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(playful upbeat music) 
(logo swooshing)

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- Welcome to the 
"Volunteer Woodworker."

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I'm your host, Charles Brock.

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Come with me as we 
drive the back roads,

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bringing you the story of 
America's finest woodworkers.

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(door slams)

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(playful upbeat music continues)

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We're going to Santa Fe, 
Tennessee to meet Grant Batson.

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Grant is more than great 
at a lot of things.

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In his own relaxed style,

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he goes about life 
making the things

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that interest him most, 
like guitars and pipes,

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yes, smoking pipes 
from Italian bur.

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Let's meet Grant Batson.

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- [Announcer] "Volunteer 
Woodworker" is 
funded in part by...

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Since 1970, Whiteside 
Machine Company

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has been producing 
industrial-grade router bits

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in Claremont, North Carolina.

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Whiteside makes carbide 
bits for edge-forming,

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grooving, and CNC application.

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Learn more at 
whitesiderouterbits.com.

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Real Milk Paint 
Company makes VOC-free,

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non-toxic milk paint 
available in 56 colors.

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Milk Paint creates 
a matte wood finish

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that can be distressed 
for an antique look.

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Good Wood Nashville 
designs custom furniture

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and is a supplier of 
vintage hardwoods.

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Keri Price with 
Keller Williams Realty

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has been assisting Middle 
Tennessee home buyers

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and sellers since 2013.

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Mayfield Hardwood Lumber,

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supplying Appalachian 
hardwoods worldwide.

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Anna's Creative Lens.

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(slow gentle guitar music)

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(logo swooshing)

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(slow gentle guitar 
music continues)

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- Grant, so nice to be here.

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- Thank you for coming.

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- I mean, the music 
and the setting,

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it puts me to sleep, 
but it doesn't-

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- There's a pillow right there.

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Take a nap. 
(Charles laughs)

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- I might, but I tell you what.

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It doesn't do that for you.

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Seems to be motivating.

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Out of the many artists I know,

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you're so laid-back 
compared to most.

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- My wife would 
disagree, but thank you.

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I'll take it. 
(Charles laughs)

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- And you're so productive.

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- Hm. 
- I mean,

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you do a little bit of 
everything from building a house

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to building a line of 
guitars with your brother,

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to building furniture,

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teaching, furniture-making.

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And then you have a 
specialty like nobody else

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that I know that you make pipes,

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not just ordinary pipes,

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but pipes that are influenced

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by some of the 
best in the world.

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- Mm-hm. 
- Yeah.

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- Yeah.

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- So it's just amazing 
to be here with you.

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And does the setting do 
something for you as an artist?

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- Oh, you know, that's 
a great question.

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I think it has to.

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I don't know that I 
think about it a lot,

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but you got to 
walk down the path

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from the shop to the porch here,

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and it's the path that I 
walk every time I make pipes.

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I don't typically drive down.

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I walk.

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And that is like a reset for me.

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If I'm in a mental space...

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I mean, you know, life is crazy

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and coming at you 
fast all the time,

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and so there's 
something interesting

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about walking down that, just,

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tree-covered gravel road

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just 250 feet or so.

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Gratitude is always there.

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And I feel small,

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and I'm surrounded by creation.

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And it, I think, 
definitely gives me a spark

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that I need to be creative, so.

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- What was the seed 
for little Grant Batson

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to become inspired 
to do all of this?

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- Yeah, I mean, it's funny.

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Being mindfully present and 
understanding these things,

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you really kind of have 
to sit in those questions.

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And I have pondered 
these at times

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just as I've looked back 
at, how did I get here?

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You know, this wasn't my plan.

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And so my parents 
were definitely 
incredibly instrumental

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in that, as most parents impact 
their children in a big way.

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But my mom and dad 
were very hardworking,

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and we did everything ourselves.

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So I grew up in Central 
Texas out in the midst

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of corn and cotton fields.

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And my dad had a little 
business that he ran,

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but we did everything ourselves.

