINE
FOR WHICH SHE WROTE REGULARLY.

01:40:43.066 --> 01:40:46.566 align:left position:22.5% line:83% size:67.5%
"HE DID IT TO FIX ME,"
SHE REMEMBERED MANY YEARS LATER.

01:40:46.566 --> 01:40:50.666 align:left position:22.5% line:83% size:67.5%
"NOTHING COULD BEAT IT
FOR SHEER BITCHERY."

01:40:50.666 --> 01:40:52.266 align:left position:10% line:89% size:80%
STILL, MARTHA PERSUADED A FRIEND

01:40:52.266 --> 01:40:54.733 align:left position:22.5% line:83% size:67.5%
AT THE BRITISH EMBASSY
IN WASHINGTON

01:40:54.733 --> 01:40:57.233 align:left position:27.5% line:83% size:62.5%
TO PROVIDE HIM WITH
A HARD-TO-OBTAIN SEAT

01:40:57.233 --> 01:41:00.566 align:left position:27.5% line:83% size:62.5%
ON AN RAF PLANE
HEADED FOR LONDON.

01:41:00.566 --> 01:41:03.533 align:left position:25% line:83% size:65%
SHE ASSUMED SHE'D BE
BOARDING THE PLANE, TOO.

01:41:03.533 --> 01:41:07.533 align:left position:10% line:83% size:80%
BUT HEMINGWAY, STILL BITTER OVER
THE PRESSURE SHE'D PUT ON HIM,

01:41:07.533 --> 01:41:10.500 align:left position:25% line:83% size:65%
TOLD HER THE MILITARY
HAD BARRED WOMEN--

01:41:10.500 --> 01:41:12.733 align:left position:32.5% line:83% size:57.5%
EVEN THOUGH TWO
BRITISH ACTRESSES

01:41:12.733 --> 01:41:16.300 align:left position:32.5% line:83% size:57.5%
WOULD BE AMONG
HIS FELLOW PASSENGERS.

01:41:16.300 --> 01:41:20.000 align:left position:15% line:83% size:75%
GELLHORN WAS FORCED TO CROSS
THE NORTH ATLANTIC ALONE,

01:41:20.000 --> 01:41:23.033 align:left position:20% line:83% size:70%
THE SOLE CIVILIAN ABOARD
A NORWEGIAN FREIGHTER

01:41:23.033 --> 01:41:26.200 align:left position:27.5% line:83% size:62.5%
CARRYING EXPLOSIVES
AND LANDING CRAFT,

01:41:26.200 --> 01:41:31.566 align:left position:20% line:83% size:70%
PART OF THE PREPARATIONS
FOR D-DAY, NOW JUST WEEKS AWAY.

01:41:31.566 --> 01:41:34.733 align:left position:30% line:83% size:60%
HER MARRIAGE WAS
ESSENTIALLY OVER.

01:41:34.733 --> 01:41:36.366 align:left position:22.5% line:89% size:67.5%
"ERNEST IS A GOOD MAN,"

01:41:36.366 --> 01:41:40.133 align:left position:22.5% line:83% size:67.5%
SHE WROTE AN OLD FRIEND
WHILE ABOARD SHIP.

01:41:40.133 --> 01:41:42.566 align:left position:20% line:83% size:70%
WOMAN AS GELLHORN: HE IS,
HOWEVER, BAD FOR ME...

01:41:42.566 --> 01:41:45.666 align:left position:25% line:83% size:65%
OR MAYBE WRONG FOR ME
IS THE WORD;

01:41:45.666 --> 01:41:48.000 align:left position:22.5% line:89% size:67.5%
AND I AM WRONG FOR HIM.

01:41:50.800 --> 01:41:53.766 align:left position:20% line:83% size:70%
AS FAR AS I AM CONCERNED,
IT IS ALL OVER.

01:41:53.766 --> 01:41:56.933 align:left position:30% line:83% size:60%
IT'LL NEVER WORK
BETWEEN US AGAIN.

01:41:56.933 --> 01:42:02.500 align:left position:25% line:83% size:65%
I AM WONDERING NOW IF
IT EVER REALLY WORKED;

01:42:02.500 --> 01:42:07.066 align:left position:15% line:83% size:75%
I AM WONDERING WHAT ALL THESE
7 YEARS WERE ABOUT EXACTLY.

01:42:08.500 --> 01:42:17.733 align:left position:15% line:83% size:75%
I FEEL TERRIBLY STRANGE, LIKE
A SHADOW, AND FULL OF DREAD.

01:42:17.733 --> 01:42:22.266 align:left position:22.5% line:83% size:67.5%
I DREAD THE TIME AHEAD,
THE AMPUTATING TIME.

01:42:23.566 --> 01:42:27.233 align:left position:22.5% line:89% size:67.5%
IT IS, NOTE, MY FAULT:

01:42:27.233 --> 01:42:29.266 align:left position:15% line:89% size:75%
I AM THE ONE WHO HAS CHANGED

01:42:29.266 --> 01:42:34.000 align:left position:30% line:83% size:60%
AND I AM ASHAMED
AND GUILTY, TOO,

01:42:34.000 --> 01:42:38.100 align:left position:10% line:89% size:80%
BECAUSE I AM BREAKING HIS HEART.

