1
00:00:01,466 --> 00:00:03,300
David: So let's go ahead, 
and just remember,

2
00:00:03,300 --> 00:00:05,266
since you have these 
stylized movements

3
00:00:05,266 --> 00:00:07,266
at the beginning, 
it's really important

4
00:00:07,266 --> 00:00:09,900
that your transitions into them 
are part of the performance

5
00:00:09,900 --> 00:00:12,466
and that we're not 
seeing you mark them.

6
00:00:14,166 --> 00:00:16,600
Liz: We have to keep the secret.

7
00:00:16,600 --> 00:00:19,200
Tenemos que guardar el secreto.

8
00:00:19,200 --> 00:00:22,333
Not just for you 
but for the family.

9
00:00:22,333 --> 00:00:24,466
Para el bien de toda la famila.

10
00:00:26,600 --> 00:00:28,766
We're illegal, 
but no one can know.

11
00:00:28,766 --> 00:00:31,800
Somos ilegales, 
pero nadie puede enterarse.

12
00:00:33,300 --> 00:00:36,866
Why should we be afraid? 
We can't be afraid.

13
00:00:36,866 --> 00:00:39,466
We have to change what their 
image of an immigrant is.

14
00:00:39,466 --> 00:00:42,800
How can you have peace 
if you have no justice?

15
00:00:42,800 --> 00:00:48,100
Undocumented, unafraid! 
Undocumented, unashamed!

16
00:00:51,966 --> 00:00:53,966
David: Any notes, maestro?

17
00:00:53,966 --> 00:00:58,733
Dulé: When you say, 
"Undocumented, unafraid,"

18
00:00:58,733 --> 00:01:00,900
are you unafraid?

19
00:01:00,900 --> 00:01:05,066
Because it's one thing to be, 
"I'm not afraid."

20
00:01:05,066 --> 00:01:07,033
It's another thing to know 
that "I am afraid,

21
00:01:07,033 --> 00:01:08,900
but I'm willing myself forward."

22
00:01:08,900 --> 00:01:10,400
That's two different things. 
Liz: Right...

23
00:01:10,400 --> 00:01:13,266
Dulé: Same words, 
two different things.

24
00:01:13,266 --> 00:01:16,100
Are you encouraging yourself 
when you say,

25
00:01:16,100 --> 00:01:20,100
"Undocumented. I'm unafraid. 
Undocumented. I'm unafraid.

26
00:01:20,100 --> 00:01:21,766
Undocumented, I'm unafraid. 
Undocumented."

27
00:01:21,766 --> 00:01:23,500
And what is the final line 
you say?

28
00:01:23,500 --> 00:01:25,533
Liz: I am home.

29
00:01:25,533 --> 00:01:27,533
[Dulé taps stage]

30
00:01:27,533 --> 00:01:31,533
Dulé: I am home. 
David: Mm-hmm.

31
00:01:31,533 --> 00:01:33,100
Liz: Yeah. 
Dulé: And let it sit.

32
00:01:33,100 --> 00:01:39,400
"Because I'm telling you, 
I am home.

33
00:01:39,400 --> 00:01:41,533
This is my home."

34
00:01:41,533 --> 00:01:43,000
Dulé, voice-over: I feel that

35
00:01:43,000 --> 00:01:44,866
theater is a pillar 
of democracy,

36
00:01:44,866 --> 00:01:47,400
because it can't help but fire 
people up to be engaged

37
00:01:47,400 --> 00:01:50,766
in the process and engaged 
in the world around them.

38
00:01:50,766 --> 00:01:52,233
The more you have that,

39
00:01:52,233 --> 00:01:54,466
the better 
our communities will be.

40
00:01:56,433 --> 00:02:00,566
Liz: We're carrying 
lots of secrets.

41
00:02:00,566 --> 00:02:03,433
Cargamos con muchos secretos.

42
00:02:03,433 --> 00:02:05,933
Why should we be afraid?

43
00:02:05,933 --> 00:02:07,933
We can't be afraid.

44
00:02:07,933 --> 00:02:11,033
We have to change what their 
image of an immigrant is.

45
00:02:11,033 --> 00:02:13,133
Liz, voice-over: Cara Mía plays 
such a big role

46
00:02:13,133 --> 00:02:14,966
in terms of my artistic journey.

47
00:02:14,966 --> 00:02:16,633
I have learned 
it's most powerful

48
00:02:16,633 --> 00:02:18,500
when we are the ones who tell 
our own stories,

49
00:02:18,500 --> 00:02:19,733
when we're at the helm.

50
00:02:19,733 --> 00:02:22,500
I am home.

51
00:02:22,500 --> 00:02:31,466
♪