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So if a car broke 
down, we fixed it.

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If we added onto the 
house, we did it ourselves.

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If something needed 
to be welded...

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You know, my dad wrote 
a book on refrigeration.

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He just did everything, 
including woodworking.

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And so I kind of,

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I think the woodworking 
stuck out to me the most.

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Oh, he's also a 
master electrician.

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I mean, you know, 
he literally just,

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he can do all of the things.

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- Was he the 
farmer-scientist type?

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- Oh, he's very 
much a scientist.

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Being around him is 
very inspirational.

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I learn stuff.

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We have coffee every week,

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and I learn things from him 
every time I'm with him.

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He is one of my favorite people

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and generous to a fault 
and just brilliant.

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So from him, I think, 
and my mom as well,

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I kind of got this attitude of

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if it needs to be 
done, you do it,

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and do it with the 
things you have.

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- So there was no box.

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You could always color 
outside the lines

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or inside the lines, 
so there was no box.

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And that way, you can grow 
as a person and as an artist.

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- Yeah, and so, you know, 
resourcefulness was,

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and it still remains 
a thing for me,

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even in furniture that I 
build or pipes that I make.

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I a lot of times use materials

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that I've found 
(rooster crowing)

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or are laying around, or 
sometimes they're unlikely.

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They're almost 
trash, if you will.

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And I like to find a way 
to kind of redeem the thing

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that has been kicked to the side

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and see if I can find 
usefulness in it.

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- Grant, from the sounds 
that I just heard,

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you're also a gentleman farmer.

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- Yeah, I'm gonna 
go ring his neck

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so we can keep this 
conversation going.

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Yeah, Joe is our rooster,

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and he takes care of 
about a dozen hens

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who lay eggs for us every day.

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It's really my wife's passion.

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(rooster continues crowing)

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He really wants to be 
in on this interview.

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(Charles laughs)

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So, but we love it.

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They're great.

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The grandkids love it.

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We let 'em out in the yard

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as long as they're not 
eating my wife's vegetables.

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- Making pipes,

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you make pipes 
that are in a style

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that is known internationally, 
and you've learned

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from some great pipe makers. 
- Oh, yeah.

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- How did you get on that path?

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- So it's kind of interesting.

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I'd love to say that my 
life's been very intentional

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and that I have had a 
great plan, you know,

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but the truth is you find 
yourself in a situation

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and improvising, adapting.

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It's kind of, I 
guess, my life story.

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I think it's probably 
most people's story.

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But pipe making for me was,

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it felt very much 
like an accident.

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It was an opportunity 
that I stumbled on.

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I was getting to the point

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where I needed to make 
a change from guitars.

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And there was a pipe maker

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who had seen our guitar work

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and asked if we could 
build a display cabinet

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for some of his work.

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And I was interested in it,

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but I'd forgotten about it.

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And this was maybe a year or 
two before I left the guitars.

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So I left the guitar business 
and kind of needed some work,

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and I remembered, "Oh, 
this guy's got a cabinet

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that needs to be built."

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And so I called him up,

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and through the 
course of that time,

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he started teaching 
me pipe making,

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and I didn't even 
know that was a thing.

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I thought you'd buy 
pipes out of a basket.

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In a tobacco store, 
they're 20 bucks,

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and they're made by 
some machine somewhere.

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But this guy's pipes 
were 10,000 bucks.

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- Wow.

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- And it blew my mind.

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I had no idea.

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So he starts teaching 
me pipe making,

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and I'm doing other 
things as well, you know.

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I was building out 
kitchen islands

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in, you know, custom homes,

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and I built some 
electric guitars.

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And I had a couple of other 
really interesting things

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I was working on, but 
nothing was really sticking.

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And the guitar 
business had been,

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it had worn me out.

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And so I found pipes

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kind of an unexpected joy.

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I really thought 
it would be boring.

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And in fact, when he told me,

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"Hey, you'd be really 
good at making pipes.