01:42:38.100 --> 01:42:39.933 align:left position:22.5% line:83% size:67.5%
WE QUARRELED TOO MUCH,
I SUPPOSE.

01:42:39.933 --> 01:42:46.966 align:left position:17.5% line:83% size:72.5%
IT'S ALL SICKENING AND I'M
SAD TO DEATH AND AFRAID.

01:42:46.966 --> 01:42:53.300 align:left position:20% line:83% size:70%
I ONLY WANT TO BE ALONE.
I WANT TO BE MYSELF

01:42:53.300 --> 01:42:57.100 align:left position:27.5% line:83% size:62.5%
AND ALONE AND FREE
TO BREATHE, LIVE,

01:42:57.100 --> 01:43:02.166 align:left position:27.5% line:83% size:62.5%
LOOK UPON THE WORLD
AND FIND IT HOWEVER IT IS.

01:43:02.166 --> 01:43:06.100 align:left position:20% line:83% size:70%
I WANT MY OWN NAME BACK,
MOST VIOLENTLY,

01:43:06.100 --> 01:43:11.333 align:left position:25% line:83% size:65%
AS IF GETTING IT BACK
WOULD GIVE ME SOME OF MYSELF.

01:43:14.800 --> 01:43:16.000 align:left position:40% line:83% size:50%
NARRATOR:
HEMINGWAY GOT TO ENGLAND

01:43:16.000 --> 01:43:19.800 align:left position:15% line:89% size:75%
11 DAYS BEFORE GELLHORN DID--

01:43:19.800 --> 01:43:22.433 align:left position:17.5% line:83% size:72.5%
LONG ENOUGH FOR HIM TO MEET
THE WOMAN WHO WOULD BECOME

01:43:22.433 --> 01:43:26.600 align:left position:37.5% line:83% size:52.5%
THE FOURTH
MRS. ERNEST HEMINGWAY.

01:43:26.600 --> 01:43:29.700 align:left position:10% line:5% size:80%
[DUKE ELLINGTON & BUBBER MILEY'S
"THE NEW EAST ST. LOUIS
TOODLE-O" PLAYING]

01:43:32.166 --> 01:44:01.700 align:left position:50% line:89% size:40%
♪

01:44:02.166 --> 01:44:37.866 align:left position:50% line:89% size:40%
♪

01:44:38.633 --> 01:44:40.900 align:left position:37.5% line:83% size:52.5%
ANNOUNCER:
NEXT TIME "ON HEMINGWAY"...

01:44:40.900 --> 01:44:41.966 align:left position:17.5% line:83% size:72.5%
MAN, AS HEMINGWAY: WHATEVER
HAPPENED TO HIM NOW

01:44:41.966 --> 01:44:43.500 align:left position:12.5% line:89% size:77.5%
HE CONSIDERED OF NO IMPORTANCE

01:44:43.500 --> 01:44:45.366 align:left position:17.5% line:89% size:72.5%
AS LONG AS HE COULD WRITE.

01:44:45.366 --> 01:44:48.266 align:left position:22.5% line:83% size:67.5%
ANNOUNCER: WORLD WAR II
LEAVES LASTING SCARS...

01:44:48.266 --> 01:44:50.033 align:left position:20% line:83% size:70%
SUSAN BEEGEL: HE HAD SEEN
SO MANY THINGS

01:44:50.033 --> 01:44:52.366 align:left position:17.5% line:89% size:72.5%
THAT HE COULD NOT UNSEE...

01:44:52.366 --> 01:44:54.166 align:left position:37.5% line:83% size:52.5%
ANNOUNCER:
A CLASSIC MASTERPIECE...

01:44:54.166 --> 01:44:55.733 align:left position:15% line:83% size:75%
MAN AS HEMINGWAY: EVERYTHING
ABOUT HIM WAS OLD

01:44:55.733 --> 01:44:57.166 align:left position:30% line:89% size:60%
EXCEPT HIS EYES.

01:44:57.166 --> 01:44:59.533 align:left position:37.5% line:83% size:52.5%
ANNOUNCER:
AND A DESCENT INTO DARKNESS.

01:44:59.533 --> 01:45:00.966 align:left position:15% line:83% size:75%
MICHAEL KATAKIS: THE HISTORY
OF MENTAL ILLNESS

01:45:00.966 --> 01:45:03.366 align:left position:35% line:83% size:55%
IN THE FAMILY
HAD TO BE ON HIS MIND.

01:45:03.366 --> 01:45:04.900 align:left position:25% line:83% size:65%
ANNOUNCER: DON'T MISS
THE FINAL CHAPTER

01:45:04.900 --> 01:45:08.733 align:left position:20% line:89% size:70%
OF "HEMINGWAY" NEXT TIME.

