WEBVTT

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David: So let's go ahead,

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and just remember,

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since you have these
stylized movements

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at the beginning,
it's really important

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that your transitions into them
are part of the performance

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and that we're not
seeing you mark them.

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Liz: We have to keep the secret.

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Tenemos que guardar el secreto.

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Not just for you
but for the family.

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Para el bien de toda la famila.

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We're illegal,
but no one can know.

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Somos ilegales,
pero nadie puede enterarse.

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Why should we be afraid?
We can't be afraid.

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We have to change what their
image of an immigrant is.

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How can you have peace
if you have no justice?

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Undocumented, unafraid!
Undocumented, unashamed!

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David: Any notes, maestro?

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Dulé: When you say,
"Undocumented, unafraid,"

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are you unafraid?

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Because it's one thing to be,
"I'm not afraid."

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It's another thing to know
that "I am afraid,

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but I'm willing myself forward."

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That's two different things.
Liz: Right...

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Dulé: Same words,
two different things.

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Are you encouraging yourself
when you say,

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"Undocumented. I'm unafraid.
Undocumented. I'm unafraid.

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Undocumented, I'm unafraid.
Undocumented."

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And what is the final line
you say?

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Liz: I am home.

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[Dulé taps stage]

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Dulé: I am home.
David: Mm-hmm.

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Liz: Yeah.
Dulé: And let it sit.

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"Because I'm telling you,
I am home.

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This is my home."

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Dulé, voice-over: I feel that

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theater is a pillar
of democracy,

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because it can't help but fire
people up to be engaged

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in the process and engaged
in the world around them.

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The more you have that,

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the better
our communities will be.

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Liz: We're carrying
lots of secrets.

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Cargamos con muchos secretos.

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Why should we be afraid?

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We can't be afraid.

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We have to change what their
image of an immigrant is.

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Liz, voice-over: Cara Mía plays
such a big role

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in terms of my artistic journey.

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I have learned
it's most powerful

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when we are the ones who tell
our own stories,

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when we're at the helm.

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I am home.

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♪