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You should make pipes," 
and I thought...

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00:11:15,900 --> 00:11:19,133
I think I even said to 
him, "It looks boring."

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00:11:19,133 --> 00:11:21,900
- (laughs) Well, there 
is a boring part.

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You've gotta bore a hole.

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00:11:23,266 --> 00:11:25,300
- That's true. 
- Yes.

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Or the pipe's just 
not gonna work, yes.

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00:11:27,333 --> 00:11:30,200
- That's right, there is some 
boring involved, for sure.

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00:11:30,200 --> 00:11:35,166
- (laughs) Well, what makes 
your pipes more than the pipe

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you were talking about that 
you saw in the tobacco shop

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that was probably 
made in assembly line?

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00:11:43,200 --> 00:11:46,166
- Well, so engineering 
is one of them,

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the way that the tobacco 
chamber and the airways

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and the fitting of things,

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and then, of course, 
materials too.

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So the materials that I use,

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all of the pipe makers that 
are in the high-grade world,

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00:12:03,233 --> 00:12:06,533
as we call it, they're using...

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This mouthpiece 
material is Ebonite,

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which is a vulcanized 
rubber product

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that comes out from two 
different companies in Germany.

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And then the briar is 
a high-quality briar

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that is typically coming 
out of Italy or Greece.

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00:12:25,900 --> 00:12:28,100
- Now, what is briar?

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- So briar is the root 
ball of a conifer tree.

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It's a conifer. It's 
called the white heath.

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And it's really kind of 
like this scrub brushy

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shrub that grows 
all over the place.

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And when I say Mediterranean,

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it's in Algeria, 
Morocco, Spain, Corsica.

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It's everywhere,

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and it just grows 
randomly in the foothills.

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And these guys will take 
their wooden wheelbarrows

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and their pickaxes, and they'll 
climb up into the foothills,

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and they'll pick 
it out of the dirt.

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And half of the root 
ball is exposed.

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- So there is a briar patch.

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- Very much. 
- Yeah.

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00:13:06,000 --> 00:13:09,900
- Yeah, and then they'll 
cut these balls out

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and cut all the little 
roots off of them,

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00:13:11,466 --> 00:13:15,300
and they're usually cantaloupe 
to watermelon in size.

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00:13:15,300 --> 00:13:19,866
And they'll roll 'em down 
to the edge of the road,

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and then a little 
truck comes along,

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and he'll buy them from them, 
and they'll load 'em up.

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And then he'll drive 
them to a briar cutter,

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and they'll open up this big,

251
00:13:31,833 --> 00:13:34,233
usually it's a basement 
or some type of,

252
00:13:34,233 --> 00:13:37,566
you know, dark 
area in their shop.

253
00:13:37,566 --> 00:13:39,233
And they'll dump that,

254
00:13:40,900 --> 00:13:43,433
and then they wet them down, 
and it's a curing process.

255
00:13:43,433 --> 00:13:46,166
They'll cut them, and 
then they'll boil them.

256
00:13:46,166 --> 00:13:48,333
They're trying to get tannins 
and things out of them.

257
00:13:48,333 --> 00:13:50,866
But it's usually about 
a three-year process

258
00:13:50,866 --> 00:13:53,533
to get the briar from the earth

259
00:13:53,533 --> 00:13:56,000
and to the point where 
they can ship them

260
00:13:56,000 --> 00:13:57,333
to someone like me.

261
00:13:57,333 --> 00:13:58,900
- Grant, can you take 
me down to the shop?

262
00:13:58,900 --> 00:14:00,200
Can you show me- 
- Absolutely.

263
00:14:00,200 --> 00:14:01,200
- How you do it? 
- I would love to.

264
00:14:01,200 --> 00:14:02,033
Let's do it.

265
00:14:02,033 --> 00:14:04,033
- All right, let's go.