01:45:08.733 --> 01:45:10.500 align:left position:15% line:53% size:75%
VO: Stay tuned for a special
preview

01:45:10.500 --> 01:45:12.633 align:left position:10% line:53% size:80%
of the next film from Ken Burns:
MUHAMMAD ALI.

01:45:14.000 --> 01:45:15.866 align:left position:22.5% line:5% size:67.5%
ANNOUNCER: DIVE DEEPER
INTO THIS FILM

01:45:15.866 --> 01:45:18.000 align:left position:15% line:5% size:75%
BY VISITING PBS.ORG/HEMINGWAY

01:45:18.000 --> 01:45:20.133 align:left position:22.5% line:5% size:67.5%
AND THE PBS VIDEO APP.

01:45:20.133 --> 01:45:24.266 align:left position:17.5% line:5% size:72.5%
JOIN THE CONVERSATION WITH
HASHTAG #HEMINGWAYPBS.

01:45:24.266 --> 01:45:27.266 align:left position:17.5% line:5% size:72.5%
TO ORDER "HEMINGWAY" ON DVD
OR BLU-RAY

01:45:27.266 --> 01:45:29.300 align:left position:37.5% line:5% size:52.5%
OR THE BOOK
"THE HEMINGWAY STORIES,"

01:45:29.300 --> 01:45:33.700 align:left position:22.5% line:5% size:67.5%
VISIT SHOP PBS OR CALL
1-800-PLAY-PBS.

01:45:33.700 --> 01:45:35.933 align:left position:20% line:5% size:70%
THE CD IS ALSO AVAILABLE.

01:45:35.933 --> 01:45:39.433 align:left position:15% line:5% size:75%
"HEMINGWAY" IS ALSO AVAILABLE
WITH PBS PASSPORT

01:45:39.433 --> 01:45:42.833 align:left position:17.5% line:5% size:72.5%
AND ON AMAZON PRIME VIDEO.

01:45:46.633 --> 01:45:53.000 align:left position:50% line:89% size:40%
♪

01:45:53.466 --> 01:45:59.066 align:left position:50% line:89% size:40%
♪

01:45:59.533 --> 01:46:02.400 align:left position:50% line:89% size:40%
♪

01:46:09.700 --> 01:46:12.266 align:left position:50% line:89% size:40%
♪

01:46:13.666 --> 01:46:15.333 align:left position:20% line:5% size:70%
ANNOUNCER: MAJOR FUNDING
FOR "HEMINGWAY"

01:46:15.333 --> 01:46:18.033 align:left position:32.5% line:5% size:57.5%
WAS PROVIDED BY
THE BETTER ANGELS SOCIETY

01:46:18.033 --> 01:46:19.800 align:left position:27.5% line:89% size:62.5%
AND BY ITS MEMBERS:

01:46:19.800 --> 01:46:22.266 align:left position:17.5% line:83% size:72.5%
THE ELIZABETH RUTH WALLACE
LIVING TRUST,

01:46:22.266 --> 01:46:24.200 align:left position:20% line:89% size:70%
JOHN AND LESLIE McQUOWN,

01:46:24.200 --> 01:46:25.900 align:left position:20% line:89% size:70%
JOHN AND CATHERINE DEBS,

01:46:25.900 --> 01:46:28.633 align:left position:25% line:83% size:65%
THE FULLERTON FAMILY
CHARITABLE TRUST,

01:46:28.633 --> 01:46:31.633 align:left position:17.5% line:83% size:72.5%
KISSICK FAMILY FOUNDATION,
GAIL ELDEN,

01:46:31.633 --> 01:46:33.233 align:left position:22.5% line:89% size:67.5%
GILCHRIST AND AMY BERG,

01:46:33.233 --> 01:46:34.833 align:left position:15% line:89% size:75%
ROBERT AND BEVERLY GRAPPONE,

01:46:34.833 --> 01:46:37.300 align:left position:12.5% line:89% size:77.5%
AND MAUREE JANE AND MARK PERRY.

01:46:37.300 --> 01:46:41.700 align:left position:12.5% line:83% size:77.5%
ADDITIONAL FUNDING WAS PROVIDED
BY THE ANNENBERG FOUNDATION,

01:46:41.700 --> 01:46:44.266 align:left position:22.5% line:83% size:67.5%
THE ARTHUR VINING DAVIS
FOUNDATIONS,

01:46:44.266 --> 01:46:46.800 align:left position:32.5% line:83% size:57.5%
THE CORPORATION
FOR PUBLIC BROADCASTING,

01:46:46.800 --> 01:46:50.066 align:left position:15% line:83% size:75%
AND BY CONTRIBUTIONS TO YOUR
PBS STATION

01:46:50.066 --> 01:46:52.133 align:left position:22.5% line:89% size:67.5%
FROM VIEWERS LIKE YOU.

01:46:52.133 --> 01:46:54.666 align:left position:37.5% line:89% size:52.5%
THANK YOU.