266
00:14:04,033 --> 00:14:09,000
(playful upbeat music) 
(logo swooshing)

267
00:14:18,233 --> 00:14:21,766
(slow gentle guitar music)

268
00:14:30,733 --> 00:14:35,100
(slow gentle guitar 
music continues)

269
00:14:37,200 --> 00:14:39,800
Well, this is briar. 
(logo swooshing)

270
00:14:39,800 --> 00:14:40,833
- Yes, sir.

271
00:14:40,833 --> 00:14:43,766
- And I can see the grain.

272
00:14:43,766 --> 00:14:44,900
It's tight.

273
00:14:44,900 --> 00:14:46,166
- [Grant] It's very tight.

274
00:14:46,166 --> 00:14:48,766
- Yeah, it's got a 
little heft to it too.

275
00:14:48,766 --> 00:14:50,333
- It's very dense, yeah.

276
00:14:50,333 --> 00:14:54,766
- What makes briar 
the special wood

277
00:14:54,766 --> 00:14:57,400
to make a pipe chamber out of?

278
00:14:57,400 --> 00:15:00,400
- So, someone way older

279
00:15:00,400 --> 00:15:02,500
and smarter than me 
somehow figured out,

280
00:15:02,500 --> 00:15:07,300
like the mushrooms we 
were talking about,

281
00:15:07,300 --> 00:15:08,933
which ones do you eat, 
which ones you don't.

282
00:15:08,933 --> 00:15:10,933
- Yeah. 
- So somehow, somewhere,

283
00:15:10,933 --> 00:15:13,166
they figured out 
that the density,

284
00:15:13,166 --> 00:15:18,133
the properties of this wood, 
this combustible material,

285
00:15:18,900 --> 00:15:20,100
are actually quite ideal

286
00:15:20,100 --> 00:15:22,366
to light something 
on fire inside of

287
00:15:22,366 --> 00:15:23,700
and have it not burn up.

288
00:15:23,700 --> 00:15:27,933
So, as it burns the tobacco,

289
00:15:27,933 --> 00:15:32,100
it begins to create 
this kind of a coating,

290
00:15:32,100 --> 00:15:36,133
a caked layer on the inside

291
00:15:36,133 --> 00:15:39,033
of what we call 
a tobacco chamber

292
00:15:39,033 --> 00:15:42,266
that insulates the rest 
of it from burning up.

293
00:15:42,266 --> 00:15:44,733
And it's just the ideal wood.

294
00:15:44,733 --> 00:15:45,966
Pipes have been 
made of everything,

295
00:15:45,966 --> 00:15:49,100
stone and cherry and pine

296
00:15:49,100 --> 00:15:51,566
and, you know, willow 
and all kinds of things.

297
00:15:51,566 --> 00:15:55,233
But briar is, it's the one.

298
00:15:55,233 --> 00:15:56,500
It's the chosen one.

299
00:15:56,500 --> 00:16:01,233
- Well, it's got an 
interesting look to it.

300
00:16:01,233 --> 00:16:02,366
What's this? 
- Yeah.

301
00:16:02,366 --> 00:16:04,400
This is the live bark edge.

302
00:16:04,400 --> 00:16:06,033
We call it plateau.

303
00:16:06,033 --> 00:16:07,366
This one's actually 
got a little bit

304
00:16:07,366 --> 00:16:11,933
of a rough loose-grain pattern.

305
00:16:11,933 --> 00:16:15,233
So while all of 
them have a dense,

306
00:16:15,233 --> 00:16:19,433
very close grain structure, 
some are looser than others,

307
00:16:19,433 --> 00:16:22,700
and you can tell kind of by 
the bird's eye on the plateau.

308
00:16:22,700 --> 00:16:25,633
This one's one 
that's got tighter...

309
00:16:25,633 --> 00:16:27,366
And then you, of 
course, I've got some

310
00:16:27,366 --> 00:16:30,100
that are much tighter.

311
00:16:30,100 --> 00:16:31,533
If you can look 
at the difference,

312
00:16:31,533 --> 00:16:33,833
the closeness of 
those bird's eye-

313
00:16:33,833 --> 00:16:36,033
- Yeah. 
- Compared to those.

314
00:16:36,033 --> 00:16:37,133
And this is actually going

315
00:16:37,133 --> 00:16:39,700
to be a much more 
expensive block,

316
00:16:39,700 --> 00:16:40,833
and it's going to produce

317
00:16:40,833 --> 00:16:44,600
a much more beautifully 
aesthetic pipe.

318
00:16:44,600 --> 00:16:46,366
- So when you look at this,

319
00:16:46,366 --> 00:16:50,566
how can you tell where 
the chamber needs to be?

320
00:16:50,566 --> 00:16:53,000
- [Grant] So typically, 
I'm not as concerned

321
00:16:53,000 --> 00:16:54,433
about the location 
of the chamber

322
00:16:54,433 --> 00:16:56,766
because the makeup of this wood,

323
00:16:56,766 --> 00:16:58,166
it does fine wherever it is.

324
00:16:58,166 --> 00:16:59,900
- I see. 
- But what I'm really gonna go

325
00:16:59,900 --> 00:17:04,666
for is I'm gonna try 
to follow the pattern

326
00:17:04,666 --> 00:17:07,233
of the starbursting grain.

327
00:17:07,233 --> 00:17:09,266
It's growing from 
the center out.

328
00:17:09,266 --> 00:17:10,966
It's round.

329
00:17:10,966 --> 00:17:14,233
I'm gonna try to follow 
it in either a cross grain

330
00:17:14,233 --> 00:17:18,066
or a lateral grain

331
00:17:19,500 --> 00:17:22,200
so that I can draw out 
the absolute beauty of it.

332
00:17:22,200 --> 00:17:25,266
I don't want to really 
cut through the grain.

333
00:17:25,266 --> 00:17:26,833
I wanna follow along with it.

334
00:17:26,833 --> 00:17:29,033
So as I'm making this,

335
00:17:29,033 --> 00:17:31,033
I can try to have 
a shape in my brain

336
00:17:31,033 --> 00:17:33,733
about what I'm gonna make,

337
00:17:33,733 --> 00:17:36,266
but I find that 
when I sit there,

338
00:17:36,266 --> 00:17:38,966
the wood itself 
begins to tell me,

339
00:17:40,700 --> 00:17:43,033
"You can't do that. 
You gotta go this way."

340
00:17:43,033 --> 00:17:45,266
And so I'm constantly 
making decisions based

341
00:17:45,266 --> 00:17:47,000
on what the wood's 
telling me to do.

342
00:17:47,000 --> 00:17:50,233
- So the artistry is 
to listen and to look.

343
00:17:50,233 --> 00:17:51,700
- Yep. 
- Feel.

344
00:17:51,700 --> 00:17:52,833
Use your senses.

345
00:17:52,833 --> 00:17:53,800
- That's right,

346
00:17:53,800 --> 00:17:56,033
yeah, paying attention to it.

347
00:17:56,033 --> 00:17:57,933
You can make a pretty pipe.

348
00:17:57,933 --> 00:18:00,066
Briar's pretty no matter what,

349
00:18:00,066 --> 00:18:03,533
but if you're really 
paying attention to it,

350
00:18:03,533 --> 00:18:06,400
you can draw out the 
absolute best of it.

351
00:18:06,400 --> 00:18:08,100
And that's the challenge 
every time I sit down.

352
00:18:08,100 --> 00:18:10,233
In fact, I've been 
intimidated by blocks.

353
00:18:10,233 --> 00:18:12,500
I've picked up a very 
expensive, beautiful block,

354
00:18:12,500 --> 00:18:16,133
and I think, "Oh my, I've 
never seen one this good.

355
00:18:16,133 --> 00:18:18,533
Don't mess it up," you know?

356
00:18:18,533 --> 00:18:21,300
And I have messed 
them up, you know, so.

357
00:18:21,300 --> 00:18:22,500
- Well, let's see how you do it.

358
00:18:22,500 --> 00:18:24,866
- Okay, I'd love to show you.

359
00:18:24,866 --> 00:18:26,633
Feel free to put the masks on.

360
00:18:26,633 --> 00:18:27,900
I'm not gonna wear one.

361
00:18:27,900 --> 00:18:29,166
I never do.

362
00:18:29,166 --> 00:18:30,966
This dust collection 
does a pretty good job.

363
00:18:34,500 --> 00:18:37,700
(playful upbeat music)

364
00:18:46,666 --> 00:18:50,700
(playful upbeat music continues)

365
00:18:59,700 --> 00:19:04,200
(playful upbeat music continues)

366
00:19:04,200 --> 00:19:06,333
So now I've kind of 
made some decisions

367
00:19:06,333 --> 00:19:10,000
about what the 
grain needs from me,

368
00:19:10,000 --> 00:19:12,333
and now I'm gonna really try

369
00:19:12,333 --> 00:19:16,466
to just begin to refine 
a shape out of it

370
00:19:16,466 --> 00:19:19,100
once I've exposed 
most of the grain.

371
00:19:20,233 --> 00:19:23,033
(machine buzzing)

372
00:19:24,066 --> 00:19:26,066
- Wow, that's a great shape.

373
00:19:26,066 --> 00:19:27,600
It really is.

374
00:19:27,600 --> 00:19:30,033
Is this kind of a classic shape?

375
00:19:30,033 --> 00:19:34,133
- So this would probably fall 
into the Dublin category.

376
00:19:34,133 --> 00:19:39,100
Dublins tend to have a 
flared outward chamber,

377
00:19:40,466 --> 00:19:42,433
but it's very much a 
freehand style of a Dublin.

378
00:19:42,433 --> 00:19:47,066
So what I like about this

379
00:19:47,066 --> 00:19:49,466
is having the 
plateau on the top,

380
00:19:50,700 --> 00:19:54,100
revealing the bird's 
eye, and then having...

381
00:19:54,100 --> 00:19:56,833
You'll have what's called 
a panel on the bottom side,

382
00:19:56,833 --> 00:19:58,366
and this will all be bird's eye.

383
00:19:58,366 --> 00:20:03,033
But then here, if you can 
see the pattern of the grain,

384
00:20:03,700 --> 00:20:04,666
it flares out.

385
00:20:04,666 --> 00:20:06,066
- Yeah, yeah.

386
00:20:06,066 --> 00:20:08,833
- And I've tried to create 
the shape, the taper-

387
00:20:08,833 --> 00:20:11,500
- Wow. 
- So that it perfectly exposes

388
00:20:11,500 --> 00:20:12,700
the lines of that-

389
00:20:14,533 --> 00:20:16,500
- Kind of lifts up. 
- Grain structure.

390
00:20:16,500 --> 00:20:19,833
- Yeah, and then do you leave 
a little bit of live edge?

391
00:20:19,833 --> 00:20:23,433
- I do. I like to leave 
live edge as often as I can,

392
00:20:23,433 --> 00:20:24,933
and sometimes you can't.

393
00:20:24,933 --> 00:20:27,333
Sometimes it has to go away 
for the shape to be right.

394
00:20:27,333 --> 00:20:29,566
Every time it goes away, though, 
I'm a little disappointed.

395
00:20:29,566 --> 00:20:34,533
I like to leave live 
edge because this 
is a luxury product.

396
00:20:36,133 --> 00:20:38,433
You know, I've made a lot of 
luxury products through time,

397
00:20:38,433 --> 00:20:42,433
and it's got a big 
price tag on it.

398
00:20:43,733 --> 00:20:48,266
And for me, sometimes 
you lose the story.

399
00:20:49,166 --> 00:20:50,233
This has a story.

400
00:20:51,500 --> 00:20:55,000
This was in the dirt on 
the side of a mountain,

401
00:20:55,000 --> 00:20:58,033
and some relatively poor people

402
00:20:58,033 --> 00:21:00,333
with wooden wheelbarrows 
came through,

403
00:21:00,333 --> 00:21:02,333
and they pickaxed 
it out of the ground

404
00:21:02,333 --> 00:21:04,166
and rolled it down the hill.

405
00:21:04,166 --> 00:21:07,733
And it, to me, it's a reminder.

406
00:21:07,733 --> 00:21:10,166
Having that live 
edge reminds someone

407
00:21:10,166 --> 00:21:15,133
that this is an organic plant 
that came from somewhere.

408
00:21:16,366 --> 00:21:20,866
And now it's been given 
a different purpose now,

409
00:21:20,866 --> 00:21:22,600
but it's got a story.

410
00:21:22,600 --> 00:21:23,966
- You're celebrating that story.

411
00:21:23,966 --> 00:21:24,933
- Yeah, yeah.

412
00:21:24,933 --> 00:21:26,033
- Yeah, you do it beautifully.

413
00:21:26,033 --> 00:21:27,933
Well, what's the next step?

414
00:21:27,933 --> 00:21:29,400
- So the next step will be,

415
00:21:29,400 --> 00:21:34,366
I will draw four axis lines

416
00:21:35,900 --> 00:21:38,966
around this thing intersecting 
so that I can hand drill it.

417
00:21:38,966 --> 00:21:43,600
Here is actually eyeballing 
a perfectly straight line

418
00:21:43,600 --> 00:21:47,066
around a very curved 
substrate, I guess,

419
00:21:49,733 --> 00:21:52,333
because if your line is off,

420
00:21:54,000 --> 00:21:56,166
your drilling is off.

421
00:21:56,166 --> 00:22:01,033
And you can really make 
a bad go of this ordeal.

422
00:22:02,600 --> 00:22:05,766
So, trying to really make sure 
that it's perfectly straight.

423
00:22:05,766 --> 00:22:08,300
So I'm kind of 
closing one eye here,

424
00:22:08,300 --> 00:22:10,900
and what I'm doing is, 
as I rotate around,

425
00:22:10,900 --> 00:22:12,700
I'm kind of like interpolating.

426
00:22:14,033 --> 00:22:18,566
It's funny when I'm 
teaching woodworking stuff

427
00:22:18,566 --> 00:22:21,700
in other venues,

428
00:22:23,000 --> 00:22:25,766
I emphasize not to skip grits.

429
00:22:25,766 --> 00:22:27,066
- Right, yes. 
(Grant laughs)

430
00:22:27,066 --> 00:22:30,133
- And then here I am 
going from 24 to 120.

431
00:22:40,133 --> 00:22:44,233
And now we're ready 
to drill it out.

432
00:22:44,233 --> 00:22:45,100
- [Charles] Let's do it.

433
00:22:45,100 --> 00:22:46,533
- Let's do it.

434
00:22:46,533 --> 00:22:51,266
So each line is very 
intentionally placed

435
00:22:51,266 --> 00:22:55,966
and has to intersect with 
its counterpart perfectly

436
00:22:55,966 --> 00:22:58,366
for the engineering that 
we talked about earlier

437
00:22:58,366 --> 00:22:59,766
to be spot on.

438
00:22:59,766 --> 00:23:00,833
So the first one 
that we're going

439
00:23:00,833 --> 00:23:02,800
to drill is called the mortise,

440
00:23:02,800 --> 00:23:06,366
and it will need 
to be perpendicular

441
00:23:06,366 --> 00:23:08,200
to the very end of this shank,

442
00:23:08,200 --> 00:23:09,966
and it also needs to 
be straight this way.

443
00:23:09,966 --> 00:23:14,133
You don't want some weird-angle 
mouthpiece coming out.

444
00:23:14,133 --> 00:23:19,100
And the mouthpiece is 
a friction fit into,

445
00:23:20,966 --> 00:23:24,066
this is called the stumble 
or the body of the pipe.

446
00:23:24,066 --> 00:23:26,733
And so, we'll first 
drill the mortise,

447
00:23:26,733 --> 00:23:29,400
and then we drill the airway.

448
00:23:29,400 --> 00:23:31,733
And I really need that airway

449
00:23:31,733 --> 00:23:35,266
to be right in the center of 
the bottom of that mortise.

450
00:23:35,266 --> 00:23:38,100
And then it needs to be in 
the center of the bottom

451
00:23:38,100 --> 00:23:41,066
of the corresponding 
tobacco chamber.

452
00:23:41,066 --> 00:23:44,333
- To get those holes 
that you're gonna bore

453
00:23:44,333 --> 00:23:46,233
to all come together 
at the right place,

454
00:23:46,233 --> 00:23:48,333
that's a boring proposition.

455
00:23:48,333 --> 00:23:50,366
(Grant chuckles)

456
00:23:50,366 --> 00:23:52,000
- Am I boring you?

457
00:23:52,000 --> 00:23:52,933
- You're gonna be boring it.

458
00:23:52,933 --> 00:23:55,000
- Okay, here we go. Let's do it.

459
00:23:55,000 --> 00:23:58,333
(machine whirring)

460
00:23:58,333 --> 00:24:01,433
(playful upbeat music)

461
00:24:10,400 --> 00:24:14,466
(playful upbeat music continues)

462
00:24:23,466 --> 00:24:25,466
(playful upbeat music continues)

463
00:24:25,466 --> 00:24:26,700
So I connected.

464
00:24:26,700 --> 00:24:28,166
That's good.

465
00:24:28,166 --> 00:24:31,000
- So it's not too long 
before this will be a pipe.

466
00:24:31,000 --> 00:24:32,166
- Yeah, that's right.

467
00:24:32,166 --> 00:24:33,866
So I've got a little 
sanding to do.

468
00:24:33,866 --> 00:24:35,800
I've got some 
special sanding disks

469
00:24:35,800 --> 00:24:38,666
that I've made for 
this next step.

470
00:24:38,666 --> 00:24:40,500
A mouthpiece I'll make.

471
00:24:40,500 --> 00:24:43,166
I'll probably put some 
type of adornment up here,

472
00:24:44,133 --> 00:24:45,500
but pretty long-

473
00:24:46,400 --> 00:24:47,866
- It's gonna be a pipe.

474
00:24:47,866 --> 00:24:50,333
- Yeah, it's gonna be a pipe. 
(Charles laughs)

475
00:24:50,333 --> 00:24:52,066
- This has been wonderful.

476
00:24:52,066 --> 00:24:53,033
- Yes, it has.

477
00:24:53,033 --> 00:24:54,366
Thank you so much for coming.

478
00:24:56,900 --> 00:24:58,500
- I'm gonna be 
heading down the road

479
00:24:58,500 --> 00:25:01,900
to find a story of 
another great woodworker.

480
00:25:01,900 --> 00:25:05,066
See you next time on the 
"Volunteer Woodworker."

481
00:25:06,066 --> 00:25:08,466
(door slams)

482
00:25:08,466 --> 00:25:11,666
(playful upbeat music)

483
00:25:20,533 --> 00:25:24,566
(playful upbeat music continues)

484
00:25:24,566 --> 00:25:28,100
- [Announcer] "Volunteer 
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485
00:25:28,100 --> 00:25:30,600
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486
00:25:30,600 --> 00:25:33,100
has been producing 
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487
00:25:33,100 --> 00:25:34,866
in Claremont, North Carolina.

488
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489
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490
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491
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493
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494
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495
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496
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497
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500
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501
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503
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crafters of resin-on-wood 
decorative arts.

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Visit charlesbrockchairmaker.com

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for all you need to 
know about woodworking.

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If you'd like to 
learn even more,

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free classes in a variety 
of subjects are available

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for streaming from 
charlesbrockchairmaker.com.

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(gentle upbeat music)

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(upbeat music)